Academy Awards: Difference between revisions
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{{Short description|Annual awards for cinematic achievements}} | {{Short description|Annual awards for cinematic achievements}} | ||
{{Redirect-multi|2|Oscars|The Oscar|other uses|Oscar}} | |||
{{pp-move}} | {{pp-move}} | ||
{{Use American English|date=March 2025}} | {{Use American English|date=March 2025}} | ||
{{Use mdy dates|date=March 2025}} | {{Use mdy dates|date=March 2025}} | ||
{{Infobox award | {{Infobox award | ||
| name | | name = Academy Awards | ||
| previous_awards = 97th Academy Awards | | previous_awards = 97th Academy Awards | ||
| previous_date | | previous_date = {{start date|2025|3|2}} | ||
| pending_awards | | pending_awards = | ||
| pending_date | | pending_date = | ||
| next_awards | | next_awards = 98th Academy Awards | ||
| next_date | | next_date = {{start date|2026|3|15}} | ||
| image | | image = Oscars logo.svg | ||
| image_size | | image_size = 270 | ||
| image2 | | image2 = | ||
| alt | | alt = | ||
| caption | | caption = The Oscars logo | ||
| caption2 | | caption2 = | ||
| awarded_for | | awarded_for = Excellence in the [[film industry]] | ||
| presenter | | presenter = [[Academy of Motion Picture Arts and Sciences]] | ||
| country | | country = United States | ||
| firstawarded | | firstawarded = {{Start date and age|1929|5|16}} | ||
| network | | network = | ||
| website | | website = {{URL|https://oscars.org}} | ||
}} | }} | ||
{{Infobox election | {{Infobox election | ||
| election_name = Most recent Academy Award winners | | election_name = Most recent Academy Award winners | ||
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| 1data1 = [[Academy Award for Best Actor|Best Actor]] | | 1data1 = [[Academy Award for Best Actor|Best Actor]] | ||
| 2data1 = [[Adrien Brody]]<br>(''[[The Brutalist]]'') | | 2data1 = [[Adrien Brody]]<br>(''[[The Brutalist]]'') | ||
| image2 = Mikey Madison at the 2024 | | image2 = Mikey Madison at the 2024 New York Film Festival 2 (cropped 4).jpg | ||
| image2_size = 160x160px | | image2_size = 160x160px | ||
| 1data2 = [[Academy Award for Best Actress|Best Actress]] | | 1data2 = [[Academy Award for Best Actress|Best Actress]] | ||
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| image7 = Sean Baker at the 2024 Toronto International Film Festival 2 (cropped).jpg | | image7 = Sean Baker at the 2024 Toronto International Film Festival 2 (cropped).jpg | ||
| image7_size = 160x160px | | image7_size = 160x160px | ||
| 1data7 = [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Director]], [[Academy Award for Best Original Screenplay|Original Screenplay]] | | 1data7 = [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Director]], [[Academy Award for Best Original Screenplay|Original Screenplay]], [[Academy Award for Best Film Editing|Film Editing]] | ||
| 2data7 = [[Sean Baker]]<br>(''[[Anora]]'') | | 2data7 = [[Sean Baker]]<br>(''[[Anora]]'') | ||
| image8 = Alex Coco and Samantha Quan at the 2024 New York Film Festival (cropped).jpg | | image8 = Alex Coco and Samantha Quan at the 2024 New York Film Festival (cropped).jpg | ||
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| after_election = ''[[Anora]]'' | | after_election = ''[[Anora]]'' | ||
}} | }} | ||
The '''Academy Awards''', commonly known as the '''Oscars''', are awards for artistic and technical merit in [[film]].<ref name="history"/><ref>{{cite web |last=Balaga |first=Marta |date=March 6, 2024 |title=How a More International Oscars Could Change Future Awards Seasons |url=https://variety.com/2024/awards/awards/oscars-global-filmmakers-1235929184/ |access-date=March 6, 2024 |website=[[Variety (magazine)|Variety]]}}</ref> They are presented annually by the [[Academy of Motion Picture Arts and Sciences]] (AMPAS) in the United States in recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership.<ref>{{cite web |last=Feinberg |first=Scott |date=January 20, 2020 |title=Oscars: What the '1917' PGA Win and 'Parasite' SAG Win Mean for Best Picture |url=https://www.hollywoodreporter.com/news/general-news/oscars-2020-what-1917-pga-win-parasite-sag-win-means-best-picture-1271371/ |url-status=live |archive-url=https://web.archive.org/web/20230111050650/https://www.hollywoodreporter.com/news/general-news/oscars-2020-what-1917-pga-win-parasite-sag-win-means-best-picture-1271371/ |archive-date=January 11, 2023 |access-date=February 5, 2023 |website=[[The Hollywood Reporter]]}}</ref> The Oscars are widely considered to be the most prestigious awards in the [[History of cinema|film industry]].<ref>Attributed to multiple references: {{blist|{{cite news |last=Mifflin |first=Lawrie |date=May 22, 1995 |title=More Awards Programs, More Winners, More Money |url=https://www.nytimes.com/1995/05/22/business/more-awards-programs-more-winners-more-money.html |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20130531221804/https://www.nytimes.com/1995/05/22/business/more-awards-programs-more-winners-more-money.html |archive-date=May 31, 2013 |access-date=March 14, 2024 |newspaper=[[The New York Times]] |issn=0362-4331 |quote=People love the Academy Awards — the celebrities, the music, the jokes and the suspense of the most prestigious awards program in show business.}}|{{cite web |date=February 26, 2017 |title=What are the Oscars and BAFTAs and what's the difference? |url=https://www.bbc.co.uk/newsround/25761294 |url-status=live |archive-url=https://web.archive.org/web/20140120005827/https://www.bbc.co.uk/newsround/25761294 |archive-date=January 20, 2014 |access-date=April 5, 2022 |publisher=[[BBC News]] |quote=The Oscars are thought to be the most prestigious film awards in the world.}}|{{cite news |last=Whipp |first=Glenn |date=January 9, 2023 |title=Awards show power rankings, from worst to first |url=https://www.latimes.com/entertainment-arts/awards/story/2023-01-09/ranking-awards-shows-oscars-golden-globes |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20230109142354/https://www.latimes.com/entertainment-arts/awards/story/2023-01-09/ranking-awards-shows-oscars-golden-globes |archive-date=January 9, 2023 |access-date=March 14, 2024 |newspaper=[[Los Angeles Times]] |issn=0458-3035 |quote=1. The Oscars}}|{{cite web |last=Vega |first=Nicolas |date=March 26, 2022 |title=The Oscar statuette is the most prestigious prize in Hollywood—here's why it's only worth $1 |url=https://www.cnbc.com/2022/03/26/why-oscar-statuettes-are-only-worth-1-dollar.html |url-status=live |archive-url=https://web.archive.org/web/20220326131849/https://www.cnbc.com/2022/03/26/why-oscar-statuettes-are-only-worth-1-dollar.html |archive-date=March 26, 2022 |access-date=April 5, 2022 |publisher=[[CNBC]] |quote=Winning an Academy Award is often considered the most prestigious honor you can receive in Hollywood.}}|{{cite news |last=Rao |first=Sonia |date=April 16, 2021 |title=Why do the Oscars matter? |url=https://www.washingtonpost.com/arts-entertainment/2021/04/16/oscars-academy-award-significance/ |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20210416115445/https://www.washingtonpost.com/arts-entertainment/2021/04/16/oscars-academy-award-significance/ |archive-date=April 16, 2021 |access-date=May 12, 2021 |newspaper=[[The Washington Post]] |issn=0190-8286 |quote=They are, after all, the most extravagant of award shows, considered important enough for an adjacent industry of publicists and marketing experts to devote months to campaigning, and entertaining enough for a broadcast television network to allocate hours of Sunday night airtime to the ceremony.}}|{{cite web |last=Torres |first=Libby |date=January 21, 2020 |title=The 18 best Oscar hosts of all time, ranked |url=https://www.businessinsider.com/best-oscars-hosts-all-time-2018-1 |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20180201000806/https://www.businessinsider.com/best-oscars-hosts-all-time-2018-1 |archive-date=February 1, 2018 |access-date=March 14, 2024 |website=[[Business Insider]] |quote=The Academy Awards are Hollywood's biggest night, and celebrate achievements in cinema by A-list stars and directors.}}|{{cite web |last=Wilkinson |first=Alissa |date=March 2, 2022 |title=The Oscars can't quite decide if they're about America or the whole world |url=https://www.vox.com/22949629/oscars-international-hollywood-global-drive-car-worst-person-parasite |url-status=live |archive-url=https://web.archive.org/web/20220302140959/https://www.vox.com/22949629/oscars-international-hollywood-global-drive-car-worst-person-parasite |archive-date=March 2, 2022 |access-date=March 14, 2024 |website=[[Vox (website)|Vox]] |quote=And are the Oscars, given out by Hollywood's most prestigious professional association, the biggest prize in the world — or just in America?}}|{{cite web |last=Kenyon |first=Sandy |date=February 6, 2020 |title=Oscars campaigning: How do studios lobby for Academy Awards? |url=https://abc7news.com/entertainment-sandy-kenyon-oscars-academy-awards/5905688/ |url-status=live |archive-url=https://web.archive.org/web/20200407184349/https://abc7news.com/entertainment-sandy-kenyon-oscars-academy-awards/5905688/ |archive-date=April 7, 2020 |access-date=March 14, 2024 |publisher=[[KGO-TV|ABC 7]] |quote=The Oscar has always been the most prestigious award in all of show business, but now it's also the most valuable.}}|{{cite news |last=Davies |first=Hannah J. |date=March 28, 2022 |title=Stage frights: five of the most shocking moments in Oscars history |url=https://www.theguardian.com/film/2022/mar/28/stage-frights-five-of-the-most-shocking-moments-in-oscars-history |url-status=live |archive-url=https://web.archive.org/web/20220328160417/https://www.theguardian.com/film/2022/mar/28/stage-frights-five-of-the-most-shocking-moments-in-oscars-history |archive-date=March 28, 2022 |access-date=March 14, 2024 |newspaper=[[The Guardian]] |issn=0261-3077 |quote=Will Smith isn't the only actor to cause consternation at the world's most coveted film awards.}}|{{cite web |last=Starkey |first=Adam |date=January 23, 2023 |title=Who has won the most Oscars? |url=https://www.nme.com/news/film/who-won-most-oscars-3382332 |url-status=live |archive-url=https://web.archive.org/web/20230124013232/https://www.nme.com/news/film/who-won-most-oscars-3382332 |archive-date=January 24, 2023 |access-date=March 14, 2024 |website=[[NME]] |quote=The Academy Awards, better known as the Oscars, is seen as the most prestigious award show in the film industry.}}|{{cite web |last=Shrader |first=Natalie |date=March 14, 2023 |title=14 UNCSA connections to 2023 Oscar-winning films |url=https://www.uncsa.edu/news/20230314-oscars-connections.aspx |url-status=live |archive-url=https://web.archive.org/web/20230314203242/https://www.uncsa.edu/news/20230314-oscars-connections.aspx |archive-date=March 14, 2023 |access-date=March 14, 2024 |publisher=[[University of North Carolina School of the Arts]] |quote=The Academy Awards, better known as the Oscars, are regarded as the most prestigious and significant awards in the entertainment industry.}}}}</ref> | |||
The major award categories, known as the ''Academy Awards of Merit'',<ref>{{cite web |title=96th Academy Awards of Merit |url=https://www.oscars.org/sites/oscars/files/96o_complete_rules.pdf |url-status=live |archive-url=https://web.archive.org/web/20230502004252/https://www.oscars.org/sites/oscars/files/96o_complete_rules.pdf |archive-date=May 2, 2023 |access-date=April 4, 2024 |publisher=[[Academy of Motion Picture Arts and Sciences]]}}</ref> are presented during a live televised [[Hollywood, Los Angeles|Hollywood]] ceremony in February or March. It is the oldest worldwide entertainment awards ceremony.<ref name="history"/> The [[1st Academy Awards]] were held in 1929.<ref>{{cite magazine |last=Essex |first=Andrew |date=May 14, 1999 |title=The Birth of Oscar |url=https://ew.com/article/1999/05/14/birth-oscar/ |magazine=[[Entertainment Weekly]] |url-status=live |archive-url=https://web.archive.org/web/20150406040824/https://www.ew.com/article/1999/05/14/birth-oscar |archive-date=April 6, 2015 |access-date=March 2, 2011}}</ref> The [[2nd Academy Awards|second ceremony]], in 1930, was the first to be broadcast by radio, and the [[25th Academy Awards|1953 ceremony]] was the first to be televised.<ref name="history"/> It is the oldest of the [[EGOT|four major annual American entertainment awards]]. Its counterparts — the [[Emmy Awards]] for [[Television in the United States|television]], the [[Tony Awards]] for [[Theater in the United States|theater]], and the [[Grammy Awards]] for [[Music of the United States|music]] — are modeled after the Academy Awards.<ref>{{cite web |last=Monush |first=Barry |date=February 9, 2012 |title=The Lure of Oscar: A Look at the Mightiest of All Award Shows, the Academy Awards |url=https://www.paleycenter.org/p-the-mightiest-of-all-award-shows-the-academy-awards-2/ |url-status=live |archive-url=https://web.archive.org/web/20201116212309/https://www.paleycenter.org/perspectives/hide-from-left-nav/p-the-mightiest-of-all-award-shows-the-academy-awards-2/ |archive-date=November 16, 2020 |access-date=October 29, 2019 |publisher=[[Paley Center for Media]]}}</ref> | |||
The Oscar statuette depicts a knight, rendered in the [[Art Deco]] style.<ref>{{cite magazine |last=Nichols |first=Chris |date=February 25, 2016 |title=Meet George Stanley, Sculptor of the Academy Award |magazine=[[Los Angeles (magazine)|Los Angeles Magazine]] |url=https://lamag.com/film/meet-george-stanley-sculptor-of-the-academy-award |url-status=live |access-date=November 6, 2017 |archive-url=https://web.archive.org/web/20231220104506/https://lamag.com/film/meet-george-stanley-sculptor-of-the-academy-award | archive-date=December 20, 2023}}</ref> | |||
== History == | == History == | ||
The [[1st Academy Awards|first Academy Awards]] presentation was held on May 16, 1929, at a private dinner function at the [[Hollywood Roosevelt Hotel]], with an audience of about 270 people.<ref>{{cite web |date=May 16, 1929 |title=The 1st Academy Awards {{!}} 1929 |url=https://www.oscars.org/oscars/ceremonies/1929 |url-status=live |archive-url=https://web.archive.org/web/20191001234905/https://www.oscars.org/oscars/ceremonies/1929 |archive-date=October 1, 2019 |access-date=October 29, 2019 |website=Oscars.org {{!}} Academy of Motion Picture Arts and Sciences}}</ref> | The [[1st Academy Awards|first Academy Awards]] presentation was held on May 16, 1929, at a private dinner function at the [[Hollywood Roosevelt Hotel]], with an audience of about 270 people.<ref>{{cite web |date=May 16, 1929 |title=The 1st Academy Awards {{!}} 1929 |url=https://www.oscars.org/oscars/ceremonies/1929 |url-status=live |archive-url=https://web.archive.org/web/20191001234905/https://www.oscars.org/oscars/ceremonies/1929 |archive-date=October 1, 2019 |access-date=October 29, 2019 |website=Oscars.org {{!}} Academy of Motion Picture Arts and Sciences}}</ref> | ||
The post-awards party was held at the Mayfair Hotel.<ref name="history"/> The cost of guest tickets for that night's ceremony was {{USD|5|long=no}} ({{Inflation|US|5|1929|r=0|fmt=eq|cursign=$}}). Fifteen statuettes were awarded, honoring artists, directors, and other participants in the film-making industry of the time, for their works during the 1927–28 period. The ceremony ran for 15{{spaces}}minutes. | The post-awards party was held at the [[Mayfair Hotel (Los Angeles)|Mayfair Hotel]].<ref name="history"/> The cost of guest tickets for that night's ceremony was {{USD|5|long=no}} ({{Inflation|US|5|1929|r=0|fmt=eq|cursign=$}}). Fifteen statuettes were awarded, honoring artists, directors, and other participants in the film-making industry of the time, for their works during the 1927–28 period. The ceremony ran for 15{{spaces}}minutes. | ||
For this first ceremony, winners were announced to the media three months earlier.<ref>{{cite web |title=First Academy Awards announced |url=https://www.history.com/this-day-in-history/first-academy-awards-announced |access-date=May 22, 2024 |website=HISTORY |date=November 13, 2009 |language=en}}</ref> For the second ceremony in 1930, and the rest of the first decade, the results were given to newspapers for publication at 11:00{{spaces}}pm on the night of the awards.<ref name="history"/> In 1940, the ''[[Los Angeles Times]]'' announced the winners before the ceremony began. As a result, in 1941 the Academy started using a sealed envelope to reveal the names of the winners.<ref name="history"/> | For this first ceremony, winners were announced to the media three months earlier.<ref>{{cite web |title=First Academy Awards announced |url=https://www.history.com/this-day-in-history/first-academy-awards-announced |access-date=May 22, 2024 |website=HISTORY |date=November 13, 2009 |language=en}}</ref> For the second ceremony in 1930, and the rest of the first decade, the results were given to newspapers for publication at 11:00{{spaces}}pm on the night of the awards.<ref name="history"/> In 1940, the ''[[Los Angeles Times]]'' announced the winners before the ceremony began. As a result, in 1941 the Academy started using a sealed envelope to reveal the names of the winners.<ref name="history"/> | ||
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Best Foreign Language Film, now known as [[Academy Award for Best International Feature Film|Best International Feature Film]], was introduced at the [[20th Academy Awards]] as a special award, and became a competitive category at the [[29th Academy Awards]].<ref>{{cite web |title=Academy Awards History |url=https://www.oscars.org/oscars/academy-awards-history |website=Academy of Motion Picture Arts and Sciences |access-date=January 26, 2025}}</ref> | Best Foreign Language Film, now known as [[Academy Award for Best International Feature Film|Best International Feature Film]], was introduced at the [[20th Academy Awards]] as a special award, and became a competitive category at the [[29th Academy Awards]].<ref>{{cite web |title=Academy Awards History |url=https://www.oscars.org/oscars/academy-awards-history |website=Academy of Motion Picture Arts and Sciences |access-date=January 26, 2025}}</ref> | ||
The 74th Academy Awards, held in 2002, presented the first [[Academy Award for Best Animated Feature]],<ref>{{cite news |date=February 28, 2014 |title=Disney hoping to win first Oscar for Best Animated Feature |work=New York Post |url=https://nypost.com/2014/02/28/disney-hoping-to-win-first-oscar-for-best-animated-feature/ |url-status=live |access-date=January 26, 2025 |archive-url=https://web.archive.org/web/20180419053447/https://nypost.com/2014/02/28/disney-hoping-to-win-first-oscar-for-best-animated-feature/ |archive-date=April 19, 2018}}</ref> won by [[Shrek]]. | The 74th Academy Awards, held in 2002, presented the first [[Academy Award for Best Animated Feature]],<ref>{{cite news |date=February 28, 2014 |title=Disney hoping to win first Oscar for Best Animated Feature |work=New York Post |url=https://nypost.com/2014/02/28/disney-hoping-to-win-first-oscar-for-best-animated-feature/ |url-status=live |access-date=January 26, 2025 |archive-url=https://web.archive.org/web/20180419053447/https://nypost.com/2014/02/28/disney-hoping-to-win-first-oscar-for-best-animated-feature/ |archive-date=April 19, 2018}}</ref> won by ''[[Shrek]]''. | ||
Since 1973, all Academy Awards ceremonies, except for 2021, have ended with the [[Academy Award for Best Picture]]. Traditionally, the previous year's winners for Best Actor and Best Supporting Actor present the awards for Best Actress and Best Supporting Actress, respectively, and [[vice versa]]. In 2009, this model was replaced by each acting award being introduced by five previous winners, each of whom introduces one of the nominated performances, referred to as the "Fab 5" presenters format.<ref>{{Cite magazine |last=Grein |first=Paul |date=2024-03-07 |title=Why the Oscars Are Bringing Back the 'Fab 5' Presenters Format from the 2009 Telecast |url=https://www.billboard.com/music/awards/oscars-creative-team-press-conference-fab-5-presenters-format-1235625336/ |access-date=2025-01-24 |magazine=Billboard |language=en-US}}</ref> The Fab 5 model returned in 2024 after a 15-year hiatus. | Since 1973, all Academy Awards ceremonies, except for 2021, have ended with the [[Academy Award for Best Picture]]. Traditionally, the previous year's winners for Best Actor and Best Supporting Actor present the awards for Best Actress and Best Supporting Actress, respectively, and [[vice versa]]. In 2009, this model was replaced by each acting award being introduced by five previous winners, each of whom introduces one of the nominated performances, referred to as the "Fab 5" presenters format.<ref>{{Cite magazine |last=Grein |first=Paul |date=2024-03-07 |title=Why the Oscars Are Bringing Back the 'Fab 5' Presenters Format from the 2009 Telecast |url=https://www.billboard.com/music/awards/oscars-creative-team-press-conference-fab-5-presenters-format-1235625336/ |access-date=2025-01-24 |magazine=Billboard |language=en-US}}</ref> The Fab 5 model returned in 2024 after a 15-year hiatus. | ||
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The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the [[C.W. Shumway & Sons]] Foundry in [[Batavia, Illinois|Batavia]], Illinois, which also contributed to casting the molds for the [[Vince Lombardi Trophy]] and [[Emmy Awards|Emmy Award]] statuettes. During the 1970s, the Oscar statues were cast in [[Crystal Lake, Illinois]].<ref>{{cite web |url=https://www.nytimes.com/1974/04/02/archives/oscar-night-also-big-one-for-a-factory-in-illinois-make-70-oscars.html/ |title=Oscar NiArchivedght Also Big One For a Factory in Illinois |work=New York Times |access-date=2024-12-19 |date=April 2, 1974 |archive-url=https://archive.today/20241219220233/https://www.nytimes.com/1974/04/02/archives/oscar-night-also-big-one-for-a-factory-in-illinois-make-70-oscars.html |archive-date=2024-12-19}}</ref> From 1983 to 2015,<ref>{{cite news |date=February 20, 2009 |title=Eladio Gonzalez sands and buffs Oscar #3453 |work=[[The Boston Globe]] |url=https://www.boston.com/bigpicture/2009/02/at_work.html#photo14 |url-status=live |access-date=February 21, 2009 |archive-url=https://web.archive.org/web/20090223085458/http://www.boston.com/bigpicture/2009/02/at_work.html |archive-date=February 23, 2009}}</ref> approximately 50 Oscars in a tin alloy with gold plating were made each year in Chicago by Illinois manufacturer [[R.S. Owens & Company]].<ref>{{cite news|last=Babwin|first=Don|url=http://www.foxnews.com/printer_friendly_wires/2009Jan26/0,4675,OscarGoldplatedJourney,00.html|title=Oscar 3453 is 'born' in Chicago factory|date=January 27, 2009|url-status=live|archive-url=https://web.archive.org/web/20140310092910/http://www.foxnews.com/printer_friendly_wires/2009Jan26/0%2C4675%2COscarGoldplatedJourney%2C00.html|archive-date=March 10, 2014|agency=Associated Press}} ({{cite news |url=https://news.google.com/newspapers?nid=2245&dat=20090127&id=n_UlAAAAIBAJ&sjid=ff0FAAAAIBAJ&pg=6931,2001573 |title=Lodi News-Sentinel |archive-url=https://web.archive.org/web/20150912115310/https://news.google.com/newspapers?nid=2245&dat=20090127&id=n_UlAAAAIBAJ&sjid=ff0FAAAAIBAJ&pg=6931,2001573|archive-date=September 12, 2015 |url-status=live |via=Google News}})</ref> It would take between three and four weeks to manufacture 50 statuettes.<ref name=":0">{{cite web |last=Alvarez |first=Alex |date=February 22, 2013 |title=Meet the Mexican Model Behind the Oscar Statue |url=https://abcnews.go.com/ABC_Univision/Entertainment/meet-emilio-fernandez-face-oscars/story?id=18550020 |url-status=live |archive-url=https://web.archive.org/web/20160303023939/http://abcnews.go.com/ABC_Univision/Entertainment/meet-emilio-fernandez-face-oscars/story?id=18550020 |archive-date=March 3, 2016 |access-date=February 27, 2016 |website=ABC News}}</ref> | The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the [[C.W. Shumway & Sons]] Foundry in [[Batavia, Illinois|Batavia]], Illinois, which also contributed to casting the molds for the [[Vince Lombardi Trophy]] and [[Emmy Awards|Emmy Award]] statuettes. During the 1970s, the Oscar statues were cast in [[Crystal Lake, Illinois]].<ref>{{cite web |url=https://www.nytimes.com/1974/04/02/archives/oscar-night-also-big-one-for-a-factory-in-illinois-make-70-oscars.html/ |title=Oscar NiArchivedght Also Big One For a Factory in Illinois |work=New York Times |access-date=2024-12-19 |date=April 2, 1974 |archive-url=https://archive.today/20241219220233/https://www.nytimes.com/1974/04/02/archives/oscar-night-also-big-one-for-a-factory-in-illinois-make-70-oscars.html |archive-date=2024-12-19}}</ref> From 1983 to 2015,<ref>{{cite news |date=February 20, 2009 |title=Eladio Gonzalez sands and buffs Oscar #3453 |work=[[The Boston Globe]] |url=https://www.boston.com/bigpicture/2009/02/at_work.html#photo14 |url-status=live |access-date=February 21, 2009 |archive-url=https://web.archive.org/web/20090223085458/http://www.boston.com/bigpicture/2009/02/at_work.html |archive-date=February 23, 2009}}</ref> approximately 50 Oscars in a tin alloy with gold plating were made each year in Chicago by Illinois manufacturer [[R.S. Owens & Company]].<ref>{{cite news|last=Babwin|first=Don|url=http://www.foxnews.com/printer_friendly_wires/2009Jan26/0,4675,OscarGoldplatedJourney,00.html|title=Oscar 3453 is 'born' in Chicago factory|date=January 27, 2009|url-status=live|archive-url=https://web.archive.org/web/20140310092910/http://www.foxnews.com/printer_friendly_wires/2009Jan26/0%2C4675%2COscarGoldplatedJourney%2C00.html|archive-date=March 10, 2014|agency=Associated Press}} ({{cite news |url=https://news.google.com/newspapers?nid=2245&dat=20090127&id=n_UlAAAAIBAJ&sjid=ff0FAAAAIBAJ&pg=6931,2001573 |title=Lodi News-Sentinel |archive-url=https://web.archive.org/web/20150912115310/https://news.google.com/newspapers?nid=2245&dat=20090127&id=n_UlAAAAIBAJ&sjid=ff0FAAAAIBAJ&pg=6931,2001573|archive-date=September 12, 2015 |url-status=live |via=Google News}})</ref> It would take between three and four weeks to manufacture 50 statuettes.<ref name=":0">{{cite web |last=Alvarez |first=Alex |date=February 22, 2013 |title=Meet the Mexican Model Behind the Oscar Statue |url=https://abcnews.go.com/ABC_Univision/Entertainment/meet-emilio-fernandez-face-oscars/story?id=18550020 |url-status=live |archive-url=https://web.archive.org/web/20160303023939/http://abcnews.go.com/ABC_Univision/Entertainment/meet-emilio-fernandez-face-oscars/story?id=18550020 |archive-date=March 3, 2016 |access-date=February 27, 2016 |website=ABC News}}</ref> | ||
In 2016, the Academy returned to bronze as the core metal of the statuettes, handing manufacturing duties to [[Walden, New York|Walden]], New York-based Polich Tallix Fine Art Foundry, now owned and operated by [[Urban Art Projects|UAP Urban Art Projects]].<ref name="Oscarstatuettes2016">{{cite web |last=Kojen |first=Natalie |date=February 16, 2016 |title=The Academy and Polich Tallix Fine Art Foundry Revive the Art of Oscar Statuettes |url=http://www.oscars.org/news/academy-and-polich-tallix-fine-art-foundry-revive-art-oscarr-statuettes |url-status=live |archive-url=https://web.archive.org/web/20160218215850/http://www.oscars.org/news/academy-and-polich-tallix-fine-art-foundry-revive-art-oscarr-statuettes |archive-date=February 18, 2016 |publisher=Academy of Motion Picture Arts and Sciences}}</ref><ref>{{cite web |last=Loviza |first=Amanda |title=Foundry seeks tax breaks in move to Walden |url=https://www.recordonline.com/news/20170127/foundry-seeks-tax-breaks-in-move-to-walden |url-status=live |archive-url=https://web.archive.org/web/20190105201457/https://www.recordonline.com/news/20170127/foundry-seeks-tax-breaks-in-move-to-walden |archive-date=January 5, 2019 |access-date=January 5, 2019 |website=recordonline.com}}</ref> While based on a digital scan of an original 1929 Oscar, the statuettes retain their modern-era dimensions and black pedestal. Cast in liquid bronze from [[3D printing|3D-printed]] ceramic molds and polished, they are then electroplated in 24-karat gold by [[Brooklyn]], New York-based Epner Technology. The time required to produce 50 such statuettes is roughly three months.<ref>{{cite web |last=Kilday |first=Gregg |date=February 16, 2016 |title=Oscar Statuette Gets a Face-Lift – This year's statuettes will be produced by Polich Tallix Fine Art Foundry and will be hand-cast in bronze before receiving their 24-karat gold finish. |url=https://hollywoodreporter.com/news/oscar-statuette-gets-a-face-866321 |url-status=live |archive-url=https://web.archive.org/web/20160505081009/http://www.hollywoodreporter.com/news/oscar-statuette-gets-a-face-866321 |archive-date=May 5, 2016 |access-date=February 18, 2016 |website=[[The Hollywood Reporter]]}}</ref> R.S. Owens is expected to continue producing other awards for the Academy, and service existing Oscars that need replating.<ref>{{cite web |last=Di Nunzio |first=Miriam |date=February 16, 2016 |title=Oscar statuettes, longtime creation of Chicago-based company, will now be made in New York |url=http://chicago.suntimes.com/entertainment/oscar-statuettes-longtime-creations-of-chicago-based-company-will-now-be-made-in-new-york/ |url-status=live |archive-url=https://web.archive.org/web/20160308120546/http://chicago.suntimes.com/entertainment/oscar-statuettes-longtime-creations-of-chicago-based-company-will-now-be-made-in-new-york/ |archive-date=March 8, 2016 |website=[[Chicago Sun-Times]]}}</ref> | In 2016, the Academy returned to bronze as the core metal of the statuettes, handing manufacturing duties to [[Walden, New York|Walden]], New York-based Polich Tallix Fine Art Foundry, now owned and operated by [[Urban Art Projects|UAP Urban Art Projects]].<ref name="Oscarstatuettes2016">{{cite web |last=Kojen |first=Natalie |date=February 16, 2016 |title=The Academy and Polich Tallix Fine Art Foundry Revive the Art of Oscar Statuettes |url=http://www.oscars.org/news/academy-and-polich-tallix-fine-art-foundry-revive-art-oscarr-statuettes |url-status=live |archive-url=https://web.archive.org/web/20160218215850/http://www.oscars.org/news/academy-and-polich-tallix-fine-art-foundry-revive-art-oscarr-statuettes |archive-date=February 18, 2016 |publisher=Academy of Motion Picture Arts and Sciences}}</ref><ref>{{cite web |last=Loviza |first=Amanda |title=Foundry seeks tax breaks in move to Walden |url=https://www.recordonline.com/news/20170127/foundry-seeks-tax-breaks-in-move-to-walden |url-status=live |archive-url=https://web.archive.org/web/20190105201457/https://www.recordonline.com/news/20170127/foundry-seeks-tax-breaks-in-move-to-walden |archive-date=January 5, 2019 |access-date=January 5, 2019 |website=recordonline.com}}</ref> While based on a digital scan of an original 1929 Oscar, the statuettes retain their modern-era dimensions and black pedestal. Cast in liquid bronze from [[3D printing|3D-printed]] ceramic molds and polished, they are then electroplated in 24-karat gold by [[Brooklyn]], New York-based Epner Technology. The time required to produce 50 such statuettes is roughly three months.<ref>{{cite web |last=Kilday |first=Gregg |date=February 16, 2016 |title=Oscar Statuette Gets a Face-Lift – This year's statuettes will be produced by Polich Tallix Fine Art Foundry and will be hand-cast in bronze before receiving their 24-karat gold finish. |url=https://hollywoodreporter.com/news/oscar-statuette-gets-a-face-866321 |url-status=live |archive-url=https://web.archive.org/web/20160505081009/http://www.hollywoodreporter.com/news/oscar-statuette-gets-a-face-866321 |archive-date=May 5, 2016 |access-date=February 18, 2016 |website=[[The Hollywood Reporter]]}}</ref> R.S. Owens is expected to continue producing other awards for the Academy, and service existing Oscars that need replating.<ref>{{cite web |last=Di Nunzio |first=Miriam |date=February 16, 2016 |title=Oscar statuettes, longtime creation of Chicago-based company, will now be made in New York |url=http://chicago.suntimes.com/entertainment/oscar-statuettes-longtime-creations-of-chicago-based-company-will-now-be-made-in-new-york/ |url-status=live |archive-url=https://web.archive.org/web/20160308120546/http://chicago.suntimes.com/entertainment/oscar-statuettes-longtime-creations-of-chicago-based-company-will-now-be-made-in-new-york/ |archive-date=March 8, 2016 |website=[[Chicago Sun-Times]]}}</ref> | ||
