Cape Verdean Creole

Cape Verdean Creole is a Portuguese-based creole language spoken on the islands of Cape Verde. It is the native creole language of virtually all Cape Verdeans and is used as a second language by the Cape Verdean diaspora.

The creole has particular importance for creolistics studies since it is the oldest living creole. It is the most widely spoken Portuguese-based creole language.

Name

The full formal name of this creole is Cape Verdean Creole ( in Portuguese, in Cape Verdean Creole), but in everyday usage the creole is simply called ‘Creole’ ( in Portuguese, in Cape Verdean Creole) by its speakers. The names Cape Verdean ( in Portuguese, in Cape Verdean Creole) and Cape Verdean language ( in Portuguese, in Cape Verdean Creole) have been proposed for whenever the creole will be standardized.

Origins

File:0LivroET.jpg

Mornas – cantigas crioulas by Eugénio Tavares,
one of the first books with creole texts.

The history of Cape Verdean Creole is hard to trace due to a lack of written documentation and to ostracism during the Portuguese administration of Cape Verde.

There are presently three theories about the formation of Cape Verdean Creole. The monogenetic theory claims that the creole was formed by the Portuguese by simplifying the Portuguese language in order to make it accessible to enslaved African people. That is the point of view of authors like Prudent, Waldman, Chaudenson and Lopes da Silva. Authors like Adam and Quint argue that Cape Verdean Creole was formed by enslaved African people using the grammar of Western African languages and replacing the African lexicon with the Portuguese one. Linguists like Chomsky and Bickerton argue that Cape Verdean Creole was formed spontaneously, not by enslaved people from continental Africa, but by the population born in the islands, using the grammar with which all human beings are born; this would explain how creoles located many miles apart have similar grammatical structures, even though they have a different lexical basis.

According to A. Carreira, Cape Verdean Creole was formed from a Portuguese pidgin, on the island of Santiago, starting from the 15th century. That pidgin was then transported to the west coast of Africa by the lançados. From there, that pidgin diverged into two proto-creoles, one that was the base of Cape Verdean Creole, and another that was the base of the Guinea-Bissau Creole.

Cross-referencing information regarding the settlement of each island with the linguistic comparisons, it is possible to form some conjectures. The spreading of Cape Verdean Creole within the islands was done in three phases:

• In a first phase, the island of Santiago was occupied (2nd half of the 15th century), followed by Fogo (end of the 16th century).
• In a second phase, the island of São Nicolau was occupied (mostly in the 2nd half of the 17th century), followed by Santo Antão (mostly in the 2nd half of the 17th century).
• In a third phase, the remaining islands were occupied by settlers from the first islands: Brava was occupied by people from Fogo (mostly in the beginning of the 18th century), Boa Vista by people from São Nicolau and Santiago (mostly in the 1st half of the 18th century), Maio by people from Santiago and Boa Vista (mostly in the 2nd half of the 18th century), São Vicente by people from Santo Antão and São Nicolau (mostly in the 19th century), Sal by people from São Nicolau and Boa Vista (mostly in the 19th century).

Status

In spite of Creole being the first language of nearly all the population in Cape Verde, Portuguese is still the official language. As Portuguese is used in everyday life (at school, in administration, in official acts, in relations with foreign countries, etc.), Portuguese and Cape Verdean Creole live in a state of diglossia, and code switching occurs between the creole and standard Portuguese in informal speech. Due to this overall presence of Portuguese, a decreolization process occurs for all the different Cape Verdean Creole variants.

Check in this fictional text:

Santiago variant:

São Vicente variant:

.

Translation to Portuguese:

Translation to English:

That woman with whom I met yesterday was worried because she forgot her children at school, and when she went to seek them she didn't see them. Someone reminded her that her children were needing some material for a research, and so she found them at the library searching what they needed. To thank to everyone who helped her, she started speaking, telling how she was glad from the bottom of her heart.

In this text, several cases of decreolization / Portuguese intromission can be noted:

• cú quêm / c' quêmTemplate:Spaced ndashPortuguese order of words com quem;
• encôntra / encontráTemplate:Spaced ndashPortuguese lexicon, in Creole it would be more commonly átcha / otchá;
• priocupádaTemplate:Spaced ndashPortuguese lexicon, in Creole it would be more commonly fadigáda;
• púrqui / púrqTemplate:'Template:Spaced ndashPortuguese lexicon, in Creole it would be more commonly pamódi / pamódTemplate:';
• sês minínus / sês m'nín'sTemplate:Spaced ndashPortuguese influence (plural marker on both words);
• procurâ-'s / procurá-'sTemplate:Spaced ndashPortuguese lexicon, in Creole it would be more commonly spiâ-'s / spiá-'s;
• olhâ-'s / olhá-'sTemplate:Spaced ndashPortuguese phonetics (intromission of the phoneme );
• quí / qu’Template:Spaced ndashPortuguese lexicon, the integrant conjunction in Creole is ’mâ;
• sâ tâ pricisába / táva ta pr'cisáTemplate:Spaced ndashPortuguese lexicon, in Creole it would be more commonly sâ tâ mestêba / táva tâ mestê;
• material, pesquisa, bibliotecaTemplate:Spaced ndashwords pretty uncommon in a basilect; if they are Portuguese words used when speaking Creole they should be pronounced in Portuguese and written in italic or between quotation marks;
• úqui / úq'Template:Spaced ndashintromission of Portuguese o que;
• gradêci â / gradecê âTemplate:Spaced ndashwrong preposition, the Portuguese preposition "a" does not exist in Creole;
• fálaTemplate:Spaced ndashthis form (from contemporary Portuguese falar) is only used in São Vicente and Santo Antão, in the other islands the word is papiâ (from old Portuguese papear);
• cômu / côm'Template:Spaced ndashintromission of Portuguese como;
• curaçãuTemplate:Spaced ndashPortuguese phonetics (reduction of the phoneme to and Portuguese pronunciation instead of Creole );

The same text "corrected":

Santiago variant:

São Vicente variant:

As a consequence there is a continuum between basilectal and acrolectal varieties.

In spite of Creole not being officialized, a 2005 government resolution put forth the necessary conditions for the officialization of Creole, which in turn has been superseded by a 2015 resolution. This officialization has not yet occurred, mostly because the language is not yet standardized, for several reasons:

• There is significant dialectal fragmentation. Speakers are reluctant to speak a variant that is not their own.
• Absence of rules to establish which is the right form (and also the right spelling) to be adopted for each word. For example, for the word corresponding to the Portuguese word algibeira ("pocket"), A. Fernandes records the forms algibêra, agibêra, albigêra, aljubêra, alj'bêra, gilbêra, julbêra, lijbêra.
• Absence of rules to establish which are the lexical limits to be adopted. It is frequent for speakers of Creole, when writing, to join different grammatical classes. For ex.: pâm... instead of pâ m'... "for me to...".
• Absence of rules to establish which are the grammatical structures to be adopted. It is not just about dialectal differences; even within a single variant there are fluctuations. For ex.: in the Santiago variant, when there are two sentences and one is subordinated to the other, there is a tense agreement in the verbs (bú cría pâ m' dába "you wanted me to give"Template:Spaced ndashboth cría and dába are past tense), but some speakers do not practice it (bú cría pâ m' dâTemplate:Spaced ndashpast then presentTemplate:Spaced ndashor bú crê pâ m' dábaTemplate:Spaced ndashpresent then past).
• The writing system (ALUPEC) has not been well accepted by all Creole users.
• The language levels (formal, informal, scientific, slang, etc.) are not well differentiated yet.

That is the reason why each speaker when speaking (or writing) uses their own dialect, their own sociolect, and their own idiolect.

