Jamaican Patois

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File:Jamaicanpatois-twosentences2010.ogg
Female patois speaker saying two sentences
File:WIKITONGUES- Omar Speaking English and Jamaican Patois.webm
A Jamaican Patois speaker discussing the usage of the language

Jamaican Patois (Template:IPAc-en; locally rendered Jamaican Patwah and called Jamaican Creole by linguists) is an English-based creole language mixed heavily with predominantly West African languages and some influences from Arawak, Spanish and other languages, spoken primarily in Jamaica and among the Jamaican diaspora. Words or slang from Jamaican Patois can be heard in other Caribbean countries, the United Kingdom, New York City and Miami in the United States, and Toronto, Canada.[1] Most of the non-English words in Patois derive from the West African Akan language.[1] It is spoken by most Jamaicans as their first language.

Patois developed in the 17th century when enslaved people from West and Central Africa were exposed to, learned, and nativised the vernacular and dialectal languages spoken by the slaveholders and overseers: British English, Hiberno-English and Scots. Jamaican Creole exists in gradations between more conservative creole forms that are not significantly mutually intelligible with English,Template:Sfn and forms virtually identical to Standard English.[2]

Jamaicans refer to their language as Script error: No such module "Lang"., a term also used as a lower-case noun as a multi-use description of pidgins, creoles, dialects, and vernaculars worldwide. Creoles, including Jamaican Patois, are often stigmatised as low-prestige languages even when spoken as the mother tongue by most of the local population.Template:Sfn Jamaican pronunciation and vocabulary are significantly different from English despite heavy use of English words or derivatives.Template:Sfn

Significant Jamaican Patois-speaking communities exist among Jamaican expatriates and non Jamaican[2] in South Florida, New York City, Hartford, Washington, D.C., Nicaragua, Costa Rica, the Cayman Islands,[3] and Panama, as well as Toronto, London,[4] Birmingham, Manchester, and Nottingham. The Cayman Islands in particular have a very large Jamaican Patois-speaking community, with 16.4% of the population conversing in the language.[5] A mutually intelligible variety is found in San Andrés y Providencia Islands, Colombia, brought to the island by descendants of Jamaican Maroons (escaped slaves) in the 18th century. Mesolectal forms are similar to very basilectal Belizean Kriol.

Jamaican Patois exists mainly as a spoken language and is also heavily used for musical purposes, especially in reggae and dancehall as well as other genres. Although standard British English is used for most writing in Jamaica, Jamaican Patois has gained ground as a literary language for almost a hundred years. Claude McKay published his book of Jamaican poems Songs of Jamaica in 1912. Patois and English are frequently used for stylistic contrast (codeswitching) in new forms of Internet writing.[6]

Phonology

Accounts of basilectal Jamaican Patois (that is, its most divergent rural varieties) suggest around 21 phonemic consonants[7] with an additional phoneme (Script error: No such module "IPA".) in the Western dialect.Template:Sfn There are between nine and sixteen vowels.[8] Some vowels are capable of nasalisation and others can be lengthened.Template:Sfn

Consonants[9]
Labial Alveolar Post-
alveolar
Palatal2 Velar Glottal
Nasal Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink
Stop Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink
Fricative Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink Template:IPAlink (Template:IPAlink)1
Approximant
/Lateral
Template:IPAlink Template:IPAlink Template:IPA link
Template:IPAlink
<templatestyles src="Citation/styles.css"/>^1 The status of Script error: No such module "IPA". as a phoneme is dialectal: in western varieties, it is a full phoneme and there are minimal pairs (Script error: No such module "IPA". 'hit' and Script error: No such module "IPA". 'eat'); in central and eastern varieties, vowel-initial words take an initial Script error: No such module "IPA". after vowel-final words, preventing the two vowels from falling together, so that the words for 'hand' and 'and' (both underlyingly Script error: No such module "IPA".) may be pronounced Script error: No such module "IPA". or Script error: No such module "IPA"..[10]
<templatestyles src="Citation/styles.css"/>^2 The palatal stops Script error: No such module "IPA".Template:NoteTag and Script error: No such module "IPA". are considered phonemic by some accounts[11] and phonetic by others.[12] For the latter interpretation, their appearance is included in the larger phenomenon of phonetic palatalisation.