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[[Bette Davis]], in her 1962 autobiography, claimed she named it in 1936 after her first husband, Harmon Oscar Nelson, of whom the statue's rear end reminded her.<ref name=":2"/><ref>{{cite web |date=February 18, 2015 |title=Oscars: Who Came Up With the Name "Oscar" and More About the Statuette's History (Video) |url=https://www.hollywoodreporter.com/news/oscars-who-came-up-name-774775 |url-status=live |archive-url=https://web.archive.org/web/20191029231953/https://www.hollywoodreporter.com/news/oscars-who-came-up-name-774775 |archive-date=October 29, 2019 |access-date=October 29, 2019 |website=The Hollywood Reporter}}</ref> But the term had been in use at least two years before. In a 1974 biography written by Whitney Stine with commentary from Davis, Davis wrote, "I relinquish once and for all any claim that I was the one—so, Academy of Motion Picture Arts and Sciences, the honor is all yours."<ref name=":2"/><ref>{{cite book |last1=Stine |first1=Whitney |title=Mother Goddam: The Story of the Career of Bette Davis |last2=Davis |first2=Bette |publisher=[[Hawthorn Books]] |year=1974 |isbn=0-8015-5184-6 |location=New York |page=74 |lccn=73-10265 |oclc=1150862598}}</ref> | [[Bette Davis]], in her 1962 autobiography, claimed she named it in 1936 after her first husband, Harmon Oscar Nelson, of whom the statue's rear end reminded her.<ref name=":2"/><ref>{{cite web |date=February 18, 2015 |title=Oscars: Who Came Up With the Name "Oscar" and More About the Statuette's History (Video) |url=https://www.hollywoodreporter.com/news/oscars-who-came-up-name-774775 |url-status=live |archive-url=https://web.archive.org/web/20191029231953/https://www.hollywoodreporter.com/news/oscars-who-came-up-name-774775 |archive-date=October 29, 2019 |access-date=October 29, 2019 |website=The Hollywood Reporter}}</ref> But the term had been in use at least two years before. In a 1974 biography written by Whitney Stine with commentary from Davis, Davis wrote, "I relinquish once and for all any claim that I was the one—so, Academy of Motion Picture Arts and Sciences, the honor is all yours."<ref name=":2"/><ref>{{cite book |last1=Stine |first1=Whitney |title=Mother Goddam: The Story of the Career of Bette Davis |last2=Davis |first2=Bette |publisher=[[Hawthorn Books]] |year=1974 |isbn=0-8015-5184-6 |location=New York |page=74 |lccn=73-10265 |oclc=1150862598}}</ref> | ||
Columnist [[Sidney Skolsky]] wrote in his 1970 memoir that he came up with the term in 1934 under pressure for a deadline, mocking [[Vaudeville]] comedians who asked "Will you have a cigar, Oscar?" The Academy credits Skolsky with "the first confirmed newspaper reference" to ''Oscar'' in his column on March 16, 1934, which was written about that year's [[6th Academy Awards]].<ref>{{cite web |date=August 27, 2014 |title=The 6th Academy Awards Memorable Moments |url=https://www.oscars.org/oscars/ceremonies/1934/memorable-moments |url-status=live |archive-url=https://web.archive.org/web/20190226111216/https://www.oscars.org/oscars/ceremonies/1934/memorable-moments |archive-date=February 26, 2019 |access-date=February 25, 2019 |publisher=Academy of Motion Picture Arts and Sciences}}</ref> But in the newspaper clipping that Skolsky referred to, he wrote that | Columnist [[Sidney Skolsky]] wrote in his 1970 memoir that he came up with the term in 1934 under pressure for a deadline, mocking [[Vaudeville]] comedians who asked "Will you have a cigar, Oscar?" The Academy credits Skolsky with "the first confirmed newspaper reference" to ''Oscar'' in his column on March 16, 1934, which was written about that year's [[6th Academy Awards]].<ref>{{cite web |date=August 27, 2014 |title=The 6th Academy Awards Memorable Moments |url=https://www.oscars.org/oscars/ceremonies/1934/memorable-moments |url-status=live |archive-url=https://web.archive.org/web/20190226111216/https://www.oscars.org/oscars/ceremonies/1934/memorable-moments |archive-date=February 26, 2019 |access-date=February 25, 2019 |publisher=Academy of Motion Picture Arts and Sciences}}</ref> But in the newspaper clipping that Skolsky referred to, he wrote that "these statues are called 'Oscars{{'"}}, meaning that the name was already in use.<ref name=":2"/> | ||
In 2021, Brazilian researcher [[Waldemar Dalenogare Neto]] contradicted Skolsky's claim to have used the term first, finding the probable first public mention of the name "Oscar" in journalist [[Relman Morin]]'s "Cinematters" column in the ''[[Los Angeles Evening Record]]'' on December 5, 1933. Since the awards didn't take place that year, he said: "What's happened to the annual Academy banquet? As a rule, the banquet and the awarding of "Oscar", the bronze statuette given for best performances, is all over long before this."<ref>{{Cite web |last=Dalenogare |first=Waldemar |date=June 6, 2021 |title=Descoberta: primeira menção ao nome Oscar na imprensa |url=https://dalenogare.com/2021/06/descoberta-primeira-mencao-ao-nome-oscar-na-imprensa/ |access-date=February 20, 2024 |website=Movie Reviews by Dalenogare |language=en-US}}</ref> | In 2021, Brazilian researcher [[Waldemar Dalenogare Neto]] contradicted Skolsky's claim to have used the term first, finding the probable first public mention of the name "Oscar" in journalist [[Relman Morin]]'s "Cinematters" column in the ''[[Los Angeles Evening Record]]'' on December 5, 1933. Since the awards didn't take place that year, he said: "What's happened to the annual Academy banquet? As a rule, the banquet and the awarding of "Oscar", the bronze statuette given for best performances, is all over long before this."<ref>{{Cite web |last=Dalenogare |first=Waldemar |date=June 6, 2021 |title=Descoberta: primeira menção ao nome Oscar na imprensa |url=https://dalenogare.com/2021/06/descoberta-primeira-mencao-ao-nome-oscar-na-imprensa/ |access-date=February 20, 2024 |website=Movie Reviews by Dalenogare |language=en-US}}</ref> | ||
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The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, is composed of 9,905 voting members {{as of|lc=y|2024}}.<ref>{{cite news |title=How Many Women Are Actually Voting for the Oscar Winners? |url=https://www.refinery29.com/2018/02/190829/academy-members-women-oscar-voters |website=Refinery29 |first1=Anne |last1=Cohen |date=February 15, 2018 |url-status=live |access-date=April 18, 2018 |archive-url=https://web.archive.org/web/20180417232906/https://www.refinery29.com/2018/02/190829/academy-members-women-oscar-voters |archive-date=April 17, 2018}}</ref><ref name="Pond">{{cite news|url=https://www.thewrap.com/how-many-votes-to-get-an-oscar-nomination-2025/|title=How Many Votes Will It Take to Get an Oscar Nomination in 2025?|last=Pond|first=Steve|date=December 12, 2024|access-date=December 17, 2024|work=[[TheWrap]]}}</ref> | The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, is composed of 9,905 voting members {{as of|lc=y|2024}}.<ref>{{cite news |title=How Many Women Are Actually Voting for the Oscar Winners? |url=https://www.refinery29.com/2018/02/190829/academy-members-women-oscar-voters |website=Refinery29 |first1=Anne |last1=Cohen |date=February 15, 2018 |url-status=live |access-date=April 18, 2018 |archive-url=https://web.archive.org/web/20180417232906/https://www.refinery29.com/2018/02/190829/academy-members-women-oscar-voters |archive-date=April 17, 2018}}</ref><ref name="Pond">{{cite news|url=https://www.thewrap.com/how-many-votes-to-get-an-oscar-nomination-2025/|title=How Many Votes Will It Take to Get an Oscar Nomination in 2025?|last=Pond|first=Steve|date=December 12, 2024|access-date=December 17, 2024|work=[[TheWrap]]}}</ref> | ||
Academy membership is divided into different branches, with each representing a different discipline in film production. {{As of|2024}}, actors constitute the largest bloc, numbering 1,258 (12.7% of the voting body).<ref name="Pond"/> Votes have been certified by the auditing firm [[PwC|PricewaterhouseCoopers]], and its predecessor [[Price Waterhouse]], since the [[7th Academy Awards]] in 1935.<ref>{{cite news |last=Hutchinson |first=Sean |date=January 24, 2017 |title=How Are Oscar Nominees Chosen? |work=Mental Floss |url=http://mentalfloss.com/article/54560/how-are-oscar-nominees-chosen |url-status=live |archive-url=https://web.archive.org/web/20180722072631/http://mentalfloss.com/article/54560/how-are-oscar-nominees-chosen |archive-date=July 22, 2018}}</ref><ref>{{cite news |last=Finlay |first=Jackie |date=March 3, 2006 |title=The men who are counting on Oscar |work=BBC News |url= | Academy membership is divided into different branches, with each representing a different discipline in film production. {{As of|2024}}, actors constitute the largest bloc, numbering 1,258 (12.7% of the voting body).<ref name="Pond"/> Votes have been certified by the auditing firm [[PwC|PricewaterhouseCoopers]], and its predecessor [[Price Waterhouse]], since the [[7th Academy Awards]] in 1935.<ref>{{cite news |last=Hutchinson |first=Sean |date=January 24, 2017 |title=How Are Oscar Nominees Chosen? |work=Mental Floss |url=http://mentalfloss.com/article/54560/how-are-oscar-nominees-chosen |url-status=live |archive-url=https://web.archive.org/web/20180722072631/http://mentalfloss.com/article/54560/how-are-oscar-nominees-chosen |archive-date=July 22, 2018}}</ref><ref>{{cite news |last=Finlay |first=Jackie |date=March 3, 2006 |title=The men who are counting on Oscar |work=BBC News |url=https://news.bbc.co.uk/2/hi/entertainment/4769730.stm |url-status=live |access-date=April 13, 2007 |archive-url=https://web.archive.org/web/20070319204536/http://news.bbc.co.uk/1/hi/entertainment/4769730.stm |archive-date=March 19, 2007}}</ref><ref>{{cite news |title=Meet the only two people in the world who already know all the Oscar winners {{!}} Market Watch |url=http://www.marketwatch.com/story/meet-the-two-people-who-already-know-the-oscar-winners-2017-02-24?mod=mw_share_twitter |url-status=live |archive-url=https://web.archive.org/web/20170227150240/http://www.marketwatch.com/story/meet-the-two-people-who-already-know-the-oscar-winners-2017-02-24?mod=mw_share_twitter |archive-date=February 27, 2017}}</ref> In May 2011, the Academy sent a letter advising its then-6,000 or so voting members that an online system for Oscar voting would be implemented in 2013, replacing mailed paper ballots.<ref>{{cite news |last=Cieply |first=Michael |date=May 23, 2011 |title=Electronic Voting Comes to The Oscars (Finally) |work=The New York Times |url=http://mediadecoder.blogs.nytimes.com/2011/05/23/electronic-voting-comes-to-the-oscars-finally |archive-url=https://web.archive.org/web/20140105075132/http://mediadecoder.blogs.nytimes.com/2011/05/23/electronic-voting-comes-to-the-oscars-finally/ |archive-date=January 5, 2014}}</ref> | ||
All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination, or an existing member may submit a name, based on other significant contributions to the field of motion pictures. | All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination, or an existing member may submit a name, based on other significant contributions to the field of motion pictures. | ||
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According to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in [[Los Angeles County, California]], and play for seven consecutive days, to qualify, except for the Best International Feature Film, Best Documentary Feature, and awards in short film categories. The film must be shown at least three times on each day of its qualifying run, with at least one of the daily showings starting between 6{{spaces}}pm and 10{{spaces}}pm local time.<ref name="92Rule2">{{cite web |title=Rule Two: Eligibility |url=https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |url-status=live |archive-url=https://web.archive.org/web/20200114205010/https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |archive-date=January 14, 2020 |access-date=March 20, 2020 |website=92nd Academy Awards of Merit: Rules |publisher=Academy of Motion Picture Arts and Sciences}}</ref><ref>{{cite web |title=FAQ |website=Oscars Submission |url=https://submissions.oscars.org/FAQ.aspx |url-status=live |archive-url=https://web.archive.org/web/20150401230002/https://submissions.oscars.org/FAQ.aspx |archive-date=April 1, 2015 |access-date=March 16, 2015}}</ref> | According to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in [[Los Angeles County, California]], and play for seven consecutive days, to qualify, except for the Best International Feature Film, Best Documentary Feature, and awards in short film categories. The film must be shown at least three times on each day of its qualifying run, with at least one of the daily showings starting between 6{{spaces}}pm and 10{{spaces}}pm local time.<ref name="92Rule2">{{cite web |title=Rule Two: Eligibility |url=https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |url-status=live |archive-url=https://web.archive.org/web/20200114205010/https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |archive-date=January 14, 2020 |access-date=March 20, 2020 |website=92nd Academy Awards of Merit: Rules |publisher=Academy of Motion Picture Arts and Sciences}}</ref><ref>{{cite web |title=FAQ |website=Oscars Submission |url=https://submissions.oscars.org/FAQ.aspx |url-status=live |archive-url=https://web.archive.org/web/20150401230002/https://submissions.oscars.org/FAQ.aspx |archive-date=April 1, 2015 |access-date=March 16, 2015}}</ref> | ||
For example, the 2009 [[Academy Award for Best Picture|Best Picture]] winner, ''[[The Hurt Locker]]'', was originally first released in 2008, but did not qualify for the [[81st Academy Awards|2008 awards]], as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the [[82nd Academy Awards|2009 awards]]. Foreign films must include English subtitles. Each country can submit only one film for consideration in the International Feature Film category per year.<ref>{{cite web |title=The Academy and its Oscar Awards – Reminder List of Eligible Releases |url=http://www.youbioit.com/en/article/shared-information/949/academy-and-its-oscar-awards |archive-url=https://web.archive.org/web/20131111232741/http://www.youbioit.com/en/article/shared-information/949/academy-and-its-oscar-awards |archive-date=November 11, 2013}}</ref> | For example, the 2009 [[Academy Award for Best Picture|Best Picture]] winner, ''[[The Hurt Locker]]'', was originally first released in 2008, but did not qualify for the [[81st Academy Awards|2008 awards]], as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the [[82nd Academy Awards|2009 awards]]. Foreign films must include English subtitles. Each country can submit only one film for consideration in the International Feature Film category per year.<ref>{{cite web |title=The Academy and its Oscar Awards – Reminder List of Eligible Releases |url=http://www.youbioit.com/en/article/shared-information/949/academy-and-its-oscar-awards |url-status=usurped |archive-url=https://web.archive.org/web/20131111232741/http://www.youbioit.com/en/article/shared-information/949/academy-and-its-oscar-awards |archive-date=November 11, 2013}}</ref> | ||
Rule 2 states that a film must be [[feature film|feature]]-length, defined as a minimum of 40{{spaces}}minutes, except for short-subject awards. It must exist either on a [[35 mm movie film|35 mm]] or [[70 mm film]] print, or in 24{{spaces}}frame/s or 48{{spaces}}frame/s [[progressive scan]] [[digital cinema]] format, with a minimum projector resolution of 2,048 by 1,080 pixels.<ref>{{cite web |title=Academy Award Rules |url=http://www.oscars.org/sites/default/files/87aa_rules.pdf |archive-url=https://web.archive.org/web/20141021054540/http://www.oscars.org/sites/default/files/87aa_rules.pdf |archive-date=October 21, 2014 |access-date=March 17, 2015}}</ref> Since the [[90th Academy Awards]], presented in 2018, multi-part and limited series have been ineligible for the Best Documentary Feature award. This followed the win of ''[[O.J.: Made in America]]'', an eight-hour presentation that was screened in a limited release before being broadcast in five parts on [[American Broadcasting Company|ABC]] and [[ESPN]], in that category in [[89th Academy Awards|2017]]. The Academy's announcement of the new rule made no direct mention of that film.<ref name=":3">{{cite magazine |last=McNary |first=Dave |date=April 7, 2017 |title=Oscars: New Rules Bar Multi-Part Documentaries Like 'O.J.: Made in America' |url=https://variety.com/2017/film/news/oscars-new-rules-documentary-oj-made-in-america-barred-1202026406/ |url-status=live |magazine=Variety |archive-url=https://web.archive.org/web/20170415012418/http://variety.com/2017/film/news/oscars-new-rules-documentary-oj-made-in-america-barred-1202026406/ |archive-date=April 15, 2017 |access-date=May 30, 2017}}</ref> | Rule 2 states that a film must be [[feature film|feature]]-length, defined as a minimum of 40{{spaces}}minutes, except for short-subject awards. It must exist either on a [[35 mm movie film|35 mm]] or [[70 mm film]] print, or in 24{{spaces}}frame/s or 48{{spaces}}frame/s [[progressive scan]] [[digital cinema]] format, with a minimum projector resolution of 2,048 by 1,080 pixels.<ref>{{cite web |title=Academy Award Rules |url=http://www.oscars.org/sites/default/files/87aa_rules.pdf |archive-url=https://web.archive.org/web/20141021054540/http://www.oscars.org/sites/default/files/87aa_rules.pdf |archive-date=October 21, 2014 |access-date=March 17, 2015}}</ref> Since the [[90th Academy Awards]], presented in 2018, multi-part and limited series have been ineligible for the Best Documentary Feature award. This followed the win of ''[[O.J.: Made in America]]'', an eight-hour presentation that was screened in a limited release before being broadcast in five parts on [[American Broadcasting Company|ABC]] and [[ESPN]], in that category in [[89th Academy Awards|2017]]. The Academy's announcement of the new rule made no direct mention of that film.<ref name=":3">{{cite magazine |last=McNary |first=Dave |date=April 7, 2017 |title=Oscars: New Rules Bar Multi-Part Documentaries Like 'O.J.: Made in America' |url=https://variety.com/2017/film/news/oscars-new-rules-documentary-oj-made-in-america-barred-1202026406/ |url-status=live |magazine=Variety |archive-url=https://web.archive.org/web/20170415012418/http://variety.com/2017/film/news/oscars-new-rules-documentary-oj-made-in-america-barred-1202026406/ |archive-date=April 15, 2017 |access-date=May 30, 2017}}</ref> | ||
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Producers must submit an Official Screen Credits online form before the deadline. If it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories. | Producers must submit an Official Screen Credits online form before the deadline. If it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories. | ||
Awards in short film categories (Best Documentary Short Subject, Best Animated Short Film, and Best Live Action Short Film) have different eligibility rules from most other competitive awards. First, the qualifying period for release does not coincide with a calendar year, instead covering one year starting on October 1, and ending on September 30 of the calendar year before the ceremony. Second, there are multiple methods of qualification. The main method is a week-long theatrical release in ''either'' New York City ''or'' Los Angeles County during the eligibility period. Films also | Awards in short film categories (Best Documentary Short Subject, Best Animated Short Film, and Best Live Action Short Film) have different eligibility rules from most other competitive awards. First, the qualifying period for release does not coincide with a calendar year, instead covering one year starting on October 1, and ending on September 30 of the calendar year before the ceremony. Second, there are multiple methods of qualification. The main method is a week-long theatrical release in ''either'' New York City ''or'' Los Angeles County during the eligibility period. Films can also qualify by winning specified awards at one of several competitive film festivals designated by the Academy, also without regard to prior public distribution.<ref name="92Rule11"/><ref name="92Rule19"/> | ||
A film that is selected as a gold, silver, or bronze medal winner in an appropriate category of the immediately previous Student Academy Awards is also eligible (Documentary category for that award, and Animation, Narrative, Alternative, or International for the other awards). The requirements for the qualifying theatrical run are also different from those for other awards. Only one screening per day is required. For the Documentary award, the screening must start between noon and 10{{spaces}}pm local time. For other awards, no specific start time is required, but the film must appear in regular theater listings with dates and screening times.<ref name="92Rule11"/><ref name="92Rule19">{{cite web |title=Rule Nineteen: Special Rules for the Short Film Awards |url=https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |url-status=live |archive-url=https://web.archive.org/web/20200114205010/https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |archive-date=January 14, 2020 |access-date=April 7, 2020 |website=92nd Academy Awards of Merit: Rules |publisher=Academy of Motion Picture Arts and Sciences}}</ref> | A film that is selected as a gold, silver, or bronze medal winner in an appropriate category of the immediately previous Student Academy Awards is also eligible (Documentary category for that award, and Animation, Narrative, Alternative, or International for the other awards). The requirements for the qualifying theatrical run are also different from those for other awards. Only one screening per day is required. For the Documentary award, the screening must start between noon and 10{{spaces}}pm local time. For other awards, no specific start time is required, but the film must appear in regular theater listings with dates and screening times.<ref name="92Rule11"/><ref name="92Rule19">{{cite web |title=Rule Nineteen: Special Rules for the Short Film Awards |url=https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |url-status=live |archive-url=https://web.archive.org/web/20200114205010/https://www.oscars.org/sites/oscars/files/92aa_rules.pdf |archive-date=January 14, 2020 |access-date=April 7, 2020 |website=92nd Academy Awards of Merit: Rules |publisher=Academy of Motion Picture Arts and Sciences}}</ref> | ||
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=== Academy Screening Room === | === Academy Screening Room === | ||
The Academy Screening Room or Academy Digital Screening Room is a secure [[List of streaming media services|streaming platform]] which allows voting members of the Academy to view all eligible films in one place. It was introduced in 2019, for the 2020 Oscars. DVD screeners and Academy in-person screenings were still provided. For films to be included on the platform, the North American distributor must pay {{USD|12,500|long=no}}, including a [[Digital watermarking|watermarking]] fee, and a digital copy of the film to be prepared for streaming by the Academy. The platform can be accessed via [[Apple TV]] and [[Roku]] players.<ref>{{cite web |last=Thompson |first=Anne |date=October 31, 2019 |title=Academy Opens Online 'Screening Room' for Oscar Contenders |url=https://www.indiewire.com/2019/10/oscars-2020-academy-screening-room-feature-voting-1202186244/ |url-status=live |archive-url=https://web.archive.org/web/20220125013951/https://www.indiewire.com/2019/10/oscars-2020-academy-screening-room-feature-voting-1202186244/ |archive-date=January 25, 2022 |access-date=January 25, 2022 |website=IndieWire}}</ref><ref>{{cite web |last=Urban |first=Sasha |date=March 17, 2022 |title=How the Academy's Screening Room Helps Films Find a Global Audience Among Oscar Voters |url=https://variety.com/2022/film/global/academy-screening-room-oscar-voters-1235204906/ |url-status=live |archive-url=https://web.archive.org/web/20220406044133/https://variety.com/2022/film/global/academy-screening-room-oscar-voters-1235204906/ |archive-date=April 6, 2022 |access-date=April 6, 2022 |website=Variety |language=en-US}}</ref> The watermarking process involved several video security firms, creating a forensic watermark and restricting the ability to take screenshots or screen recordings.<ref>{{cite web |title=Academy of Motion Picture Arts and Sciences: How the Academy Awards Shared Films With Oscar® Voters With Complete Security |url=https://www.brightcove.com/en/customers/academy-motion-picture-arts-and-sciences/ |url-status=live |archive-url=https://web.archive.org/web/20220125013952/https://www.brightcove.com/en/customers/academy-motion-picture-arts-and-sciences/ |archive-date=January 25, 2022 |access-date=January 25, 2022 |website=Brightcove}}</ref> | The Academy Screening Room or Academy Digital Screening Room is a secure [[List of streaming media services|streaming platform]] which allows voting members of the Academy to view all eligible films in one place. It was introduced in 2019, for the 2020 Oscars. DVD screeners and Academy in-person screenings were still provided. For films to be included on the platform, the North American distributor must pay {{USD|12,500|long=no}}, including a [[Digital watermarking|watermarking]] fee, and a digital copy of the film to be prepared for streaming by the Academy. The platform can be accessed via [[Apple TV (device)|Apple TV]] and [[Roku]] players.<ref>{{cite web |last=Thompson |first=Anne |date=October 31, 2019 |title=Academy Opens Online 'Screening Room' for Oscar Contenders |url=https://www.indiewire.com/2019/10/oscars-2020-academy-screening-room-feature-voting-1202186244/ |url-status=live |archive-url=https://web.archive.org/web/20220125013951/https://www.indiewire.com/2019/10/oscars-2020-academy-screening-room-feature-voting-1202186244/ |archive-date=January 25, 2022 |access-date=January 25, 2022 |website=IndieWire}}</ref><ref>{{cite web |last=Urban |first=Sasha |date=March 17, 2022 |title=How the Academy's Screening Room Helps Films Find a Global Audience Among Oscar Voters |url=https://variety.com/2022/film/global/academy-screening-room-oscar-voters-1235204906/ |url-status=live |archive-url=https://web.archive.org/web/20220406044133/https://variety.com/2022/film/global/academy-screening-room-oscar-voters-1235204906/ |archive-date=April 6, 2022 |access-date=April 6, 2022 |website=Variety |language=en-US}}</ref> The watermarking process involved several video security firms, creating a forensic watermark and restricting the ability to take screenshots or screen recordings.<ref>{{cite web |title=Academy of Motion Picture Arts and Sciences: How the Academy Awards Shared Films With Oscar® Voters With Complete Security |url=https://www.brightcove.com/en/customers/academy-motion-picture-arts-and-sciences/ |url-status=live |archive-url=https://web.archive.org/web/20220125013952/https://www.brightcove.com/en/customers/academy-motion-picture-arts-and-sciences/ |archive-date=January 25, 2022 |access-date=January 25, 2022 |website=Brightcove}}</ref> | ||
In 2021, for the 2022 Oscars, the Academy banned all physical screeners and in-person screenings, restricting official membership viewing to the Academy Screening Room. Films eligible in the Documentary and International categories were made available in different sections of the platform. Distributors can also pay an extra fee to add video featurettes to promote their films on the platform.<ref name="DeadlineScreeningRoom">{{cite web |last=Hammond |first=Pete |date=August 27, 2021 |title=Oscars: Academy Digital Screening Room Opens With Amazon And Netflix Contenders First To Vie For Voter Attention; DVDs Now Banned |url=https://deadline.com/2021/08/oscars-academy-digital-screening-room-opens-netflix-amazon-1234823367/ |url-status=live |archive-url=https://web.archive.org/web/20220125013952/https://deadline.com/2021/08/oscars-academy-digital-screening-room-opens-netflix-amazon-1234823367/ |archive-date=January 25, 2022 |access-date=January 25, 2022 |website=[[Deadline Hollywood]]}}</ref> The in-person screenings were cancelled because of the COVID-19 pandemic.<ref>{{cite web |last=Welk |first=Brian |date=August 27, 2021 |title=Oscars Academy Postpones All In-Person Events and Screenings Until 2022 |url=https://www.thewrap.com/oscars-academy-postpones-all-in-person-events-and-screenings-until-2022/ |url-status=live |archive-url=https://web.archive.org/web/20220125013953/https://www.thewrap.com/oscars-academy-postpones-all-in-person-events-and-screenings-until-2022/ |archive-date=January 25, 2022 |access-date=January 25, 2022}}</ref> Eligible films do not have to be added to the platform, but the Academy advertises them to voting members when they are.<ref name="DeadlineScreeningRoom"/> | In 2021, for the 2022 Oscars, the Academy banned all physical screeners and in-person screenings, restricting official membership viewing to the Academy Screening Room. Films eligible in the Documentary and International categories were made available in different sections of the platform. Distributors can also pay an extra fee to add video featurettes to promote their films on the platform.<ref name="DeadlineScreeningRoom">{{cite web |last=Hammond |first=Pete |date=August 27, 2021 |title=Oscars: Academy Digital Screening Room Opens With Amazon And Netflix Contenders First To Vie For Voter Attention; DVDs Now Banned |url=https://deadline.com/2021/08/oscars-academy-digital-screening-room-opens-netflix-amazon-1234823367/ |url-status=live |archive-url=https://web.archive.org/web/20220125013952/https://deadline.com/2021/08/oscars-academy-digital-screening-room-opens-netflix-amazon-1234823367/ |archive-date=January 25, 2022 |access-date=January 25, 2022 |website=[[Deadline Hollywood]]}}</ref> The in-person screenings were cancelled because of the COVID-19 pandemic.<ref>{{cite web |last=Welk |first=Brian |date=August 27, 2021 |title=Oscars Academy Postpones All In-Person Events and Screenings Until 2022 |url=https://www.thewrap.com/oscars-academy-postpones-all-in-person-events-and-screenings-until-2022/ |url-status=live |archive-url=https://web.archive.org/web/20220125013953/https://www.thewrap.com/oscars-academy-postpones-all-in-person-events-and-screenings-until-2022/ |archive-date=January 25, 2022 |access-date=January 25, 2022}}</ref> Eligible films do not have to be added to the platform, but the Academy advertises them to voting members when they are.<ref name="DeadlineScreeningRoom"/> | ||
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The major awards are presented at a live televised ceremony, commonly in late February or early March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. [[Black tie]] dress is the most common outfit for men. Fashion may dictate not wearing a [[bow tie]], and musical performers are sometimes not required to adhere to this. The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast. | The major awards are presented at a live televised ceremony, commonly in late February or early March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. [[Black tie]] dress is the most common outfit for men. Fashion may dictate not wearing a [[bow tie]], and musical performers are sometimes not required to adhere to this. The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast. | ||
The Academy Awards is the world's longest-running awards show televised live from the United States to all time zones in North America and worldwide, and gathers billions of viewers elsewhere throughout the world.<ref>{{cite web |date=February 19, 2016 |title=What was the longest Oscars telecast ever? |url=https://www.newsday.com/entertainment/movies/oscars-what-were-the-longest-ceremony-telecasts-in-academy-awards-history-1.11488884 |url-status=dead |archive-url=https://web.archive.org/web/20201116212316/https://www.newsday.com/entertainment/movies/oscars-what-were-the-longest-ceremony-telecasts-in-academy-awards-history-1.11488884 |archive-date=November 16, 2020 |access-date=October 29, 2019 |website=Newsday}}</ref> The Oscars were first televised [[25th Academy Awards|in 1953]] by [[NBC]], which continued to broadcast the event until [[32nd Academy Awards|1960]], when [[American Broadcasting Company|ABC]] took over, televising the festivities, including the first color broadcast of the event in [[38th Academy Awards|1966]], to [[42nd Academy Awards|1970]]. NBC regained the rights for five years {{nowrap|(1971–75),}} then ABC resumed broadcast duties in [[48th Academy Awards|1976]] and its current contract with the Academy runs through 2028 | The Academy Awards is the world's longest-running awards show televised live from the United States to all time zones in North America and worldwide, and gathers billions of viewers elsewhere throughout the world.<ref>{{cite web |date=February 19, 2016 |title=What was the longest Oscars telecast ever? |url=https://www.newsday.com/entertainment/movies/oscars-what-were-the-longest-ceremony-telecasts-in-academy-awards-history-1.11488884 |url-status=dead |archive-url=https://web.archive.org/web/20201116212316/https://www.newsday.com/entertainment/movies/oscars-what-were-the-longest-ceremony-telecasts-in-academy-awards-history-1.11488884 |archive-date=November 16, 2020 |access-date=October 29, 2019 |website=Newsday}}</ref> The Oscars were first televised [[25th Academy Awards|in 1953]] by [[NBC]], which continued to broadcast the event until [[32nd Academy Awards|1960]], when [[American Broadcasting Company|ABC]] took over, televising the festivities, including the first color broadcast of the event in [[38th Academy Awards|1966]], to [[42nd Academy Awards|1970]]. NBC regained the rights for five years {{nowrap|(1971–75),}} then ABC resumed broadcast duties in [[48th Academy Awards|1976]] and its current contract with the Academy runs through 2028,<ref>{{cite news |date=August 31, 2016 |title=ABC Signs Expansive New Agreement to Broadcast The Oscars, Hollywood's Biggest Entertainment Ceremony, Through 2028 |publisher=Academy of Motion Picture Arts and Sciences |url=http://www.oscars.org/news/abc-signs-expansive-new-agreement-broadcast-oscarsr-hollywoods-biggest-entertainment-ceremony |url-status=live |archive-url=https://web.archive.org/web/20170202130914/https://www.oscars.org/news/abc-signs-expansive-new-agreement-broadcast-oscarsr-hollywoods-biggest-entertainment-ceremony |archive-date=February 2, 2017}}</ref> after which the ceremony will be broadcast exclusively on [[YouTube]] starting with 2029’s ceremony.<ref> {{cite news |date=December 17, 2025 |title= Oscars Shock: YouTube Wins TV Rights To Host Academy Awards From 2029 |publisher=Deadline Hollywood |url= https://deadline.com/2025/12/oscars-move-youtube-tv-rights-1236651363/ |first= Peter |last= White}}</ref> | ||