To overcome these problems, some Creole advocates propose the development of two standards: a North (Barlavento) standard, centered on the São Vicente variant, and a South (Sotavento) standard, centered on that of Santiago. If so, Creole would become a pluricentric language.

There exists no complete translation of the Bible. However, the "Asosiason Kabuverdianu pa Traduson di Bíblia" was established with the goal of translating the entire Bible in Kabuverdianu-Sotaventu and Kabuverdianu-Barlaventu. They have translated approximately 40% of the New Testament in the Kabuverdianu-Sotaventu, and they have published Luke and Acts. The publication of Luke has won two awards in Cape Verde. Sérgio Frusoni translated Bartolomeo Rossetti's version of the Romanesco Italian poem Er Vangelo Seconno Noantri, which is a poem based on the Four Gospels. Frusoni translated the poem in the São Vicente Creole, Vangêle contód d'nôs móda.

Writing system

File:2006.07.11.cv.sv.Mindelo.cr.jpg

Sign in Cape Verdean Creole

The only writing system officially recognized by the authorities in Cape Verde is called the Alfabeto Unificado para a Escrita da Língua Cabo-verdiana (ALUPEC, Template:Lit), which was approved for official use on an experimental basis in 1998 by Decree-Law No. 67/98. In 2009, Decree-Law No. 8/2009 officially institutionalized the use of the ALUPEC. In spite of having been officially recognized by the government, the ALUPEC is neither required nor mandatorily used.

In spite of being the only system officially recognized, the same law allows the use of alternative writing models, "as long as they are presented in a systematic and scientific way". As not all users are familiarized with ALUPEC or the IPA, in this article a slightly different system will be used to make it easier for the reader:

• The sound will be represented in an etymological way ("s" when in Portuguese is "s", "ss" when in Portuguese is "ss", "c" when in Portuguese is "c", "ç" when in Portuguese is "ç") instead of ALUPEC always "s".
• The sound will be represented in an etymological way ("s" when in Portuguese is "s", "z" when in Portuguese is "z") instead of ALUPEC always "z".
• The sound will be represented by "tch" instead of ALUPEC "tx".
• The sound will be represented in an etymological way ("x" when in Portuguese is "x", "ch" when in Portuguese is "ch") instead of ALUPEC always "x".
• The sound will be represented in an etymological way ("j" when in Portuguese is "j", "g" when in Portuguese is "g") instead of ALUPEC always "j".
• The sound will be represented in an etymological way ("c" when in Portuguese is "c", "qu" when in Portuguese is "qu") instead of ALUPEC always "k".
• The sound will be represented in an etymological way ("g" when in Portuguese is "g", "gu" when in Portuguese is "gu") instead of ALUPEC always "g".
• The nasality of the vowels will be represented by an "m" after the vowel, when this vowel is at the end of the word or before the letters "p" and "b". In the other cases the nasality will be represented by the letter "n".
• The words will always have a graphic accent. This will be an overwhelming use of accents, but it is the only way to effectively represent both the stressed syllable and vowel aperture.
• To show an elided vowel in certain variants an apostrophe Template:' will be used.

Vocabulary

Template:Citation needed section The vocabulary of Cape Verdean Creole comes mainly from Portuguese. Although several sources do not agree, the figures oscillate between 90 and 95% of words from Portuguese. The remaining comes from several languages from Western Africa (Mandingo, Wolof, Fulani, Temne, Balanta, Mandjak, etc.), and the vocabulary from other languages (English, French, Latin) is negligible.

Phonology

Cape Verdean Creole's phonological system comes mainly from 15th-through-17th-century Portuguese. In terms of conservative features, Creole has kept the affricate consonants and [written "j" (in the beginning of words) and "ch", in old Portuguese] which are not in use in today's Portuguese, and the pre-tonic vowels were not reduced as in today's European Portuguese. In terms of innovative features, the phoneme (written "lh" in Portuguese) has evolved to and the vowels have undergone several phonetic phenomena.

Vowels

There are eight oral vowels and their corresponding nasal counterparts, making a total of sixteen vowels:

	Front		Central		Back
	oral	nasal	oral	nasal	oral	nasal
Close	Template:IPA link	Template:IPA link			Template:IPA link	Template:IPA link
Close-mid	Template:IPA link	Template:IPA link			Template:IPA link	Template:IPA link
Open-mid	Template:IPA link	Template:IPA link	Template:IPA link	Template:IPA link	Template:IPA link	Template:IPA link
Open			Template:IPA link	Template:IPA link

Consonants and semi-vowels

	Labial		Dental/ Alveolar		Postalveolar/ Palatal		Velar		Uvular
Nasal	Template:IPA link		Template:IPA link		Template:IPA link		Template:IPA link
Plosive	Template:IPA link	Template:IPA link	Template:IPA link	Template:IPA link			Template:IPA link	Template:IPA link
Affricate					Template:IPA link	Template:IPA link
Fricative	Template:IPA link	Template:IPA link	Template:IPA link	Template:IPA link	Template:IPA link	Template:IPA link				(Template:IPA link)
Tap			Template:IPA link
Trill			(Template:IPA link)						Template:IPA link
Approximant	Template:IPA link				Template:IPA link
Lateral			Template:IPA link		Template:IPA link

• Note: The sounds , and are variants of the same phoneme .

First-person singular

The personal pronoun that represents the subject form of the first person singular has a variable pronunciation according to the islands.

This pronoun comes from the object form of the first person singular in Portuguese mim, and it is phonetically reduced to the sound .

This pronunciation is nowadays found in the Barlavento variants. In the Sotavento variants that consonant was reduced to a simple nasality . For example: m' andâ ('I have walked'), m' stâ tâ sintí ('I am feeling'), m' labába ('I had washed'). Before plosive or affricate consonants this nasality becomes homorganic nasal of the following consonant. For ex.: m' bêm ('I came'), m' têm ('I have'), m' tchigâ ('I arrived'), m' crê ('I want').

Speakers who are strongly influenced by the Portuguese language tend to pronounce this pronoun as a nasal vowel úm instead of mTemplate:' .

Before some forms of the verb sêr this pronoun takes back its full form mí , in whatever variant: mí ê ('I am'), mí éra ('I was').

In this article, this pronoun is conventionally written mTemplate:', no matter the variant.

File:Cape Verdean Creole linguistic books.jpg

Some linguistic books about the creole.

Grammar

Even though over 90% of Cape Verdean Creole words are derived from Portuguese, the grammar is very different, which makes it extremely difficult for an untrained Portuguese native speaker even to understand a basic conversation. On the other hand, the grammar shows a lot of similarities with other creoles, Portuguese-based or not (see syntactic similarities of creoles).

Sentence structure

The basic sentence structure in Creole is SubjectTemplate:Spaced ndashVerbTemplate:Spaced ndashObject. Ex.:

• Êl tâ cumê pêxi. "He eats fish."

When there are two objects, the indirect object comes first while the direct object comes after, and the sentence structure becomes SubjectTemplate:Spaced ndashVerbTemplate:Spaced ndashIndirect ObjectTemplate:Spaced ndashDirect Object. Ex.:

• Êl tâ dâ pêxi cumída. "He gives food to the fish."

A feature that makes Cape Verdean Creole closer to other creoles is the possibility of double negation (ex.: Náda m' câ atchâ. liter. "Nothing I didn't find."), or sometimes even triple negation (ex.: Núnca ninguêm câ tâ bába lâ. liter. "Never nobody didn't go there."). Although double negation is common in Portuguese (e.g. "Nunca ninguém foi lá"), triple negation is a little bit uncommon.