Examples of palatalisation include:[13]

  • Script error: No such module "IPA".Script error: No such module "IPA".Script error: No such module "IPA". ('a quarter quart (of rum)')
  • Script error: No such module "IPA".Script error: No such module "IPA".Script error: No such module "IPA". ('guard')
  • Script error: No such module "IPA".Script error: No such module "IPA".Script error: No such module "IPA". ('weak')

Voiced stops are implosive whenever in the onset of prominent syllables (especially word-initially) so that Script error: No such module "IPA". ('beat') is pronounced Script error: No such module "IPA". and Script error: No such module "IPA". ('good') as Script error: No such module "IPA"..[7]

Before a syllabic Script error: No such module "IPA"., the contrast between alveolar and velar consonants has been historically neutralised with alveolar consonants becoming velar so that the word for 'bottle' is Script error: No such module "IPA". and the word for 'idle' is Script error: No such module "IPA"..[14]

File:Jamaican Creole vowel chart.svg
Vowels of Jamaican Patois. from Template:Harvcoltxt

Jamaican Patois exhibits two types of vowel harmony; peripheral vowel harmony, wherein only sequences of peripheral vowels (that is, Script error: No such module "IPA"., Script error: No such module "IPA"., and Script error: No such module "IPA".) can occur within a syllable; and back harmony, wherein Script error: No such module "IPA". and Script error: No such module "IPA". cannot occur within a syllable together (that is, Script error: No such module "IPA". and Script error: No such module "IPA". are allowed but Script error: No such module "IPA". and Script error: No such module "IPA". are not).[15] These two phenomena account for three long vowels and four diphthongs:[16]

Vowel Example Gloss
Script error: No such module "IPA". Script error: No such module "IPA". 'tiny'
Script error: No such module "IPA". Script error: No such module "IPA". 'barber'
Script error: No such module "IPA". Script error: No such module "IPA". 'booth'
Script error: No such module "IPA". Script error: No such module "IPA". 'bake'
Script error: No such module "IPA". Script error: No such module "IPA". 'bike'
Script error: No such module "IPA". Script error: No such module "IPA". 'boat'
Script error: No such module "IPA". Script error: No such module "IPA". 'town'

Sociolinguistic variation

Jamaican Patois features a creole continuum (or a linguistic continuum):[17][18][19] the variety of the language closest to the lexifier language (the acrolect) cannot be distinguished systematically from intermediate varieties (collectively referred to as the mesolect) or even from the most divergent rural varieties (collectively referred to as the basilect).[20] This situation came about with contact between speakers of a number of Niger–Congo languages and various dialects of English, the latter of which were all perceived as prestigious and whose use carried socio-economic benefits.[21] The span of a speaker's command of the continuum generally corresponds to social context.[22]

Grammar

The tense/aspect system of Jamaican Patois is fundamentally unlike that of English. There are no morphologically marked past participles; instead, two different participle words exist: en and a. These are not verbs, but rather invariant particles that cannot stand alone (like the English to be). Their function also differs from those of English.

According to Bailey (1966), the progressive category is marked by Script error: No such module "IPA".. Alleyne (1980) claims that Script error: No such module "IPA". marks the progressive and that the habitual aspect is unmarked but by its accompaniment with words such as "always", "usually", etc. (i.e. is absent as a grammatical category). Mufwene (1984) and Gibson and Levy (1984) propose a past-only habitual category marked by Script error: No such module "IPA". as in Script error: No such module "IPA". ('where we used to live is not as cold as here').[23]

For the present tense, an uninflected verb combining with an iterative adverb marks habitual meaning as in Script error: No such module "IPA". ('Tom always knows when Katy tells/has told about him').[24]