The Academy has produced condensed versions of the ceremony for broadcast in international markets, especially those outside of the Americas, in more desirable local timeslots. The ceremony was broadcast live internationally for the first time via satellite since 1970, but only two South American countries, Chile and Brazil, purchased the rights to air the broadcast. By that time, the television rights to the Academy Awards had been sold in 50 countries. In 1980, the rights were sold to 60 countries, and by [[56th Academy Awards|1984]], the television rights to the Academy Awards were licensed in 76 countries. | The Academy has produced condensed versions of the ceremony for broadcast in international markets, especially those outside of the Americas, in more desirable local timeslots. The ceremony was broadcast live internationally for the first time via satellite since 1970, but only two South American countries, Chile and Brazil, purchased the rights to air the broadcast. By that time, the television rights to the Academy Awards had been sold in 50 countries. In 1980, the rights were sold to 60 countries, and by [[56th Academy Awards|1984]], the television rights to the Academy Awards were licensed in 76 countries. | ||
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Although still dominant in ratings, the viewership of the Academy Awards has steadily dropped. The [[88th Academy Awards]] were the lowest-rated in the past eight years (although with increases in male and 18–49 viewership), while the show itself also faced mixed reception. Following the show, ''[[Variety (magazine)|Variety]]'' reported that ABC was, in negotiating an extension to its contract to broadcast the Oscars, seeking to have more creative control over the broadcast itself. Currently and nominally, AMPAS is responsible for most aspects of the telecast, including the choice of production staff and hosting, although ABC is allowed to have some input on their decisions.<ref name="variety-struggleabc">{{cite web |date=March 2016 |title=ABC's Oscar Contract Renegotiations: Who'll Get Creative Control? |url=https://variety.com/2016/tv/news/abc-academy-oscars-deal-renegotiations-oscars-2016-1201718452/ |url-status=live |archive-url=https://web.archive.org/web/20160302000335/http://variety.com/2016/tv/news/abc-academy-oscars-deal-renegotiations-oscars-2016-1201718452/ |archive-date=March 2, 2016 |access-date=March 2, 2016 |website=Variety}}</ref> In August 2016, AMPAS extended its contract with ABC to 2028: the contract neither contains any notable changes nor gives ABC any further creative control over the telecast.<ref name="variety-2028">{{cite web |date=September 2016 |title=Inside the Oscars Deal: What it Means for ABC and the Academy |url=https://variety.com/2016/tv/news/abc-oscars-deal-status-quo-1201849487/ |url-status=live |archive-url=https://web.archive.org/web/20160901184910/http://variety.com/2016/tv/news/abc-oscars-deal-status-quo-1201849487/ |archive-date=September 1, 2016 |access-date=September 2, 2016 |website=Variety}}</ref> | Although still dominant in ratings, the viewership of the Academy Awards has steadily dropped. The [[88th Academy Awards]] were the lowest-rated in the past eight years (although with increases in male and 18–49 viewership), while the show itself also faced mixed reception. Following the show, ''[[Variety (magazine)|Variety]]'' reported that ABC was, in negotiating an extension to its contract to broadcast the Oscars, seeking to have more creative control over the broadcast itself. Currently and nominally, AMPAS is responsible for most aspects of the telecast, including the choice of production staff and hosting, although ABC is allowed to have some input on their decisions.<ref name="variety-struggleabc">{{cite web |date=March 2016 |title=ABC's Oscar Contract Renegotiations: Who'll Get Creative Control? |url=https://variety.com/2016/tv/news/abc-academy-oscars-deal-renegotiations-oscars-2016-1201718452/ |url-status=live |archive-url=https://web.archive.org/web/20160302000335/http://variety.com/2016/tv/news/abc-academy-oscars-deal-renegotiations-oscars-2016-1201718452/ |archive-date=March 2, 2016 |access-date=March 2, 2016 |website=Variety}}</ref> In August 2016, AMPAS extended its contract with ABC to 2028: the contract neither contains any notable changes nor gives ABC any further creative control over the telecast.<ref name="variety-2028">{{cite web |date=September 2016 |title=Inside the Oscars Deal: What it Means for ABC and the Academy |url=https://variety.com/2016/tv/news/abc-oscars-deal-status-quo-1201849487/ |url-status=live |archive-url=https://web.archive.org/web/20160901184910/http://variety.com/2016/tv/news/abc-oscars-deal-status-quo-1201849487/ |archive-date=September 1, 2016 |access-date=September 2, 2016 |website=Variety}}</ref> | ||
On December 17, 2025, the Academy announced that [[YouTube]] had acquired the rights to the Academy Awards beginning with the 101st ceremony in 2029, replacing ABC under a contract that will last through 2033. YouTube will serve as the exclusive worldwide broadcaster of the ceremony, while the Oscars' YouTube channel will also feature other AMPAS-produced ancillary content and events (including ceremonies, interviews, and other digital content). The Academy will also partner with the [[Google Arts & Culture]] program to help digitize portions of the [[Academy Museum of Motion Pictures]] and the organization's collection.<ref>{{Cite web |last=Andreeva |first=Nellie |date=2025-12-06 |title=NBCUniversal Joins YouTube In Exploring Oscars TV Rights For 2029 & Beyond |url=https://deadline.com/2025/12/nbcuniversal-youtube-oscars-tv-rights-1236638176/ |access-date=2025-12-17 |website=Deadline |language=en-US}}</ref><ref>{{Cite web |last=Weprin |first=Scott Feinberg,Alex |date=2025-12-17 |title=Oscars Bolts from ABC to YouTube Starting in 2029 |url=https://www.hollywoodreporter.com/news/general-news/oscars-bolt-from-abc-to-youtube-starting-in-2029-1236453188/ |access-date=2025-12-17 |website=The Hollywood Reporter |language=en-US}}</ref> | |||
=== TV ratings === | === TV ratings === | ||
[[File:Academy Awards Viewership 1974-2023, in millions.png|thumb|Academy Awards | [[File:Academy Awards Viewership 1974-2023, in millions.png|thumb|Academy Awards viewership 1974–2023, in millions<ref name="tvbythenumbers"/>]] | ||
Historically, the telecast's viewership is higher when box-office hits are favored to win the Best Picture award. More than 57.25{{spaces}}million viewers tuned to the telecast for the [[70th Academy Awards]] in 1998, the year of ''[[Titanic (1997 film)|Titanic]]'', which generated a box office haul during its initial 1997–98 run of {{USD|600.8 million|long=no}} in the US, a box-office record that would remain unsurpassed for years.<ref>{{cite news |last=James |first=Meg |date=February 23, 2008 |title=Academy's red carpet big stage for advertisers |work=The Seattle Times |url=http://seattletimes.nwsource.com/html/businesstechnology/2004196530_oscarads23.html |archive-url=https://web.archive.org/web/20111117115833/http://seattletimes.nwsource.com/html/businesstechnology/2004196530_oscarads23.html |archive-date=November 17, 2011}}</ref> The [[76th Academy Awards]] ceremony, in which ''[[The Lord of the Rings: The Return of the King]]'' (pre-telecast box office earnings of {{USD|368 million|long=no}}) received 11 Awards, including Best Picture, drew 43.56{{spaces}}million viewers.<ref name="usatoday_oscar">{{cite news |last=Bowles |first=Scott |date=January 26, 2005 |title=Oscars lack blockbuster to lure TV viewers |work=USA Today |url=https://www.usatoday.com/life/movies/movieawards/oscars/2005-01-26-oscar-telecast_x.htm |url-status=live |access-date=November 8, 2006 |archive-url=https://web.archive.org/web/20060915033557/http://www.usatoday.com/life/movies/movieawards/oscars/2005-01-26-oscar-telecast_x.htm |archive-date=September 15, 2006}}</ref> The most-watched ceremony based on [[Nielsen ratings]] to date, was the [[42nd Academy Awards]] (Best Picture ''[[Midnight Cowboy]]''), which drew a 43.4% household rating on April 7, 1970.<ref>{{cite magazine |last=Oppelaar |first=Justin |date=October 9, 2002 |title=Charts and Data: Top 100 TV Shows of All Time by ''Variety'' |url=https://variety.com/index.asp?layout=chart_pass&charttype=chart_topshowsalltime |magazine=Variety |archive-url=https://web.archive.org/web/20120118083655/http://www.variety.com/index.asp?layout=chart_pass&charttype=chart_topshowsalltime |archive-date=January 18, 2012 |access-date=February 26, 2014}}</ref> Hoping to reinvigorate the pre-show and ratings, the 2023 Oscars organizers hired members of the [[Met Gala]] creative team.<ref name="OscarsHiredMetGalaTeam">{{cite news |last=Brooks Barnes |date=March 13, 2023 |title=With Its Future at Stake, the Academy Tries to Fix the Oscars (Again) |work=[[The New York Times]] |url=https://www.nytimes.com/2023/03/09/business/media/academy-awards-broadcast.html |access-date=April 29, 2023 |quote=To reinvigorate the red carpet preshow, Oscars organizers hired members of the [[Met Gala]] creative team. |archive-date=September 4, 2023 |archive-url=https://web.archive.org/web/20230904073142/https://www.nytimes.com/2023/03/09/business/media/academy-awards-broadcast.html |url-status=live}}</ref> | Historically, the telecast's viewership is higher when box-office hits are favored to win the Best Picture award. More than 57.25{{spaces}}million viewers tuned to the telecast for the [[70th Academy Awards]] in 1998, the year of ''[[Titanic (1997 film)|Titanic]]'', which generated a box office haul during its initial 1997–98 run of {{USD|600.8 million|long=no}} in the US, a box-office record that would remain unsurpassed for years.<ref>{{cite news |last=James |first=Meg |date=February 23, 2008 |title=Academy's red carpet big stage for advertisers |work=The Seattle Times |url=http://seattletimes.nwsource.com/html/businesstechnology/2004196530_oscarads23.html |archive-url=https://web.archive.org/web/20111117115833/http://seattletimes.nwsource.com/html/businesstechnology/2004196530_oscarads23.html |archive-date=November 17, 2011}}</ref> The [[76th Academy Awards]] ceremony, in which ''[[The Lord of the Rings: The Return of the King]]'' (pre-telecast box office earnings of {{USD|368 million|long=no}}) received 11 Awards, including Best Picture, drew 43.56{{spaces}}million viewers.<ref name="usatoday_oscar">{{cite news |last=Bowles |first=Scott |date=January 26, 2005 |title=Oscars lack blockbuster to lure TV viewers |work=USA Today |url=https://www.usatoday.com/life/movies/movieawards/oscars/2005-01-26-oscar-telecast_x.htm |url-status=live |access-date=November 8, 2006 |archive-url=https://web.archive.org/web/20060915033557/http://www.usatoday.com/life/movies/movieawards/oscars/2005-01-26-oscar-telecast_x.htm |archive-date=September 15, 2006}}</ref> The most-watched ceremony based on [[Nielsen ratings]] to date, was the [[42nd Academy Awards]] (Best Picture ''[[Midnight Cowboy]]''), which drew a 43.4% household rating on April 7, 1970.<ref>{{cite magazine |last=Oppelaar |first=Justin |date=October 9, 2002 |title=Charts and Data: Top 100 TV Shows of All Time by ''Variety'' |url=https://variety.com/index.asp?layout=chart_pass&charttype=chart_topshowsalltime |magazine=Variety |archive-url=https://web.archive.org/web/20120118083655/http://www.variety.com/index.asp?layout=chart_pass&charttype=chart_topshowsalltime |archive-date=January 18, 2012 |access-date=February 26, 2014}}</ref> Hoping to reinvigorate the pre-show and ratings, the 2023 Oscars organizers hired members of the [[Met Gala]] creative team.<ref name="OscarsHiredMetGalaTeam">{{cite news |last=Brooks Barnes |date=March 13, 2023 |title=With Its Future at Stake, the Academy Tries to Fix the Oscars (Again) |work=[[The New York Times]] |url=https://www.nytimes.com/2023/03/09/business/media/academy-awards-broadcast.html |access-date=April 29, 2023 |quote=To reinvigorate the red carpet preshow, Oscars organizers hired members of the [[Met Gala]] creative team. |archive-date=September 4, 2023 |archive-url=https://web.archive.org/web/20230904073142/https://www.nytimes.com/2023/03/09/business/media/academy-awards-broadcast.html |url-status=live}}</ref> | ||
By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings, despite how much critical acclaim those films have received. The [[78th Academy Awards]], which awarded a low-budget independent film (''[[Crash (2004 film)|Crash]]'' with a pre-Oscar gross of {{USD|53.4 million|long=no}}) generated an audience of 38.64{{spaces}}million with a household rating of 22.91%.<ref>{{cite news |last=Levin |first=Gary |date=March 7, 2006 |title=Low Ratings ''Crash'' Party |work=USA Today |url=https://www.usatoday.com/life/television/news/2006-03-07-nielsen-analysis_x.htm |url-status=live |access-date=April 14, 2010 |archive-url=https://web.archive.org/web/20100611173534/http://www.usatoday.com/life/television/news/2006-03-07-nielsen-analysis_x.htm |archive-date=June 11, 2010}}</ref> In 2008, the [[80th Academy Awards]] telecast was watched by 31.76{{spaces}}million viewers on average with an 18.66% household rating, the lowest-rated and least-watched ceremony at the time, in spite of celebrating 80 years of the Academy Awards.<ref>{{cite news |title=Oscar ratings worst ever |newspaper=The Washington Post |url=http://www.capecodonline.com/apps/pbcs.dll/article?AID=/20080227/LIFE/802270307 |archive-url=https://web.archive.org/web/20140330005242/http://www.capecodonline.com/apps/pbcs.dll/article?AID=%2F20080227%2FLIFE%2F802270307 |archive-date=March 30, 2014}}</ref> The Best Picture winner of that particular ceremony was another independent film (this time, the [[Coen brothers]]'s ''[[No Country for Old Men]]''). | By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings, despite how much critical acclaim those films have received. The [[78th Academy Awards]], which awarded a low-budget independent film (''[[Crash (2004 film)|Crash]]'' with a pre-Oscar gross of {{USD|53.4 million|long=no}}) generated an audience of 38.64{{spaces}}million with a household rating of 22.91%.<ref>{{cite news |last=Levin |first=Gary |date=March 7, 2006 |title=Low Ratings ''Crash'' Party |work=USA Today |url=https://www.usatoday.com/life/television/news/2006-03-07-nielsen-analysis_x.htm |url-status=live |access-date=April 14, 2010 |archive-url=https://web.archive.org/web/20100611173534/http://www.usatoday.com/life/television/news/2006-03-07-nielsen-analysis_x.htm |archive-date=June 11, 2010}}</ref> In 2008, the [[80th Academy Awards]] telecast was watched by 31.76{{spaces}}million viewers on average with an 18.66% household rating, the lowest-rated and least-watched ceremony at the time, in spite of celebrating 80 years of the Academy Awards.<ref>{{cite news |title=Oscar ratings worst ever |newspaper=The Washington Post |url=http://www.capecodonline.com/apps/pbcs.dll/article?AID=/20080227/LIFE/802270307 |archive-url=https://web.archive.org/web/20140330005242/http://www.capecodonline.com/apps/pbcs.dll/article?AID=%2F20080227%2FLIFE%2F802270307 |archive-date=March 30, 2014|author-first1=Lisa|author-last1=De Moraes|date=27 February 2008}}</ref> The Best Picture winner of that particular ceremony was another independent film (this time, the [[Coen brothers]]'s ''[[No Country for Old Men]]''). | ||
Whereas the [[92nd Academy Awards]] drew an average of 23.6{{spaces}}million viewers,<ref>{{cite news |last=Golum |first=Rob |date=February 10, 2020 |title=Oscars Draw Record Low Audience With 23.6 Million Viewers |work=[[Bloomberg Businessweek]] | url=https://www.bloomberg.com/news/articles/2020-02-10/oscars-draw-lowest-audience-on-record-with-23-6-million-viewers |url-status=live |access-date=March 4, 2020 |archive-url=https://web.archive.org/web/20200624030249/https://www.bloomberg.com/news/articles/2020-02-10/oscars-draw-lowest-audience-on-record-with-23-6-million-viewers |archive-date=June 24, 2020}}</ref> the [[93rd Academy Awards]] drew an even lower viewership of 10.4{{spaces}}million,<ref>{{cite news |last=Patten |first=Dominic |date=April 27, 2021 |title=Oscar Viewership Rises To 10.4M In Final Numbers; Remains Least Watched & Lowest Rated Academy Awards Ever – Update |work=[[Deadline Hollywood]] |url=https://deadline.com/2021/04/2021-0scars-tv-ratings-academy-awards-low-abc-disney-1234744135/ |url-status=live |access-date=April 27, 2021 |archive-url=https://web.archive.org/web/20210427000428/https://deadline.com/2021/04/2021-0scars-tv-ratings-academy-awards-low-abc-disney-1234744135/ |archive-date=April 27, 2021}}</ref> the lowest viewership recorded by Nielsen since it started recording audience totals in 1974.<ref>{{cite news |last=Smith |first=Gerry |date=April 26, 2021 |title=Oscars Audience Collapses in Latest Setback for Awards Shows |language=en |work=Bloomberg.com |url=https://www.bloomberg.com/news/articles/2021-04-26/oscars-audience-falls-by-over-half-in-latest-setback-for-awards |url-status=live |access-date=April 27, 2021 |archive-url=https://web.archive.org/web/20210429232051/https://www.bloomberg.com/news/articles/2021-04-26/oscars-audience-falls-by-over-half-in-latest-setback-for-awards |archive-date=April 29, 2021}}</ref> The [[94th Academy Awards|94th]] and [[95th Academy Awards|95th]] editions drew 16.6 and 18.7{{spaces}}million viewers, respectively, still below the audience of the 92nd edition.<ref name="CNN Ratings 2022"/><ref name="Yahoo Ratings 2023"/> | Whereas the [[92nd Academy Awards]] drew an average of 23.6{{spaces}}million viewers,<ref>{{cite news |last=Golum |first=Rob |date=February 10, 2020 |title=Oscars Draw Record Low Audience With 23.6 Million Viewers |work=[[Bloomberg Businessweek]] | url=https://www.bloomberg.com/news/articles/2020-02-10/oscars-draw-lowest-audience-on-record-with-23-6-million-viewers |url-status=live |access-date=March 4, 2020 |archive-url=https://web.archive.org/web/20200624030249/https://www.bloomberg.com/news/articles/2020-02-10/oscars-draw-lowest-audience-on-record-with-23-6-million-viewers |archive-date=June 24, 2020}}</ref> the [[93rd Academy Awards]] drew an even lower viewership of 10.4{{spaces}}million,<ref>{{cite news |last=Patten |first=Dominic |date=April 27, 2021 |title=Oscar Viewership Rises To 10.4M In Final Numbers; Remains Least Watched & Lowest Rated Academy Awards Ever – Update |work=[[Deadline Hollywood]] |url=https://deadline.com/2021/04/2021-0scars-tv-ratings-academy-awards-low-abc-disney-1234744135/ |url-status=live |access-date=April 27, 2021 |archive-url=https://web.archive.org/web/20210427000428/https://deadline.com/2021/04/2021-0scars-tv-ratings-academy-awards-low-abc-disney-1234744135/ |archive-date=April 27, 2021}}</ref> the lowest viewership recorded by Nielsen since it started recording audience totals in 1974.<ref>{{cite news |last=Smith |first=Gerry |date=April 26, 2021 |title=Oscars Audience Collapses in Latest Setback for Awards Shows |language=en |work=Bloomberg.com |url=https://www.bloomberg.com/news/articles/2021-04-26/oscars-audience-falls-by-over-half-in-latest-setback-for-awards |url-status=live |access-date=April 27, 2021 |archive-url=https://web.archive.org/web/20210429232051/https://www.bloomberg.com/news/articles/2021-04-26/oscars-audience-falls-by-over-half-in-latest-setback-for-awards |archive-date=April 29, 2021}}</ref> The [[94th Academy Awards|94th]] and [[95th Academy Awards|95th]] editions drew 16.6 and 18.7{{spaces}}million viewers, respectively, still below the audience of the 92nd edition.<ref name="CNN Ratings 2022"/><ref name="Yahoo Ratings 2023"/> | ||
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=== Current categories === | === Current categories === | ||
{| class="wikitable sortable" | {| class="wikitable sortable" | ||
|+ List of current Awards of Merit categories | |+ List of current Awards of Merit categories | ||
! Year introduced | ! Year introduced | ||
! Category | ! Category | ||
|- | |- | ||
| '''1927/28''' | | rowspan="7" | '''1927/28''' | ||
| [[Academy Award for Best Picture|Best Picture]] | | [[Academy Award for Best Picture|Best Picture]] | ||
|- | |- | ||
| [[Academy Award for Best Director|Best Director]] | | [[Academy Award for Best Director|Best Director]] | ||
|- | |- | ||
| [[Academy Award for Best Actor|Best Actor]] | | [[Academy Award for Best Actor|Best Actor]] | ||
|- | |- | ||
| [[Academy Award for Best Actress|Best Actress]] | | [[Academy Award for Best Actress|Best Actress]] | ||
|- | |- | ||
| [[Academy Award for Best Cinematography|Best Cinematography]] | | [[Academy Award for Best Cinematography|Best Cinematography]] | ||
|- | |- | ||
| [[Academy Award for Best Production Design|Best Production Design]] | | [[Academy Award for Best Production Design|Best Production Design]] | ||
|- | |- | ||
| [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]] | | [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]] | ||
|- | |- | ||
| Line 288: | Line 281: | ||
| [[Academy Award for Best Sound|Best Sound]] | | [[Academy Award for Best Sound|Best Sound]] | ||
|- | |- | ||
| '''1931/32''' | | rowspan="2" | '''1931/32''' | ||
| [[Academy Award for Best Animated Short Film|Best Animated Short Film]] | | [[Academy Award for Best Animated Short Film|Best Animated Short Film]] | ||
|- | |- | ||
| [[Academy Award for Best Live Action Short Film|Best Live Action Short Film]] | | [[Academy Award for Best Live Action Short Film|Best Live Action Short Film]] | ||
|- | |- | ||
| '''1934''' | | rowspan="3" | '''1934''' | ||
| [[Academy Award for Best Film Editing|Best Film Editing]] | | [[Academy Award for Best Film Editing|Best Film Editing]] | ||
|- | |- | ||
| [[Academy Award for Best Original Score|Best Original Score]] | | [[Academy Award for Best Original Score|Best Original Score]] | ||
|- | |- | ||
| [[Academy Award for Best Original Song|Best Original Song]] | | [[Academy Award for Best Original Song|Best Original Song]] | ||
|- | |- | ||
| '''1936''' | | rowspan="2" | '''1936''' | ||
| [[Academy Award for Best Supporting Actor|Best Supporting Actor]] | | [[Academy Award for Best Supporting Actor|Best Supporting Actor]] | ||
|- | |- | ||
| [[Academy Award for Best Supporting Actress|Best Supporting Actress]] | | [[Academy Award for Best Supporting Actress|Best Supporting Actress]] | ||
|- | |- | ||
| Line 332: | Line 321: | ||
| '''2001''' | | '''2001''' | ||
| [[Academy Award for Best Animated Feature|Best Animated Feature Film]] | | [[Academy Award for Best Animated Feature|Best Animated Feature Film]] | ||
|- | |||
| '''2026''' | |||
| [[Academy Award for Best Casting|Best Casting]] | |||
|} | |} | ||
| Line 342: | Line 334: | ||
{| class="wikitable sortable" | {| class="wikitable sortable" | ||
|+ List of upcoming Awards of Merit categories | |+ List of upcoming Awards of Merit categories | ||
! | ! Planned introduction | ||
! Category | ! Category | ||
|- | |- | ||
|'''2028''' | |'''2028''' | ||
| Line 352: | Line 341: | ||
|} | |} | ||
In February 2024, the Academy announced it would introduce an award for Achievement in Casting from the 98th ceremony in 2026,<ref name="deadline2024"/> having rejected the category in 1999.<ref name="mentalfloss">{{cite web |last=Conradt |first=Stacy |date=February 18, 2010 |title=The Quick 10: 10 Bygone (or rejected) Academy Awards Categories |url=http://mentalfloss.com/article/24001/quick-10-10-bygone-or-rejected-academy-awards-categories |url-status=live |archive-url=https://web.archive.org/web/20171208174915/http://mentalfloss.com/article/24001/quick-10-10-bygone-or-rejected-academy-awards-categories |archive-date=December 8, 2017 |access-date=July 3, 2017 |website=Mental Floss}}</ref> In April 2025, it announced that Best Stunt Design would be introduced from the 100th ceremony in 2028,<ref name="Variety Stunts">{{cite web |url=https://variety.com/2025/awards/news/oscars-stunt-category-1236366412/ |title=Oscars Adds best Stunt Design Category Starting in 2027 |last=Stephan |first=Katcy |work=[[Variety (magazine)|Variety]] |date=April 10, 2025 }}</ref> having rejected the proposal for a Best Stunt Coordination award every year from 1991 to 2012.<ref>{{cite news |date=April 1, 2012 |title=It's Time to Create an Oscar For Stunt Coordinators |publisher=Film School Rejects |url=https://filmschoolrejects.com/opinions/its-time-to-create-an-oscar-for-stunt-coordinators-etrav.php |archive-url=https://web.archive.org/web/20131104200600/http://www.filmschoolrejects.com/opinions/its-time-to-create-an-oscar-for-stunt-coordinators-etrav.php |archive-date=November 4, 2013}}</ref><ref>{{cite news |date=April 4, 2012 |title=Jack Gill Interview |publisher=Action Fest |url=http://actionfest.com/stunt-legends-man-of-action-jack-gills-quest-to-gain-academy-award-recognition-for-stunt-professionals-part-2/ |archive-url=https://web.archive.org/web/20130428074119/http://actionfest.com/stunt-legends-man-of-action-jack-gills-quest-to-gain-academy-award-recognition-for-stunt-professionals-part-2/ |archive-date=April 28, 2013}}</ref><ref>{{cite news |last=Handel |first=Jonathan |date=June 15, 2011 |title=Academy Votes Against Creating Oscar Category for Stunt Coordinators |work=The Hollywood Reporter |url=https://hollywoodreporter.com/race/academy-votes-creating-oscar-category-202123 |archive-url=https://web.archive.org/web/20131026022931/http://www.hollywoodreporter.com/race/academy-votes-creating-oscar-category-202123 |archive-date=October 26, 2013}}</ref><ref>{{cite news |last=Hiltzik |first=Michael |date=August 4, 2005 |title=One stunt they've been unable to pull off |work=Los Angeles Times |url=http://theenvelope.latimes.com/movies/env-fi-stunts4aug04,0,3864314.story?coll=env-movies |access-date=April 13, 2007 |archive-url=https://web.archive.org/web/20130922144011/http://theenvelope.latimes.com/movies/env-fi-stunts4aug04%2C0%2C3864314.story?coll=env-movies |archive-date=September 22, 2013}}</ref><ref>{{cite magazine |last=Mendelson |first=Scott |date=April 7, 2023 |title=Oscars for Stunts? Filmmakers and Insiders Say It's Overdue |url=https://www.thewrap.com/oscars-stunts-john-wick-indiana-jones-fast-x/ |magazine=[[ | In February 2024, the Academy announced it would introduce an award for Achievement in Casting from the 98th ceremony in 2026,<ref name="deadline2024">{{cite news |last1=Hammond |first1=Pete |title=Motion Picture Academy Creates Casting Category, First New Competitive Oscar Since 2001 |url=https://deadline.com/2024/02/motion-picture-academy-creates-casting-category-first-new-competitive-oscar-since-2001-1235819319/ |access-date=February 8, 2024 |work=[[Deadline Hollywood]] |date=February 8, 2024}}</ref> having rejected the category in 1999.<ref name="mentalfloss">{{cite web |last=Conradt |first=Stacy |date=February 18, 2010 |title=The Quick 10: 10 Bygone (or rejected) Academy Awards Categories |url=http://mentalfloss.com/article/24001/quick-10-10-bygone-or-rejected-academy-awards-categories |url-status=live |archive-url=https://web.archive.org/web/20171208174915/http://mentalfloss.com/article/24001/quick-10-10-bygone-or-rejected-academy-awards-categories |archive-date=December 8, 2017 |access-date=July 3, 2017 |website=Mental Floss}}</ref> In April 2025, it announced that Best Stunt Design would be introduced from the 100th ceremony in 2028,<ref name="Variety Stunts">{{cite web |url=https://variety.com/2025/awards/news/oscars-stunt-category-1236366412/ |title=Oscars Adds best Stunt Design Category Starting in 2027 |last=Stephan |first=Katcy |work=[[Variety (magazine)|Variety]] |date=April 10, 2025 }}</ref> having rejected the proposal for a Best Stunt Coordination award every year from 1991 to 2012.<ref>{{cite news |date=April 1, 2012 |title=It's Time to Create an Oscar For Stunt Coordinators |publisher=Film School Rejects |url=https://filmschoolrejects.com/opinions/its-time-to-create-an-oscar-for-stunt-coordinators-etrav.php |archive-url=https://web.archive.org/web/20131104200600/http://www.filmschoolrejects.com/opinions/its-time-to-create-an-oscar-for-stunt-coordinators-etrav.php |archive-date=November 4, 2013}}</ref><ref>{{cite news |date=April 4, 2012 |title=Jack Gill Interview |publisher=Action Fest |url=http://actionfest.com/stunt-legends-man-of-action-jack-gills-quest-to-gain-academy-award-recognition-for-stunt-professionals-part-2/ |archive-url=https://web.archive.org/web/20130428074119/http://actionfest.com/stunt-legends-man-of-action-jack-gills-quest-to-gain-academy-award-recognition-for-stunt-professionals-part-2/ |archive-date=April 28, 2013}}</ref><ref>{{cite news |last=Handel |first=Jonathan |date=June 15, 2011 |title=Academy Votes Against Creating Oscar Category for Stunt Coordinators |work=The Hollywood Reporter |url=https://hollywoodreporter.com/race/academy-votes-creating-oscar-category-202123 |archive-url=https://web.archive.org/web/20131026022931/http://www.hollywoodreporter.com/race/academy-votes-creating-oscar-category-202123 |archive-date=October 26, 2013}}</ref><ref>{{cite news |last=Hiltzik |first=Michael |date=August 4, 2005 |title=One stunt they've been unable to pull off |work=Los Angeles Times |url=http://theenvelope.latimes.com/movies/env-fi-stunts4aug04,0,3864314.story?coll=env-movies |access-date=April 13, 2007 |archive-url=https://web.archive.org/web/20130922144011/http://theenvelope.latimes.com/movies/env-fi-stunts4aug04%2C0%2C3864314.story?coll=env-movies |archive-date=September 22, 2013}}</ref><ref>{{cite magazine |last=Mendelson |first=Scott |date=April 7, 2023 |title=Oscars for Stunts? Filmmakers and Insiders Say It's Overdue |url=https://www.thewrap.com/oscars-stunts-john-wick-indiana-jones-fast-x/ |magazine=[[TheWrap]]}}</ref> | ||
=== Discontinued categories === | === Discontinued categories === | ||
{| class="wikitable sortable" | {| class="wikitable sortable" | ||
|+ List of discontinued Awards of Merit categories | |+ List of discontinued Awards of Merit categories | ||
! | ! Introduced | ||
! | ! Discontinued | ||
! Category | ! Category | ||
|- | |- | ||
| '''1927/28''' | | rowspan="6" | '''1927/28''' | ||
| '''1927/28''' | | rowspan="5" | '''1927/28''' | ||
| [[Academy Award for Best Director|Best Director, Comedy Picture]] | | [[Academy Award for Best Director|Best Director, Comedy Picture]] | ||
|- | |- | ||
| [[Academy Award for Best Director|Best Director, Dramatic Picture]] | | [[Academy Award for Best Director|Best Director, Dramatic Picture]] | ||
|- | |- | ||
| [[Academy Award for Best Visual Effects#Engineering Effects Award|Best Engineering Effects]] | | [[Academy Award for Best Visual Effects#Engineering Effects Award|Best Engineering Effects]] | ||
|- | |- | ||
| Best Title Writing | | Best Title Writing | ||
|- | |- | ||
| Best Unique and Artistic Production | | Best Unique and Artistic Production | ||
|- | |- | ||
| '''1956''' | | '''1956''' | ||
| [[Academy Award for Best Story|Best Original Story]] | | [[Academy Award for Best Story|Best Original Story]] | ||
|- | |- | ||
| '''1931/32''' | | rowspan="2" | '''1931/32''' | ||
| '''1935''' | | rowspan="2" | '''1935''' | ||
| [[Academy Award for Best Live Action Short Film|Best Short Subject – Comedy]] | | [[Academy Award for Best Live Action Short Film|Best Short Subject – Comedy]] | ||
