Interval signal

<score sound> % https://www.intervalsignals.net/sounds/ukg-bbcws_b_interval_signal_170701.mp3 <<

 \new Staff="bbc"<<
   {b'2 2 c1}\\ \magnifyMusic 0.7{<g' d'>2 2 <g' e'>1}
 >>
 \new Lyrics \with{alignAboveContext="bbc"} \lyricsto "1"{B -- B -- C}

>> \midi{\tempo 4=106 \set Staff.midiInstrument = "electric piano 1"}

</score>

Historical interval signal of the BBC

File:RAVAG-Pausenzeichen.ogg

RAVAG interval signal, clock ticking 270/min (9 in 2 sec)

An interval signal, or tuning signal, is a characteristic sound or musical phrase used in international broadcasting, numbers stations, and by some domestic broadcasters, played before commencement or during breaks in transmission, but most commonly between programs in different languages.

It serves several purposes:

• It helps a listener using a radio with an analog tuner to find the correct frequency.
• It informs other stations that the frequency is in use.
• It serves as a station identifier even if the language used in the subsequent broadcast is not one the listener understands.

The practice began in Europe in the 1920s and 1930s and was carried over into shortwave broadcasts. The use of interval signals has declined with the advent of digital tuning systems, but has not vanished. Interval signals were not required on commercial channels in the United States, where jingles were used as identification.

List of interval signals by station

• Template:Flagicon Rádio Nacional de Angola:

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/agl-rna_international_200216.mp3

1. (define angola (alist->hash-table '(

 (hiconga () #f 5) (loconga () #f 3) (chinesecymbal cross #f -3)
 (vibraslap triangle #f -3) (cabasa cross #f -5))))

main = \new DrumStaff<<\drummode{

 \stopStaff
 \override Staff.StaffSymbol.line-positions = #'(-4 4)
 \startStaff
 \set DrumStaff.drumStyleTable = #angola \time 12/8
 \grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl cgh8 8 cgl cgh r
 \grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl8 8 8 8 \grace{16} 8 8
 \repeat volta 4{
   cgl8 cgh r cgh cgl \grace{cgl16} 8 8 r cgl8 8 \grace{16} 8 8
 }

}\\ \drummode{

 s1. s2. r4. r8 cymch4 \repeat volta 4{r8 cab4 4. r4. r8 vibs4}

}>> \score{\main \layout{indent=#0 line-width=#120

 \context{\DrumStaff \magnifyStaff 0.7}

} }

\score{\unfoldRepeats \main \midi{\tempo 4.=118

</score>|caption=Rádio Nacional de Angola|align=center}}

• Template:Flagicon Radiodifusión Argentina al Exterior: First eight notes of "Mi Buenos Aires querido" by Carlos Gardel, followed by people saying the station's name in eight languages.

<score sound> \relative{

 \key d \minor \time 3/4 f2 e8 d f2 e8 d f2 d4~ \hideNotes 2

} \midi{\tempo 4=84 \set Staff.midiInstrument = "electric piano 1"}

</score>

Radiodifusión Argentina al Exterior

• Template:Flagicon Bangladesh Betar: A tune composed by Samar Das.

<score raw sound>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/bgd-rb_mymensingh_220424.mp3 main = \relative{

 \set Staff.midiInstrument = "violin"
 \key bes \major \time 3/4 \grace{s16}
 s4 s \grace{g'16 f es} f4 d'2.
 bes8 c d bes c d bes4 f'2

} acco = {

 \set Staff.midiInstrument = "sitar"
 \set midiMaximumVolume = #0.7
 \key bes \minor
 \clef bass \grace{s16\sustainOn}

\repeat unfold 4{\tuplet 5/3{f,4 bes,, bes, f f

 s8

} \score{\main} \score{

 <<\main \new Staff \acco>>
 \midi{\tempo 4 = 60}

} </score>|caption=Interval signal for Radio Bangladesh|align=center}}

• Template:Flagicon Radio Belarus: "Motherland, my dear" (Belarusian: be:Радзіма мая дарагая, Russian: ) by Template:Ill and Ales Bachyla.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/blr-radio_station_belarus_160906.mp3