  • en is a tense indicator
  • a is an aspect marker
  • (a) go is used to indicate the future
  • Mi run (Script error: No such module "IPA".)
    • I run (habitually); I ran
  • Mi a run or Mi de run, (Script error: No such module "IPA". or Script error: No such module "IPA".)
    • I am running
  • A run mi did a run, (Script error: No such module "IPA". or Script error: No such module "IPA".)
    • I was running
  • Mi did run (Script error: No such module "IPA". or Script error: No such module "IPA".)
    • I have run; I had run
  • Mi a go run (Script error: No such module "IPA".)
    • I am going to run; I will go on a run

As in other Caribbean Creoles (that is, Guyanese Creole and San Andrés-Providencia Creole; Sranan Tongo is excluded) Script error: No such module "IPA". has a number of functions, including:[25]

  • Directional, dative, or benefactive preposition
    • Script error: No such module "Lang". (Script error: No such module "IPA".) ('They are fighting for us')[26]
  • Genitive preposition (that is, marker of possession)
    • Script error: No such module "Lang". (Script error: No such module "IPA".) ('that's my book')
  • Modal auxiliary expressing obligation or futurity
    • Script error: No such module "Lang". (Script error: No such module "IPA".) ('he ought to come up here')
  • Pre-infinitive complementiser
    • Script error: No such module "Lang". (Script error: No such module "IPA".) ('you have to contribute something to the Guinean People for playing their music')[27]

Pronominal system

The pronominal system of Standard English has a four-way distinction of person, number, gender and case. Some varieties of Jamaican Patois do not have the gender or case distinction, but all varieties distinguish between the second person singular and plural (you).[28]

  • I, me = Script error: No such module "IPA".
  • you, you (singular) = Script error: No such module "IPA".
  • you (plural) = Script error: No such module "IPA".
  • he, him = Script error: No such module "IPA". (pronounced Script error: No such module "IPA". in the basilect varieties)
  • she, her = Script error: No such module "IPA". or Script error: No such module "IPA". (no gender distinction in basilect varieties; Script error: No such module "IPA". refers to both)
  • we, us, our = Script error: No such module "IPA".
  • they, them, their = Script error: No such module "IPA".

Copula

  • the Jamaican Patois equative verb is also a
    • e.g. Script error: No such module "IPA". ('I am the teacher')
  • Jamaican Patois has a separate locative verb deh
    • e.g. Script error: No such module "IPA". or Script error: No such module "IPA". ('we are in London')
  • with true adjectives in Jamaican Patois, no copula is needed
    • e.g. Script error: No such module "IPA". ('I am old now')

This is akin to Spanish in that both have two distinct forms of the verb "to be" – ser and estar – in which ser is equative and estar is locative. Other languages, such as Portuguese and Italian, make a similar distinction Template:Xref.

Negation

  • Script error: No such module "IPA". is used as a present tense negator:
    • Script error: No such module "IPA". ('If the cow knew that his throat wasn't capable of swallowing a pear seed, he wouldn't have swallowed it')[29]
  • Script error: No such module "IPA". is used in the same way as English can't
    • Script error: No such module "IPA". ('It is a poor thing that can't mash an ant')[30]
  • Script error: No such module "IPA". is a negative past participle.[31]
    • Script error: No such module "IPA". ('John did not steal the money')

Orthography

Script error: No such module "Labelled list hatnote". Patois has long been written with various respellings compared to English so that, for example, the word "there" might be written Template:Angle bracket, Template:Angle bracket, or Template:Angle bracket, and the word "three" as Template:Angle bracket, Template:Angle bracket, or Template:Angle bracket. Standard English spelling is often used and a nonstandard spelling sometimes becomes widespread even though it is neither phonetic nor standard (e.g. Template:Angle bracket for Script error: No such module "IPA"., 'child').