Nouns

Gender inflection

Only the animated nouns (human beings and animals) have gender inflection. Ex.:

• inglês / inglésa "Englishman / Englishwoman"
• pôrcu / pórca "pig (male) / pig (female)"

In some cases the distinction between sexes is made putting the adjectives mátchu "male" and fémia "female" after the nouns. Ex.:

• fídju-mátchu / fídju-fémia "son / daughter"
• catchôrr'-mátchu / catchôrr'-fémia "dog (male) / dog (female)"

Number inflection

The nouns in Creole have number inflection (plural marks) only when they are well determined or known in the context. Ex.:

• Minínus dí Bía ê bêm comportádu. ("The children of Bia are well behaved.")

When the noun refers to something in general that noun does not have number inflection. Ex.:

• Minínu devê ruspetâ alguêm grándi. ("Children must respect grown up people.")

If in a sentence there are several grammatical categories, only the first bears the plural marker. Ex.:

• minínus ("boys")
• nhâs minína ("my girls")
• minínus bunítu ("beautiful boys")
• nhâs dôs minína buníta í simpática ("my two kind and beautiful girls")

Further reading:

Personal pronouns

According to their function, the pronouns can be subject pronouns or object pronouns. Furthermore, in each of these functions, according to the position within the sentence the pronouns can be unstressed or stressed.

The unstressed subject pronouns generally bear the function of the subject and come before the verb. Ex.:

• Nú crê. "We want."

The stressed subject pronouns bear the function of some kind of vocative and usually are separated from the verb (disjunctive pronouns). Ex.:

• Mí, m' stâ lí, í bô, bú stâ lâ. "Me, I am here, and you, you are there."

The object pronouns, as the name shows, bear the function of the object (direct or indirect). The unstressed object pronouns are used with the present-tense forms of verbs. Ex.:

• M' odjá-'l. "I have seen it."
• M' tâ bejá-bu. "I kiss you."

The stressed object pronouns are used with the past-tense forms of verbs, when they are the second pronoun in a series of two pronouns, and after prepositions (prepositional pronouns). Ex.:

• Ês tâ odjába-êl. "They saw it."
• Bú dâ-m'-êl. "You gave it to me."
• M' stâ fártu dí bô! "I'm fed up of you!"

When there are two object pronouns, the indirect pronoun comes first while the direct pronoun comes after, and the sentence structure becomes SubjectTemplate:Spaced ndashVerbTemplate:Spaced ndashIndirect PronounTemplate:Spaced ndashDirect Pronoun.

There are no reflexive pronouns. To indicate reflexivity, Creole uses the expression cabéça ("head") after the possessive determiner. Ex.:

• Ês mordê sês cabéça. "They have bitten themselves."

There are no reciprocal pronouns. To indicate reciprocity, Creole uses the expression cumpanhêru ("companion"). Ex.:

• Ês mordê cumpanhêru. "They have bitten each other."

Verbs

The verbs have only minimal inflection (two forms). They have the same form for all the persons, and the notions of tense, mood and aspect are expressed through the presence (or absence) of certain morphemes (called "verbal actualizers" by Veiga), as in the majority of creoles.

The verbs are generally reduced to two base forms, one for the present, another for the past. The form for the present is the same as the form for the infinitive (exception: sêr "to be"), that in turn comes, in the majority of the verbs, from the infinitive in Portuguese but without the final r. Ex.: cantâ (from Portuguese cantar), mexê (from Portuguese mexer), partí (from Portuguese partir), compô (from Portuguese compor), *lumbú (from Portuguese lombo). The form for the past is formed from the infinitive to which is joined the particle for the past ~ba. Ex.: cantába , mexêba , partíba , compôba , *lumbúba (in the Barlavento variants, the particle for the past ~va (or ~ba) is joined to the imperfective actualizer, and not to the verb). It is noteworthy that the Upper Guinea creoles (Cape Verdean Creole and Guinea-Bissau Creole) put the past tense marker after the verbs, and not before like the majority of creoles (check syntactic similarities of creoles).

It is important to mention that in the Santiago variant, the stress goes back to before the last syllable in the present tense forms of the verbs. Therefore, we have: cánta instead of cantâ , mêxe or mêxi instead of mexê , pârti instead of partí , cômpo or cômpu instead of compô , búmbu instead of bumbú . In the pronominal forms, however, the stress remains on the last syllable: cantâ-mTemplate:' , mexê-bu , partí-'l , compô-nu , bumbú-'s .

Regular verbs

As said before, the regular verbs are reduced to a form for the present tense and a form for the past tense, and the notions of mood and aspect are expressed through verbal actualizers.

The following table shows a paradigm of the indicative mood with the verb dâ "to give" in the first-person singular:

	Present Tense	Past Tense
Perfective aspect	M' dâ	M' dába
Imperfective aspect	M' tâ dâ	M' tâ dába
Progressive aspect	M' stâ tâ dâ	M' stába tâ da

The perfective aspect of the present is used when the speech refers to present situations, but that are finished, that are complete. Ex.:

M' dâ. "I gave. / I have given."

It corresponds roughly, according to context, to the past tense or present perfect in English.

The imperfective aspect of the present is used when the speech refers to present situations, but that are not finished yet, that are incomplete. Ex.:

M' tâ dâ. "I give."

It corresponds roughly to the present tense in English.

The progressive aspect of the present is used when the speech refers to present situations that are happening in a continuous, uninterrupted way. Ex.:

M' stâ tâ dâ. "I am giving."

It corresponds roughly to the present continuous tense in English.

Note: Actually, this model doesn't exist anymore. It has evolved to M' stâ dâ. in Brava Fogo and Maio, to M' sâ tâ dâ. in Santiago, to M' tâ tâ dâ. in Boa Vista, Sal and São Nicolau and to M' ti tâ dá. in São Vicente and Santo Antão.

There is no specific form for the future. The future of the present may be expressed through three resources:

1. Using the imperfective of the present but bearing the function of the future. Ex.: M' tâ dâ manhã. liter. "I give tomorrow."
2. Using the auxiliary verb "to go". Ex.: M' tâ bái dâ. liter. "I go to give."
3. Using a periphrasis showing an eventuality. Ex.: M' ál dâ. "I will give."

It corresponds roughly to the future tense in English.

The perfective aspect of the past is used when the speech refers to past situations that were finished, or complete. Ex.:

M' dába. "I had given."

It corresponds roughly to the past perfect in English.

Note: This form does not exist in the Barlavento variants.

The imperfective aspect of the past is used when the speech refers to past situations that were not finished yet, or incomplete. Ex.:

M' tâ dába. "I gave. / I used to give."

It corresponds roughly to the past tense in English.

Note: In the Barlavento variants the particle for the past is joined to the imperfective actualizer and not to the verb: M' táva dâ. . In São Nicolau, along with M' táva dâ also subsists the older form M' tá dába .

The progressive aspect of the past is used when the speech refers to past situations that were happening in a continuous and uninterrupted way. Ex.:

M' stába tâ dâ. "I was giving."

It corresponds roughly to the past continuous tense in English.

Note: Actually, this model only exists in Brava and Fogo. It has evolved to M' sâ tâ dába. in Santiago and Maio and to M' táva tâ dâ. in Boa Vista, Sal, São Nicolau, São Vicente and Santo Antão.

There is no specific form for the future. The future of the past may be expressed through three resources:

1. Using the imperfective of the past but bearing the function of the future. Ex.: M' tâ dába manhã. liter. "I gave tomorrow."
2. Using the auxiliary verb "to go". Ex.: M' tâ bába dâ. liter. "I went to give."
3. Using a periphrasis showing an eventuality. Ex.: M' ál dába. [m al "I would give."

It corresponds roughly to the conditional in English.

The remaining moodsTemplate:Spaced ndashsubjunctive, conditional (not the same as "conditional" in English), eventualTemplate:Spaced ndashdo not have different aspects, only present and past tense, except the injunctive (imperative) mood which has only the present tense.

