Very Annie Mary

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Template:Short description Script error: No such module "Unsubst". Template:Use British English Template:Infobox film/short descriptionScript error: No such module "Infobox".Template:Template otherScript error: No such module "Check for unknown parameters".Expression error: Unrecognized punctuation character "[". Very Annie Mary is a 2001 musical-comedy film, written and directed by Sara Sugarman and starring Rachel Griffiths and Jonathan Pryce. It is a coming-of-age tale, set in south Wales, about a woman in her 30s who lives with her verbally abusive father. It was filmed on location in Bridgend and at Workingman's Institute and Memorial Hall, Newbridge, Wales.

Premise

After her father suffers a stroke, a woman is forced to take care of him but uses the circumstances to emancipate herself and find the courage to sing once again.

Cast

Minor roles in the film are played by Ray Gravell, Mary Hopkin and Ruth Jones, among others.

Music

The film features the following songs:[1]

Production

The film was shot in the middle of 1999, with filming taking place in the Garw Valley in Bridgend, Wales, posing as the fictional village of "Ogw" (a play on the name of the Ogmore Valley's Welsh name of Ogwr). It was scheduled to be presented at the 2000 Sundance Film Festival and the Dinard Festival of British Cinema but failed to show at either event.[2]

Reception

On Rotten Tomatoes, the film holds an approval rating of Template:RT data, based on Template:RT data reviews, with an average rating of Template:RT data. The website's critical consensus reads, "An exercise in strained whimsy and saccharine sentiment."[3] On Metacritic, the film has a weighted average score of 33 out of 100, based on 10 critics, indicating "generally unfavorable reviews".[4]

Variety called it a "half-klutzy, half-engaging eccentric comedy...bolstered by good turns from leads Rachel Griffiths and Jonathan Pryce" but "falling prey to a general disorganization in tone and structure."[2] The Guardian called it "a broad comedy with a very derivative Monty-ish plot, but likeable and good-natured."[5] The New York Times called the film "alternately mushy and farcical" with an "undertone of satire" that keeps the film from "choking on its own cuteness"; it "churns up a few genuinely funny bits" including a climax "that is almost worth waiting for."[6]

References

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External links

Template:Sara Sugarman