In 2002, the Jamaican Language Unit was set up at the University of the West Indies at Mona to begin standardising the language, with the aim of supporting non-English-speaking Jamaicans according to their constitutional guarantees of equal rights, as services of the state are normally provided in English, which a significant portion of the population cannot speak fluently. The vast majority of such persons are speakers of Jamaican Patois. It was argued that failure to provide services of the state in a language in such general use or discriminatory treatment by officers of the state based on the inability of a citizen to use English violates the rights of citizens. The proposal was made that freedom from discrimination on the ground of language be inserted into the Charter of Rights.[32] They standardised the Jamaican alphabet as follows:[33]

Short vowels
Letter Patois English
i sik sick
e bel bell
a ban band
o kot cut
u kuk cook
Long vowels
Letter Patois English
ii tii tea
aa baal ball
uu shuut shoot
Diphthongs
Letter Patois English
Template:Notatypo kiek cake
uo gruo grow
ai bait bite
ou kou cow

Nasal vowels are written with -hn, as in kyaahn (can't) and iihn (isn't it?)

Consonants
Letter Patois English
b biek bake
d daag dog
ch choch church
f fuud food
g guot goat
h hen hen
j joj judge
k kait kite
l liin lean
m man man
n nais nice
ng sing sing
p piil peel
r ron run
s sik sick
sh shout shout
t tuu two
v vuot vote
w wail wild
y yong young
z zuu zoo
zh vorzhan version

h is written according to local pronunciation, so that hen (hen) and en (end) are distinguished in writing for speakers of western Jamaican, but not for those of central Jamaican.

Vocabulary

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Jamaican Patois contains many loanwords, most of which are African in origin, primarily from Twi (a dialect of Akan).[34] Many loanwords come from English, but some are also borrowed from Spanish, Portuguese, Hindi, Arawak and African languages, as well as Scottish and Irish dialects.

Examples from African languages include Script error: No such module "IPA". meaning that (in the sense of "he told me that..." = Script error: No such module "IPA".), taken from Ashanti Twi, and duppy meaning ghost, taken from the Twi word dupon ('cotton tree root'), because of the African belief of malicious spirits originating in the roots of trees (in Jamaica and Ghana, particularly the cotton tree known in both places as "Odom").[35] The pronoun Script error: No such module "IPA"., used for the plural form of you, is taken from the Igbo language. Red eboe describes a fair-skinned black person because of the reported account of fair skin among the Igbo in the mid-1700s.[36] De meaning to be (at a location) comes from Yoruba.[37] From the Ashanti-Akan, comes the term Obeah which means witchcraft, from the Ashanti Twi word Ɔbayi which also means "witchcraft".[34]

Words from Hindi include ganja (marijuana).[38] Pickney or pickiney meaning child, taken from an earlier form (piccaninny) was ultimately borrowed from the Portuguese pequenino (the diminutive of pequeno, small) or Spanish pequeño ('small').[39] There are many words referring to popular produce, food items, and Jamaican cuisineackee, callaloo, guinep, bammy, roti, dal, kamranga.

Jamaican Patois has its own rich variety of swearwords. One of the strongest is bloodclaat (along with related forms raasclaat, bomboclaat, pussyclaat and others)—compare with bloody in Australian English and British English, which is also considered a profanity.[40]

Example phrases

  • Mi almos lik 'im (Script error: No such module "IPA".) – I almost hit him[41]
  • 'im kyaant biit mi, 'im jus lucky dat 'im won (Script error: No such module "IPA".) – He can't beat me, he just got lucky that he won.[42]
  • Seen Script error: No such module "IPA". – Affirmative particle[43]
  • Script error: No such module "IPA". – Foolish exhibition, a person who makes a foolish exhibition of him or herself, or an exclamation of surprise.[44]
  • Script error: No such module "IPA". – Woman[45]
  • Script error: No such module "IPA". – Boy[46]

Literature and film

A rich body of literature has developed in Jamaican Patois. Notable among early authors and works are Thomas MacDermot's All Jamaica Library and Claude McKay's Songs of Jamaica (1909), and, more recently, dub poets Linton Kwesi Johnson and Mikey Smith. Subsequently, the life-work of Louise Bennett or Miss Lou (1919–2006) is particularly notable for her use of the rich colourful patois, despite being shunned by traditional literary groups. "The Jamaican Poetry League excluded her from its meetings, and editors failed to include her in anthologies."[47] Nonetheless, she argued forcefully for the recognition of Jamaican as a full language, with the same pedigree as the dialect from which Standard English had sprung:

Template:Poem quote

After the 1960s, the status of Jamaican Patois rose as a number of respected linguistic studies were published, by Frederic Cassidy (1961, 1967), Bailey (1966) and others.[48] Subsequently, it has gradually become mainstream to codemix or write complete pieces in Jamaican Patois; proponents include Kamau Brathwaite, who also analyses the position of Creole poetry in his History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry (1984). However, Standard English remains the more prestigious literary medium in Jamaican literature. Canadian-Caribbean science-fiction novelist Nalo Hopkinson often writes in Trinidadian and sometimes Jamaican Patois. Jean D'Costa penned a series of popular children's novels, including Sprat Morrison (1972; 1990), Escape to Last Man Peak (1976), and Voice in the Wind (1978), which draw liberally from Jamaican Patois for dialogue, while presenting narrative prose in Standard English.[49] Marlon James employs Patois in his novels including A Brief History of Seven Killings (2014). In his science fiction novel Kaya Abaniah and the Father of the Forest (2015), British-Trinidadian author Wayne Gerard Trotman presents dialogue in Trinidadian Creole, Jamaican Patois, and French while employing Standard English for narrative prose.

Jamaican Patois is also presented in some films and other media, such as for example the character Tia Dalma's speech from Pirates of the Caribbean: Dead Man's Chest, and a few scenes in Meet Joe Black in which Brad Pitt's character converses with a Jamaican woman (Lois Kelly Miller). In addition, early Jamaican films like The Harder They Come (1972), Rockers (1978), and many of the films produced by Palm Pictures in the mid-1990s (e.g. Dancehall Queen and Third World Cop) have most of their dialogue in Jamaican Patois; some of these films have even been subtitled in English. It was also used in the second season of Marvel's Luke Cage but the accents were described as "awful" by Jamaican Americans.[50]

Bible

In December 2011, it was reported that the Bible was being translated into Jamaican Patois. The Gospel of Luke has already appeared as Jiizas: di Buk We Luuk Rait bout Im. While the Rev. Courtney Stewart, managing the translation as General Secretary of the West Indies Bible Society, believes this will help elevate the status of Jamaican Patois, others think that such a move would undermine efforts at promoting the use of English.Script error: No such module "Unsubst". The Patois New Testament was launched in Britain (where the Jamaican diaspora is significant) in October 2012 as "Di Jamiekan Nyuu Testiment", and with print and audio versions in Jamaica in December 2012.[51][52][53]

<templatestyles src="Col-begin/styles.css"/>

A comparison of the Lord's Prayer

The system of spelling used in Di Jamiekan Nyuu Testiment is the phonetic Cassidy Writing system adopted by the Jamaica Language Unit of the University of the West Indies, and while most Jamaicans use the informal "Miss Lou" writing system, the Cassidy Writing system is an effort at standardising Patois in its written form.[56]

Recent developments

Jamaican Patois has made some major strides in recent years, becoming one of the languages available on Google Translate and being used by the People's National Party (PNP), which released an audio version of its 2025 general election manifesto in the language.[57][58][59][60]

See also

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Notes

Template:NoteFoot

References

Citations

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  1. a b Cassidy, F. G. "Multiple etymologies in Jamaican Creole". Am Speech, 1966, 41:211–215.
  2. a b Template:Harvcoltxt
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  4. Sebba, Mark (1993), London Jamaican, London: Longman.
  5. Labor force and employment eso.ky
  6. Hinrichs, Lars (2006), Codeswitching on the Web: English and Jamaican Creole in E-Mail Communication. Amsterdam/Philadelphia: Benjamins.
  7. a b Template:Harvcoltxt
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  48. Alison Donnell, Sarah Lawson Welsh (eds), The Routledge Reader in Caribbean Literature, Routledge, 2003, Introduction, p. 9.
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  53. Di Jamiekan Nyuu Testiment (Jamaican Diglot New Testament with KJV) Template:Webarchive, British & Foreign Bible Society. Retrieved 24 March 2013.
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General sources

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Further reading

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External links

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