Irregular verbs

There is a group of verbs that do not follow the paradigmatic model presented above. They are the auxiliary verbs sêr "to be", stâ "to be", têm "to have" and tenê "to have", and the modal verbs crê "to want", sabê "to know", podê "can", devê "must" and mestê "to need".

Note.: The designation "auxiliary verbs" is not consensual.

There exist two registers for these verbs.

In the first register (in older speakers, in rural areas speakers or in speakers with little exposure to Portuguese) there are only two forms for the verbs: one for the present (ê , stâ , têm , tenê , crê , sabê , podê , devê , mestê ) and one for the past (éra , stába , têmba /tẽ, tenêba , crêba , sabêba , podêba , devêba , mestêba ). However, on the contrary of regular verbs, when the base form is used alone it represents the imperfective aspect and not the perfective aspect. Therefore, mí ê, m' têm, m' crê, m' sabê mean "I am, I have, I want, I know", and not "I've been, I've had, I've wanted, I've known", as it would be expected. Parallelly, mí éra, m' têmba, m' crêba, m' sabêba mean "I was, I had, I wanted, I knew", and not "I had been, I had had, I had wanted, I had known", as would be expected.

In the second register (among younger speakers, in urban areas or in speakers with more exposure to Portuguese) the system has been enriched with other forms influenced by Portuguese. Therefore, we have:

• ê , stâ , têm , crê , sabê , podê , devê , mestê for the imperfective of the present;
• fôi , stêvi evi/, têvi vi/, crís , sôbi bi/, púdi di/ for the perfective of the present;
• éra , stába , tínha , cría , sabía , pudía , divía , mistía for the imperfective of the past;
• sêrba , stába , têmba ẽ, crêba , sabêba , podêba , devêba , mestêba for the perfective of the past;

Note.: Some authors call these verbs "stative verbs" and to these verbs they add others: gostâ, conxê, merecê, morâ, tchomâ, valê. However that designation is contested: not all those verbs are in fact stative; not all those verbs are irregular (for ex. morâ); some of those verbs are regular in some variants (m' tâ gostâTemplate:Spaced ndashimperfective of the present with tâ), and irregulars in other variants (m' gostâTemplate:Spaced ndashimperfective of the present but without tâ).

There is a parallelism between the pair of the verbs sêr / stâ "to be" and the pair of the verbs têm / tenê "to have".

• The verb sêr is a copulative verb that expresses a permanent quality. Ex.:

Mí ê úm ómi. "I am (I've always been and I will always be) a man."

• The verb stâ is a copulative verb that expresses a temporary state. Ex.:

Êl stâ trísti. "He is (in this precise moment) sad."

• The verb têm is a possessive verb that expresses a permanent quality. Ex.:

M' têm péli scúru. "I have (I had and I will always have) dark skin."

• The verb tenê is a possessive verb that expresses a temporary possession. Ex.:

M' tenê úm canéta nâ bôlsu. "I have (in this precise moment) a pen in the pocket."

	permanent	temporary
copulative verbs	sêr	stâ
possessive verbs	têm	tenê

Note.: The verbs stâ and tenê do not have the progressive aspect: forms like *m' stâ tâ stâ or *m' stâ tâ tenê do not exist. The verb tenê does not exist in the Barlavento variants. In São Vicente and Santo Antão the verb stâ has the form stódTemplate:' for the infinitive, tâ for the imperfective of the present, tív' for the perfective of the present, and táva for the imperfective of the past.

Passive

Cape Verdean Creole has two voices. The active voice is used when the subject is explicit. The passive voice is used when the subject is indeterminate or unknown. There is also two forms for the passive. The form for the present is made with the infinitive to which is joined the particle ~du. The form for the past is made with the infinitive to which is joined the particle ~da. Ex.:

• Tâ papiádu inglês nâ Mérca. "English is spoken in America."
• M' inxinádu tâ andâ. "I was taught to walk."
• Úm vêz, tâ cumêda tchêu mídju. "Once, one used to eat a lot of corn."

Note.: In the Barlavento variants the form for the past does not exist.

Negative

To negate a verb, the negative adverb câ is used after the subject and before any verbal actualizer. Ex.:

• Nú câ tâ bebê. "We don't drink."
• Êl câ tâ odjába. "He didn't see."
• Bú câ bái. "You haven't gone."

In the Santo Antão variant, the negative adverb is nTemplate:' . Ex.:

• Nô n' dâ bibê. "We don't drink."
• Êl n' dáva o'á. "He didn't see."
• Bô n' bé. "You haven't gone."

In imperative sentences the negative adverb câ is always in the beginning. Ex.:

• Câ bú bái! "Don't go!" (youTemplate:Spaced ndashsingular)
• Câ nhôs fazê! (Sotavento), Câ b'sôt' fazê! (Barlavento) "Don't do!" (you-plural)

And in the Santo Antão variant:

• N' bô bé! /n bo "Don't go!" (youTemplate:Spaced ndashsingular)
• N' b'sôt' fezê! "Don't do!" (youTemplate:Spaced ndashplural)

Adjectives

Adjectives in Creole almost always come after the noun. Only the animated nouns (human beings and animals) demand gender inflection in their adjectives. Ex.:

• ómi fêiu / mudjêr fêia "ugly man / ugly woman"
• bódi prêtu / cábra préta "black buck / black goat"

The adjectives for unanimated nouns have the same form as the masculine adjectives. Ex.:

• bistídu bráncu "white dress"
• camísa bráncu "white shirt"

In general the plural marker does not appear on adjectives since it comes in a preceding grammatical category.

Determiners

In Creole there are no definite articles. If it is absolutely necessary to determine the noun, the demonstrative determiners are used instead.

For the indefinite articles there are two forms, one for the singular, another for the plural:

• úm... "a, an (singular)", úns... "a, an (plural)"

The possessive determiners have number inflexion, but the plural refers to the objects possessed, and not to the owners. Ex.:

• nhâ cárru "my car"
• nhâs cárru "my cars"
• nôs cárru can be either "our car" or "our cars"

The demonstrative determiners have only two degrees of proximity: close to the speaker (êss "this, these") and away from the speaker (quêl "that", quês "those").

Note.: Only the São Vicente and Santo Antão Creoles make a phonetic distinction between the singular êss ("this") and the plural ês ("these").

Designatives

Creole possesses a special grammatical category for presenting or announcing something. It appears in two forms, one to present something near, (alí... ) and another to present something far (alâ... ). Ex.:

• Alí nhâ fídju. "Here is my son."
• Alá-'l tâ bái. "There he goes."

Dialects

Template:More citations needed In spite of Cape Verde's small size, each island has developed its own way of speaking Creole. Each of these nine ways (there are 10 islands, one of which is uninhabited) is justifiably a different dialect, but the scholars in Cape Verde usually call them "variants". These variants can be classified into two branches: in the South there are the Sotavento Creoles, which comprise the Brava, Fogo, Santiago and Maio variants; in the North there are the Barlavento Creoles, which comprise the Boa Vista, Sal, São Nicolau, São Vicente and Santo Antão variants.

Since some lexical forms of Cape Verdean Creole can be different according to each variant, the words and the sentences in this article will be presented in compromise model, a kind of "middle Creole", in order to ease the understanding and in order not to favor any variant. Whenever it will be necessary the phonemic transcription (or sometimes the phonetic transcription) will be shown immediately after the word.

For the writing system, check the section Writing system.

From a linguistic point of view, the most important variants are the Fogo, Santiago, São Nicolau and Santo Antão ones, and any deep study of Creole should approach at least these four. They are the only islands that have received slaves directly from the African continent, that possess the most conservative linguistic features, and that are the most distinct from each other.

From a social point of view, the most important variants are the Santiago and São Vicente ones, and any light study of Creole should approach at least these two. They are the variants of the two bigger cities (Praia and Mindelo), the variants with the greatest number of speakers, and the variants with a glottophagist tendency over the neighboring ones.