|- | |- | ||
| [[Academy Award for Best Live Action Short Film|Best Short Subject – Novelty]] | | [[Academy Award for Best Live Action Short Film|Best Short Subject – Novelty]] | ||
|- | |- | ||
| '''1932/33''' | | '''1932/33''' | ||
| '''1937''' | | rowspan="3" | '''1937''' | ||
| [[Academy Award for Best Assistant Director|Best Assistant Director]] | | [[Academy Award for Best Assistant Director|Best Assistant Director]] | ||
|- | |- | ||
| '''1935''' | | '''1935''' | ||
| [[Academy Award for Best Dance Direction|Best Dance Direction]] | | [[Academy Award for Best Dance Direction|Best Dance Direction]] | ||
|- | |- | ||
| '''1936''' | | rowspan="3" | '''1936''' | ||
| '''1956''' | | [[Academy Award for Best Live Action Short Film|Best Short Subject – Color]] | ||
|- | |||
| rowspan="2" | '''1956''' | |||
| [[Academy Award for Best Live Action Short Film|Best Short Subject – 1 Reel]] | | [[Academy Award for Best Live Action Short Film|Best Short Subject – 1 Reel]] | ||
|- | |- | ||
| [[Academy Award for Best Live Action Short Film|Best Short Subject – 2 Reel]] | | [[Academy Award for Best Live Action Short Film|Best Short Subject – 2 Reel]] | ||
|- | |- | ||
| '''1963''' | | '''1963''' | ||
| Line 445: | Line 418: | ||
=== Accusations of commercialism === | === Accusations of commercialism === | ||
Due to the positive exposure and prestige of the Academy Awards, many studios spend around 25 million dollars and hire publicists specifically to promote their films during what is typically called the "[[Oscar season]]".<ref>{{Cite news |date=March 10, 2024 |title=Comment l'équipe d'" Anatomie d'une chute " a mené sa campagne dans le marathon pour les Oscars |url=https://www.lemonde.fr/culture/article/2024/03/10/dans-le-marathon-pour-les-oscars-anatomie-d-une-chute-tente-de-se-frayer-un-couloir_6221137_3246.html |access-date=March 11, 2024 |work=Le Monde.fr |language=fr}}</ref> This has generated accusations of the Academy Awards being influenced more by marketing and [[lobbying]] than by quality. [[William Friedkin]], an Academy Award-winning film director and former producer of the ceremony, expressed this sentiment at a conference in New York in 2009, describing it as "the greatest promotion scheme that any industry ever devised for itself".<ref>{{cite AV media |url=http://fora.tv/2009/02/24/Director_William_Friedkin_at_the_Hudson_Union_Society#William_Friedkin_Says_Oscars_Simply_a_Promotion_Scheme |title=Director William Friedkin at the Hudson Union Society |date=February 24, 2009 |access-date=March 11, 2009 |archive-url=https://web.archive.org/web/20090310081013/http://fora.tv/2009/02/24/Director_William_Friedkin_at_the_Hudson_Union_Society#William_Friedkin_Says_Oscars_Simply_a_Promotion_Scheme |archive-date=March 10, 2009 |url-status=usurped |people=Friedkin, William (Director)}}</ref> | Due to the positive exposure and prestige of the Academy Awards, many studios spend around 25 million dollars and hire publicists specifically to promote their films during what is typically called the "[[Oscar season]]".<ref>{{Cite news |date=March 10, 2024 |title=Comment l'équipe d'" Anatomie d'une chute " a mené sa campagne dans le marathon pour les Oscars |url=https://www.lemonde.fr/culture/article/2024/03/10/dans-le-marathon-pour-les-oscars-anatomie-d-une-chute-tente-de-se-frayer-un-couloir_6221137_3246.html |access-date=March 11, 2024 |work=Le Monde.fr |language=fr}}</ref><ref name="npr030824">{{cite web|url=https://www.npr.org/2024/03/08/1197958441/oscars-academy-awards-campaign-for-your-consideration|last1=Horowitz-Ghazi|first1=Alexi|last2=Jiang|first2=Jess|last3=Peaslee|first3=Emma|title=On the Oscars campaign trail|work=[[NPR]]|date=March 8, 2024|accessdate=October 5, 2025}}</ref> This has generated accusations of the Academy Awards being influenced more by marketing and [[lobbying]] than by quality. [[William Friedkin]], an Academy Award-winning film director and former producer of the ceremony, expressed this sentiment at a conference in New York in 2009, describing it as "the greatest promotion scheme that any industry ever devised for itself".<ref>{{cite AV media |url=http://fora.tv/2009/02/24/Director_William_Friedkin_at_the_Hudson_Union_Society#William_Friedkin_Says_Oscars_Simply_a_Promotion_Scheme |title=Director William Friedkin at the Hudson Union Society |date=February 24, 2009 |access-date=March 11, 2009 |archive-url=https://web.archive.org/web/20090310081013/http://fora.tv/2009/02/24/Director_William_Friedkin_at_the_Hudson_Union_Society#William_Friedkin_Says_Oscars_Simply_a_Promotion_Scheme |archive-date=March 10, 2009 |url-status=usurped |people=Friedkin, William (Director)}}</ref> | ||
Tim Dirks, editor of [[American Movie Classics|AMC]]'s [[Filmsite]], has written of the Academy Awards: | Tim Dirks, editor of [[American Movie Classics|AMC]]'s [[Filmsite]], has written of the Academy Awards: | ||
| Line 451: | Line 424: | ||
{{blockquote|Unfortunately, the critical worth, artistic vision, cultural influence and innovative qualities of many films are not given the same voting weight. Especially since the 1980s, moneymaking "formula-made" blockbusters with glossy production values have often been crowd-pleasing titans (and Best Picture winners), but they haven't necessarily been great films with depth or critical acclaim by any measure.<ref>{{cite web |title=Academy Awards – The Oscars |url=http://www.filmsite.org/oscars.html |archive-url=https://web.archive.org/web/20140120093333/http://www.filmsite.org/oscars.html |archive-date=January 20, 2014 |access-date=October 4, 2009}}</ref>}} | {{blockquote|Unfortunately, the critical worth, artistic vision, cultural influence and innovative qualities of many films are not given the same voting weight. Especially since the 1980s, moneymaking "formula-made" blockbusters with glossy production values have often been crowd-pleasing titans (and Best Picture winners), but they haven't necessarily been great films with depth or critical acclaim by any measure.<ref>{{cite web |title=Academy Awards – The Oscars |url=http://www.filmsite.org/oscars.html |archive-url=https://web.archive.org/web/20140120093333/http://www.filmsite.org/oscars.html |archive-date=January 20, 2014 |access-date=October 4, 2009}}</ref>}} | ||
A recent technique that has been claimed to be used during the Oscar season is the [[whisper campaign]]. These campaigns are intended to spread negative perceptions of other films nominated and are believed to be perpetrated by those who were involved in creating the film. Examples of whisper campaigns include the allegations against ''[[Zero Dark Thirty]]'' suggesting that it justifies torture and the claim that ''[[Lincoln (film)|Lincoln]]'' distorts history.<ref>{{cite web |last=Kilday |first=Gregg |date=December 20, 2012 |title=Oscar's Dirty Tricks: Inside the Whisper Campaign Machine (Analysis) |url=https://www.hollywoodreporter.com/race/oscars-dirty-tricks-inside-whisper-405693 |url-status=live |archive-url=https://web.archive.org/web/20190306043347/https://www.hollywoodreporter.com/race/oscars-dirty-tricks-inside-whisper-405693 |archive-date=March 6, 2019 |access-date=March 2, 2019 |website=The Hollywood Reporter}}</ref> | A recent technique that has been claimed to be used during the Oscar season is the [[whisper campaign]]. These campaigns are intended to spread negative perceptions of other films nominated and are believed to be perpetrated by those who were involved in creating the film. Examples of whisper campaigns include the allegations against ''[[Zero Dark Thirty]]'' suggesting that it justifies torture and the claim that ''[[Lincoln (film)|Lincoln]]'' distorts history.<ref>{{cite web |last=Kilday |first=Gregg |date=December 20, 2012 |title=Oscar's Dirty Tricks: Inside the Whisper Campaign Machine (Analysis) |url=https://www.hollywoodreporter.com/race/oscars-dirty-tricks-inside-whisper-405693 |url-status=live |archive-url=https://web.archive.org/web/20190306043347/https://www.hollywoodreporter.com/race/oscars-dirty-tricks-inside-whisper-405693 |archive-date=March 6, 2019 |access-date=March 2, 2019 |website=The Hollywood Reporter}}</ref> This technique was widely used by former producer [[Harvey Weinstein]] and his company [[Miramax]], with the campaign strategy gaining further attention after Miramax's ''[[Shakespeare in Love]]'' defeated rival film ''[[Saving Private Ryan]]'' for [[Academy Award for Best Picture|Best Picture]].<ref>{{cite web|url=https://www.hollywoodreporter.com/news/general-news/harvey-weinstein-steven-spielberg-nastiest-oscar-campaign-ever-1187125/|title="Harvey Always Wanted More": Weinstein, Spielberg and the Oral History of the Nastiest Oscar Campaign Ever|magazine=[[The Hollywood Reporter]]|last=Feinberg|first=Scott|date=February 20, 2019|accessdate=October 5, 2025}}</ref><ref name="npr030824"/> | ||
=== Accusations of bias === | === Accusations of bias === | ||
| Line 458: | Line 431: | ||
Typical criticism of the Academy Awards for Best Picture is that among the winners and nominees there is an over-representation of romantic historical epics, biographical dramas, romantic dramedies and family melodramas, most of which are released in the U.S. in the last three months of the calendar year. The Oscars have been infamously known for selecting specific genres of films to be awarded. The term "[[Oscar bait]]" was coined to describe such films. This has led, at times, to more specific criticisms that the Academy is disconnected from the audience, e.g., by favoring "Oscar bait" over audience favorites or favoring historical melodramas over critically acclaimed films that depict current life issues.<ref>{{cite news |last=Smith |first=Kyle |title=Have the Oscars jumped the shark? |work=New York Post |url=http://www.nypost.com/p/entertainment/movies/have_the_oscars_jumped_the_shark_LLhBrvPY35EnSH0iQzrqRJ |access-date=January 24, 2012 |archive-url=https://web.archive.org/web/20120418115808/http://www.nypost.com/p/entertainment/movies/have_the_oscars_jumped_the_shark_LLhBrvPY35EnSH0iQzrqRJ |archive-date=April 18, 2012}}</ref> | Typical criticism of the Academy Awards for Best Picture is that among the winners and nominees there is an over-representation of romantic historical epics, biographical dramas, romantic dramedies and family melodramas, most of which are released in the U.S. in the last three months of the calendar year. The Oscars have been infamously known for selecting specific genres of films to be awarded. The term "[[Oscar bait]]" was coined to describe such films. This has led, at times, to more specific criticisms that the Academy is disconnected from the audience, e.g., by favoring "Oscar bait" over audience favorites or favoring historical melodramas over critically acclaimed films that depict current life issues.<ref>{{cite news |last=Smith |first=Kyle |title=Have the Oscars jumped the shark? |work=New York Post |url=http://www.nypost.com/p/entertainment/movies/have_the_oscars_jumped_the_shark_LLhBrvPY35EnSH0iQzrqRJ |access-date=January 24, 2012 |archive-url=https://web.archive.org/web/20120418115808/http://www.nypost.com/p/entertainment/movies/have_the_oscars_jumped_the_shark_LLhBrvPY35EnSH0iQzrqRJ |archive-date=April 18, 2012}}</ref> | ||
Despite the success of ''[[The Dark Knight]]'' and [[WALL-E]], these films did not receive a [[Best Picture]] nomination at the [[81st Academy Awards]]. These decisions received substantial criticism and | Despite the success of ''[[The Dark Knight]]'' and ''[[WALL-E]]'', these films did not receive a [[Academy Award for Best Picture|Best Picture]] nomination at the [[81st Academy Awards]]. These decisions received substantial criticism and were described as "snubs" by many publications.<ref>{{Cite news |last=Child |first=Ben |date=January 28, 2009 |title=The week in geek: The Dark Knight's Oscars snub is a disgrace |url=https://www.theguardian.com/film/filmblog/2009/jan/28/oscars-sciencefictionandfantasy |archive-url=https://web.archive.org/web/20241204144754/https://www.theguardian.com/film/filmblog/2009/jan/28/oscars-sciencefictionandfantasy |archive-date=December 4, 2024 |access-date=December 1, 2023 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref><ref>{{Cite magazine |last=Wallace |first=Lewis |title=Why So Serious? Oscars Snub Dark Knight for Top Awards |language=en-US |magazine=Wired |url=https://www.wired.com/2009/01/why-so-serious/ |access-date=December 1, 2023 |issn=1059-1028}}</ref><ref name="Sims">{{Cite web |last=Sims |first=David |date=July 18, 2018 |title='The Dark Knight' Changed Hollywood Movies Forever |url=https://www.theatlantic.com/entertainment/archive/2018/07/the-dark-knight-legitimized-the-superhero-movie-for-better-and-worse/565448/ |access-date=December 1, 2023 |website=The Atlantic |language=en}}</ref><ref>{{Cite web |title=The Snub That Still Hurts: 'Wall-E' |url=https://ew.com/movies/the-snub-that-still-hurts-wall-e/ |access-date=2025-05-25 |website=EW.com |language=en}}</ref><ref>{{Cite news |date=2009-01-22 |title=Money Makers Mostly Snubbed By Oscars |url=https://www.npr.org/2009/01/22/99751159/money-makers-mostly-snubbed-by-oscars |access-date=2025-05-25 |work=NPR |language=en}}</ref><ref>{{Cite web |date=2009-02-19 |title=The movies Oscar snubbed |url=https://www.cbsnews.com/pictures/the-movies-oscar-snubbed/ |access-date=2025-05-25 |website=www.cbsnews.com |language=en-US}}</ref> The backlash to the decision was such that, for the [[82nd Academy Awards]] in 2010, the Academy increased the limit for Best Picture nominees from five to ten. | ||
=== Lack of diversity === | === Lack of diversity === | ||
The Academy Awards have long received criticism over | The Academy Awards have long received criticism over their lack of diversity among the nominees.<ref>{{cite web |date=June 15, 2016 |title=In Hollywood, diversity tends to ignore the disabled |url=https://latimes.com/entertainment/movies/la-et-mn-hollywood-diversity-disabled-20160610-snap-story.html |url-status=live |archive-url=https://web.archive.org/web/20170426062804/http://www.latimes.com/entertainment/movies/la-et-mn-hollywood-diversity-disabled-20160610-snap-story.html |archive-date=April 26, 2017 |access-date=April 25, 2017 |website=[[Los Angeles Times]]}}</ref><ref>{{cite web |date=February 24, 2017 |title=Oscars diversity debate must include learning disability |url=https://www.theguardian.com/society/2017/feb/24/oscars-diversity-debate-must-include-learning-disability |url-status=live |archive-url=https://web.archive.org/web/20201116212317/https://www.theguardian.com/society/2017/feb/24/oscars-diversity-debate-must-include-learning-disability |archive-date=November 16, 2020 |access-date=April 25, 2017 |website=The Guardian}}</ref><ref>{{cite news |title=Oscars 2016: Lack of Diversity Has Historically Been a Problem |work=[[ABC News (United States)|ABC News]] |url=https://abcnews.go.com/Entertainment/oscars-2016-lack-diversity-historically-problem/story?id=37062502 |url-status=live |access-date=April 25, 2017 |archive-url=https://web.archive.org/web/20170426150745/http://abcnews.go.com/Entertainment/oscars-2016-lack-diversity-historically-problem/story?id=37062502 |archive-date=April 26, 2017}}</ref> This criticism is based on the statistics from every Academy Awards since 1929, which show that only 6.4% of Academy Award nominees have been non-white and since 1991, 11.2% of nominees have been non-white, with the rate of winners being even more polarizing.<ref>{{cite magazine |last=Berman |first=Eliza |title=This Chart Proves the Oscars Have a Serious Diversity Problem |url=https://labs.time.com/story/oscars-diversity/ |url-status=live |magazine=Time |archive-url=https://web.archive.org/web/20180430194958/http://labs.time.com/story/oscars-diversity/ |archive-date=April 30, 2018 |access-date=April 25, 2018}}</ref> For a variety of reasons, including marketability and historical bans on interracial couples, a number of high-profile Oscars have been given to [[Examples of yellowface|yellowface]] portrayals, as well as performances of Asian characters rewritten for white characters.<ref>{{cite web |title=Casting White People in Asian Roles Goes Back Centuries |date=August 20, 2018 |url=https://www.history.com/news/yellowface-whitewashing-in-film-america |url-status=live |archive-url=https://web.archive.org/web/20190119135943/https://www.history.com/news/yellowface-whitewashing-in-film-america |archive-date=January 19, 2019 |access-date=May 22, 2019}}</ref><ref>{{cite web |last=Moreno |first=Carolina |date=February 24, 2017 |title=11 Times The Oscars Honored White Actors For Playing People Of Color |url=https://www.huffpost.com/entry/11-times-the-oscars-honored-white-actors-for-playing-people-of-color_n_58aefe72e4b0140601306fe8 |url-status=live |archive-url=https://web.archive.org/web/20201116212314/https://www.huffpost.com/entry/11-times-the-oscars-honored-white-actors-for-playing-people-of-color_n_58aefe72e4b0140601306fe8 |archive-date=November 16, 2020 |access-date=May 22, 2019 |website=HuffPost}}</ref> It took until 2023 for an Asian woman to win an [[Academy Award for Best Actress]], when [[Michelle Yeoh]] received the award for her performance in ''[[Everything Everywhere All at Once]]''. The [[88th Academy Awards|88th awards ceremony]] became the target of a boycott, popularized on social media with the [[hashtag]] #OscarsSoWhite, based on activists' perception that its all-white acting nominee list reflected bias.<ref>{{cite journal |last=Vliet |first=Hannah |date=December 1, 2021 |title=White Saviors Get Gold Trophies: Colorblind Racism and Film Award Culture |url=https://www.ingentaconnect.com/content/10.1386/fm_00182_1 |url-status=live |journal=Film Matters |language=en |volume=12 |issue=3 |pages=140–151 |doi=10.1386/fm_00182_1 |issn=2042-1869 |s2cid=247260533 |archive-url=https://web.archive.org/web/20230323154250/https://intellectdiscover.com/content/journals/10.1386/fm_00182_1 |archive-date=March 23, 2023 |access-date=April 9, 2022|url-access=subscription }}</ref> In response, the Academy initiated "historic" changes in membership by 2020.<ref>{{cite news |last=Sims |first=David |date=January 19, 2016 |title=Can a Boycott Change the Oscars? |work=[[The Atlantic]] |url=https://www.theatlantic.com/entertainment/archive/2016/01/can-a-boycott-change-the-oscars/424593/ |url-status=live |access-date=February 29, 2016 |archive-url=https://web.archive.org/web/20160226162236/http://www.theatlantic.com/entertainment/archive/2016/01/can-a-boycott-change-the-oscars/424593/ |archive-date=February 26, 2016}}</ref><ref>{{cite magazine |last=Kreps |first=Daniel |date=January 23, 2016 |title=Academy Promises 'Historic' Changes to Diversify Membership |magazine=[[Rolling Stone]] |url=https://www.rollingstone.com/movies/news/academy-promises-historic-changes-to-diversify-membership-20160123 |url-status=live |access-date=February 29, 2016 |archive-url=https://web.archive.org/web/20160226155628/http://www.rollingstone.com/movies/news/academy-promises-historic-changes-to-diversify-membership-20160123 |archive-date=February 26, 2016}}</ref> Some media critics claim the Academy's efforts to address its purported racial, gender and national biases are merely distractions.<ref>{{cite web |last1=Lacina |first1=Bethany |last2=Hecker |first2=Ryan |date=May 16, 2021 |title=The Academy Awards Will Have New Diversity Rules to Qualify for an Oscar. But There's a Huge Loophole |url=https://www.washingtonpost.com/politics/2021/04/23/academy-awards-will-have-new-diversity-rules-qualify-an-oscar-theres-huge-loophole/ |url-status=live |archive-url=https://web.archive.org/web/20220523022558/https://www.washingtonpost.com/politics/2021/04/23/academy-awards-will-have-new-diversity-rules-qualify-an-oscar-theres-huge-loophole/ |archive-date=May 23, 2022 |access-date=May 23, 2021 |magazine=[[The Washington Post]]}}</ref><ref>{{cite web |url=https://www.nytimes.com/2020/09/09/movies/oscars-best-picture-diversity.html |first=Kyle |last=Buchanan |title=The Oscars' New Diversity Rules Are Sweeping but Safe |magazine=[[The New York Times]] |date=May 16, 2021 |access-date=April 23, 2022 |url-status=live |archive-date=September 10, 2020 |archive-url=https://web.archive.org/web/20200910082228/https://www.nytimes.com/2020/09/09/movies/oscars-best-picture-diversity.html}}</ref><ref>{{cite web |url=https://remezcla.com/features/film/alfonso-cuaron-oscar-nomination-diversity/ |first=Jessica |last=Valent |title=Are 'Roma's Oscar Nominations a Win for Diversity or a Different Shade of Whiteness in Hollywood? |magazine=[[Remezcla]] |date=February 15, 2019 |access-date=June 23, 2020 |url-status=live |archive-date=September 30, 2020 |archive-url=https://web.archive.org/web/20200930100720/https://remezcla.com/features/film/alfonso-cuaron-oscar-nomination-diversity/}}</ref><ref>{{cite web |url=https://www.latimes.com/entertainment/envelope/la-et-st-oscars-mcnamara-notebook-white-hollywood-20160115-column.html |first=Mary |last=McNamara |title=Oscars 2016: It's time for Hollywood to stop defining great drama as white men battling adversity |magazine=[[Los Angeles Times]] |date=January 15, 2016 |access-date=November 23, 2018 |url-status=live |archive-date=October 5, 2018 |archive-url=https://web.archive.org/web/20181005170402/http://www.latimes.com/entertainment/envelope/la-et-st-oscars-mcnamara-notebook-white-hollywood-20160115-column.html}}</ref> By contrast, the [[Golden Globe Awards]] already have multiple winners of Asian descent in leading actress categories.<ref>{{cite news|url=https://www.goldderby.com/article/2023/michelle-yeoh-everything-everywhere-all-at-once-golden-globes-asian-winners/|title=Michelle Yeoh: Second Asian comedy/musical actress Golden Globe winner|last=Eng|first=Joyce|date=January 10, 2023|work=GoldDerby|access-date=January 11, 2023|archive-date=January 11, 2023|archive-url=https://web.archive.org/web/20230111050648/https://www.goldderby.com/article/2023/michelle-yeoh-everything-everywhere-all-at-once-golden-globes-asian-winners/|url-status=live}}</ref> Some question whether the Academy's definition of "merit" is just or empowering for non-Americans.<ref>{{cite web |url=https://ejumpcut.org/currentissue/DaleHudson/index.html |first=Dale |last=Hudson |title=#OscarMustFall: On Refusing to Give Power to Unjust Definitions of "Merit" |magazine=[[Jump Cut (journal)|Jump Cut]] |year=2022 |access-date=September 27, 2022 |url-status=live |archive-date=September 19, 2022 |archive-url=https://web.archive.org/web/20220919195412/https://www.ejumpcut.org/currentissue/DaleHudson/index.html}}</ref> | ||
The Academy's Representation and Inclusion Standards have been criticized for excluding [[Jews]] as a distinct underrepresented class.<ref>{{Cite web |last=Perry |first=Kevin E G |date=January 10, 2024 |title=Jewish entertainers' group criticises Academy over diversity efforts |url=https://www.independent.co.uk/arts-entertainment/films/news/jewish-entertainers-academy-diversity-criticism-b2476041.html |access-date=January 10, 2024 |website=The Independent |language=en}}</ref> | The Academy's Representation and Inclusion Standards have been criticized for excluding [[Jews]] as a distinct underrepresented class.<ref>{{Cite web |last=Perry |first=Kevin E G |date=January 10, 2024 |title=Jewish entertainers' group criticises Academy over diversity efforts |url=https://www.independent.co.uk/arts-entertainment/films/news/jewish-entertainers-academy-diversity-criticism-b2476041.html |access-date=January 10, 2024 |website=The Independent |language=en}}</ref> | ||
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Some winners critical of the Academy Awards have boycotted the ceremonies and refused to accept their Oscars. The first to do so was screenwriter [[Dudley Nichols]] (Best Writing in 1935 for ''[[The Informer (1935 film)|The Informer]]''). Nichols boycotted the [[8th Academy Awards]] ceremony because of conflicts between the Academy and the Writers' Guild.<ref name="DYK">{{cite web |url=http://www.biography.com/oscars/oscars_didyouknow.jsp |title=The Oscars Did You Know? |access-date=June 18, 2009 |archive-url=https://web.archive.org/web/20090623000022/http://www.biography.com/oscars/oscars_didyouknow.jsp |archive-date=June 23, 2009 |url-status=live}}</ref> Nichols eventually accepted the 1935 award three years later, at the 1938 ceremony. Nichols was nominated for three further Academy Awards during his career. | Some winners critical of the Academy Awards have boycotted the ceremonies and refused to accept their Oscars. The first to do so was screenwriter [[Dudley Nichols]] (Best Writing in 1935 for ''[[The Informer (1935 film)|The Informer]]''). Nichols boycotted the [[8th Academy Awards]] ceremony because of conflicts between the Academy and the Writers' Guild.<ref name="DYK">{{cite web |url=http://www.biography.com/oscars/oscars_didyouknow.jsp |title=The Oscars Did You Know? |access-date=June 18, 2009 |archive-url=https://web.archive.org/web/20090623000022/http://www.biography.com/oscars/oscars_didyouknow.jsp |archive-date=June 23, 2009 |url-status=live}}</ref> Nichols eventually accepted the 1935 award three years later, at the 1938 ceremony. Nichols was nominated for three further Academy Awards during his career. | ||
[[George C. Scott]] became the second person to refuse his award (Best Actor in 1970 for ''[[Patton (film)|Patton]]'') at the [[43rd Academy Awards]] ceremony. Scott described it as a "meat parade", saying, "I don't want any part of it".<ref>{{cite news |url= | [[George C. Scott]] became the second person to refuse his award (Best Actor in 1970 for ''[[Patton (film)|Patton]]'') at the [[43rd Academy Awards]] ceremony. Scott described it as a "meat parade", saying, "I don't want any part of it".<ref>{{cite news |url=https://news.bbc.co.uk/2/hi/obituaries/455563.stm |work=BBC News |title=George C Scott: The man who refused an Oscar |date=September 23, 1999 |url-status=live |archive-url=https://web.archive.org/web/20140311095900/http://news.bbc.co.uk/2/hi/obituaries/455563.stm |archive-date=March 11, 2014}}</ref><ref>{{cite news |url=http://www.time.com/time/magazine/article/0,9171,904789,00.html |magazine=Time |title=Show Business: Meat Parade |date=March 8, 1971 |url-status=dead |archive-url=https://web.archive.org/web/20081221203341/http://www.time.com/time/magazine/article/0%2C9171%2C904789%2C00.html |archive-date=December 21, 2008}}</ref><ref>{{cite web |url=http://www.biography.com/oscars/oscars_didyouknow.jsp |title=Fast Facts – Did You Know? |publisher=Biography.com |date=May 16, 1929 |access-date=February 6, 2010 |archive-url=https://web.archive.org/web/20100210075430/http://www.biography.com/oscars/oscars_didyouknow.jsp |archive-date=February 10, 2010 |url-status=live}}</ref> | ||
The third person to refuse the award was [[Marlon Brando]], who refused his award (Best Actor for 1972's ''[[The Godfather]]''), citing the film industry's discrimination against and mistreatment of [[Indigenous peoples of the Americas|Native Americans]]. At the [[45th Academy Awards]] ceremony, Brando asked actress and [[civil rights activist]] [[Sacheen Littlefeather]] to read a 15-page speech in his place, detailing his criticisms, for which there was [[booing]] and [[cheering]] by the audience.<ref name="DYK"/><ref>{{cite web |last=Oscars |title=Marlon Brando's Oscar win for " The Godfather" |date=October 2, 2008 |url=https://www.youtube.com/watch?v=2QUacU0I4yU |access-date=February 25, 2019 |via=YouTube |archive-url=https://web.archive.org/web/20110217152537/http://www.youtube.com/watch?v=2QUacU0I4yU |archive-date=February 17, 2011 |url-status=live}}</ref> In 2022, Littlefeather was accused by her sisters of misrepresenting her ancestry as Native American.<ref name=":1">{{cite magazine |last=Kreps |first=Daniel |date=October 22, 2022 |title=Sacheen Littlefeather Lied About Native American Ancestry, Sisters Claim |url=https://www.rollingstone.com/tv-movies/tv-movie-news/sacheen-littlefeather-native-american-ancestry-1234616464/ |access-date=March 12, 2023 |magazine=Rolling Stone |language=en-US |archive-date=October 23, 2022 |archive-url=https://web.archive.org/web/20221023002533/https://www.rollingstone.com/tv-movies/tv-movie-news/sacheen-littlefeather-native-american-ancestry-1234616464/ |url-status=live}}</ref><ref>{{cite news |date=October 22, 2022 |title=Sacheen Littlefeather's sisters say her Native identity was fraudulent |newspaper=San Francisco Chronicle |url=https://www.sfchronicle.com/opinion/openforum/article/Sacheen-Littlefeather-oscar-Native-pretendian-17520648.php |access-date=March 12, 2023 |archive-url=https://web.archive.org/web/20221022111100/https://www.sfchronicle.com/opinion/openforum/article/Sacheen-Littlefeather-oscar-Native-pretendian-17520648.php |archive-date=October 22, 2022 |last1=Keeler |first1=Jacqueline}}</ref><ref>{{cite magazine |last1=Travis |first1=Emlyn |date=October 22, 2022 |title=Sacheen Littlefeather, Native American activist who protested the Oscars, was a 'fraud,' sisters say |url=https://ew.com/movies/sacheen-littlefeather-native-american-oscars-protester-fraud-sisters-say/ |access-date=March 12, 2023 |magazine=Entertainment Weekly |language=en |archive-date=January 14, 2023 |archive-url=https://web.archive.org/web/20230114223534/https://ew.com/movies/sacheen-littlefeather-native-american-oscars-protester-fraud-sisters-say/ |url-status=live}}</ref><ref>{{cite web |title=Sacheen Littlefather's sisters say she was not Native American. The actress had disputed similar claims before. |url=https://www.cbsnews.com/news/sacheen-littlefather-not-native-american-sisters-say-marlon-brando-oscar-speech-actress/ |first1=Caitlin |last1=O'Kane |access-date=March 12, 2023 |website=CBS News |date=October 24, 2022 |language=en-US |archive-date=October 25, 2022 |archive-url=https://web.archive.org/web/20221025195840/https://www.cbsnews.com/news/sacheen-littlefather-not-native-american-sisters-say-marlon-brando-oscar-speech-actress/ |url-status=live}}</ref><ref>{{cite web |last=Gilio-Whitaker |first=Dina |date=October 28, 2022 |title=Sacheen Littlefeather and ethnic fraud – why the truth is crucial, even it it[sic] means losing an American Indian hero |url=https://theconversation.com/sacheen-littlefeather-and-ethnic-fraud-why-the-truth-is-crucial-even-it-it-means-losing-an-american-indian-hero-193263 |url-status=live |access-date=March 12, 2023 |website=The Conversation |archive-date=March 12, 2023 |archive-url=https://web.archive.org/web/20230312093928/http://theconversation.com/sacheen-littlefeather-and-ethnic-fraud-why-the-truth-is-crucial-even-it-it-means-losing-an-american-indian-hero-193263}}</ref> | The third person to refuse the award was [[Marlon Brando]], who refused his award (Best Actor for 1972's ''[[The Godfather]]''), citing the film industry's discrimination against and mistreatment of [[Indigenous peoples of the Americas|Native Americans]]. At the [[45th Academy Awards]] ceremony, Brando asked actress and [[civil rights activist]] [[Sacheen Littlefeather]] to read a 15-page speech in his place, detailing his criticisms, for which there was [[booing]] and [[cheering]] by the audience.<ref name="DYK"/><ref>{{cite web |last=Oscars |title=Marlon Brando's Oscar win for " The Godfather" |date=October 2, 2008 |url=https://www.youtube.com/watch?v=2QUacU0I4yU |access-date=February 25, 2019 |via=YouTube |archive-url=https://web.archive.org/web/20110217152537/http://www.youtube.com/watch?v=2QUacU0I4yU |archive-date=February 17, 2011 |url-status=live}}</ref> In 2022, Littlefeather was accused by her sisters of misrepresenting her ancestry as Native American.<ref name=":1">{{cite magazine |last=Kreps |first=Daniel |date=October 22, 2022 |title=Sacheen Littlefeather Lied About Native American Ancestry, Sisters Claim |url=https://www.rollingstone.com/tv-movies/tv-movie-news/sacheen-littlefeather-native-american-ancestry-1234616464/ |access-date=March 12, 2023 |magazine=Rolling Stone |language=en-US |archive-date=October 23, 2022 |archive-url=https://web.archive.org/web/20221023002533/https://www.rollingstone.com/tv-movies/tv-movie-news/sacheen-littlefeather-native-american-ancestry-1234616464/ |url-status=live}}</ref><ref>{{cite news |date=October 22, 2022 |title=Sacheen Littlefeather's sisters say her Native identity was fraudulent |newspaper=San Francisco Chronicle |url=https://www.sfchronicle.com/opinion/openforum/article/Sacheen-Littlefeather-oscar-Native-pretendian-17520648.php |access-date=March 12, 2023 |archive-url=https://web.archive.org/web/20221022111100/https://www.sfchronicle.com/opinion/openforum/article/Sacheen-Littlefeather-oscar-Native-pretendian-17520648.php |archive-date=October 22, 2022 |last1=Keeler |first1=Jacqueline}}</ref><ref>{{cite magazine |last1=Travis |first1=Emlyn |date=October 22, 2022 |title=Sacheen Littlefeather, Native American activist who protested the Oscars, was a 'fraud,' sisters say |url=https://ew.com/movies/sacheen-littlefeather-native-american-oscars-protester-fraud-sisters-say/ |access-date=March 12, 2023 |magazine=Entertainment Weekly |language=en |archive-date=January 14, 2023 |archive-url=https://web.archive.org/web/20230114223534/https://ew.com/movies/sacheen-littlefeather-native-american-oscars-protester-fraud-sisters-say/ |url-status=live}}</ref><ref>{{cite web |title=Sacheen Littlefather's sisters say she was not Native American. The actress had disputed similar claims before. |url=https://www.cbsnews.com/news/sacheen-littlefather-not-native-american-sisters-say-marlon-brando-oscar-speech-actress/ |first1=Caitlin |last1=O'Kane |access-date=March 12, 2023 |website=CBS News |date=October 24, 2022 |language=en-US |archive-date=October 25, 2022 |archive-url=https://web.archive.org/web/20221025195840/https://www.cbsnews.com/news/sacheen-littlefather-not-native-american-sisters-say-marlon-brando-oscar-speech-actress/ |url-status=live}}</ref><ref>{{cite web |last=Gilio-Whitaker |first=Dina |date=October 28, 2022 |title=Sacheen Littlefeather and ethnic fraud – why the truth is crucial, even it it[sic] means losing an American Indian hero |url=https://theconversation.com/sacheen-littlefeather-and-ethnic-fraud-why-the-truth-is-crucial-even-it-it-means-losing-an-american-indian-hero-193263 |url-status=live |access-date=March 12, 2023 |website=The Conversation |archive-date=March 12, 2023 |archive-url=https://web.archive.org/web/20230312093928/http://theconversation.com/sacheen-littlefeather-and-ethnic-fraud-why-the-truth-is-crucial-even-it-it-means-losing-an-american-indian-hero-193263}}</ref> | ||