These variants have significant literature:

• Brava: Eugénio Tavares
• Fogo: Elsie Clews Parsons
• Santiago: Carlos Barbosa, Tomé Varela da Silva, Daniel Spínola
• São Vicente: Sérgio Frusoni, Ovídio Martins
• Santo Antão: Luís Romano Madeira de Melo

Dialectal differences

Sotavento Creoles		Barlavento Creoles			English
Fogo	Santiago	São Nicolau	São Vicente	Santo Antão
Ês frâ-m'.	Ês flâ-m'.	Ês fló-m'.	Ês dzê-m'.	Ês dzê-m'.	They told me.
Bú câ ê bunítu.	Bú câ ê bunítu.	Bô câ ê b'nít'.	Bô câ ê b'nít'.	Bô n' ê b'nít'.	You are not beautiful.
M' câ sabê.	M' câ sâbi.	M' câ sabê.	M' câ sabê.	Mí n' séb'.	I don't know.
Cumó' qu' ê bú nômi?	'Módi qu' ê bú nómi?	Qu' manêra qu' ê bô nôm'?	Qu' manêra qu' ê bô nôm'?	Qu' menêra qu' ê bô nôm'?	What is your name?
Bú podê djudâ-m'?	Bú pôdi djudâ-m'?	Bô podê j'dó-m'?	Bô podê j'dá-m'?	Bô podê j'dé-m'?	Can you help me?
Spiâ lí!	Spía li!	Spiâ li!	Spiá li!	Spiá li!	Look at here!
Ê' cantâ.	Ê' cánta.	Êl cantâ.	Êl cantá.	Êl cantá.	He/she sang.
Bú tâ cantâ.	Bú tâ cánta.	Bô tâ cantâ.	Bô tâ cantá.	Bô tâ cantá.	You sing.
M' stâ cantâ.	M' sâ tâ cánta.	M' tâ tâ cantâ.	M' tí tâ cantá.	M' tí tâ cantá.	I am singing.
Screbê	Scrêbi	Screbê	Screvê	Screvê	To write
Gossím	Góssi	Grinhassím	Grinhassím	Grinhessím	Now
Pôrcu	Pôrcu	Pôrcu	TchúcTemplate:'	TchúcTemplate:'	Pig
Conxê	Cônxi	Conxê	Conxê	Conxê	To know
Dixâ	Dêxa	D'xâ	D'xá	D'xá	To leave
Dixâ-m' quétu!	Dexâ-m' quétu!	D'xó-m' quêt'!	D'xá-m' quêt'!	D'xé-m' quêt'!	Leave me alone!
Dôci	Dóxi	DôçTemplate:'	DôçTemplate:'	Dôç'	Sweet
Papiâ	Pâpia	Papiâ	Falá	Falá	To speak
Cúrpa	Cúlpa	Cúlpa	Cúlpa	Cúlpa	Fault
Nhôs amígu	Nhôs amígu	B'sôt' amígu	B'sôt' amígTemplate:'	B'sôt' emígTemplate:'	Your (plural) friend
Scúru	Sucúru	ScúrTemplate:'	ScúrTemplate:'	ScúrTemplate:'	Dark
Cárru	Cáru	CórrTemplate:'	CórrTemplate:'	CórrTemplate:'	Car
Lébi	Lébi	LêbTemplate:'	LêvTemplate:'	LêvTemplate:'	Light (Weight)

Sotavento

The Sotavento Creoles are spoken in the Sotavento Islands. Some characteristics:

• The imperfective aspect of the past is formed joining the particle for the past ~ba to the verb: tâ + V+ba.
• The personal pronoun for the second person of the plural is nhôs.
• The subject form of the personal pronoun for the first person of the singular is represented by a nasalization. Ex.: m' andâ pronounced instead of "I have walked", m' stâ tâ sintí pronounced instead of "I am feeling", m' labába pronounced instead of "I had washed".
• The object form of the personal pronoun for the first person of the singular disappears but nasalizes the preceding vowel. Ex.: lebâ-mTemplate:' pronounced instead of "take me", metê-mTemplate:' pronounced instead of "put me", cudí-mTemplate:' pronounced instead of "answer me", compô-mTemplate:' pronounced instead of "fix me", bumbú-mTemplate:' pronounced instead of "put me on the back".

Brava

Brava Creole is spoken mainly on Brava Island. One of the least spoken being seventh place and one of the firsts to have written literature, in which Eugénio Tavares wrote some of his poems.

Besides the main characteristics of Sotavento Creoles, Brava Creole has the following:

• The progressive aspect of the present is formed by putting stâ before the verbs: stâ + V.
• The sound that originates from Portuguese (written ão) is rather than . For example, coraçã , not coraçõ "heart"; mã , not mõ "hand"; razã , not razõ "reason".

Fogo

Fogo Creole is spoken mainly in the Fogo of Cape Verde.

Besides the main characteristics of Sotavento Creoles, Fogo has the following:

• The progressive aspect of the present is formed by putting stâ before the verbs: stâ + V.
• The sound that originates from Portuguese (written ão) is represented by instead of . Ex. coraçã instead of coraçõ "heart", mã instead of mõ "hand", razã instead of razõ "reason".
• The sound switches to when it is at the end of syllables. Ex. ártu instead of áltu "tall", curpâ instead of culpâ "to blame", burcã instead of vulcõ "volcano".
• The sound disappears when it is at the end of words. Ex.: lugáTemplate:' instead of lugár "place", midjôTemplate:' instead of midjôr "better", mudjêTemplate:' instead of mudjêr "woman".
• The diphthongs (oral or nasal) are in general pronounced as vowels. Ex.: mãTemplate:' instead of mãi "mother", nãTemplate:' instead of nãu "no", páTemplate:' instead of pái "father", rêTemplate:' instead of rêi "king", tchapêTemplate:' instead of tchapêu "hat".
• The pre-tonic sound is velarized near labial or velar consonants. Ex.: badjâ "to dance" pronounced , cabêlu "hair" pronounced , catchôTemplate:' "dog" pronounced .

Maio

Maio Creole is spoken mainly on Maio Island. It numbers the entire island population which includes a small part which also speaks Portuguese.

It is one of the least spoken Cape Verdean Creole and is after Brava and ahead of Boa Vista.

Besides the main characteristics of Sotavento Creoles, Maio Creole has the following:

• The progressive aspect of the present is formed by putting stâ before the verbs: stâ + V.
• The unstressed final vowels and frequently disappear. Ex.: cumádrTemplate:' instead of cumádri "midwife", vilúdTemplate:' instead of vilúdu "velvet", bunítTemplate:' instead of bunítu "beautiful", cantádTemplate:' instead of cantádu "sung".
• The sound (that originates from old Portuguese, written j in the beginning of words) is partially represented by . Ex. jantâ instead of djantâ "to dine", jôgTemplate:' instead of djôgu "game", but in words like djâ "already", Djõ "John" the sound remains.

Santiago

Santiago Creole is spoken mainly on the Santiago Island of Cape Verde, including the capital of the country, Praia.

Besides the main characteristics of Sotavento Creoles, Santiago Creole has the following:

• The progressive aspect of the present is formed by putting sâ tâ before the verbs: sâ tâ + V.
• In the verbs, the stress goes back to the before the last syllable in the forms for the present. Ex.: cánta instead of cantâ "to sing", mêxe or mêxi instead of mexê "to move", pârti instead of partí "to leave", cômpo or cômpu instead of compô "to fix", búmbu instead of bumbú "to put on the back".
• Some speakers pronounce the voiced sibilants as voiceless. Ex. cássa instead of cása "house", ôxi instead of ôji "today".
• Some speakers pronounce the sound as . Ex.: cáru instead of cárru "car", féru instead of férru "iron", curâl instead of currál "corral".
• The sound is slightly aspirated .
• The sounds , and are pronounced as alveolars , , and not as dentals , ,
• The nasal diphthongs are de-nasalized. Ex.: mâi instead of mãi "mother", nâu instead of nãu "no".
• The stressed sound is pronounced when it is before the sound at the end of words. Ex.: curâl instead of currál "corral", mâl instead of mál "bad", Tarrafâl instead of Tarrafál "Tarrafal" (place name).

Barlavento

The Barlavento Creoles are spoken in the Barlavento Islands. Some characteristics:

• The imperfective aspect of the past is formed joining the particle for the past ~va to the verbal actualizer tâ: táva + V.
  Note: In São Nicolau, along with táva + V also subsists the older form tá V+ba.
• The personal pronoun for the second person of the plural is b'sôtTemplate:'.
• The unstressed vowels and frequently disappear. Ex.: c'mádrTemplate:' for cumádri "midwife", v'lúdTemplate:' for vilúdu "velvet", c'dí for cudí "to answer", tch'gâ for tchigâ "to arrive".
• Raising of the stressed sound (oral or nasal) to in words that used to end with the sound . Ex.: óltTemplate:' from áltu "tall", cóndTemplate:' from cándu "when", macócTemplate:' from macácu "monkey". Also with pronouns: b'tó-bTemplate:' from botá-bu "throw you".

Boa Vista

Boa Vista Creole is spoken mainly in the Boa Vista Island. It is the least spoken form of Creole in the language. Literature is rarely recorded but one of the speakers who was born on the island is Germano Almeida.

Besides the main characteristics of Barlavento Creoles, Boa Vista Creole has the following:

• The progressive aspect of the present is formed by putting tâ tâ before the verbs: tâ + tâ + V.
• In the verbs that end by ~a, that sound is replaced by when the verb is conjugated with the first person of the singular pronoun. Ex.: panhó-mTemplate:' instead of panhâ-mTemplate:' "to catch me", levó-mTemplate:' instead of levâ-mTemplate:' "to take me", coçó-mTemplate:' instead of coçâ-mTemplate:' "to scratch me".
• The stressed e is always open . Ex.: bucé instead of bocê "you (respectful form), drétTemplate:' instead of drêtTemplate:' "right", tchobé instead of tchovê "to rain". The stressed o is always open . Ex.: bó instead of bô "you", compó instead of compô "to fix", tórrtTemplate:' instead of tôrtTemplate:' "crooked".
• The sound at the end of syllables is pronounced . Ex.: furrtâ instead of furtâ "to steal", m'djérr instead of m'djêr "woman", pórrtTemplate:' instead of pôrtTemplate:' "harbor".
• A originating from the junction of and is replaced by . Ex.: cárr instead of cás "which ones", érr instead of ês "they", quérr instead of quês "those".
• A Portuguese (written j in the beginning of words) is partially replaced by . Ex. jantâ instead of djantâ "to dine", jôgTemplate:' instead of djôgu "game", but in words like djâ "already" and Djõ "John", the sound remains.

Sal

Sal Creole is spoken mainly in the island of Sal.

Besides the main characteristics of Barlavento Creoles, Sal Creole has the following:

• The progressive aspect of the present is formed by putting tâ tâ before the verbs: tâ + tâ + V.
• In the verbs that end by ~a, that sound is represented by when the verb is conjugated with the first person of the singular pronoun. Ex.: panhó-mTemplate:' instead of panhâ-mTemplate:' "to catch me", levó-mTemplate:' instead of levâ-mTemplate:' "to take me", coçó-mTemplate:' /koˈsɔm/ instead of coçâ-mTemplate:' "to scratch me".
• The sound (that originates from old Portuguese, written j in the beginning of words) is partially represented by . Ex. jantâ instead of djantâ /dʒɐ̃ˈtɐ/ "to dine", jôgTemplate:' instead of djôgu "game", but in words like djâ "already", Djõ "John" the sound remains.

Santo Antão

Santo Antão Creole is spoken mainly in the Santo Antão Island. It is ranked third of nine in the number of speakers and it is before Fogo and after the neighbouring São Vicente.

Besides the main characteristics of Barlavento Creoles, Santo Antão Creole has the following:

• The progressive aspect of the present is formed by putting tí tâ before the verbs: tí + tâ + V.
• The adverb of negation used with verbs, adverbs and adjectives is nTemplate:'. Ex.: Mí n' crê instead of M' câ crê "I don't want".
• The sounds and are palatalized to and when they are at the end of syllables. Ex.: fésta "party" pronounced instead of , gósga "tickles" pronounced instead of , més "more" pronounced instead of .
• The stressed final sound is pronounced . Ex.: já instead of djâ "already", lá instead of lâ "there", and all the verbs that end by ~â, calcá instead of calcâ "to press", pintchá instead of pintchâ "to push", etc.
• Palatalization of the stressed sound (oral or nasal) to in words that use to end by the sound . Ex.: ént's instead of ánt's "before", gréndTemplate:' instead of gránd "big", verdédTemplate:' instead of verdádTemplate:' "truth". Also with pronouns: penhé-mTemplate:' instead of panhá-mTemplate:' "to catch me".
• Palatalization of the pre-tonic sound (oral or nasal) to when the stressed syllable possesses a palatal vowel. Ex.: essím instead of assím "like so", quebéça instead of cabéça "head". Velarization of the pre-tonic sound (oral or nasal) to when the stressed syllable possesses a velar vowel. Ex.: cotchôrrTemplate:' instead of catchôrrTemplate:' "dog", otúm instead of atúm "tuna".
• The diphthong (oral or nasal) is pronounced . Ex.: pé instead of pái "father", mém instead of mãi "mother". The diphthong (oral or nasal) is pronounced . Ex.: pó instead of páu "stick", nõ instead of nãu "no".
• The sound (that originates from Portuguese , written "lh") is represented by the sound : bóiTemplate:' instead of bódjTemplate:' "dance (noun)", ôiTemplate:' instead of ôdjTemplate:' "eye", spêiTemplate:' instead of spêdjTemplate:' "mirror". Between vowels that sound disappears: vé'a instead of bédja "old (feminine)", o'á instead of odjâ "to see", pá'a instead of pádja "straw". When it is immediately after a consonant, it is represented by : m'liôr instead of m'djôr "better", c'liêr instead of c'djêr "spoon".
• The sound disappears when it is between vowels. Ex.: go'áva instead of goiába "guava fruit", mê'a instead of mêia "sock", papá'a instead of papáia "papaw".
• The sound (that originates from old Portuguese, written "j" in the beginning of words) is totally represented by . Ex. já instead of djâ "already", jantá instead of djantâ "to dine", JõTemplate:' instead of DjõTemplate:' "John".
• Some speakers pronounce the phonemes and as labialized and .
• Existence of a certain kind of vocabulary (also existing in São Vicente) that does not exist in the other islands. Ex.: dançá instead of badjâ "to dance", dzê instead of flâ "to say", falá instead of papiâ "to speak", guitá instead of djobê "to peek", ruf'ná instead of fuliâ "to throw", stódTemplate:' instead of stâ "to be", tchocá instead of furtâ "to steal", tchúcTemplate:' instead of pôrcTemplate:' "pig", etc.

São Nicolau

São Nicolau Creole is spoken mainly in the São Nicolau Island.