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=== Remarks about animated films as children's genre === | === Remarks about animated films as children's genre === | ||
At the [[94th Academy Awards]] in 2022, the award for the Best Animated Feature was presented by three actresses who portrayed Disney princess characters in [[List of remakes and adaptations of Disney animated films|live-action remakes]] of their respective animated films: [[Lily James]] (''[[Cinderella (2015 American film)|Cinderella]]''), [[Naomi Scott]] (''[[Aladdin (2019 film)|Aladdin]]''), and [[Halle Bailey]] (''[[The Little Mermaid (2023 film)|The Little Mermaid]]''{{--)}}. While introducing the category, Bailey stated that animated films are "formative experiences as kids who watch them," as James put it, "So many kids watch these movies over and over." Bailey | At the [[94th Academy Awards]] in 2022, the award for the Best Animated Feature was presented by three actresses who portrayed Disney princess characters in [[List of remakes and adaptations of Disney animated films|live-action remakes]] of their respective animated films: [[Lily James]] (''[[Cinderella (2015 American film)|Cinderella]]''), [[Naomi Scott]] (''[[Aladdin (2019 film)|Aladdin]]''), and [[Halle Bailey]] (''[[The Little Mermaid (2023 film)|The Little Mermaid]]''{{--)}}. While introducing the category, Bailey stated that animated films are "formative experiences as kids who watch them," as James put it, "So many kids watch these movies over and over." Bailey finished her sentence "over and over and over and over and over." Scott added: "I see some parents who know exactly what we're talking about."<ref>{{Cite AV media|url=https://www.youtube.com/watch?v=0Rmiq2PPQDg|title='Encanto' Wins Best Animated Feature Film | 94th Oscars|date=April 28, 2022|publisher=Oscars|type=Award show|via=YouTube |url-status=live |archive-url=https://web.archive.org/web/20230509140640/https://www.youtube.com/watch?v=0Rmiq2PPQDg |archive-date=May 9, 2023}}</ref> The remarks were heavily criticized by [[animation]] enthusiasts and those working in the industry as infantilizing the medium and perpetuating the stigma that animated works are [[Children's film|strictly for children]], especially since the industry was credited with sustaining the flow of [[Cinema of the United States|Hollywood]] content and revenue during the height of the [[COVID-19 pandemic]]. [[Phil Lord and Christopher Miller|Phil Lord]], co-producer of one of the nominated films, ''[[The Mitchells vs. the Machines]]'', tweeted that it was "super cool to position animation as something that kids watch and adults have to endure." The film's official social media accounts responded to the joke with an image reading: "Animation is cinema."<ref>{{cite web |last=Fuster |first=Jeremy |date=March 27, 2022 |title=Phil Lord and Hollywood's Animators Slam Oscars for 'Belittling' Animation Categories |url=https://www.thewrap.com/oscars-new-deal-for-animation/ |access-date=March 29, 2022 |work=[[TheWrap]]}}</ref><ref>{{cite tweet |number=1508481868479361026 |user=MitchellsMovie |title=*taps sign*}}</ref> A week later, Lord and his producing partner [[Phil Lord and Christopher Miller|Christopher Miller]] wrote a guest column in ''[[Variety (magazine)|Variety]]'' criticizing the Academy for the joke and how Hollywood has treated animation, writing that "no one set out to diminish animated films, but it's high time we set out to elevate them." They also suggested to the Academy that the category should be presented by a filmmaker who respects the art of animation as cinema.<ref>{{cite web |last1=Lord |first1=Phil |last2=Miller |first2=Chris |date=April 6, 2022 |title=Phil Lord and Chris Miller: Hollywood Should Elevate, Not Diminish Animation (Guest Column) |url=https://variety.com/2022/film/news/phil-lord-christopher-miller-animation-oscars-1235225442/ |access-date=April 6, 2022 |work=[[Variety (magazine)|Variety]]}}</ref> | ||
Adding to the controversy was that the award for [[Academy Award for Best Animated Short Film|Best Animated Short Film]] (the nominees for which were mostly made up of shorts not aimed at children) was one of the [[94th Academy Awards# | Adding to the controversy was that the award for [[Academy Award for Best Animated Short Film|Best Animated Short Film]] (the nominees for which were mostly made up of shorts not aimed at children) was one of the [[94th Academy Awards#Removal of categories from the broadcast|eight categories]] that were not presented during the live broadcast.<ref name="Cartoon Brew">{{cite web |last=Amidi |first=Amid |author-link=Amid Amidi |date=March 27, 2022 |title=During the Biggest Oscar Trainwreck in History, 'Encanto' and 'The Windshield Wiper' Won Oscars (Commentary) |url=https://www.cartoonbrew.com/ideas-commentary/during-the-biggest-oscar-trainwreck-in-history-encanto-and-the-windshield-wiper-won-oscars-commentary-214531.html |access-date=March 29, 2022 |publisher=[[Cartoon Brew]]}}</ref> The winner for the Best Animated Short award was ''[[The Windshield Wiper]]'', a multilingual Spanish-American film which is [[Adult animation|adult animated]], while another nominee in three categories: Best Animated Feature, [[Academy Award for Best Documentary Feature Film|Best Documentary Feature Film]], and [[Academy Award for Best International Feature Film|Best International Feature Film]], was ''[[Flee (film)|Flee]]'', a PG-13 rated animated documentary about an Afghan refugee. [[Alberto Mielgo]], director of ''The Windshield Wiper'', later gave an acceptance speech for the Oscar: "Animation is an art that includes every single art that you can imagine. Animation for adults is a fact. It's happening. Let's call it cinema. I'm very honored because this is just the beginning of what we can do with animation."<ref name="Cartoon Brew"/> Some speculations suggested that the speech played a role in the decision not to broadcast the award.<ref name="Edwards"/> | ||
Another factor is that numerous animated films have been made for mature audiences or with ranges of PG-13 or more, with a few of them—''[[The Triplets of Belleville]]'', ''[[Persepolis (film)|Persepolis]]'', ''[[Chico and Rita]]'', ''[[The Wind Rises]]'', ''[[Anomalisa]]'', ''[[My Life as a Courgette]]'', ''[[The Breadwinner (film)|The Breadwinner]]'', ''[[Loving Vincent]]'', ''[[Isle of Dogs (film)|Isle of Dogs]]'', ''[[I Lost My Body]]'', ''[[Flee (film)|Flee]]'', and ''[[Memoir of a Snail]]''—having been nominated in this category, with ''[[The Boy and the Heron]]'' being the first adult animated film (in this case, PG-13-rated) to win in the [[96th Academy Awards]].<ref>{{Cite web |last=Edwards |first=Belen |date=March 28, 2022 |title=Wake Up, Oscars: Animation isn't just for kids |url=https://mashable.com/article/animation-oscars-2022-joke-phil-lord |access-date=April 18, 2022 |website=Mashable |language=en}}</ref><ref>{{Cite web |last=Amini |first=Amid |author-link=Amid Amidi |date=March 10, 2024 |title='Boy and the Heron' is the First Hand-Drawn Animated Feature to Win Oscar in 21 Years |url=https://www.cartoonbrew.com/awards/boy-and-the-heron-is-the-first-hand-drawn-animated-feature-to-win-oscar-in-21-years-238916.html |access-date=March 11, 2024 |website=Cartoon Brew}}</ref> | Another factor is that numerous animated films have been made for mature audiences or with ranges of PG-13 or more, with a few of them—''[[The Triplets of Belleville]]'', ''[[Persepolis (film)|Persepolis]]'', ''[[Chico and Rita]]'', ''[[The Wind Rises]]'', ''[[Anomalisa]]'', ''[[My Life as a Courgette]]'', ''[[The Breadwinner (2017 film)|The Breadwinner]]'', ''[[Loving Vincent]]'', ''[[Isle of Dogs (film)|Isle of Dogs]]'', ''[[I Lost My Body]]'', ''[[Flee (film)|Flee]]'', and ''[[Memoir of a Snail]]''—having been nominated in this category, with ''[[The Boy and the Heron]]'' being the first adult animated film (in this case, PG-13-rated) to win in the [[96th Academy Awards]].<ref name="Edwards">{{Cite web |last=Edwards |first=Belen |date=March 28, 2022 |title=Wake Up, Oscars: Animation isn't just for kids |url=https://mashable.com/article/animation-oscars-2022-joke-phil-lord |access-date=April 18, 2022 |website=Mashable |language=en}}</ref><ref>{{Cite web |last=Amini |first=Amid |author-link=Amid Amidi |date=March 10, 2024 |title='Boy and the Heron' is the First Hand-Drawn Animated Feature to Win Oscar in 21 Years |url=https://www.cartoonbrew.com/awards/boy-and-the-heron-is-the-first-hand-drawn-animated-feature-to-win-oscar-in-21-years-238916.html |access-date=March 11, 2024 |website=Cartoon Brew}}</ref> | ||
These comments came as ''#NewDeal4Animation'', a movement of animation workers demanding equal pay, treatment and recognition alongside their contemporaries working in live-action, was picking up momentum during negotiations for a new contract between [[The Animation Guild, IATSE Local 839]]/[[SAG-AFTRA]] and the [[Alliance of Motion Picture and Television Producers]],<ref>{{cite web |last=Robb |first=David |date=March 29, 2022 |title=Contract Talks Coming Down to the Wire for SAG-AFTRA & the Animation Guild |url=https://deadline.com/2022/03/contract-talks-sag-aftra-animation-guild-1234990317/ |access-date=March 30, 2022 |work=[[Deadline Hollywood]]}}</ref> and the presentation is being used to rally the movement. | These comments came as ''#NewDeal4Animation'', a movement of animation workers demanding equal pay, treatment and recognition alongside their contemporaries working in live-action, was picking up momentum during negotiations for a new contract between [[The Animation Guild, IATSE Local 839]]/[[SAG-AFTRA]] and the [[Alliance of Motion Picture and Television Producers]],<ref>{{cite web |last=Robb |first=David |date=March 29, 2022 |title=Contract Talks Coming Down to the Wire for SAG-AFTRA & the Animation Guild |url=https://deadline.com/2022/03/contract-talks-sag-aftra-animation-guild-1234990317/ |access-date=March 30, 2022 |work=[[Deadline Hollywood]]}}</ref> and the presentation is being used to rally the movement. | ||
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| [[91st Academy Awards|2019]] | | [[91st Academy Awards|2019]] | ||
| 29.6<ref name=":5">{{Cite web |last=Otterson |first=Joe |date=2019-02-25 |title=Oscars 2019 Ratings Rise From Last Year to 29.6 Million Viewers |url=https://variety.com/2019/tv/news/oscars-ratings-2019-1203144417/ |access-date=2025-03-04 |website=Variety |language=en-US}}</ref> | | 29.6<ref name=":5">{{Cite web |last=Otterson |first=Joe |date=2019-02-25 |title=Oscars 2019 Ratings Rise From Last Year to 29.6 Million Viewers |url=https://variety.com/2019/tv/news/oscars-ratings-2019-1203144417/ |access-date=2025-03-04 |website=Variety |language=en-US}}</ref> | ||
| | | 2–3<ref>{{Cite web |last=Steinberg |first=Brian |date=2018-12-11 |title=ABC Seeks $2 Million to $3 Million for Oscars Ads (EXCLUSIVE) |url=https://variety.com/2018/tv/news/oscars-advertising-abc-commercials-kevin-hart-1203086442/ |access-date=2025-03-04 |website=Variety |language=en-US}}</ref> | ||
| Not available | | Not available | ||
|- | |- | ||
| [[90th Academy Awards|2018]] | | [[90th Academy Awards|2018]] | ||
| 26.5<ref name=":5"/> | | 26.5<ref name=":5"/> | ||
| | | 2–2.6<ref name=":6">{{Cite web |last=Steinberg |first=Brian |date=2017-10-30 |title=ABC Seeks as Much as $2.6 Million for 2018 Oscars Ads (EXCLUSIVE) |url=https://variety.com/2017/tv/news/oscars-commercials-abc-tv-advertising-1202602117/ |access-date=2025-03-04 |website=Variety |language=en-US}}</ref> | ||
| Not available | | Not available | ||
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|} | |} | ||
== | == Records == | ||
{{Main|List of Academy Award records}} | {{Main|List of Academy Award records}} | ||
=== | === Milestones === | ||
{| class="wikitable" | |||
!Superlative | |||
!Record-holder | |||
!Record set | |||
!Year | |||
{| class="wikitable" | !Notes | ||
|- | |- | ||
! | ! colspan="5" |People | ||
|- | |- | ||
| rowspan=" | |Most awards for a person | ||
| | | rowspan="2" |[[Walt Disney]] | ||
|26 awards{{Efn|22 competitive, 4 honorary.|name=disney}} | |||
| rowspan="2" |[[41st Academy Awards|1969]] | |||
|Awards resulted from 59 nominations.<ref name="Nominee Facts">{{cite web |title=Nominee Facts – Most Nominations and Awards |url=http://awardsdatabase.oscars.org/ampas_awards/help/statistics/Gen-NomsFacts.pdf |url-status=dead |archive-url=https://web.archive.org/web/20160402095027/http://awardsdatabase.oscars.org/ampas_awards/help/statistics/Gen-NomsFacts.pdf |archive-date=2016-04-02 |access-date=2015-03-23 |publisher=[[Academy of Motion Picture Arts and Sciences]]}}</ref> | |||
|- | |- | ||
| | | rowspan="2" |[[List of people who have won multiple Academy Awards in a single year|Most awards for a person in a single year]] | ||
| rowspan="2" |4 awards | |||
|Awards resulted in 4 different types of films. | |||
|- | |- | ||
| | |[[Sean Baker]] | ||
|[[97th Academy Awards|2025]] | |||
|Awards resulted from a single film. | |||
|- | |- | ||
| rowspan="12 | |Most awards for a person in a single category | ||
| | | rowspan="4" |[[Walt Disney]] | ||
|12 awards | |||
|[[41st Academy Awards|1969]] | |||
|Awards resulted from 39 nominations in one category: [[Academy Award for Best Animated Short Film|Best Animated Short Film]]. | |||
|- | |- | ||
| ''[[ | |Most consecutive awards for a person in a single category | ||
|8 awards | |||
|[[12th Academy Awards|1940]] | |||
|First win was ''[[Flowers and Trees]]'' in [[5th Academy Awards]]; continued to win for the next seven years until stopped at ''[[Lend a Paw]]'' in [[14th Academy Awards]]. | |||
|- | |- | ||
| | |Most nominations for a person | ||
|59 nominations | |||
|[[41st Academy Awards|1969]] | |||
|Nominations resulted in 26 wins.{{Efn|22 competitive, 4 honorary.|name=disney}}<ref name="Nominee Facts" /> | |||
|- | |- | ||
| | |[[List of people who have won multiple Academy Awards in a single year|Most nominations for a person in a single year]] | ||
|6 nominations | |||
|[[26th Academy Awards|1954]] | |||
|Nominations resulted in 4 wins in a single year. | |||
|- | |- | ||
| ''[[ | | rowspan="2" |Most nominations for a person without a win | ||
|[[Greg P. Russell]] | |||
| rowspan="2" |16 nominations | |||
|[[86th Academy Awards|2014]] | |||
|With the exception of ''[[13 Hours: The Secret Soldiers of Benghazi]]'' as his 17th nomination, Russell had recently disqualified for the category when it was discovered that he had contacted voters for the award by telephone in order to win, which was in violation of campaigning regulations.<ref name="award">{{cite web |last1=Calvario |first1=Liz |date=February 25, 2017 |title=Academy Rescinds Sound Mixing Nomination for Greg P. Russell of '13 Hours' |url=https://deadline.com/2017/02/13-hours-academy-rescinds-sound-mixing-nomination-greg-p-russell-1201989100/ |url-status=live |archive-url=https://web.archive.org/web/20201115024216/https://deadline.com/2017/02/13-hours-academy-rescinds-sound-mixing-nomination-greg-p-russell-1201989100/ |archive-date=November 15, 2020 |access-date=February 25, 2017 |work=[[Deadline Hollywood]]}}</ref> | |||
|- | |- | ||
| | |[[Diane Warren]] | ||
|[[97th Academy Awards|2025]] | |||
|Received the [[Academy Honorary Award]] in 2023. | |||
|- | |- | ||
| | |Most nominations for a person in a single category | ||
|[[John Williams]] | |||
|48 nominations | |||
|[[96th Academy Awards|2024]] | |||
|Nominations resulted in 5 wins in one category: [[Academy Award for Best Original Score|Best Original Score]]. | |||
|- | |- | ||
| | | rowspan="2" |Most nominations for a person in a single category without a win | ||
|[[Greg P. Russell]] | |||
| rowspan="2" |16 nominations | |||
|[[86th Academy Awards|2014]] | |||
|Nominations resulted none in one category: [[Academy Award for Best Sound|Best Sound]]. | |||
|- | |- | ||
| | |[[Diane Warren]] | ||
|[[97th Academy Awards|2025]] | |||
|Except an Honorary Award in 2024, nominations resulted none in one category: [[Academy Award for Best Original Song|Best Original Song]]. | |||
|- | |- | ||
| | ! colspan="5" |Film | ||
|- | |- | ||
| | | rowspan="3" |Most awards for a film | ||
|[[Ben-Hur (1959 film)|''Ben-Hur'']] | |||
| rowspan="4" |11 awards | |||
|[[32nd Academy Awards|1960]] | |||
|Awards resulted from 12 nominations; only loss was [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]]. | |||
|- | |- | ||
| ''[[ | |''[[Titanic (1997 film)|Titanic]]'' | ||
|[[70th Academy Awards|1998]] | |||
|Awards resulted from 14 nominations. | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |''[[The Lord of the Rings: The Return of the King]]'' | ||
| rowspan="3" |[[7th Academy Awards|2004]] | |||
|Awards resulted from every nomination it received. | |||
|- | |- | ||
| ''[[ | |Highest clean sweep | ||
|Beating ''[[Gigi (1958 film)|Gigi]]'' and ''[[The Last Emperor]]'' with 9 wins from 9 nominations. | |||
|- | |- | ||
| ''[[The | |Most awards for a film franchise | ||
|''[[The Lord of the Rings (film series)|The Lord of the Rings]]'' | |||
|17 awards | |||
|Consisting ''[[The Lord of the Rings: The Fellowship of the Ring|The Fellowship of the Ring]]'' (2001), ''[[The Lord of the Rings: The Two Towers|The Two Towers]]'' (2002), and ''[[The Lord of the Rings: The Return of the King|The Return of the King]]'' (2003). | |||
|- | |- | ||
| ''[[ | | rowspan="2" |Most awards for a film franchise in a single category | ||
|''[[Silly Symphony]]'' | |||
| rowspan="2" |7 awards | |||
|[[12th Academy Awards|1940]] | |||
|Considered as a short film series, awards resulted from 9 nominations in one category: [[Academy Award for Best Animated Short Film|Best Animated Short Film]]. | |||
|- | |- | ||
| ''[[ | |''[[Tom and Jerry]]'' | ||
|[[25th Academy Awards|1953]] | |||
|Considered as a short film series, awards resulted from 13 nominations in one category: [[Academy Award for Best Animated Short Film|Best Animated Short Film]]. | |||
|- | |- | ||
| ''[[ | | rowspan="3" |Most nominations for a film | ||
|''[[All About Eve]]'' | |||
| rowspan="3" |14 nominations | |||
|[[23rd Academy Awards|1951]] | |||
|Nominations resulted in 6 wins. | |||
|- | |- | ||
| ''[[ | |''[[Titanic (1997 film)|Titanic]]'' | ||
|[[70th Academy Awards|1998]] | |||
|Nominations resulted in 11 wins. | |||
|- | |- | ||
| ''[[ | |''[[La La Land]]'' | ||
|[[89th Academy Awards|2017]] | |||
|Nominations resulted in 6 wins. | |||
|- | |- | ||
| ''[[ | | rowspan="2" |Most nominations for a film without a win | ||
|''[[The Turning Point (1977 film)|The Turning Point]]'' | |||
| rowspan="2" |11 nominations | |||
|[[50th Academy Awards|1978]] | |||
| | |||
|- | |- | ||
| ''[[ | |''[[The Color Purple (1985 film)|The Color Purple]]'' | ||
|[[58th Academy Awards|1986]] | |||
|It also holds the record for most Oscar nominations without one for [[Academy Award for Best Director|Best Director]]. | |||
|- | |- | ||
| | | rowspan="2" |Most nominations for a film franchise | ||
|[[Middle-earth in motion pictures|Middle-Earth]] | |||
| rowspan="2" |37 nominations | |||
|[[87th Academy Awards|2015]] | |||
|Nominations resulted in 17 wins overall. | |||
|- | |- | ||
| ''[[ | |''[[Star Wars]]'' | ||
|[[92nd Academy Awards|2020]] | |||
|Nominations resulted in 10 wins overall. | |||
|- | |- | ||
| ''[[The | |Most nominations for a film franchise without a win | ||
|''[[The Color Purple]]'' | |||
|12 nominations | |||
|[[96th Academy Awards|2024]] | |||
|Both [[The Color Purple (1985 film)|1985]] and [[The Color Purple (2023 film)|2023]] film versions of the novel did not win a single award. | |||
|- | |- | ||
| | |Most nominations for a film franchise in a single category | ||
|[[Looney Tunes]]/[[Merrie Melodies]] | |||
|16 nominations | |||
|[[36th Academy Awards|1964]] | |||
|Considered as a short film series, nominations resulted in 6 wins in one category: [[Academy Award for Best Animated Short Film|Best Animated Short Film]]. | |||
|- | |- | ||
| | |Most nominations for a film franchise in a single category without a win | ||
|[[Marvel Cinematic Universe]] | |||
|14 nominations | |||
|[[96th Academy Awards|2024]] | |||
|Nominations resulted none in one category: [[Academy Award for Best Visual Effects|Best Visual Effects]]. | |||
|- | |- | ||
| | ! colspan="5" |Age | ||
|- | |- | ||
| | | rowspan="2" |[[List of oldest and youngest Academy Award winners and nominees|Oldest winners]] | ||
|[[James Ivory]] | |||
| rowspan="2" |89 years old | |||
|[[90th Academy Awards|2018]] | |||
| rowspan="2" |{{As of|2025}}, they remained the oldest winners in any competitive category. | |||
|- | |- | ||
| | |[[Ann Roth]] | ||
|[[93rd Academy Awards|2021]] | |||
|- | |- | ||
| | |Oldest nominee | ||
| | |[[John Williams]] | ||
|91 years old | |||
|[[96th Academy Awards|2024]] | |||
|{{As of|2025}}, he remained the oldest nominee in any competitive category. | |||
|- | |- | ||
| ' | |[[List of oldest and youngest Academy Award winners and nominees|Youngest winner]] | ||
|[[Tatum O'Neal]] | |||
|10 years old | |||
|[[46th Academy Awards|1974]] | |||
|{{As of|2025}}, she remained the youngest winner in any competitive category. | |||
|- | |- | ||
| | |Youngest nominee | ||
|[[Justin Henry]] | |||
|8 years old | |||
|[[52nd Academy Awards|1980]] | |||
|{{As of|2025}}, he remained the youngest nominee in any competitive category. | |||
|} | |||
=== Highest by films === | |||
{{col-begin}} | |||
{{col-1-of-2}} | |||
The following nominees received at least 10 nominations: | |||
{| class="wikitable" style="text-align: center;" | |||
|- | |- | ||
| | ! scope="col" width="58"| Nominations | ||
! scope="col" align="center"| Title | |||
|- | |- | ||
| ''[[ | | rowspan="3" style="text-align:center"| 14 | ||
| ''[[All About Eve]]'' | |||
|- | |- | ||
| ''[[ | | ''[[Titanic (1997 film)|Titanic]]'' | ||
|- | |- | ||
| ''[[ | | ''[[La La Land]]'' | ||
|- | |- | ||
| ''[[ | | rowspan="12" style="text-align:center"| 13 | ||
| ''[[Gone with the Wind (film)|Gone with the Wind]]'' | |||
|- | |- | ||
| ''[[ | | ''[[From Here to Eternity]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Mary Poppins (film)|Mary Poppins]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Who's Afraid of Virginia Woolf? (film)|Who's Afraid of Virginia Woolf?]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Forrest Gump]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Shakespeare in Love]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Lord of the Rings: The Fellowship of the Ring]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Chicago (2002 film)|Chicago]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Curious Case of Benjamin Button (film)|The Curious Case of Benjamin Button]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Shape of Water]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Oppenheimer (film)|Oppenheimer]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Emilia Pérez]]'' | ||
|- | |- | ||
| ''[[ | | rowspan="18" style="text-align:center"| 12 | ||
| ''[[Ben-Hur (1959 film)|Ben-Hur]]'' | |||
|- | |- | ||
| ''[[ | | ''[[Mrs. Miniver]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Song of Bernadette (film)|The Song of Bernadette]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Johnny Belinda (1948 film)|Johnny Belinda]]'' | ||
|- | |- | ||
| ''[[ | | ''[[A Streetcar Named Desire (1951 film)|A Streetcar Named Desire]]'' | ||
|- | |- | ||
| ''[[ | | ''[[On the Waterfront]]'' | ||
|- | |- | ||
| ''[[My Fair Lady (film)|My Fair Lady]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[ | | ''[[Becket (1964 film)|Becket]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Oliver! (film)|Oliver!]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Reds (film)|Reds]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Dances With Wolves]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Schindler's List]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The English Patient (film)|The English Patient]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Gladiator (2000 film)|Gladiator]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The King's Speech]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Lincoln (film)|Lincoln]]'' | ||
|- | |- | ||
| ''[[The | | ''[[The Revenant (2015 film)|The Revenant]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Power of the Dog (film)|The Power of the Dog]]'' | ||
|- | |- | ||
| ''[[ | | rowspan="25" style="text-align:center"| 11 | ||
| ''[[Mr. Smith Goes to Washington]]'' | |||
|- | |- | ||
| ''[[ | | ''[[Rebecca (1940 film)|Rebecca]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Sergeant York (film)|Sergeant York]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Pride of the Yankees]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Sunset Boulevard (film)|Sunset Boulevard]]'' | ||
|- | |- | ||
| ''[[ | | ''[[West Side Story (1961 film)|West Side Story]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Judgment at Nuremberg]]'' | ||
|- | |- | ||
| ''[[The | | ''[[The Godfather Part II]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Chinatown (1974 film)|Chinatown]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Turning Point (1977 film)|The Turning Point]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Out of Africa (film)|Out of Africa]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Color Purple (1985 film)|The Color Purple]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Julia (1977 film)|Julia]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Gandhi (film)|Gandhi]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Terms of Endearment]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Amadeus (film)|Amadeus]]'' | ||
|- | |- | ||
| ''[[ | | ''[[A Passage to India (film)|A Passage to India]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Saving Private Ryan]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Lord of the Rings: The Return of the King]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Aviator (2004 film)|The Aviator]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Hugo (film)|Hugo]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Life of Pi (film)|Life of Pi]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Joker (2019 film)|Joker]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Everything Everywhere All at Once]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Poor Things (film)|Poor Things]]'' | ||
|- | |- | ||
| ''[[The | | rowspan="47" style="text-align:center"| 10 | ||
| ''[[The Life of Emile Zola]]'' | |||
|- | |- | ||
| ''[[ | | ''[[How Green Was My Valley (film)|How Green Was My Valley]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Going My Way]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Wilson (1944 film)|Wilson]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Roman Holiday]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Giant (1956 film)|Giant]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Sayonara]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Apartment]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Lawrence of Arabia (film)|Lawrence of Arabia]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Tom Jones (1963 film)|Tom Jones]]'' | ||
|- | |- | ||
| ''[[The Sound of Music (film)|The Sound of Music]]'' | |||
|- | |- | ||
| ''[[Doctor Zhivago (film)|Doctor Zhivago]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[ | | ''[[Bonnie and Clyde (film)|Bonnie and Clyde]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Guess Who's Coming to Dinner]]'' | ||
|- | |- | ||
| ''[[Anne of the Thousand Days]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Patton (film)|Patton]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[ | | ''[[Airport (1970 film)|Airport]]'' | ||
|- | |- | ||
| ''[[The | | ''[[The Godfather]]'' | ||
|- | |- | ||
| ''[[Cabaret (1972 film)|Cabaret]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[ | | ''[[The Sting]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Exorcist]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Rocky]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Network (1976 film)|Network]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Star Wars (film)|Star Wars]]'' | ||
|- | |- | ||
| ''[[ | | ''[[On Golden Pond (1981 film)|On Golden Pond]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Tootsie]]'' | ||
|- | |- | ||
| ''[[Bugsy]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[ | | ''[[Braveheart]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Crouching Tiger, Hidden Dragon]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Gangs of New York]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Master and Commander: The Far Side of the World]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Slumdog Millionaire]]'' | ||
|- | |- | ||
| ''[[ | | ''[[True Grit (2010 film)|True Grit]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Artist (film)|The Artist]]'' | ||
|- | |- | ||
| ''[[ | | ''[[American Hustle]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Gravity (2013 film)|Gravity]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Mad Max: Fury Road]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Favourite]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Roma (2018 film)|Roma]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Irishman]]'' | ||
|- | |- | ||
| | | ''[[1917 (2019 film)|1917]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Once Upon a Time in Hollywood]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Mank]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Dune (2021 film)|Dune]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Killers of the Flower Moon (film)|Killers of the Flower Moon]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Brutalist]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Wicked (2024 film)|Wicked]]'' | ||
|} | |||
{{col-2-of-2}} | |||
The following winners received at least 5 awards (including non-competitive): | |||
{| class="wikitable" style="text-align: center;" | |||
|- | |- | ||
| | ! scope="col" width="56"| Awards | ||
! scope="col" align="center"| Title | |||
|- | |- | ||
| ''[[ | | rowspan="3" style="text-align:center"| 11 | ||
| ''[[Ben-Hur (1959 film)|Ben-Hur]]'' | |||
|- | |- | ||
| ''[[ | | ''[[Titanic (1997 film)|Titanic]]'' | ||
|- | |- | ||
| ''[[The | | ''[[The Lord of the Rings: The Return of the King]]'' | ||
|- | |- | ||
| ''[[ | | style="text-align:center"| 10 | ||
| ''[[West Side Story (1961 film)|West Side Story]]'' | |||
|- | |- | ||
| ''[[ | | rowspan="3" style="text-align:center"| 9 | ||
| ''[[Gigi (1958 film)|Gigi]]'' | |||
|- | |- | ||
| ''[[ | | ''[[The Last Emperor]]'' | ||
|- | |- | ||
| ''[[The English Patient (film)|The English Patient]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[ | | rowspan="8" style="text-align:center"| 8 | ||
| ''[[Gone with the Wind (film)|Gone with the Wind]]'' | |||
|- | |- | ||
| ''[[ | | ''[[From Here to Eternity]]'' | ||
|- | |- | ||
| ''[[ | | ''[[On the Waterfront]]'' | ||
|- | |- | ||