Besides the main characteristics of Barlavento Creoles, São Nicolau Creole has the following:

• The progressive aspect of the present is formed by putting tâ tâ before the verbs: tâ + tâ + V.
• In the verbs that end by ~a, that sound is represented by when the verb is conjugated with the first person of the singular pronoun. Ex.: panhó-mTemplate:' instead of panhâ-mTemplate:' "to catch me", levó-mTemplate:' instead of levâ-mTemplate:' "to take me", coçó-mTemplate:' instead of coçâ-mTemplate:' "to scratch me".
• The sounds and are pronounced by some speakers as and when they are before palatal vowels. Ex.: f'djêra instead of f'guêra "fig tree", patchê instead of paquê "because", Pr'djíça instead of Pr'guiíça "Preguiça" (place name), tchím instead of quêm "who".
• The sound (that originates from old Portuguese, written j in the beginning of words) is partially represented by . Ex. jantâ instead of djantâ "to dine", jôgTemplate:' instead of djôgu "game", but in words like djâ "already", Djõ "John" the sound remains.
• The unstressed final vowel does not disappear when it follows the sounds or . Ex.: tabácu instead of tabócTemplate:' "tobacco", frángu instead of fróngTemplate:' "chicken".

São Vicente

São Vicente Creole is spoken mainly in the São Vicente Island. It is spoken primarily in the São Vicente island, but also in a large segment of the Cape Verdean diaspora population. It is the second most widely spoken Cape Verdean dialect. It has produced literature from many writers and musicians including Sergio Frusoni and many more.

Besides the main characteristics of Barlavento Creoles, São Vicente Creole has the following:

• The progressive aspect of the present is formed by putting tí tâ before the verbs: tí + tâ + V.
• The sounds and are palatalized to and when they are at the end of syllables. Ex.: fésta "party" pronounced instead of , gósga "tickles" pronounced instead of , más "more" pronounced instead of .
• The stressed final sound is pronounced . Ex.: já instead of djâ "already", lá instead of lâ "there", and all the verbs that end by ~â, calcá instead of calcâ "to press", pintchá instead of pintchâ "to push", etc.
• The sound (that originates from Portuguese , written "lh") is represented by the sound : bóiTemplate:' instead of bódjTemplate:' "dance (noun)", ôiTemplate:' instead of ôdjTemplate:' "eye", spêiTemplate:' instead of spêdjTemplate:' "mirror". When it is after the sound , the sound remains: fídjTemplate:' "son", mídjTemplate:' "corn". When it is immediately after a consonant, the sound remains: m'djôr "better", c'djêr "spoon".
• The sound (that originates from old Portuguese, written "j" in the beginning of words) is totally represented by . Ex. já instead of djâ "already", jantá instead of djantâ "to dine", JõTemplate:' instead of DjõTemplate:' "John".
• Existence of a certain kind of vocabulary (also existing in Santo Antão) that does not exist in the other islands. Ex.: dançá instead of badjâ "to dance", dzê instead of flâ "to say", falá instead of papiâ "to speak", guitá instead of djobê "to peek", ruf'ná instead of fuliâ "to throw", stódTemplate:' instead of stâ "to be", tchocá instead of furtâ "to steal", tchúcTemplate:' instead of pôrcTemplate:' "pig", etc.

For more examples, see the Swadesh List of Cape Verdean Creole (in Portuguese).

Cape Verdean Creole examples

Example 1 (Santiago variant)

Creole	IPA transcription	translation to English
Ôi Cábu Vêrdi, Bô qu' ê nhâ dôr más sublími Ôi Cábu Vêrdi, Bô qu' ê nhâ angústia, nhâ paxõ Nhâ vída nâce Dí disafíu dí bú clíma ingrátu Vontádi férru ê bô nâ nhâ pêtu Gôstu pâ lúta ê bô nâ nhâs bráçu Bô qu' ê nhâ guérra, Nhâ dôci amôr Stênde bús bráçu, Bú tomâ-m' nhâ sángui, Bú rêga bú tchõ, Bú flúri! Pâ térra lôngi Bêm cába pâ nôs Bô cú már, cêu í bús fídju N' úm dôci abráçu dí páz		Oh Cape Verde, It is you who are my most sublime pain Oh Cape Verde, It is you who are my anguish, my passion My life was born From the challenge of your ungrateful climate The will of iron is you in my chest The taste for the fight is you in my arms It is you who are my war, My sweet love Stretch your arms, Take my blood, Water your ground, And blossom! In order to distant land Come to an end for us You with the sea, the sky and your sons In a sweet hug of peace

Excerpt of the lyrics of Dôci Guérra from Antero Simas. The full lyrics may be found (with a different orthography) in CABOINDEX » Blog Archive » Doce Guerra.

Example 2 (São Vicente variant)

Creole	IPA transcription	translation to English
Papái, bêm dzê-m' quí ráça quí nôs ê, óh pái Nôs ráça ê prêt' má' brónc' burníd' nâ vênt' Burníd' nâ temporál dí scravatúra, óh fídj' Úm geraçõ dí túga cú africánTemplate:' Ês bêm dí Európa farejá riquéza Ês vendê fídj' dí África nâ scravatúra Carregód' nâ fúnd' dí porõ dí sês galéra D'bóx' dí chicôt' má' júg' culuniál Algúns quí f'cá pralí gatchód' nâ rótcha, óh fídj' Trançá má' túga, ês criá êss pôv' cab'verdián' Êss pôv' quí sofrê quinhênt's ón' di turtúra, ôi, ôi Êss pôv' quí ravultiá tabánca intêrTemplate:'		Daddy, come tell me which race are we, oh dad Our race is blacks and whites melted in the wind Melted in the storm of slavery, oh son A generation of Portuguese with Africans They came from Europe to scent richness They sold sons of Africa in slavery Loaded deep in the hold of their ships Under the whip and colonial yoke Some that remained by here hidden in the mountains, oh son Mixed with the Portuguese, and created this Cape Verdean people This people that has suffered five hundred years of torture, oh, oh This people that has rebelled completely

Excerpt of the lyrics of Nôs Ráça from Manuel d' Novas. The full lyrics may be found (with a different orthography) in Cap-Vert :: Mindelo Infos :: Musique capverdienne: Nos raça Cabo Verde / Cape Verde.

Example 3

Creole	IPA transcription	translation to English
Túdu alguêm tâ nacê lívri í iguál nâ dignidádi cú nâ dirêtus. Ês ê dotádu cú razõ í cú «consciência», í ês devê agí pâ cumpanhêru cú sprítu dí fraternidádi.		All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

Free translation of the 1st article of the Universal Declaration of Human Rights.

See also

• Cesária Évora, a singer who sang in Cape Verdean Creole.
• Papiamento, a related language from the ABC islands in the Caribbean.