| ''[[ | | ''[[My Fair Lady (film)|My Fair Lady]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Cabaret (1972 film)|Cabaret]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Gandhi (film)|Gandhi]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Amadeus (film)|Amadeus]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Slumdog Millionaire]]'' | ||
|- | |- | ||
| ''[[ | | rowspan="14" style="text-align:center"| 7 | ||
| ''[[Going My Way]]'' | |||
|- | |- | ||
| ''[[ | | ''[[The Best Years of Our Lives]]'' | ||
|- | |- | ||
| ''[[ | | ''[[The Bridge on the River Kwai]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Lawrence of Arabia (film)|Lawrence of Arabia]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Patton (film)|Patton]]'' | ||
|- | |- | ||
| ''[[The | | ''[[The Sting]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Star Wars (film)|Star Wars]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Out of Africa (film)|Out of Africa]]'' | ||
|- | |||
| ''[[Dances With Wolves]]'' | |||
|- | |||
| ''[[Schindler's List]]'' | |||
|- | |||
| ''[[Shakespeare in Love]]'' | |||
|- | |- | ||
| ''[[ | | ''[[Gravity (2013 film)|Gravity]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Everything Everywhere All at Once]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Oppenheimer (film)|Oppenheimer]]'' | ||
|- | |- | ||
| | | rowspan="14" style="text-align:center"| 6 | ||
|- | |- | ||
| ''[[ | | ''[[Mrs. Miniver]]'' | ||
|- | |- | ||
| ''[[ | | ''[[All About Eve]]'' | ||
|- | |- | ||
| ''[[ | | ''[[An American in Paris (film)|An American in Paris]]'' | ||
|- | |- | ||
| ''[[ | | ''[[A Place in the Sun (1951 film)|A Place in the Sun]]'' | ||
|- | |- | ||
| ''[[ | | ''[[A Man for All Seasons (1966 film)|A Man for All Seasons]]'' | ||
|- | |- | ||
| ''[[ | | ''[[Oliver! (film)|Oliver!]]'' | ||
| | |- | ||
| ''[[The Godfather Part II]]'' | |||
The | |||
|- | |- | ||
| ''[[Forrest Gump]]'' | |||
|- | |- | ||
| ''[[Chicago (2002 film)|Chicago]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The Hurt Locker]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Mad Max: Fury Road]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[La La Land]]'' | |||
| ''[[ | |||
|- | |- | ||
| | | ''[[Dune (2021 film)|Dune]]'' | ||
|- | |- | ||
| | | rowspan="27" style="text-align:center"| 5 | ||
| ''[[ | | ''[[It Happened One Night]]'' | ||
|- | |- | ||
| ''[[How Green Was My Valley (film)|How Green Was My Valley]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Wilson (1944 film)|Wilson]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The Bad and the Beautiful]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Around the World in 80 Days (1956 film)|Around the World in 80 Days]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The King and I (1956 film)|The King and I]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The Apartment]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Mary Poppins (film)|Mary Poppins]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The Sound of Music (film)|The Sound of Music]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Doctor Zhivago (film)|Doctor Zhivago]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Who's Afraid of Virginia Woolf? (film)|Who's Afraid of Virginia Woolf?]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[In the Heat of the Night (film)|In the Heat of the Night]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The French Connection (film)|The French Connection]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[One Flew Over the Cuckoo's Nest (film)|One Flew Over the Cuckoo's Nest]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The Deer Hunter]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Kramer vs. Kramer]]'' | |||
| ''[[ | |||
|- | |- | ||
| | | ''[[Raiders of the Lost Ark]]'' | ||
| ''[[ | |- | ||
| ''[[Terms of Endearment]]'' | |||
|- | |- | ||
| ''[[The Silence of the Lambs (film)|The Silence of the Lambs]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Braveheart]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Saving Private Ryan]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[American Beauty (1999 film)|American Beauty]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[Gladiator (2000 film)|Gladiator]]'' | |||
| ''[[ | |||
|- | |- | ||
| ''[[The Aviator (2004 film)|The Aviator]]'' | |||
| ''[[The | |||
|- | |- | ||
| | | ''[[Hugo (film)|Hugo]]'' | ||
| ''[[The | |- | ||
| | | ''[[The Artist (film)|The Artist]]'' | ||
|- | |||
| ''[[Anora]]'' | |||
|} | |} | ||
{{col- | {{col-end}} | ||
The following | === Highest by franchises or remakes === | ||
{{Original research section|date=August 2025}} | |||
{{col-begin}} | |||
{{col-1-of-2}} | |||
The following film franchises or remakes received at least six nominations: | |||
{| class="wikitable" style="text-align: center;" | {| class="wikitable" style="text-align: center;" | ||
|- | |- | ||
! scope="col" width=" | ! scope="col" width="56"| Nominations | ||
! scope="col" align="center"| Title | ! scope="col" align="center"| Title | ||
! scope="col" align="center"| No. of films | ! scope="col" align="center"| No. of films | ||
|- | |- | ||
| style="text-align:center"| | | style="text-align:center" rowspan="2"| 37 | ||
| ''[[The Lord of the Rings (film series)|The Lord of the Rings]]'' | | ''[[Star Wars]]'' | ||
| | | 11 | ||
|- | |||
| ''[[Middle-earth in motion pictures|Middle-earth]]'' (consists of ''[[The Lord of the Rings (film series)|The Lord of the Rings]]'' and ''[[The Hobbit (film series)|The Hobbit]]'') | |||
| 6 | |||
|- | |- | ||
| | | 29 | ||
| ''[[ | | ''[[Batman in film|Batman]]'' | ||
| | | 7 | ||
|- | |- | ||
| | | 28 | ||
| ''[[The Godfather (film series)|The Godfather]]'' | | ''[[The Godfather (film series)|The Godfather]]'' | ||
| | | 3 | ||
|- | |- | ||
| | | 27 | ||
| ''[[Marvel Cinematic Universe]]'' | |||
| 15 | |||
| ''[[ | |||
| | |||
|- | |- | ||
| ''[[ | | 26 | ||
| | | ''[[What Price Hollywood?]]'' / ''[[A Star Is Born (1937 film)|A Star Is Born]]'' | ||
| 5 | |||
|- | |- | ||
| ''[[ | | 20 | ||
| | | ''[[Adaptations of The Wonderful Wizard of Oz|The Wizard of Oz]]'' | ||
| 4 | |||
|- | |- | ||
| | | 19 | ||
| ''[[List of James Bond films|James Bond]]'' | | ''[[List of James Bond films|James Bond]]'' | ||
| | | 11 | ||
|- | |- | ||
| | | rowspan="2" | 18 | ||
| | | ''[[Going My Way]]'' / ''[[The Bells of St. Mary's]]'' | ||
| 2 | |||
| ''[[ | |||
| | |||
|- | |- | ||
| ''[[ | | ''[[West Side Story]]'' | ||
| 2 | | 2 | ||
|- | |- | ||
| [[ | | 17 | ||
| ''[[Adaptations of Mary Poppins|Mary Poppins]]'' | |||
| 2 | | 2 | ||
|- | |- | ||
| | | style="text-align:center" rowspan="4"| 16 | ||
| ''[[ | | ''[[Looney Tunes]]'' | ||
| | | 16 | ||
|- | |- | ||
| ''[[ | | ''[[List of Star Trek films|Star Trek]]'' | ||
| | | 7 | ||
|- | |||
| ''[[Dune (franchise)|Dune]]'' | |||
| 3 | |||
|- | |- | ||
| ''[[ | | ''[[Here Comes Mr. Jordan]]'' / ''[[Heaven Can Wait (1978 film)|Heaven Can Wait]]'' | ||
| 2 | | 2 | ||
|- | |- | ||
| ''[[ | | style="text-align:center" rowspan="2"| 14 | ||
| | | ''[[Wizarding World]]'' | ||
| 9 | |||
|- | |- | ||
| ''[[Indiana Jones]]'' | |||
| 4 | |||
|- | |- | ||
| style="text-align:center"| | | style="text-align:center" rowspan="6"| 13 | ||
| [[ | | ''[[Tom and Jerry]]'' | ||
| | | 13 | ||
|- | |- | ||
| | | ''[[All Quiet on the Western Front]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| | | ''[[Avatar (franchise)|Avatar]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| | | ''[[Funny Girl (film)|Funny Girl]]'' / ''[[Funny Lady]]'' | ||
| [[ | | 2 | ||
| | |||
|- | |- | ||
| | | ''[[Gladiator (2000 film)|Gladiator]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| | | ''[[The Hustler]]'' / ''[[The Color of Money]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| style="text-align:center"| | | style="text-align:center" rowspan="4"| 12 | ||
| [[ | | ''[[Alien (franchise)|Alien]]'' | ||
| | | 5 | ||
|- | |- | ||
| | | ''[[Rocky (franchise)|Rocky]]'' | ||
| 3 | |||
| | |||
|- | |- | ||
| | | ''[[The Color Purple]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| [[ | | ''[[True Grit (film series)|True Grit]]'' | ||
| | | 2 | ||
|- | |- | ||
| style="text-align:center"| | | style="text-align:center" rowspan="3"| 11 | ||
| [[ | | ''[[Toy Story (franchise)|Toy Story]]'' | ||
| | | 4 | ||
|- | |- | ||
| | | ''[[Pirates of the Caribbean (film series)|Pirates of the Caribbean]]'' | ||
| 3 | |||
| | |||
|- | |- | ||
| [[ | | ''[[The Sting]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | style="text-align:center" rowspan="3"| 10 | ||
| | | ''[[Donald Duck (film series)|Donald Duck]]'' | ||
| 10 | |||
|- | |- | ||
| | | ''[[Mickey Mouse]]'' | ||
| 10 | |||
| | |||
|- | |- | ||
| [[ | | ''[[Top Gun (franchise)|Top Gun]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | style="text-align:center" rowspan="2"| 9 | ||
| | | ''[[Elizabeth (1998 film)|Elizabeth]]'' | ||
| 2 | |||
|- | |- | ||
| [[ | | ''[[2001: A Space Odyssey|Space]] [[2010: The Year We Make Contact|Odyssey]]'' | ||
| | | 2 | ||
|- | |- | ||
| | | style="text-align:center" rowspan="6"| 8 | ||
| [[ | | ''[[Wallace & Gromit]]'' | ||
| | | 8 | ||
|- | |- | ||
| [[ | | ''[[Spider-Man in film|Spider-Man]]'' | ||
| | | 5 | ||
|- | |- | ||
| [[ | | ''[[King Kong (franchise)|King Kong]]'' | ||
| | | 3 | ||
|- | |- | ||
| | | ''[[Babe (1995 film)|Babe]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| | | ''[[Beauty and the Beast]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| | | ''[[The Philadelphia Story (play)|The Philadelphia Story]]'' / ''[[High Society (1956 film)|High Society]]'' | ||
| [[ | | 2 | ||
| | |||
|- | |- | ||
| | | style="text-align:center" rowspan="4"| 7 | ||
| [[ | | ''[[Transformers (film series)|Transformers]]'' | ||
| | | 3 | ||
|- | |- | ||
| [[ | | ''[[Aladdin]]'' | ||
| | | 2 | ||
|- | |- | ||
| | | ''[[Blade Runner (franchise)|Blade Runner]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| [[ | | ''[[Hercule Poirot]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | style="text-align:center" rowspan="5"| 6 | ||
| | | ''[[Planet of the Apes]]'' | ||
| 5 | |||
|- | |- | ||
| [[ | | ''[[Shrek (franchise)|Shrek]]'' | ||
| | | 4 | ||
|- | |- | ||
| [[ | | ''[[Adaptations of The Jungle Book|The Jungle Book]]'' | ||
| | | 3 | ||
|- | |- | ||
| [[ | | ''[[The Broadway Melody]]'' | ||
| | | 2 | ||
|- | |- | ||
| | | ''[[Scent of a Woman (1992 film)|Scent of a Woman]]'' | ||
| 2 | |||
|} | |||
{{col-2-of-2}} | |||
The following film franchises or remakes received at least three awards (including non-competitive): | |||
{| class="wikitable" style="text-align: center;" | |||
|- | |- | ||
| | ! scope="col" width="55"| Awards | ||
| | ! scope="col" align="center"| Title | ||
! scope="col" align="center"| No. of films | |||
|- | |- | ||
| [[ | | style="text-align:center"| 17 | ||
| | | ''[[The Lord of the Rings (film series)|The Lord of the Rings]]'' | ||
| 3 | |||
|- | |- | ||
| [[ | | style="text-align:center" rowspan="1"| 11 | ||
| | | ''[[West Side Story]]'' | ||
| 2 | |||
|- | |- | ||
| [[ | | style="text-align:center"| 10 | ||
| | | ''[[Star Wars]]'' | ||
| 3 | |||
|- | |- | ||
| [[ | | style="text-align:center"| 9 | ||
| | | ''[[The Godfather (film series)|The Godfather]]'' | ||
| 2 | |||
|- | |- | ||
| | | style="text-align:center" rowspan="2"| 8 | ||
| [[ | | ''[[Dune (franchise)|Dune]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | ''[[Going My Way]]'' / ''[[The Bells of St. Mary's]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | style="text-align:center" rowspan="3"| 7 | ||
| | | ''[[Looney Tunes]]'' | ||
| 7 | |||
|- | |- | ||
| | | ''[[Tom and Jerry]]'' | ||
| 7 | |||
| | |||
|- | |- | ||
| [[ | | ''[[Indiana Jones]]'' | ||
| | | 3 | ||
|- | |- | ||
| | | style="text-align:center" rowspan="2"| 6 | ||
| [[ | | ''[[List of James Bond films|James Bond]]'' | ||
| | | 5 | ||
|- | |- | ||
| [[ | | ''[[All Quiet on the Western Front]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | rowspan="1" style="text-align:center"| 5 | ||
| | | ''[[Batman in film|Batman]]'' | ||
| 3 | |||
|- | |- | ||
| [[ | | rowspan="6" style="text-align:center"| 4 | ||
| | | ''[[A Star Is Born (1937 film)|A Star Is Born]]'' | ||
| 3 | |||
|- | |- | ||
| [[ | | ''[[Toy Story (franchise)|Toy Story]]'' | ||
| | | 3 | ||
|- | |- | ||
| [[ | | ''[[Avatar (franchise)|Avatar]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | ''[[King Kong (franchise)|King Kong]]'' | ||
| | | 2 | ||
|- | |- | ||
| | | ''[[Marvel Cinematic Universe]]'' | ||
| 2 | |||
| | |||
|- | |- | ||
| [[ | | ''[[Adaptations of The Wonderful Wizard of Oz|The Wizard of Oz]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | rowspan=4 style="text-align:center"| 3 | ||
| | | ''[[Wallace & Gromit]]'' | ||
| 3 | |||
|- | |- | ||
| [[ | | ''[[Alien (franchise)|Alien]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | ''[[Here Comes Mr. Jordan]]'' / ''[[Heaven Can Wait (1978 film)|Heaven Can Wait]]'' | ||
| | | 2 | ||
|- | |- | ||
| [[ | | ''[[The Hustler]]'' / ''[[The Color of Money]]'' | ||
| | | 2 | ||
|} | |||
{{col-end}} | |||
=== Highest by people === | |||
{{col-begin}} | |||
{{col-1-of-2}} | |||
The following nominees received at least 5 nominations: | |||
{| class="wikitable" style="text-align: center;" | |||
|- | |- | ||
| | ! scope="col" width="55"| Nominations | ||
| | ! scope="col" align="center"| Title | ||
! scope="col" align="center"| Role | |||
|- | |- | ||
| [[ | | style="text-align:center"| 59 | ||
| | | [[Walt Disney]] | ||
| Producer, animator, and voice actor | |||
|- | |- | ||
| | | style="text-align:center"| 54 | ||
| [[ | | [[John Williams]] | ||
| | | Composer | ||
|- | |- | ||
| [[ | | style="text-align:center"| 45 | ||
| | | [[Alfred Newman (composer)|Alfred Newman]] | ||
| Composer | |||
|- | |- | ||
| [[ | | style="text-align:center"| 39 | ||
| | | [[Cedric Gibbons]] | ||
| Production designer | |||
|- | |- | ||
| [[ | | style="text-align:center"| 35 | ||
| [[Edith Head]] | |||
| Costume designer | | Costume designer | ||
|- | |- | ||
| [[ | | style="text-align:center"| 32 | ||
| | | [[Edwin B. Willis]] | ||
| Production designer | |||
|- | |- | ||
| [[ | | style="text-align:center"| 29 | ||
| | | [[Lyle R. Wheeler]] | ||
| Art director | |||
|- | |- | ||
| [[ | | style="text-align:center"| 26 | ||
| | | [[Sammy Cahn]] | ||
| Songwriter | |||
|- | |- | ||
| rowspan=" | | rowspan="2" style="text-align:center"| 25 | ||
| [[ | | [[Andy Nelson (sound engineer)|Andy Nelson]] | ||
| | | Sound engineer | ||
|- | |- | ||
| [[ | | [[Max Steiner]] | ||
| | | Composer | ||
|- | |- | ||
| [[ | | style="text-align:center"| 24 | ||
| Filmmaker | | [[Woody Allen]] | ||
| Filmmaker | |||
|- | |- | ||
| [[ | | rowspan="3" style="text-align:center"| 23 | ||
| | | [[Hans Dreier]] | ||
| Art director | |||
|- | |- | ||
| [[ | | [[Hal Pereira]] | ||
| | | Art director and production designer | ||
|- | |- | ||
| [[ | | [[Steven Spielberg]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | rowspan="4" style="text-align:center"| 22 | ||
| | | [[Samuel M. Comer]] | ||
| Art director | |||
|- | |- | ||
| [[ | | [[Randy Newman]] | ||
| | | Composer and songwriter | ||
|- | |||
| [[Dimitri Tiomkin]] | |||
| Composer | |||
|- | |- | ||
| [[ | | [[Victor Young]] | ||
| | | Composer | ||
|- | |- | ||
| [[ | | rowspan="3" style="text-align:center"| 21 | ||
| [[Kevin O'Connell (sound mixer)|Kevin O'Connell]] | |||
| Sound mixer | | Sound mixer | ||
|- | |- | ||
| [[ | | [[Meryl Streep]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Billy Wilder]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | style="text-align:center"| 20 | ||
| | | [[Gary Rydstrom]] | ||
| Sound designer and film director | |||
|- | |- | ||
| [[ | | style="text-align:center"| 19 | ||
| | | [[Alan Menken]] | ||
| Composer and songwriter | |||
|- | |- | ||
| [[ | | style="text-align:center"| 18 | ||
| | | [[Henry Mancini]] | ||
| Composer and songwriter | |||
|- | |- | ||
| [[ | | rowspan="2" style="text-align:center"| 17 | ||
| | | [[Gordon Hollingshead]] | ||
| Producer | |||
|- | |- | ||
| [[ | | [[Fred Quimby]] | ||
| | | Animator | ||
|- | |- | ||
| [[ | | rowspan="6" style="text-align:center"| 16 | ||
| | | [[Roger Deakins]] | ||
| Cinematographer | |||
|- | |- | ||
| [[ | | [[Charles LeMaire]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Greg P. Russell]] | ||
| | | Sound engineer | ||
|- | |- | ||
| [[ | | [[Martin Scorsese]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Irene Sharaff]] | ||
| | | Costume designer and art director | ||
|- | |- | ||
| [[ | | [[Diane Warren]] | ||
| | | Songwriter | ||
|- | |- | ||
| [[ | | rowspan="6" style="text-align:center"| 15 | ||
| | | [[Warren Beatty]] | ||
| Actor and filmmaker | |||
|- | |- | ||
| [[ | | [[Christopher Boyes]] | ||
| | | Sound engineer | ||
|- | |- | ||
| [[ | | [[Thomas Newman]] | ||
| | | Composer | ||
|- | |- | ||
| [[ | | [[Alex North]] | ||
| | | Composer | ||
|- | |- | ||
| [[ | | [[Sandy Powell (costume designer)|Sandy Powell]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[William Wyler]] | ||
| | | Filmmaker | ||
|- | |- | ||
| rowspan=" | | rowspan="4" style="text-align:center"| 14 | ||
| [[ | | [[Coen brothers|Ethan and Joel Coen]] | ||
| | | Filmmakers | ||
|- | |- | ||
| [[ | | [[Francis Ford Coppola]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[John Huston]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Jean Louis]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[Richard | | rowspan="2" style="text-align:center"| 13 | ||
| | | [[Richard Day (art director)|Richard Day]] | ||
| Art director | |||
|- | |- | ||
| [[ | | [[Stanley Kubrick]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | rowspan="7" style="text-align:center"| 12 | ||
| Actor and producer | | [[Colleen Atwood]] | ||
| Costume designer | |||
|- | |||
| [[Bradley Cooper]] | |||
| Actor, filmmaker, and producer | |||
|- | |||
| [[Federico Fellini]] | |||
| Filmmaker | |||
|- | |- | ||
| [[ | | [[Katharine Hepburn]] | ||
| Actress | | Actress | ||
|- | |- | ||
| [[ | | [[Dorothy Jeakins]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Jack Nicholson]] | ||
| | | Actor | ||
|- | |- | ||
| [[ | | [[Hans Zimmer]] | ||
| | | Composer | ||
|- | |- | ||
| [[ | | rowspan="11" style="text-align:center"| 11 | ||
| [[Paul Thomas Anderson]] | |||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Rick Baker]] | ||
| | | Special make-up effects artist | ||
|- | |- | ||
| [[ | | [[Alfonso Cuarón]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Alexandre Desplat]] | ||
| | | Composer | ||
|- | |- | ||
| [[Clint Eastwood]] | |||
| [[ | | Actor and filmmaker | ||
| | |||
|- | |- | ||
| [[ | | [[Doug Hemphill]] | ||
| | | Sound engineer | ||
|- | |- | ||
| [[ | | [[David Lean]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Joe Letteri]] | ||
| | | Visual effects artist | ||
|- | |- | ||
| [[ | | [[Laurence Olivier]] | ||
| Actor | | Actor and filmmaker | ||
|- | |- | ||
| [[ | | [[George Stevens]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Oliver Stone]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | rowspan="7" style="text-align:center"| 10 | ||
| | | [[Anna Behlmer]] | ||
| Sound mixer | |||
|- | |- | ||
| [[ | | [[Bette Davis]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Dante Ferretti]] | ||
| | | Art director, production designer and costume designer | ||
|- | |- | ||
| [[ | | [[Walter Plunkett]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Helen Rose]] | ||
| Costume designer | | Costume designer | ||
|- | |- | ||
| [[ | | [[Bill Thomas (costume designer)|Bill Thomas]] | ||
| Costume designer | | Costume designer | ||
|- | |- | ||
| [[ | | [[Denzel Washington]] | ||
| | | Actor and filmmaker | ||
|- | |- | ||
| [[ | | rowspan="16" style="text-align:center"| 9 | ||
| | | [[Ingmar Bergman]] | ||
| Filmmaker | |||
|- | |- | ||
| [[ | | [[Milena Canonero]] | ||
| Costume designer | | Costume designer | ||
|- | |- | ||
| [[ | | [[Robert De Niro]] | ||
| | | Actor and producer | ||
|- | |- | ||
| [[Pete Docter]] | |||
| [[ | | Filmmaker, animator and voice actor | ||
| | |||
|- | |- | ||
| [[ | | [[Jacqueline Durran]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Nancy Haigh]] | ||
| | | Set decorator | ||
|- | |- | ||
| [[ | | [[Alejandro González Iñárritu]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Peter Jackson]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Richard King (sound designer)|Richard King]] | ||
| | | Sound engineer | ||
|- | |- | ||
| [[ | | [[Stanley Kramer]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Catherine Martin (designer)|Catherine Martin]] | ||
| Costume designer | | Costume designer, production designer and producer | ||
|- | |- | ||
| [[ | | [[Scott Millan]] | ||
| | | Sound mixer | ||
|- | |||
| [[Scott Rudin]] | |||
| Producer | |||
|- | |- | ||
| [[ | | [[Thelma Schoonmaker]] | ||
| | | Film editor | ||
|- | |- | ||
| [[ | | [[Stephen Schwartz]] | ||
| | | Composer and songwriter | ||
|- | |- | ||
| [[ | | [[Sherman Brothers]] | ||
| | | Composers and songwriters | ||
|- | |- | ||
| [[ | | rowspan="19" style="text-align:center"| 8 | ||
| [[Wes Anderson]] | |||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Cate Blanchett]] | ||
| Actress | | Actress | ||
|- | |- | ||
| [[ | | [[Kenneth Branagh]] | ||
| | | Actor and filmmaker | ||
|- | |- | ||
| [[ | | [[Marlon Brando]] | ||
| | | Actor | ||
|- | |- | ||
| [[ | | [[James L. Brooks]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[George Clooney]] | ||
| | | Actor and filmmaker | ||
|- | |- | ||
| [[ | | [[Glenn Close]] | ||
| Actress | | Actress | ||
|- | |- | ||
| [[Judi Dench]] | |||
| Actress | |||
|- | |- | ||
| [[Dede Gardner]] | |||
| [[ | | Producer | ||
| Producer | |||
|- | |- | ||
| [[Michael Kahn (film editor)|Michael Kahn]] | |||
| [[ | | Film editor | ||
| | |||
|- | |- | ||
| [[Kathleen Kennedy (producer)|Kathleen Kennedy]] | |||
| [[ | | Producer | ||
| | |||
|- | |- | ||
| [[Jack Lemmon]] | |||
| [[ | | Actor | ||
| | |||
|- | |- | ||
| [[Francesca Lo Schiavo]] | |||
| [[ | | Set decorator | ||
| | |||
|- | |- | ||
| [[ | | [[Emmanuel Lubezki]] | ||
| | | Cinematographer | ||
|- | |- | ||
| [[Frances McDormand]] | |||
| [[ | | Actress and producer | ||
| | |||
|- | |- | ||
| [[ | | [[Christopher Nolan]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Peter O'Toole]] | ||
| | | Actor | ||
|- | |- | ||
| [[Ken Ralston]] | |||
| [[ | | Visual effects supervisor | ||
| | |||
|- | |- | ||
| [[ | | [[Quentin Tarantino]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | rowspan="19" style="text-align:center"| 7 | ||
| | | [[Robert Altman]] | ||
| Filmmaker | |||
|- | |- | ||
| [[ | | [[Howard Ashman]] | ||
| | | Lyricist | ||
|- | |- | ||
| [[ | | [[Ingrid Bergman]] | ||
| | | Actress | ||
|- | |- | ||
| [[Nathan Crowley]] | |||
| [[ | | Art director and production designer | ||
| | |||
|- | |- | ||
| [[ | | [[Dennis Gassner]] | ||
| | | Production designer | ||
|- | |- | ||
| [[Jeff Bridges]] | |||
| [[ | | Actor | ||
| | |||
|- | |- | ||
| [[ | | [[Richard Burton]] | ||
| | | Actor | ||
|- | |- | ||
| [[ | | [[James Cameron]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Leonardo DiCaprio]] | ||
| | | Actor and producer | ||
|- | |- | ||
| [[ | | [[Eric Fellner]] | ||
| | | Producer | ||
|- | |- | ||
| [[ | | [[Jane Fonda]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Jeremy Kleiner]] | ||
| | | Producer | ||
|- | |- | ||
| [[ | | [[Martin McDonagh]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Alexander Payne]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Brad Pitt]] | ||
| | | Actor and producer | ||
|- | |||
| [[Sydney Pollack]] | |||
| Filmmaker | |||
|- | |- | ||
| [[ | | [[Mary Wills (costume designer)|Mary Wills]] | ||
| Costume designer | | Costume designer | ||
|- | |- | ||
| [[ | | [[Kate Winslet]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Albert Wolsky]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | rowspan="17" style="text-align:center"| 6 | ||
| | | [[Amy Adams]] | ||
| Actress | |||
|- | |- | ||
| [[Tim Bevan]] | |||
| [[ | | Producer | ||
| | |||
|- | |- | ||
| [[ | | [[John Bright (costume designer)|John Bright]] | ||
| Costume designer | | Costume designer | ||
|- | |- | ||
| [[ | | [[Alexandra Byrne]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Ellen Burstyn]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Daniel Day-Lewis]] | ||
| | | Actor | ||
|- | |- | ||
| [[ | | [[Guillermo del Toro]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Margaret Furse]] | ||
| Costume designer | | Costume designer | ||
|- | |- | ||
| [[ | | [[Tom Hanks]] | ||
| | | Actor | ||
|- | |- | ||
| [[ | | [[Yorgos Lanthimos]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Ennio Morricone]] | ||
| | | Composer | ||
|- | |- | ||
| [[ | | [[Patricia Norris]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Nick Park]] | ||
| | | Animator | ||
|- | |- | ||
| [[ | | [[Maggie Smith]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Andrew Stanton]] | ||
| | | Animator and filmmaker | ||
|- | |- | ||
| [[ | | [[Gile Steele]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Richard Taylor (filmmaker)|Richard Taylor]] | ||
| | | Costume designer, special make-up effects artist and visual effects artist | ||
|- | |- | ||
| [[ | | rowspan="32" style="text-align:center"| 5 | ||
| | | [[Annette Bening]] | ||
| Actress | |||
|- | |- | ||
| [[ | | [[Brad Bird]] | ||
| Animator | | Animator and filmmaker | ||
|- | |- | ||
| [[ | | [[Jane Campion]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Matt Damon]] | ||
| | | Actor, filmmaker and producer | ||
|- | |- | ||
| [[ | | [[Danilo Donati]] | ||
| | | Costume designer and production designer | ||
|- | |- | ||
| [[ | | [[Todd Field]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Jodie Foster]] | ||
| | | Actress | ||
|- | |- | ||
| [[Morgan Freeman]] | |||
| [[ | | Actor | ||
| | |||
|- | |- | ||
| [[ | | [[Alfred Hitchcock]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Elton John]] | ||
| | | Songwriter | ||
|- | |- | ||
| [[ | | [[Nicole Kidman]] | ||
| | | Actress | ||
|- | |||
| [[Spike Lee]] | |||
| Filmmaker | |||
|- | |||
| [[Richard Linklater]] | |||
| Filmmaker | |||
|- | |- | ||
| [[ | | [[Sidney Lumet]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[James Mangold]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Frank Marshall (filmmaker)|Frank Marshall]] | ||
| Producer | | Producer | ||
|- | |- | ||
| [[ | | [[Julianne Moore]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Mike Nichols]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Vittorio Nino Novarese]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Gregory Peck]] | ||
| | | Actor | ||
|- | |- | ||
| [[ | | [[Sean Penn]] | ||
| Actor | | Actor | ||
|- | |- | ||
| [[ | | [[Roman Polanski]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Renié]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Ann Roth]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[David O. Russell]] | ||
| | | Filmmaker | ||
|- | |- | ||
| [[ | | [[Susan Sarandon]] | ||
| | | Actress | ||
|- | |- | ||
| [[ | | [[Howard Shoup]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Emma Stone]] | ||
| | | Actress and producer | ||
|- | |- | ||
| [[ | | [[Barbra Streisand]] | ||
| | | Actress, songwriter and producer | ||
|- | |- | ||
| [[ | | [[Piero Tosi]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Jacqueline West]] | ||
| | | Costume designer | ||
|- | |- | ||
| [[ | | [[Michelle Williams (actress)|Michelle Williams]] | ||
| | | Actress | ||
|} | |||
{{col-2-of-2}} | |||
The following winners received at least 3 awards (including non-competitive): | |||
{| class="wikitable" style="text-align: center;" | |||
|- | |- | ||
| | ! scope="col" width="55"| Awards | ||
| | ! scope="col" align="center"| Title | ||
! scope="col" align="center"| Role | |||
|- | |- | ||
| [[ | | style="text-align:center"| 26 | ||
| | | [[Walt Disney]] | ||
| Producer, animator, and voice actor | |||
|- | |- | ||
| [[ | | style="text-align:center"| 14 | ||
| | | [[Douglas Shearer]] | ||
| Sound engineer, visual effect supervisor | |||
|- | |- | ||
| [[ | | style="text-align:center"| 11 | ||
| [[Cedric Gibbons]] | |||
| Production designer | |||
|- | |||
| style="text-align:center"| 10 | |||
| [[Farciot Edouart]] | |||
| Special effects artist and innovator | |||
|- | |||
| rowspan="2" style="text-align:center"| 9 | |||
| [[Dennis Muren]] | |||
| Special effects artist and supervisor | |||
|- | |||
| [[Alfred Newman (composer)|Alfred Newman]] | |||
| Composer | |||
|- | |||
| rowspan="3" style="text-align:center"| 8 | |||
| [[Edith Head]] | |||
| Costume designer | |||
|- | |||
| [[Alan Menken]] | |||
| Composer and songwriter | | Composer and songwriter | ||
|- | |- | ||
| [[Charles LeMaire]] | | [[Edwin B. Willis]] | ||
| Costume designer | | Production designer | ||
|- | |- | ||
| [[Emmanuel Lubezki]] | | rowspan="5" style="text-align:center"| 7 | ||
| Cinematographer | | [[Rick Baker]] | ||
|- | | Special make-up effects artist | ||
| [[Daniel Mandell]] | |- | ||
| Film editor | | [[Richard Day (art director)|Richard Day]] | ||
|- | | Art director | ||
| [[Jack Nicholson]] | |- | ||
| Actor | | [[Fred Quimby]] | ||
|- | | Animator | ||
| [[Orry-Kelly]] | |- | ||
| Costume designer | | [[Gary Rydstrom]] | ||
| Sound designer, editor, and mixer | |||
|- | |||
| [[Billy Wilder]] | |||
| Director, producer, and writer | |||
|- | |||
| rowspan="2" style="text-align:center"| 6 | |||
| [[John Ford]] | |||
| Director and producer | |||
|- | |||
| [[Gordon Hollingshead]] | |||
| Producer | |||
|- | |||
| rowspan="15" style="text-align:center"| 5 | |||
| [[John Barry (composer)|John Barry]] | |||
| Composer and songwriter | |||
|- | |||
| [[Francis Ford Coppola]] | |||
| Director, producer, and writer | |||
|- | |||
| [[Clint Eastwood]] | |||
| Actor, director, and producer | |||
|- | |||
| [[Johnny Green]] | |||
| Composer, music supervisor, and producer | |||
|- | |||
| [[Alejandro González Iñárritu]] | |||
| Director, producer, and writer | |||
|- | |||
| [[Fred Hynes]] | |||
| Sound engineer | |||
|- | |||
| [[Gordon Jennings]] | |||
| Special effects supervisor | |||
|- | |||
| [[Richard King (sound designer)|Richard King]] | |||
| Sound designer and editor | |||
|- | |||
| [[Joe Letteri]] | |||
| Visual effects artist | |||
|- | |||
| [[Thomas T. Moulton]] | |||
| Sound engineer | |||
|- | |||
| [[Ken Ralston]] | |||
| Visual effects supervisor | |||
|- | |||
| [[Irene Sharaff]] | |||
| Costume designer | |||
|- | |||
| [[Richard Taylor (filmmaker)|Richard Taylor]] | |||
| Costume designer, special makeup artist, and visual effects supervisor | |||
|- | |||
| [[Lyle R. Wheeler]] | |||
| Art director | |||
|- | |||
| [[John Williams]] | |||
| Composer | |||
|- | |||
| rowspan="26" style="text-align:center"| 4 | |||
| [[Woody Allen]] | |||
| Filmmaker | |||
|- | |||
| [[Colleen Atwood]] | |||
| Costume designer | |||
|- | |||
| [[Sean Baker]] | |||
| Filmmaker | |||
|- | |||
| [[Mark Berger (sound engineer)|Mark Berger]] | |||
| Sound engineer | |||
|- | |||
| [[John Box]] | |||
| Production designer and art director | |||
|- | |||
| [[Christopher Boyes]] | |||
| Sound engineer | |||
|- | |||
| [[Ben Burtt]] | |||
| Sound designer, editor, and mixer | |||
|- | |||
| [[Sammy Cahn]] | |||
| Songwriter | |||
|- | |||
| [[Milena Canonero]] | |||
| Costume designer | |||
|- | |||
| [[Coen brothers|Ethan and Joel Coen]] | |||
| Filmmakers | |||
|- | |||
| [[Samuel M. Comer]] | |||
| Art director | |||
|- | |||
| [[Alfonso Cuarón]] | |||
| Filmmaker | |||
|- | |||
| [[Katharine Hepburn]] | |||
| Actress | |||
|- | |||
| [[Paul Lambert (special effects artist)|Paul Lambert]] | |||
| Visual effects supervisor | |||
|- | |||
| [[Henry Mancini]] | |||
| Composer and songwriter | |||
|- | |||
| [[Catherine Martin (designer)|Catherine Martin]] | |||
| Costume designer and production designer | |||
|- | |||
| [[Frances McDormand]] | |||
| Actress and producer | |||
|- | |||
| [[Johnny Mercer]] | |||
| Songwriter | |||
|- | |||
| [[Scott Millan]] | |||
| Sound mixer | |||
|- | |||
| [[Laurence Olivier]] | |||
| Actor and filmmaker | |||
|- | |||
| [[Nick Park]] | |||
| Animator | |||
|- | |||
| [[André Previn]] | |||
| Composer and music supervisor | |||
|- | |||
| [[Dimitri Tiomkin]] | |||
| Composer | |||
|- | |||
| [[Jimmy Van Heusen]] | |||
| Songwriter | |||
|- | |||
| [[Robert Wise]] | |||
| Director and producer | |||
|- | |||
| [[William Wyler]] | |||
| Director and producer | |||
|- | |||
| rowspan="46" style="text-align:center"| 3 | |||
| [[James Acheson]] | |||
| Costume designer | |||
|- | |||
| [[Cecil Beaton]] | |||
| Costume designer and production designer | |||
|- | |||
| [[Jenny Beavan]] | |||
| Costume designer | |||
|- | |||
| [[Alan and Marilyn Bergman]] | |||
| Songwriters | |||
|- | |||
| [[Ingrid Bergman]] | |||
| Actress | |||
|- | |||
| [[Bong Joon Ho]] | |||
| Filmmaker | |||
|- | |||
| [[Stephen Bosustow]] | |||
| Producer | |||
|- | |||
| [[Walter Brennan]] | |||
| Actor | |||
|- | |||
| [[James L. Brooks]] | |||
| Filmmaker | |||
|- | |||
| [[James Cameron]] | |||
| Filmmaker | |||
|- | |||
| [[Saul Chaplin]] | |||
| Composer and music supervisor | |||
|- | |||
| [[Daniels (directors)|Daniels]] | |||
| Directors, producers, and writers | |||
|- | |||
| [[Daniel Day-Lewis]] | |||
| Actor | |||
|- | |||
| [[Adolph Deutsch]] | |||
| Composer and music supervisor | |||
|- | |||
| [[Pete Docter]] | |||
| Director, writer, animator, and voice actor | |||
|- | |||
| [[Ken Darby]] | |||
| Composer and music supervisor | |||
|- | |||
| [[Ralph Dawson]] | |||
| Film editor | |||
|- | |||
| [[Guillermo del Toro]] | |||
| Director, producer, and writer | |||
|- | |||
| [[Hans Dreier]] | |||
| Art director | |||
|- | |||
| [[Roger Edens]] | |||
| Composer and music supervisor | |||
|- | |||
| [[John Hubley]] | |||
| Director and animator | |||
|- | |||
| [[Marvin Hamlisch]] | |||
| Composer and songwriter | |||
|- | |||
| [[Doug Hemphill]] | |||
| Sound engineer | |||
|- | |||
| [[Peter Jackson]] | |||
| Filmmaker | |||
|- | |||
| [[Maurice Jarre]] | |||
| Composer | |||
|- | |||
| [[Dorothy Jeakins]] | |||
| Costume designer | |||
|- | |||
| [[Michael Kahn (film editor)|Michael Kahn]] | |||
| Film editor | |||
|- | |||
| [[Michel Legrand]] | |||
| Composer and songwriter | |||
|- | |||
| [[Charles LeMaire]] | |||
| Costume designer | |||
|- | |||
| [[Emmanuel Lubezki]] | |||
| Cinematographer | |||
|- | |||
| [[Daniel Mandell]] | |||
| Film editor | |||
|- | |||
| [[Giorgio Moroder]] | |||
| Composer and songwriter | |||
|- | |||
| [[Jack Nicholson]] | |||
| Actor | |||
|- | |||
| [[Orry-Kelly]] | |||
| Costume designer | |||
|- | |||
| [[Anthony Powell (designer)|Anthony Powell]] | |||
| Costume designer | |||
|- | |||
| [[Sandy Powell (costume designer)|Sandy Powell]] | |||
| Costume designer | |||
|- | |||
| [[Thelma Schoonmaker]] | |||
| Film editor | |||
|- | |||
| [[Stephen Schwartz (composer)|Stephen Schwartz]] | |||
| Songwriter | |||
|- | |||
| [[Steven Spielberg]] | |||
| Filmmaker | |||
|- | |||
| [[Max Steiner]] | |||
| Composer | |||
|- | |- | ||
| [[ | | [[Oliver Stone]] | ||
| Filmmaker | | Filmmaker | ||
|- | |- | ||
| [[Meryl Streep]] | | [[Meryl Streep]] | ||
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| Director and animator | | Director and animator | ||
|} | |} | ||
{{col-end}} | {{col-end}} | ||
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* {{Official website}} | * {{Official website}} | ||
* {{IMDb event|0000003|Academy Awards}} | * {{IMDb event|0000003|Academy Awards}} | ||
*[https://press.oscars.org/news/98th-oscarsr-shortlists-12-award-categories-announced 98TH Oscars Shortlists.] | |||
{{Academy Awards}} | {{Academy Awards}} | ||
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[[Category:Cinema of Southern California]] | [[Category:Cinema of Southern California]] | ||
[[Category:Culture of Hollywood, Los Angeles]] | [[Category:Culture of Hollywood, Los Angeles]] | ||
[[Category: | [[Category:Organized events in Los Angeles]] | ||
[[Category:Performing arts trophies]] | [[Category:Performing arts trophies]] | ||
Latest revision as of 03:33, 1 January 2026
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The Academy Awards, commonly known as the Oscars, are awards for artistic and technical merit in film.[1][2] They are presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) in the United States in recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership.[3] The Oscars are widely considered to be the most prestigious awards in the film industry.[4]
The major award categories, known as the Academy Awards of Merit,[5] are presented during a live televised Hollywood ceremony in February or March. It is the oldest worldwide entertainment awards ceremony.[1] The 1st Academy Awards were held in 1929.[6] The second ceremony, in 1930, was the first to be broadcast by radio, and the 1953 ceremony was the first to be televised.[1] It is the oldest of the four major annual American entertainment awards. Its counterparts — the Emmy Awards for television, the Tony Awards for theater, and the Grammy Awards for music — are modeled after the Academy Awards.[7]
The Oscar statuette depicts a knight, rendered in the Art Deco style.[8]
History
The first Academy Awards presentation was held on May 16, 1929, at a private dinner function at the Hollywood Roosevelt Hotel, with an audience of about 270 people.[9]
The post-awards party was held at the Mayfair Hotel.[1] The cost of guest tickets for that night's ceremony was Template:USD (Expression error: Unrecognized punctuation character "[".). Fifteen statuettes were awarded, honoring artists, directors, and other participants in the film-making industry of the time, for their works during the 1927–28 period. The ceremony ran for 15Script error: No such module "String".minutes.
For this first ceremony, winners were announced to the media three months earlier.[10] For the second ceremony in 1930, and the rest of the first decade, the results were given to newspapers for publication at 11:00Script error: No such module "String".pm on the night of the awards.[1] In 1940, the Los Angeles Times announced the winners before the ceremony began. As a result, in 1941 the Academy started using a sealed envelope to reveal the names of the winners.[1]
The term "Oscar" is a registered trademark of the AMPAS.
Milestones
The first Best Actor awarded was Emil Jannings, for his performances in The Last Command and The Way of All Flesh. As he had to return to Europe before the ceremony, the Academy agreed to give him the prize early, making him the first Academy Award recipient. For the first Awards, winners were recognized for multiple films during the qualifying period; Jannings received the award for two films in which he starred, and Janet Gaynor won the first Best Actress award for performances in three films. Beginning with the second ceremony, performers received separate nominations for individual films; no performer has received multiple nominations in the same category since the 3rd Academy Awards.
For the first five ceremonies, the eligibility period ran from August 1 to July 31. The 6th Academy Awards' eligibility ran from August 1, 1932, to December 31, 1933, and as of the 7th Academy Awards, subsequent eligibility periods have matched the calendar year (with the exception of the 93rd Academy Awards, which, due to the COVID-19 pandemic, extended the eligibility period to February 28, 2021).[1]
Best Foreign Language Film, now known as Best International Feature Film, was introduced at the 20th Academy Awards as a special award, and became a competitive category at the 29th Academy Awards.[11]
The 74th Academy Awards, held in 2002, presented the first Academy Award for Best Animated Feature,[12] won by Shrek.
Since 1973, all Academy Awards ceremonies, except for 2021, have ended with the Academy Award for Best Picture. Traditionally, the previous year's winners for Best Actor and Best Supporting Actor present the awards for Best Actress and Best Supporting Actress, respectively, and vice versa. In 2009, this model was replaced by each acting award being introduced by five previous winners, each of whom introduces one of the nominated performances, referred to as the "Fab 5" presenters format.[13] The Fab 5 model returned in 2024 after a 15-year hiatus.
On February 9, 2020, Parasite became the first foreign-language film to win Best Picture at the 92nd Academy Awards.[14]
The 93rd Academy Awards ceremony, honoring the best films of 2020 and early 2021, was held on April 25, 2021, after it was postponed from its original February 28, 2021, schedule due to the impact of the COVID-19 pandemic on cinema. As with the two previous ceremonies, there was no host. The ceremony was broadcast on ABC. It took place at the Dolby Theatre in Los Angeles, California for the 19th consecutive year, with satellite locations at Union Station also in Los Angeles.[15] Because of the virus impact on films and TV industries, Academy president David Rubin and CEO Dawn Hudson announced that for the 2021 Oscar Ceremony, streaming films with a previously planned theatrical release were eligible.[16] The theatrical requirement was reinstated starting with the 95th Academy Awards.[17]
Oscar statuette
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Overview
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The Oscar statuette, officially the Academy Award of Merit,[18] is given to winners of each year's awards. Made of gold-plated bronze on a black metal base, it is Script error: No such module "convert". tall, weighs Script error: No such module "convert". and depicts a knight rendered in Art Deco style holding a sword standing on a reel of film with five spokes. The five spokes represent the original branches of the Academy: Actors, Writers, Directors, Producers, and Technicians.[19]
Sculptor George Stanley, who also did the Muse Fountain at the Hollywood Bowl, sculpted Cedric Gibbons' design. The statuettes presented at the initial ceremonies were gold-plated solid bronze. Within a few years, the bronze was abandoned in favor of Britannia metal, a pewter-like alloy that is then plated in copper, nickel silver, and finally, 24-karat gold.[18] Due to a metal shortage during World War II, Oscars were made of painted plaster for three years. Following the war, the Academy invited recipients to redeem the plaster figures for gold-plated metal ones.[20]
The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the C.W. Shumway & Sons Foundry in Batavia, Illinois, which also contributed to casting the molds for the Vince Lombardi Trophy and Emmy Award statuettes. During the 1970s, the Oscar statues were cast in Crystal Lake, Illinois.[21] From 1983 to 2015,[22] approximately 50 Oscars in a tin alloy with gold plating were made each year in Chicago by Illinois manufacturer R.S. Owens & Company.[23] It would take between three and four weeks to manufacture 50 statuettes.[24]
In 2016, the Academy returned to bronze as the core metal of the statuettes, handing manufacturing duties to Walden, New York-based Polich Tallix Fine Art Foundry, now owned and operated by UAP Urban Art Projects.[25][26] While based on a digital scan of an original 1929 Oscar, the statuettes retain their modern-era dimensions and black pedestal. Cast in liquid bronze from 3D-printed ceramic molds and polished, they are then electroplated in 24-karat gold by Brooklyn, New York-based Epner Technology. The time required to produce 50 such statuettes is roughly three months.[27] R.S. Owens is expected to continue producing other awards for the Academy, and service existing Oscars that need replating.[28]
Naming
The origin of the nickname of the trophy has been disputed, as multiple people have taken credit for naming the trophy "Oscar".
Margaret Herrick, librarian and president of the Academy, may have said she named it after her supposed uncle Oscar in 1931.Template:Efn The only corroboration was a 1938 clipping from the Los Angeles Examiner, in which Herrick told a story of her and her husband joking with each other using the phrase, "How's your uncle Oscar".[29]
Bette Davis, in her 1962 autobiography, claimed she named it in 1936 after her first husband, Harmon Oscar Nelson, of whom the statue's rear end reminded her.[29][30] But the term had been in use at least two years before. In a 1974 biography written by Whitney Stine with commentary from Davis, Davis wrote, "I relinquish once and for all any claim that I was the one—so, Academy of Motion Picture Arts and Sciences, the honor is all yours."[29][31]
Columnist Sidney Skolsky wrote in his 1970 memoir that he came up with the term in 1934 under pressure for a deadline, mocking Vaudeville comedians who asked "Will you have a cigar, Oscar?" The Academy credits Skolsky with "the first confirmed newspaper reference" to Oscar in his column on March 16, 1934, which was written about that year's 6th Academy Awards.[32] But in the newspaper clipping that Skolsky referred to, he wrote that "these statues are called 'Oscars'", meaning that the name was already in use.[29]
In 2021, Brazilian researcher Waldemar Dalenogare Neto contradicted Skolsky's claim to have used the term first, finding the probable first public mention of the name "Oscar" in journalist Relman Morin's "Cinematters" column in the Los Angeles Evening Record on December 5, 1933. Since the awards didn't take place that year, he said: "What's happened to the annual Academy banquet? As a rule, the banquet and the awarding of "Oscar", the bronze statuette given for best performances, is all over long before this."[33]
Bruce Davis, a former executive director of the Academy, credited Eleanore Lilleberg, a secretary at the Academy when the award was first introduced, for the nickname. She had overseen the pre-ceremony handling of the awards. Davis credits Lilleberg because he found in an autobiography of Einar Lilleberg, Eleanore's brother, that Einar had referenced a Norwegian army veteran named Oscar whom the two knew in Chicago, whom Einar described as having always "stood straight and tall".[29][34] He asserts credit "should almost certainly belong to" Lilleberg.[34]
Engraving
To prevent information identifying the Oscar winners from leaking ahead of the ceremony, Oscar statuettes presented at the ceremony have blank baseplates. Until 2010, winners returned their statuettes to the Academy and had to wait several weeks to have their names inscribed on their respective Oscars. Since 2010, winners have had the option of having engraved nameplates applied to their statuettes at an inscription-processing station at the Governor's Ball, a party held immediately after the Oscar ceremony. The R.S. Owens company has engraved nameplates made before the ceremony, bearing the name of every potential winner. The nameplates for the non-winning nominees are later recycled.[35][36]
Ownership of Oscar statuettes
Before 1950, Oscar statuettes were, and remain, the property of the recipient.[37] Since then the statuettes have been legally encumbered by the requirement that the statuette be first offered for sale back to the Academy for Template:USD. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards predating this agreement have been sold in public auctions and private deals for six-figure sums.[38]
In 1989, Michael Todd's grandson tried to sell Todd's Best Picture Oscar for his 1956 production of Around the World in 80 Days to a movie prop collector. The Academy earned enforcement of its statuette contract by gaining a permanent injunction against the sale.
In 1992, Harold Russell consigned his 1946 Oscar for Best Supporting Actor for The Best Years of Our Lives to auction to raise money for his wife's medical expenses. Though his decision caused controversy, the first Oscar ever to be sold passed to a private collector on August 6, 1992, for Template:USD. Russell defended his action, saying, "I don't know why anybody would be critical. My wife's health is much more important than sentimental reasons. The movie will be here, even if Oscar isn't".[39]
In December 2011, Orson Welles' 1941 Oscar for Citizen Kane (Academy Award for Best Original Screenplay) was put up for auction, after his heirs won a 2004 court decision contending that Welles did not sign any agreement to return the statue to the Academy.[40] On December 20, 2011, it sold in an online auction for Template:USD.[41]
Some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury.[38]
Other awards presented by the Academy
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In addition to the Academy Award of Merit (Oscar award), there are nine honorary (non-competitive) awards presented by the Academy from time to time (except for the Academy Honorary Award, the Technical Achievement Award, and the Student Academy Awards, which are presented annually):[42]
- Governors Awards:
- The Academy Honorary Award (annual) (which may or may not be in the form of an Oscar statuette);
- The Irving G. Thalberg Memorial Award (since 1938) (in the form of a bust of Thalberg);
- The Jean Hersholt Humanitarian Award (since 1957) (in the form of an Oscar statuette);
- The Academy Scientific and Technical Awards:
- Academy Award of Merit (non-competitive) (in the form of an Oscar statuette);
- Scientific and Engineering Award (in the form of a bronze tablet);
- Technical Achievement Award (annual) (in the form of a certificate);
- The John A. Bonner Medal of Commendation (since 1978) (in the form of a medal);
- The Gordon E. Sawyer Award (since 1982); and
- The Academy Student Academy Awards (annual).
The Academy also awards Nicholl Fellowships in Screenwriting.
Nomination
From 2004 to 2020, the Academy Award nomination results were announced to the public in mid-January. Prior to that, the results were announced in early February. In 2021, the nominees were announced in March. In 2022, the nominees were announced in early February for the first time since 2003.
Voters
The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, is composed of 9,905 voting members since 2024[update]Template:Dated maintenance category (articles)Script error: No such module "Check for unknown parameters"..[43][44]
Academy membership is divided into different branches, with each representing a different discipline in film production. since 2024[update]Template:Dated maintenance category (articles)Script error: No such module "Check for unknown parameters"., actors constitute the largest bloc, numbering 1,258 (12.7% of the voting body).[44] Votes have been certified by the auditing firm PricewaterhouseCoopers, and its predecessor Price Waterhouse, since the 7th Academy Awards in 1935.[45][46][47] In May 2011, the Academy sent a letter advising its then-6,000 or so voting members that an online system for Oscar voting would be implemented in 2013, replacing mailed paper ballots.[48]
All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination, or an existing member may submit a name, based on other significant contributions to the field of motion pictures.
New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join.[49]
In 2012, the results of a study conducted by the Los Angeles Times were published describing the demographic breakdown of approximately 88% of AMPAS' voting membership. Of the 5,100+ active voters confirmed, 94% were Caucasian, 77% were male, and 54% were found to be over the age of 60. Thirty-three percent of voting members are former nominees (14%) and winners (19%).[50] In 2016, the Academy launched an initiative to expand its membership and increase diversity. In 2024, voting membership stood at 9,905.[44]
In 2025, a newly announced procedure required Academy members to view all nominated films within a category to be eligible to cast a vote in the final round of that category. The verification process will be done through the Academy's members-only streaming platform and submitting a form for films viewed at in-person events such as at festivals, screenings or private events.[51]
Rules
According to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, and play for seven consecutive days, to qualify, except for the Best International Feature Film, Best Documentary Feature, and awards in short film categories. The film must be shown at least three times on each day of its qualifying run, with at least one of the daily showings starting between 6Script error: No such module "String".pm and 10Script error: No such module "String".pm local time.[52][53]
For example, the 2009 Best Picture winner, The Hurt Locker, was originally first released in 2008, but did not qualify for the 2008 awards, as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2009 awards. Foreign films must include English subtitles. Each country can submit only one film for consideration in the International Feature Film category per year.[54]
Rule 2 states that a film must be feature-length, defined as a minimum of 40Script error: No such module "String".minutes, except for short-subject awards. It must exist either on a 35 mm or 70 mm film print, or in 24Script error: No such module "String".frame/s or 48Script error: No such module "String".frame/s progressive scan digital cinema format, with a minimum projector resolution of 2,048 by 1,080 pixels.[55] Since the 90th Academy Awards, presented in 2018, multi-part and limited series have been ineligible for the Best Documentary Feature award. This followed the win of O.J.: Made in America, an eight-hour presentation that was screened in a limited release before being broadcast in five parts on ABC and ESPN, in that category in 2017. The Academy's announcement of the new rule made no direct mention of that film.[34]
The Best International Feature Film award does not require a U.S. release. It requires the film to be submitted as its country's official selection.
The Best Documentary Feature award requires either week-long releases in both Los Angeles County and any of the five boroughs of New York City during the previous calendar year,Template:Efn or a qualifying award at a competitive film festival from the Documentary Feature Qualifying Festival list, regardless of any public exhibition or distribution, or submission in the International Feature Film category as its country's official selection. The qualifying theatrical runs must meet the same requirements as those for non-documentary films regarding numbers and times of screenings. A film must have been reviewed by a critic from The New York Times, Time Out New York, the Los Angeles Times, or LA Weekly.[56]
Producers must submit an Official Screen Credits online form before the deadline. If it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories.
Awards in short film categories (Best Documentary Short Subject, Best Animated Short Film, and Best Live Action Short Film) have different eligibility rules from most other competitive awards. First, the qualifying period for release does not coincide with a calendar year, instead covering one year starting on October 1, and ending on September 30 of the calendar year before the ceremony. Second, there are multiple methods of qualification. The main method is a week-long theatrical release in either New York City or Los Angeles County during the eligibility period. Films can also qualify by winning specified awards at one of several competitive film festivals designated by the Academy, also without regard to prior public distribution.[56][57]
A film that is selected as a gold, silver, or bronze medal winner in an appropriate category of the immediately previous Student Academy Awards is also eligible (Documentary category for that award, and Animation, Narrative, Alternative, or International for the other awards). The requirements for the qualifying theatrical run are also different from those for other awards. Only one screening per day is required. For the Documentary award, the screening must start between noon and 10Script error: No such module "String".pm local time. For other awards, no specific start time is required, but the film must appear in regular theater listings with dates and screening times.[56][57]
In late December, ballots and lists of eligible films are sent to the membership. For most categories, members from each of the branches vote to determine the nominees only in their respective categories, i.e. only directors vote for directors, writers for writers, actors for actors, etc. In the special case of Best Picture, all voting members are eligible to select the nominees. A number of branches are only eligible to vote in Best Picture during nomination voting; this includes a producers' branch, as Best Picture is awarded to a film's producer(s), and other branches which have no corresponding award.[44] In all major categories, a variant of the single transferable vote is used, with each member casting a ballot with up to five nominees (ten for Best Picture) ranked preferentially.[58][59][60] In certain categories, including International Feature Film, Documentary and Animated Feature, nominees are selected by special screening committees made up of members from all branches.
In most categories, the winner is selected from among the nominees by plurality voting of all members.[58][60] Since 2009, the Best Picture winner has been chosen by instant-runoff voting.[60][61] Since 2013, re-weighted range voting has been used to select the nominees for the Best Visual Effects.[62]
Film companies will spend as much as several million dollars on marketing to awards voters for a film in the running for Best Picture, in attempts to improve chances of receiving Oscars and other film awards conferred in Oscar season. The Academy enforces rules to limit overt campaigning by its members to try to eliminate excesses and prevent the process from becoming undignified. It has an awards czar on staff who advises members on allowed practices and levies penalties on offenders.[63] For example, a producer of the 2009 Best Picture nominee The Hurt Locker was disqualified as a producer in the category when he contacted associates urging them to vote for his film and not another that was seen as the front-runner. The Hurt Locker eventually won.
Academy Screening Room
The Academy Screening Room or Academy Digital Screening Room is a secure streaming platform which allows voting members of the Academy to view all eligible films in one place. It was introduced in 2019, for the 2020 Oscars. DVD screeners and Academy in-person screenings were still provided. For films to be included on the platform, the North American distributor must pay Template:USD, including a watermarking fee, and a digital copy of the film to be prepared for streaming by the Academy. The platform can be accessed via Apple TV and Roku players.[64][65] The watermarking process involved several video security firms, creating a forensic watermark and restricting the ability to take screenshots or screen recordings.[66]
In 2021, for the 2022 Oscars, the Academy banned all physical screeners and in-person screenings, restricting official membership viewing to the Academy Screening Room. Films eligible in the Documentary and International categories were made available in different sections of the platform. Distributors can also pay an extra fee to add video featurettes to promote their films on the platform.[67] The in-person screenings were cancelled because of the COVID-19 pandemic.[68] Eligible films do not have to be added to the platform, but the Academy advertises them to voting members when they are.[67]
Awards ceremonies
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Telecast
The major awards are presented at a live televised ceremony, commonly in late February or early March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. Black tie dress is the most common outfit for men. Fashion may dictate not wearing a bow tie, and musical performers are sometimes not required to adhere to this. The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast.
The Academy Awards is the world's longest-running awards show televised live from the United States to all time zones in North America and worldwide, and gathers billions of viewers elsewhere throughout the world.[69] The Oscars were first televised in 1953 by NBC, which continued to broadcast the event until 1960, when ABC took over, televising the festivities, including the first color broadcast of the event in 1966, to 1970. NBC regained the rights for five years (1971–75), then ABC resumed broadcast duties in 1976 and its current contract with the Academy runs through 2028,[70] after which the ceremony will be broadcast exclusively on YouTube starting with 2029’s ceremony.[71]
The Academy has produced condensed versions of the ceremony for broadcast in international markets, especially those outside of the Americas, in more desirable local timeslots. The ceremony was broadcast live internationally for the first time via satellite since 1970, but only two South American countries, Chile and Brazil, purchased the rights to air the broadcast. By that time, the television rights to the Academy Awards had been sold in 50 countries. In 1980, the rights were sold to 60 countries, and by 1984, the television rights to the Academy Awards were licensed in 76 countries.
In 2004, the ceremonies were moved up from late March/early April to late February, to help disrupt and shorten the intense lobbying and ad campaigns associated with Oscar season in the film industry. Another reason was because of the growing television ratings success coinciding with the NCAA division I men's basketball tournament, which would cut into the Academy Awards audience. In 1976 and 1977, ABC's regained Oscars were moved from Tuesday to Monday and went directly opposite the national championship game on NBC. The earlier date is also to the advantage of ABC, as it now usually occurs during the highly profitable and important February sweeps period.[72]
Some years, the ceremony is moved into the first Sunday of March to avoid a clash with the Winter Olympic Games. Another reason for the move to late February and early March is to avoid the awards ceremony occurring so close to the religious holidays of Passover and Easter, which for decades had been a grievance from members and the general public.[72] Advertising is somewhat restricted, as traditionally no film studios or competitors of official Academy Award sponsors may advertise during the telecast. As of 2020, the production of the Academy Awards telecast held the distinction of winning one the highest number of Emmys in history, with 54 wins and 280 nominations overall.[73]
After many years of being held on Mondays at 6:00Script error: No such module "String".p.m. Pacific/9:00Script error: No such module "String".pm Eastern, since the 1999 ceremony, it was moved to Sundays at 5:30Script error: No such module "String".pm PT/8:30Script error: No such module "String".pm ET.[74] The reasons given for the move were that more viewers would tune in on Sundays, that Los Angeles rush-hour traffic jams could be avoided, and an earlier start time would allow viewers on the East Coast to go to bed earlier.[75] For many years the film industry opposed a Sunday broadcast because it would cut into the weekend box office.[76]
In 2010, the Academy contemplated moving the ceremony even further back into January, citing television viewers' fatigue with the film industry's long awards season. However, such an accelerated schedule would dramatically decrease the voting period for its members, to the point where some voters would only have time to view the contending films streamed on their computers, as opposed to traditionally receiving the films and ballots in the mail. Additionally, a January ceremony on Sunday would clash with National Football League (NFL) playoff games.[77] In 2018, the Academy announced that the ceremony would be moved from late February to mid-February beginning with the 92nd Academy Awards in 2020.[78] In 2024, the ceremony was moved to an even earlier start time of 4:00Script error: No such module "String".pm PT/7:00Script error: No such module "String".p.m. ET, the apparent impetus being the ability for ABC to air a half-hour of primetime programming as a lead-out program at 7:30Script error: No such module "String".p.m. PT/10:30Script error: No such module "String".p.m. ET.[79]
Originally scheduled for April 8, 1968, the 40th Academy Awards ceremony was postponed for two days, because of the assassination of Dr. Martin Luther King, Jr. On March 30, 1981, the 53rd Academy Awards was postponed for one day, after the attempted assassination of President Ronald Reagan and others in Washington, D.C.[80]
In 1993, an In Memoriam segment was introduced,[81] honoring those who had made a significant contribution to cinema who had died in the preceding 12 months, a selection compiled by a small committee of Academy members.[82] This segment has drawn criticism over the years for the omission of some names. Criticism was also levied for many years regarding another aspect, with the segment having a "popularity contest" feel as the audience varied their applause to those who had died by the subject's cultural impact. The applause has since been muted during the telecast, and the audience is discouraged from clapping during the segment and giving silent reflection instead. This segment was later followed by a commercial break.