Bibliography

Linguistic books and texts

• (Coelho, F. AdolphoTemplate:Spaced ndash1880; capítulo 1: "Crioulo da Ilha de Santiago")
• O crioulo de Cabo Verde. Breves estudos sobre o crioulo das ilhas de Cabo Verde (Botelho da Costa, Joaquim Vieira & Custódio José DuarteTemplate:Spaced ndash1886)
• A Parábola do Filho Pródigo no crioulo de Santiago, do Fogo, da Brava, de Santo Antão, de S. Nicolau e da Boavista: O crioulo de Cabo Verde (Botelho da Costa, Joaquim Vieira & Custódio José DuarteTemplate:Spaced ndash1886)
• Dialectos crioulos-portugueses. Apontamentos para a gramática do crioulo que se fala na ilha de Santiago de Cabo Verde (Brito, A. de PaulaTemplate:Spaced ndash1887)
• O dialecto crioulo de Cabo Verde (Silva, Baltasar Lopes daTemplate:Spaced ndash1957)
• Cabo Verde. Contribuição para o estudo do dialecto falado no seu arquipélago (Duarte, Dulce AlmadaTemplate:Spaced ndash1961)
• O dialecto crioulo – Léxico do dialecto crioulo do Arquipélago de Cabo Verde (Fernandes, Armando Napoleão RodriguesTemplate:Spaced ndash1969)
• The Creole dialect of the island of Brava (Meintel, DeirdreTemplate:Spaced ndash1975) in Miscelânea luso-africana coord. Marius F. Valkhoff
• A linguistic approach to the Capeverdean language (Macedo, Donaldo PereiraTemplate:Spaced ndash1979)
• O crioulo de Cabo Verde – surto e expansão (Carreira, AntónioTemplate:Spaced ndash1982)
• Left-dislocation and topicalization in Capeverdean creole (Braga, Maria Luiza: PhD Dissertation, University of PennsylvaniaTemplate:Spaced ndash1982)
• Variation and change in the verbal system of Capeverdean crioulo (Silva, Izione Santos —1985)
• O crioulo da ilha de S. Nicolau de Cabo Verde (Cardoso, Eduardo AugustoTemplate:Spaced ndash1989)
• Kabuverdianu: Elementaria seiner TMA-Morphosyntax im lusokreolischen Vergleich (Thiele, Petra. KabuverdianuTemplate:Spaced ndash1991)
• "O princípio da parcimónia em crioulo de Cabo Verde" (Pereira, DulceTemplate:Spaced ndash1992: in Actas do II. Colóquio sobre Crioulos de base lexical portuguesa, pp. 141–151)
• O crioulo de Cabo Verde: Introdução à gramática (Veiga, ManuelTemplate:Spaced ndash1995)
• Dicionário Caboverdiano–Português, Variante de Santiago (Quint(-Abrial), Nicolas, Lisboa: VerbalisTemplate:Spaced ndash1998)
• Bilinguismo ou Diglossia (Duarte, Dulce AlmadaTemplate:Spaced ndash1998)
• Le créole du Cap-Vert. Etude grammaticale descriptive et contrastive (Veiga, ManuelTemplate:Spaced ndash2000)
• Le Cap-Verdien: Origines et devenir d'une langue métisse (Quint, NicolasTemplate:Spaced ndash2000)
• Grammaire de la langue cap-verdienne: Étude descriptive et compréhensive du créole afro-portugais des Iles du Cap-Vert (Quint, NicolasTemplate:Spaced ndash2000)
• Dictionnaire Cap-Verdien–français (Quint, NicolasTemplate:Spaced ndash2000)
• Dicionário do Crioulo da Ilha de Santiago (Cabo Verde) com equivalentes de tradução em alemão e português (ed. por Jürgen Lang: TübingenTemplate:Spaced ndash2002)
• Kurze Skizze der Grammatik des Kreols von Santiago (Kapverde) (Jürgen Lang – 2000 in: Neue Romania 23, 15–43)
• The syntax of Cape Verdean Creole. The Sotavento Varieties (Baptista, MarlyseTemplate:Spaced ndash2002)
• Dicionário Prático Português-Caboverdiano/Disionári Purtugés-Berdiánu Kiriolu di Santiagu Ku Splikasom di Uzu di Kada Palábra (M. Mendes, N. Quint, F. Ragageles, A. Semedo, Lisboa: VerbalisTemplate:Spaced ndash2002)
• O Cabo-verdiano em 45 Lições (Veiga, ManuelTemplate:Spaced ndash2002)
• Parlons capverdien : Langue et culture (Nicolas Quint, Aires SemedoTemplate:Spaced ndash2003)
• Le créole capverdien de poche (Nicolas Quint, Aires Semedo, Chennevières-sur-Marne: AssimilTemplate:Spaced ndash2005)
• Crioulos de base portuguesa (Pereira, DulceTemplate:Spaced ndash2006)
• Crioulo de Cabo VerdeTemplate:Spaced ndashSituação Linguística da Zona do Barlavento (Delgado, Carlos Alberto; Praia: IBNLTemplate:Spaced ndash2008)
• A Grammar of Santiago Creole (Cape Verde) = Gramática do Crioulo da Ilha de Santiago (Cabo Verde) (Jürgen Lang; Erlangen 2012 [1])
• A variação geográfica do crioulo caboverdiano (Jürgen Lang, Raimundo Tavares Lopes, Ana Karina Tavares Moreira, Maria do Céu dos Santos Baptista; Erlangen: FAU University Press, 2014 [2]
• Les langues des autres dans la créolisation : théorie et exemplification par le créole d'empreinte wolof à l'île Santiago du Cap Vert (Jürgen Lang; Tübingen: Narr, 2009)

Literature

• Os Lusíadas (estâncias 8 e 9 do Canto V) Teixeira, A. da CostaTemplate:Spaced ndash1898
• Folk-Lore from the Cape Verde Islands (Parsons, Elsie ClewsTemplate:Spaced ndash1923: Capeverdian Stories; book 1: English, book 2: Creole)
• Mornas – Cantigas Crioulas, Tavares, eugénioTemplate:Spaced ndash1932
• Renascença de uma civilização no Atlântico médio (Melo, Luís Romano de MadeiraTemplate:Spaced ndash1967: Collection of poems and stories in Portuguese and in Creole)
• 100 PoemasTemplate:Spaced ndashGritarei, Berrarei, Matarei, Não vou para pasárgada Martins, Ovídio, 1973Template:Spaced ndashPoems in Portuguese and in Creole
• Negrume/Lzimparin (Melo, Luís Romano de MadeiraTemplate:Spaced ndash1973: Stories in Creole with Portuguese translation)
• "Textos crioulos cabo-verdianos" (Frusoni, SérgioTemplate:Spaced ndash1975) in Miscelânea luso-africana coord. Valkhoff, Marius F.
• Vangêle contód d'nôs móda (Frusoni, Sérgio : FogoTemplate:Spaced ndash1979; Novo Testamento)
• A Poética de Sérgio Frusoni – uma leitura antropológica (Lima, Mesquitela; LisboaTemplate:Spaced ndash1992)

External links

Linguistic texts

• English - Cape Verdean online dictionary
• Criol language
• History of Cape Verdean Creole
• Creole grammars and dictionaries from Cape Verde
• A Perspective on Capeverdean Crioulo by Robert French
• Santiago Creole
• Literaturas Africanas (African literatures in the Portuguese language and Portuguese creoles, pdf: in Portuguese)
• Student Survey 2000 about teaching Crioulo in the high school.
• Language Policy in Cape Verde: A Proposal for the Affirmation of Kriolu, by Manuel Veiga.
• Initiation au Créole Capverdien
• English-Cape Verdean Dictionary of the Peace Corps
• Asosiason Kabuverdianu pa Traduson di Bíblia
  • Afabétu Kabuverdianu, (Cape Verdean Alphabet, see last picture link in top frame)
  • Kartidjas Kabuverdianu – (four literacy primers pdf, see fifth picture link in top frame)

Literature

• "Morna aguada" by Eugénio Tavares (Creole of Brava)
• Extracts from "Os Lusíadas" in the creole of Santo Antão
• Poetry of Sérgio Frusoni, in Creole of São Vicente
• Adriano Gominho (Creole of São Nicolau)
• Santo Antão
• Poetry in Creole
• Asosiason Kabuverdianu pa Traduson di Bíblia Books: Stória di Natal (the Christmas Story), Lúkas, Notísia Sabi di Jizus (Luke, The Good News of Jesus), Bíblia na prugrésu di traduson pa lingua Kabuverdianu (The Bible in progress of translation into the Kabuverdianu Language, Luke 2nd ed. and Acts 1st ed. – see third picture link in top frame), Comics: Stória di Bon Samaritanu (The Story of the Good Samaritan), Stória di Fidju ki Perde (The Story of the Prodigal Son), Stória di Zakeu, Xéfi di Kobradoris di Inpostu, (The Story of Zacchaeus, chief tax collector – see links in left frame), Film: Filmi: Vida di Jizus (The Jesus Film – see fourth picture link in top frame) Best viewed with Internet Explorer.