In terms of broadcast length, the ceremony generally averages three and a half hours. The first Oscars, in 1929, lasted 15Script error: No such module "String".minutes. At the other end of the spectrum, the 2002 ceremony lasted four hours and twenty-three minutes.[83][84] In 2010, the organizers of the Academy Awards announced winners' acceptance speeches must not run past 45Script error: No such module "String".seconds. This, according to organizer Bill Mechanic, was to ensure the elimination of what he termed "the single most hated thing on the show"—overly long and embarrassing displays of emotion.[85] In 2016, in a further effort to streamline speeches, winners' dedications were displayed on an on-screen ticker.[86]
During the 2018 ceremony, host Jimmy Kimmel acknowledged how long the ceremony had become, by announcing that he would give a brand-new jet ski to whoever gave the shortest speech of the night, a reward won by Mark Bridges when accepting his Best Costume Design award for Phantom Thread.[87] The Wall Street Journal analyzed the average minutes spent across the 2014–2018 telecasts as follows: 14 on song performances; 25 on the hosts' speeches; 38 on prerecorded clips; and 78 on the awards themselves, broken into 24 on the introduction and announcement, 24 on winners walking to the stage, and 30 on their acceptance speeches.[88]
Although still dominant in ratings, the viewership of the Academy Awards has steadily dropped. The 88th Academy Awards were the lowest-rated in the past eight years (although with increases in male and 18–49 viewership), while the show itself also faced mixed reception. Following the show, Variety reported that ABC was, in negotiating an extension to its contract to broadcast the Oscars, seeking to have more creative control over the broadcast itself. Currently and nominally, AMPAS is responsible for most aspects of the telecast, including the choice of production staff and hosting, although ABC is allowed to have some input on their decisions.[89] In August 2016, AMPAS extended its contract with ABC to 2028: the contract neither contains any notable changes nor gives ABC any further creative control over the telecast.[90]
On December 17, 2025, the Academy announced that YouTube had acquired the rights to the Academy Awards beginning with the 101st ceremony in 2029, replacing ABC under a contract that will last through 2033. YouTube will serve as the exclusive worldwide broadcaster of the ceremony, while the Oscars' YouTube channel will also feature other AMPAS-produced ancillary content and events (including ceremonies, interviews, and other digital content). The Academy will also partner with the Google Arts & Culture program to help digitize portions of the Academy Museum of Motion Pictures and the organization's collection.[91][92]
TV ratings
Historically, the telecast's viewership is higher when box-office hits are favored to win the Best Picture award. More than 57.25Script error: No such module "String".million viewers tuned to the telecast for the 70th Academy Awards in 1998, the year of Titanic, which generated a box office haul during its initial 1997–98 run of Template:USD in the US, a box-office record that would remain unsurpassed for years.[94] The 76th Academy Awards ceremony, in which The Lord of the Rings: The Return of the King (pre-telecast box office earnings of Template:USD) received 11 Awards, including Best Picture, drew 43.56Script error: No such module "String".million viewers.[95] The most-watched ceremony based on Nielsen ratings to date, was the 42nd Academy Awards (Best Picture Midnight Cowboy), which drew a 43.4% household rating on April 7, 1970.[96] Hoping to reinvigorate the pre-show and ratings, the 2023 Oscars organizers hired members of the Met Gala creative team.[97]
By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings, despite how much critical acclaim those films have received. The 78th Academy Awards, which awarded a low-budget independent film (Crash with a pre-Oscar gross of Template:USD) generated an audience of 38.64Script error: No such module "String".million with a household rating of 22.91%.[98] In 2008, the 80th Academy Awards telecast was watched by 31.76Script error: No such module "String".million viewers on average with an 18.66% household rating, the lowest-rated and least-watched ceremony at the time, in spite of celebrating 80 years of the Academy Awards.[99] The Best Picture winner of that particular ceremony was another independent film (this time, the Coen brothers's No Country for Old Men).
Whereas the 92nd Academy Awards drew an average of 23.6Script error: No such module "String".million viewers,[100] the 93rd Academy Awards drew an even lower viewership of 10.4Script error: No such module "String".million,[101] the lowest viewership recorded by Nielsen since it started recording audience totals in 1974.[102] The 94th and 95th editions drew 16.6 and 18.7Script error: No such module "String".million viewers, respectively, still below the audience of the 92nd edition.[103][104]
Archive
The Academy Film Archive holds copies of every Academy Awards ceremony since the 1949 Oscars, as well as material on many prior ceremonies, along with ancillary material related to more recent shows. Copies are held in a variety of film, video and digital formats.[105]
Venues
In 1929, the first Academy Awards were presented at a banquet dinner at the Hollywood Roosevelt Hotel. From 1930 to 1943, the ceremony alternated between two venues: the Ambassador Hotel on Wilshire Boulevard and the Biltmore Hotel in downtown Los Angeles.
Grauman's Chinese Theatre in Hollywood then hosted the awards from 1944 to 1946, followed by the Shrine Auditorium in Los Angeles from 1947 to 1948. The 21st Academy Awards in 1949 were held at the Academy Award Theatre at what had been the Academy's headquarters on Melrose Avenue in Hollywood.[106]
From 1950 to 1960, the awards were presented at Hollywood's Pantages Theatre. With the advent of television, the awards from 1953 to 1957 took place simultaneously in Hollywood and New York, first at the NBC International Theatre (1953) and then at the NBC Century Theatre, after which the ceremony took place solely in Los Angeles. In 1961, the Oscars moved to the Santa Monica Civic Auditorium in Santa Monica, California. In 1969, the Academy moved the ceremonies back to Downtown Los Angeles, to the Dorothy Chandler Pavilion at the Los Angeles County Music Center. In the late 1990s and early 2000s, the ceremony returned to the Shrine Auditorium.
In 2002, Hollywood's Dolby Theatre, previously known as the Kodak Theatre, became the presentation's current venue.[107]
Categories
Current categories
| Year introduced | Category |
|---|---|
| 1927/28 | Best Picture |
| Best Director | |
| Best Actor | |
| Best Actress | |
| Best Cinematography | |
| Best Production Design | |
| Best Adapted Screenplay | |
| 1929/30 | Best Sound |
| 1931/32 | Best Animated Short Film |
| Best Live Action Short Film | |
| 1934 | Best Film Editing |
| Best Original Score | |
| Best Original Song | |
| 1936 | Best Supporting Actor |
| Best Supporting Actress | |
| 1939 | Best Visual Effects |
| 1940 | Best Original Screenplay |
| 1941 | Best Documentary Short Film |
| 1943 | Best Documentary Feature Film |
| 1947 | Best International Feature Film |
| 1948 | Best Costume Design |
| 1981 | Best Makeup and Hairstyling |
| 2001 | Best Animated Feature Film |
| 2026 | Best Casting |
In the first year of the awards, the Best Directing award was split into two categories, Drama and Comedy. At times, the Best Original Score award has also been split into separate categories, Drama and Comedy/Musical. From the 1930s to the 1960s, the Art Direction (now Production Design), Cinematography, and Costume Design awards were split into two categories (black-and-white films and color films). Prior to 2012, the Production Design award was called Art Direction, while the Makeup and Hairstyling award was called Makeup. Prior to 2020, the International Feature Film award was called Foreign Language Film.
In August 2018, the Academy announced that several categories would not be televised live, but recorded during commercial breaks and aired later in the ceremony.[108] Following dissent from Academy members, they announced that they would air all 24 categories live. This followed several proposals, among them, the introduction of a Popular Film category, that the Academy had announced but did not implement.[109]
Upcoming categories
| Planned introduction | Category |
|---|---|
| 2028 | Best Stunt Design[110] |
In February 2024, the Academy announced it would introduce an award for Achievement in Casting from the 98th ceremony in 2026,[111] having rejected the category in 1999.[112] In April 2025, it announced that Best Stunt Design would be introduced from the 100th ceremony in 2028,[110] having rejected the proposal for a Best Stunt Coordination award every year from 1991 to 2012.[113][114][115][116][117]
Discontinued categories
| Introduced | Discontinued | Category |
|---|---|---|
| 1927/28 | 1927/28 | Best Director, Comedy Picture |
| Best Director, Dramatic Picture | ||
| Best Engineering Effects | ||
| Best Title Writing | ||
| Best Unique and Artistic Production | ||
| 1956 | Best Original Story | |
| 1931/32 | 1935 | Best Short Subject – Comedy |
| Best Short Subject – Novelty | ||
| 1932/33 | 1937 | Best Assistant Director |
| 1935 | Best Dance Direction | |
| 1936 | Best Short Subject – Color | |
| 1956 | Best Short Subject – 1 Reel | |
| Best Short Subject – 2 Reel | ||
| 1963 | 2019 | Best Sound Editing |
| 1995 | 1998 | Best Original Musical or Comedy Score |
Proposed categories
The Board of Governors meets each year and considers new award categories, including:
- Best Popular Film: proposed in 2018 for presentation at the 2019 ceremony; postponed and yet to be implemented[118]
- Best Title Design: rejected in 1999[112]
Special categories
The Special Academy Awards are voted on by special committees, rather than by the Academy membership as a whole. They are not always presented on an annual basis.
Current special categories
- Academy Honorary Award: since 1929
- Academy Scientific and Technical Award (three different awards): since 1931
- Gordon E. Sawyer Award: since 1981
- Jean Hersholt Humanitarian Award: since 1957
- Irving G. Thalberg Memorial Award: since 1938
Discontinued special categories
- Academy Juvenile Award: 1934 to 1960
- Academy Special Achievement Award: from 1972 to 1995, and again for 2017
Criticism and controversies
Accusations of commercialism
Due to the positive exposure and prestige of the Academy Awards, many studios spend around 25 million dollars and hire publicists specifically to promote their films during what is typically called the "Oscar season".[119][120] This has generated accusations of the Academy Awards being influenced more by marketing and lobbying than by quality. William Friedkin, an Academy Award-winning film director and former producer of the ceremony, expressed this sentiment at a conference in New York in 2009, describing it as "the greatest promotion scheme that any industry ever devised for itself".[121]
Tim Dirks, editor of AMC's Filmsite, has written of the Academy Awards:
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Unfortunately, the critical worth, artistic vision, cultural influence and innovative qualities of many films are not given the same voting weight. Especially since the 1980s, moneymaking "formula-made" blockbusters with glossy production values have often been crowd-pleasing titans (and Best Picture winners), but they haven't necessarily been great films with depth or critical acclaim by any measure.[122]
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A recent technique that has been claimed to be used during the Oscar season is the whisper campaign. These campaigns are intended to spread negative perceptions of other films nominated and are believed to be perpetrated by those who were involved in creating the film. Examples of whisper campaigns include the allegations against Zero Dark Thirty suggesting that it justifies torture and the claim that Lincoln distorts history.[123] This technique was widely used by former producer Harvey Weinstein and his company Miramax, with the campaign strategy gaining further attention after Miramax's Shakespeare in Love defeated rival film Saving Private Ryan for Best Picture.[124][120]
Accusations of bias
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Typical criticism of the Academy Awards for Best Picture is that among the winners and nominees there is an over-representation of romantic historical epics, biographical dramas, romantic dramedies and family melodramas, most of which are released in the U.S. in the last three months of the calendar year. The Oscars have been infamously known for selecting specific genres of films to be awarded. The term "Oscar bait" was coined to describe such films. This has led, at times, to more specific criticisms that the Academy is disconnected from the audience, e.g., by favoring "Oscar bait" over audience favorites or favoring historical melodramas over critically acclaimed films that depict current life issues.[125]
Despite the success of The Dark Knight and WALL-E, these films did not receive a Best Picture nomination at the 81st Academy Awards. These decisions received substantial criticism and were described as "snubs" by many publications.[126][127][128][129][130][131] The backlash to the decision was such that, for the 82nd Academy Awards in 2010, the Academy increased the limit for Best Picture nominees from five to ten.
Lack of diversity
The Academy Awards have long received criticism over their lack of diversity among the nominees.[132][133][134] This criticism is based on the statistics from every Academy Awards since 1929, which show that only 6.4% of Academy Award nominees have been non-white and since 1991, 11.2% of nominees have been non-white, with the rate of winners being even more polarizing.[135] For a variety of reasons, including marketability and historical bans on interracial couples, a number of high-profile Oscars have been given to yellowface portrayals, as well as performances of Asian characters rewritten for white characters.[136][137] It took until 2023 for an Asian woman to win an Academy Award for Best Actress, when Michelle Yeoh received the award for her performance in Everything Everywhere All at Once. The 88th awards ceremony became the target of a boycott, popularized on social media with the hashtag #OscarsSoWhite, based on activists' perception that its all-white acting nominee list reflected bias.[138] In response, the Academy initiated "historic" changes in membership by 2020.[139][140] Some media critics claim the Academy's efforts to address its purported racial, gender and national biases are merely distractions.[141][142][143][144] By contrast, the Golden Globe Awards already have multiple winners of Asian descent in leading actress categories.[145] Some question whether the Academy's definition of "merit" is just or empowering for non-Americans.[146]
The Academy's Representation and Inclusion Standards have been criticized for excluding Jews as a distinct underrepresented class.[147]
Miscategorization of actors
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The Academy has no rules for how to categorize whether a performance is leading or supporting, and it is up to the discretion of the studios whether a given performance is submitted for either Best Actor/Actress or Best Supporting Actor/Actress. This has led to situations where a film has two or more co-leads, and one of these is submitted in a supporting category to avoid the two leads competing against each other, and to increase the film's chances of winning. This practice has been derisively called "category fraud".[148][149]
For example, Rooney Mara was nominated for Best Supporting Actress for Carol (2015), despite her having a comparable amount of screentime to Cate Blanchett, who was nominated for Best Actress. Another example is Once Upon a Time in Hollywood (2019), where Brad Pitt was nominated for and won Best Supporting Actor, even though he played an equally important role to Best Actor nominee Leonardo DiCaprio. In both these cases, critics argued that the studios behind the films had placed someone who was actually a leading actor or actress into the supporting categories to avoid them competing against their co-lead.[148][149]
Symbolism or sentimentalization
Acting prizes in certain years have been criticized for not recognizing superior performances so much as being awarded for personal popularity,[150] to make up for a "snub" for a work that proved in time to be more popular or renowned than the one awarded (a 'make-up Oscar'),[151] or as a "career honor" to recognize a distinguished nominee's entire body of work (a "legacy Oscar").[152][153]
Recognition of streaming media film
Following the 91st Academy Awards in February 2019 in which the Netflix-broadcast film Roma had been nominated for ten awards including the Best Picture category, Steven Spielberg and other members of the Academy discussed changing the requirements through the Board of Governors for films as to exclude those from Netflix and other media streaming services. Spielberg had been concerned that Netflix as a film production and distribution studio could spend much more than for typical Oscar-winning films and have much wider and earlier distribution than for other Best Picture-nominated films, while still being able to meet the minimal theatrical-run status to qualify for an Oscar.[154]
The United States Department of Justice, having heard of this potential rule change, wrote a letter to the Academy in March 2019, cautioning them that placing additional restrictions on films that originate from streaming media services without proper justification could raise anti-trust concerns against the Academy.[155] Following its April 2019 board meeting, the Academy Board of Governors agreed to retain the current rules that allow for streaming media films to be eligible for Oscars as long as they have had limited theatrical runs.[156]
2022 Chris Rock and Will Smith slapping incident
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During the 94th Academy Awards on March 27, 2022, Chris Rock joked about Jada Pinkett Smith's shaved head[157] with a G.I. Jane reference. Will Smith walked onstage and slapped Rock across the face, then returned to his seat and told Rock, twice, to "Keep my wife's name out [of] your fucking mouth!"[158][159][160] While later accepting the Best Actor award for King Richard, Smith apologized to the Academy and the other nominees, but not to Rock.[161][162][163] Rock decided not to press charges against Smith.[164]
On April 8, 2022, the Academy made an announcement via a letter sent by president David Rubin and CEO Dawn Hudson informing the public that Will Smith had received a ten-year ban from attending the Oscars as a result of the incident.[165]
Refusals of the award
Some winners critical of the Academy Awards have boycotted the ceremonies and refused to accept their Oscars. The first to do so was screenwriter Dudley Nichols (Best Writing in 1935 for The Informer). Nichols boycotted the 8th Academy Awards ceremony because of conflicts between the Academy and the Writers' Guild.[166] Nichols eventually accepted the 1935 award three years later, at the 1938 ceremony. Nichols was nominated for three further Academy Awards during his career.
George C. Scott became the second person to refuse his award (Best Actor in 1970 for Patton) at the 43rd Academy Awards ceremony. Scott described it as a "meat parade", saying, "I don't want any part of it".[167][168][169]
The third person to refuse the award was Marlon Brando, who refused his award (Best Actor for 1972's The Godfather), citing the film industry's discrimination against and mistreatment of Native Americans. At the 45th Academy Awards ceremony, Brando asked actress and civil rights activist Sacheen Littlefeather to read a 15-page speech in his place, detailing his criticisms, for which there was booing and cheering by the audience.[166][170] In 2022, Littlefeather was accused by her sisters of misrepresenting her ancestry as Native American.[171][172][173][174][175]
Disqualifications
Seven films have had nominations revoked before the official award ceremony:[176]
- The Circus (1928) – The film was voluntarily removed by the Academy from competitive categories, to award Charlie Chaplin a special award.
- Hondo (1953) – Removed from the Best Story ballot after letters from the producer and nominee questioned its inclusion in the category.
- High Society (1955) – Withdrawn from screenwriting ballot after being mistaken for the 1956 film of the same title.
- The Godfather (1972) – Initially nominated for eleven awards, its nomination for Best Original Score was revoked after it was discovered that its main theme was very similar to music that the score's composer had written for an earlier film. None of its other nominations were revoked, and it received three Oscars, including Best Picture.
- A Place in the World (1992) – Removed from the Best Foreign Language Film ballot after it was discovered that the country which submitted the film exercised insufficient artistic control.
- Alone Yet Not Alone (2014) – The film's title song, "Alone Yet Not Alone", was removed from the Best Original Song ballot after Bruce Broughton was found to have improperly contacted other members of the Academy's musical branch; this was the first time that a film was removed from a ballot for ethical reasons.
- 13 Hours: The Secret Soldiers of Benghazi (2017) – Sound mixer Greg P. Russell's nomination was rescinded one day before the Awards when it was discovered he had improperly contacted voters by telephone. In this case, the nominations for the other three nominated sound mixers, Gary Summers, Jeffrey J. Haboush and Mac Ruth, were allowed to stand.
One film was disqualified after winning the award, and had the winner return the Oscar:
- Young Americans (1969) – Initially won the award for Best Documentary Feature, but was later revoked after it was revealed that it had opened theatrically prior to the eligibility period.
One film had its nomination revoked after the award ceremony when it had not won the Oscar:
- Tuba Atlantic (2011) – Its nomination for Best Live Action Short Film was revoked when it was discovered that the film had aired on television in 2010, before its theatrical release.
Remarks about animated films as children's genre
At the 94th Academy Awards in 2022, the award for the Best Animated Feature was presented by three actresses who portrayed Disney princess characters in live-action remakes of their respective animated films: Lily James (Cinderella), Naomi Scott (Aladdin), and Halle Bailey (The Little MermaidTemplate:--). While introducing the category, Bailey stated that animated films are "formative experiences as kids who watch them," as James put it, "So many kids watch these movies over and over." Bailey finished her sentence "over and over and over and over and over." Scott added: "I see some parents who know exactly what we're talking about."[177] The remarks were heavily criticized by animation enthusiasts and those working in the industry as infantilizing the medium and perpetuating the stigma that animated works are strictly for children, especially since the industry was credited with sustaining the flow of Hollywood content and revenue during the height of the COVID-19 pandemic. Phil Lord, co-producer of one of the nominated films, The Mitchells vs. the Machines, tweeted that it was "super cool to position animation as something that kids watch and adults have to endure." The film's official social media accounts responded to the joke with an image reading: "Animation is cinema."[178][179] A week later, Lord and his producing partner Christopher Miller wrote a guest column in Variety criticizing the Academy for the joke and how Hollywood has treated animation, writing that "no one set out to diminish animated films, but it's high time we set out to elevate them." They also suggested to the Academy that the category should be presented by a filmmaker who respects the art of animation as cinema.[180]
Adding to the controversy was that the award for Best Animated Short Film (the nominees for which were mostly made up of shorts not aimed at children) was one of the eight categories that were not presented during the live broadcast.[181] The winner for the Best Animated Short award was The Windshield Wiper, a multilingual Spanish-American film which is adult animated, while another nominee in three categories: Best Animated Feature, Best Documentary Feature Film, and Best International Feature Film, was Flee, a PG-13 rated animated documentary about an Afghan refugee. Alberto Mielgo, director of The Windshield Wiper, later gave an acceptance speech for the Oscar: "Animation is an art that includes every single art that you can imagine. Animation for adults is a fact. It's happening. Let's call it cinema. I'm very honored because this is just the beginning of what we can do with animation."[181] Some speculations suggested that the speech played a role in the decision not to broadcast the award.[182]
Another factor is that numerous animated films have been made for mature audiences or with ranges of PG-13 or more, with a few of them—The Triplets of Belleville, Persepolis, Chico and Rita, The Wind Rises, Anomalisa, My Life as a Courgette, The Breadwinner, Loving Vincent, Isle of Dogs, I Lost My Body, Flee, and Memoir of a Snail—having been nominated in this category, with The Boy and the Heron being the first adult animated film (in this case, PG-13-rated) to win in the 96th Academy Awards.[182][183]
These comments came as #NewDeal4Animation, a movement of animation workers demanding equal pay, treatment and recognition alongside their contemporaries working in live-action, was picking up momentum during negotiations for a new contract between The Animation Guild, IATSE Local 839/SAG-AFTRA and the Alliance of Motion Picture and Television Producers,[184] and the presentation is being used to rally the movement.
During the 96th Academy Awards in 2024, host Jimmy Kimmel said: "Please raise your hand if you let your kid fill out this part of the ballot." These remarks would again prompt backlash, with Christopher Miller, producer of that year's nominated Spider-Man: Across the Spider-Verse, tweeting out that the joke was "tired and lazy".[185] The PG-13-rated The Boy and the Heron would subsequently win the award.
Associated events
The following events are closely associated with the annual Academy Awards:
- Governors Awards, which includes the presentation of the Academy Honorary Award, the Jean Hersholt Humanitarian Award, and the Irving G. Thalberg Memorial Award[186]
- The 25th Independent Spirit Awards (2010), usually held in Santa Monica, California the Saturday before the Oscars, marked the first time it was moved to a Friday and a change of venue to L.A. Live
- The annual "Night Before", traditionally held at the Beverly Hills Hotel, begun in 2002 and generally known as the party of the season, benefits the Motion Picture & Television Fund, which operates a retirement home for SAG actors in the San Fernando Valley
- Elton John AIDS Foundation Academy Award Party airs the awards live at the nearby Pacific Design Center[187]
- The Governors Ball is the Academy's official after-party, including dinner (until 2011), and is adjacent to the awards-presentation venue[188]
- The Vanity Fair after-party, historically at the former Morton's restaurant, has been at the Sunset Tower since 2009[189]
Presenter and performer gifts
It has become a tradition to give out gift bags to the presenters and performers at the Oscars. In recent years, these gifts have been extended to award nominees and winners.[190] The value of each of these gift bags can reach into the tens of thousands of dollars. In 2014, the value was reported to be as high as Template:USD.[191] The value has risen to the point where the U.S. Internal Revenue Service issued a statement regarding the gifts and their taxable status.[192]
Oscar gift bags have included vacation packages to Hawaii and Mexico and Japan, a private dinner party for the recipient and friends at a restaurant, videophones, a four-night stay at a hotel, watches, bracelets, spa treatments, bottles of vodka, maple salad dressing, weight-loss gummie candy and up to Template:USD worth of cosmetic treatments and rejuvenation procedures such as lip fillers and chemical peels from New York City facial plastic surgeon Konstantin Vasyukevich.[190][193][194][195][196] Some of the gifts have even had a "risque" element to them; in 2014, the adult products retailer Adam & Eve had a "Secret Room Gifting Suite". Celebrities visiting the gifting suite included Judith Hoag, Carolyn Hennesy, Kate Linder, Chris Mulkey, Jim O'Heir and John Salley.[197]
Television ratings and advertisement prices
From 2006 onwards, results are Live+SD; all previous years are live viewing.[93]
| Year | Viewers, millions[93] |
Ad price,[93][198] USD, millions |
Adjusted price, USD, millions |
Network |
|---|---|---|---|---|
| 2025 | 19.69[199] | 1.7-2.3[200] | Not available | ABC |
| 2024 | 19.49[199] | 1.7-2.2[201] | Not available | |
| 2023 | 18.7[104] | 2.1[202] | Not available | |
| 2022 | 16.6[103] | 1.71[203] | Not available | |
| 2021 | 10.4[204][205] | 2[206] | Not available | |
| 2020 | 23.6[207] | 2.2[206] | Not available | |
| 2019 | 29.6[208] | 2–3[209] | Not available | |
| 2018 | 26.5[208] | 2–2.6[210] | Not available | |
| 2017 | 32.9[211] | 2.1[210] | Not available | |
| 2016 | 34.4[211] | 2[212] | Not available | |
| 2015 | 37.260[213] | 1.95[214] | Expression error: Unrecognized punctuation character "[". | |
| 2014 | 43.740[215] | 1.8 – 1.9[216] | Expression error: Unrecognized punctuation character "[". – Expression error: Unrecognized punctuation character "[". | |
| 2013 | 40.376[217] | 1.65 – 1.8[216] | Expression error: Unrecognized punctuation character "[". – Expression error: Unrecognized punctuation character "[". | |
| 2012 | 39.460[218] | 1.610 | Expression error: Unrecognized punctuation character "[". | |
| 2011 | 37.919 | 1.3684 | Expression error: Unrecognized punctuation character "[". | |
| 2010 | 41.699 | 1.1267 | Expression error: Unrecognized punctuation character "[". | |
| 2009 | 36.310 | 1.3[216] | Expression error: Unrecognized punctuation character "[". | |
| 2008 | 32.006 | 1.82[216] | Expression error: Unrecognized punctuation character "[". | |
| 2007 | 40.172 | 1.6658 | Expression error: Unrecognized punctuation character "[". | |
| 2006 | 38.939 | 1.6468 | Expression error: Unrecognized punctuation character "[". | |
| 2005 | 42.139 | 1.503 | Expression error: Unrecognized punctuation character "[". | |
| 2004 | 43.531 | 1.5031 | Expression error: Unrecognized punctuation character "[". | |
| 2003 | 33.043 | 1.3458 | Expression error: Unrecognized punctuation character "[". | |
| 2002 | 41.782 | 1.29 | Expression error: Unrecognized punctuation character "[". | |
| 2001 | 42.944 | 1.45 | Expression error: Unrecognized punctuation character "[". | |
| 2000 | 46.333 | 1.305 | Expression error: Unrecognized punctuation character "[". | |
| 1999 | 45.615 | 1 | Expression error: Unrecognized punctuation character "[". | |
| 1998 | 57.249 | 0.95 | Expression error: Unrecognized punctuation character "[". | |
| 1997 | 40.075 | 0.85 | Expression error: Unrecognized punctuation character "[". | |
| 1996 | 44.867 | 0.795 | Expression error: Unrecognized punctuation character "[". | |
| 1995 | 48.279 | 0.7 | Expression error: Unrecognized punctuation character "[". | |
| 1994 | 45.083 | 0.6435 | Expression error: Unrecognized punctuation character "[". | |
| 1993 | 45.735 | 0.6078 | Expression error: Unrecognized punctuation character "[". | |
| 1992 | 44.406 | Not available | Not available | |
| 1991 | 42.727 | Not available | Not available | |
| 1990 | 40.375 | 0.45 | Expression error: Unrecognized punctuation character "[". | |
| 1989 | 42.619 | 0.375 | Expression error: Unrecognized punctuation character "[". | |
| 1988 | 42.227 | 0.36 | Expression error: Unrecognized punctuation character "[". | |
| 1987 | 37.190 | 0.335 | Expression error: Unrecognized punctuation character "[". | |
| 1986 | 37.757 | 0.32 | Expression error: Unrecognized punctuation character "[". | |
| 1985 | 38.855 | 0.315 | Expression error: Unrecognized punctuation character "[". | |
| 1984 | 42.051 | 0.275 | Expression error: Unrecognized punctuation character "[". | |
| 1983 | 53.235 | 0.245 | Expression error: Unrecognized punctuation character "[". | |
| 1982 | 46.245 | Not available | Not available | |
| 1981 | 39.919 | Not available | Not available | |
| 1980 | 48.978 | Not available | Not available | |
| 1979 | 46.301 | Not available | Not available | |
| 1978 | 48.501 | Not available | Not available | |
| 1977 | 39.719 | Not available | Not available | |
| 1976 | 46.751 | Not available | Not available | |
| 1975 | 48.127 | Not available | Not available | NBC |
| 1974 | 44.712 | Not available | Not available |
Records
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Milestones
| Superlative | Record-holder | Record set | Year | Notes |
|---|---|---|---|---|
| People | ||||
| Most awards for a person | Walt Disney | 26 awardsTemplate:Efn | 1969 | Awards resulted from 59 nominations.[219] |
| Most awards for a person in a single year | 4 awards | Awards resulted in 4 different types of films. | ||
| Sean Baker | 2025 | Awards resulted from a single film. | ||
| Most awards for a person in a single category | Walt Disney | 12 awards | 1969 | Awards resulted from 39 nominations in one category: Best Animated Short Film. |
| Most consecutive awards for a person in a single category | 8 awards | 1940 | First win was Flowers and Trees in 5th Academy Awards; continued to win for the next seven years until stopped at Lend a Paw in 14th Academy Awards. | |
| Most nominations for a person | 59 nominations | 1969 | Nominations resulted in 26 wins.Template:Efn[219] | |
| Most nominations for a person in a single year | 6 nominations | 1954 | Nominations resulted in 4 wins in a single year. | |
| Most nominations for a person without a win | Greg P. Russell | 16 nominations | 2014 | With the exception of 13 Hours: The Secret Soldiers of Benghazi as his 17th nomination, Russell had recently disqualified for the category when it was discovered that he had contacted voters for the award by telephone in order to win, which was in violation of campaigning regulations.[220] |
| Diane Warren | 2025 | Received the Academy Honorary Award in 2023. | ||
| Most nominations for a person in a single category | John Williams | 48 nominations | 2024 | Nominations resulted in 5 wins in one category: Best Original Score. |
| Most nominations for a person in a single category without a win | Greg P. Russell | 16 nominations | 2014 | Nominations resulted none in one category: Best Sound. |
| Diane Warren | 2025 | Except an Honorary Award in 2024, nominations resulted none in one category: Best Original Song. | ||
| Film | ||||
| Most awards for a film | Ben-Hur | 11 awards | 1960 | Awards resulted from 12 nominations; only loss was Best Adapted Screenplay. |
| Titanic | 1998 | Awards resulted from 14 nominations. | ||
| The Lord of the Rings: The Return of the King | 2004 | Awards resulted from every nomination it received. | ||
| Highest clean sweep | Beating Gigi and The Last Emperor with 9 wins from 9 nominations. | |||
| Most awards for a film franchise | The Lord of the Rings | 17 awards | Consisting The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003). | |
| Most awards for a film franchise in a single category | Silly Symphony | 7 awards | 1940 | Considered as a short film series, awards resulted from 9 nominations in one category: Best Animated Short Film. |
| Tom and Jerry | 1953 | Considered as a short film series, awards resulted from 13 nominations in one category: Best Animated Short Film. | ||
| Most nominations for a film | All About Eve | 14 nominations | 1951 | Nominations resulted in 6 wins. |
| Titanic | 1998 | Nominations resulted in 11 wins. | ||
| La La Land | 2017 | Nominations resulted in 6 wins. | ||
| Most nominations for a film without a win | The Turning Point | 11 nominations | 1978 | |
| The Color Purple | 1986 | It also holds the record for most Oscar nominations without one for Best Director. | ||
| Most nominations for a film franchise | Middle-Earth | 37 nominations | 2015 | Nominations resulted in 17 wins overall. |
| Star Wars | 2020 | Nominations resulted in 10 wins overall. | ||
| Most nominations for a film franchise without a win | The Color Purple | 12 nominations | 2024 | Both 1985 and 2023 film versions of the novel did not win a single award. |
| Most nominations for a film franchise in a single category | Looney Tunes/Merrie Melodies | 16 nominations | 1964 | Considered as a short film series, nominations resulted in 6 wins in one category: Best Animated Short Film. |
| Most nominations for a film franchise in a single category without a win | Marvel Cinematic Universe | 14 nominations | 2024 | Nominations resulted none in one category: Best Visual Effects. |
| Age | ||||
| Oldest winners | James Ivory | 89 years old | 2018 | since 2025[update]Template:Dated maintenance category (articles)Script error: No such module "Check for unknown parameters"., they remained the oldest winners in any competitive category. |
| Ann Roth | 2021 | |||
| Oldest nominee | John Williams | 91 years old | 2024 | since 2025[update]Template:Dated maintenance category (articles)Script error: No such module "Check for unknown parameters"., he remained the oldest nominee in any competitive category. |
| Youngest winner | Tatum O'Neal | 10 years old | 1974 | since 2025[update]Template:Dated maintenance category (articles)Script error: No such module "Check for unknown parameters"., she remained the youngest winner in any competitive category. |
| Youngest nominee | Justin Henry | 8 years old | 1980 | since 2025[update]Template:Dated maintenance category (articles)Script error: No such module "Check for unknown parameters"., he remained the youngest nominee in any competitive category. |
Highest by films
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Highest by franchises or remakes
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The following film franchises or remakes received at least six nominations:
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The following film franchises or remakes received at least three awards (including non-competitive):
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Highest by people
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The following nominees received at least 5 nominations:
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The following winners received at least 3 awards (including non-competitive):
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See also
- List of film awards
- List of Academy Award-nominated films
- List of actors with Academy Award nominations
- List of superlative Academy Award winners and nominees
Footnotes
References
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- ↑ Ehbar, Ned (February 28, 2014). "Did you know?" Metro. New York City. p. 18.
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- ↑ Los Angeles Times article, 2024
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Further reading
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External links
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- Template:IMDb event
- 98TH Oscars Shortlists.
Script error: No such module "Navbox". Template:Academy Awards lists Script error: No such module "Navbox". Template:National Cinema Awards Template:Authority control Template:Portal bar
- Pages with script errors
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- Academy Awards
- 1929 establishments in California
- 1953 American television series debuts
- American annual television specials
- American film awards
- American live television shows
- Annual events in Los Angeles County, California
- Awards established in 1929
- Cinema of Southern California
- Culture of Hollywood, Los Angeles
- Organized events in Los Angeles
- Performing arts trophies