1. (define mydrums (alist->hash-table '(

 (hiconga () #f 0) (mutehiconga cross #f 0)
 (loconga () #f -1) (cabasa triangle #f 1))))

common = {\key d \major \partial 8} main = \relative{

 \set Staff.midiInstrument = "fx 5 (brightness)"
 \set midiMaximumVolume = #0.6
 \clef "treble^(8)"
 \common a8 4 fis4 r8 d b' a16 g a4 fis4~ \hideNotes 4

} acco = << \new Staff{

 \set Staff.midiInstrument = "pad 3 (polysynth)"
 \set midiMaximumVolume = #0.5
 \common r8 <a d'~ fis'>2. 4 <a d' fis'>2.

} \new Staff \relative{

 {
   \set Staff.midiInstrument = "orchestral harp"
   \set midiMaximumVolume = #0.7
   \common \tuplet 6/4{cis'64 d e fis g a b cis d e fis g}
 }
 \new Voice{
   \set Staff.midiInstrument = "electric piano 1"
   \set midiMaximumVolume = #0.5
   a,16 fis d a d a' d, e' d a fis d a fis' d a
 }
 \new Voice{
   \set Staff.midiInstrument = "fx 5 (brightness)"
   \set midiMaximumVolume = #0.4
   <d' d'>4 <e a>4~ <e a>16 \tuplet 3/2{<d g>32 <cis fis> } <a d>8
 }

} \drums {

 \stopStaff
 \override Staff.StaffSymbol.line-positions = #'(0)
 \startStaff
 \set DrumStaff.drumStyleTable = #mydrums
 \common r8
 cab8 cghm16 cgh cgl8 cab16 cghm cab cghm16 16 16 cab cghm8 cgh16
 cgh8 cghm16 16 cab8 cghm16 16 cab8 16 cgh cgl8

} >> \score{\main}

\score{<<\main \acco>> \midi{\tempo 4 = 66

</score>|caption=Radio Belarus|align=center}}

• Template:Flagicon Rádio Brasil Internacional: Xylophone version of "Brazilian Flag Anthem" (Brazilian Portuguese: Hino à Bandeira Nacional) by Francisco Braga and Olavo Bilac.
• Template:Flagicon Radio Bulgaria:

<score raw sound>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/bul-z-radio_sofia_1964.mp3 % http://my.reset.jp/~fairuzyy/bulgaria.rm main = \relative{

 \set Staff.midiInstrument = "oboe"
 \set midiMaximumVolume = #0.9
 \clef "treble^(8)"
 \key as \major
 \time 2/4
 \omit Script
 c4.-_ bes8-. as8.-_ g16 as8-. f-. es4.-_ f8-. es2

} acco = \relative{

 \set Staff.midiInstrument = "clarinet"
 \set Staff.midiMaximumVolume = #0.6
 \key as \major
 <<
 {<es es,>4. es8 <f f,>8. <es g,>16 <des as>8-. <bes g>-. <c as>8. bes16 as8-. <des es,>8-. <c as>2}
 \\
 {as,4 c des8. es16 f8-. des-. c4. es8-. as,2}
 >>
 s8

} \score{\main} \score{

 <<
   \main
   \new Staff \acco
 >>
 \midi {\tempo 4 = 76}

}

</score>

Radio Sofia

• Template:Flagicon Radio Burkina:

<score raw sound>\header{tagline=##f} % https://www.intervalsignals.net/sounds/bfa-radio_burkina_100812.mp3

1. (define mydrums (alist->hash-table '(

 (hihat cross #f 5) (openhihat xcircle #f 5)
 (snare () #f 1) (sidestick cross #f 1)
 (mutehiconga diamond #f -1) (hiconga diamond #f -2)
 (loconga diamond #f -3) (bassdrum () #f -5))))

common = {\key c \minor \time 12/8} main = \relative{

 \set Staff.midiInstrument = "flute"
 \set Staff.midiMaximumVolume = #0.9
 \clef "treble^(8)" \common
 \repeat volta 2{
 <<{
   es8 8 8 8 f r r g, c es g, g
   f'4 es c r8 g c es g f
 }\\ \magnifyMusic 0.6{
   \set midiMaximumVolume = #0.6
   bes,8 8 8 8 c s s4. s4.
   c4 bes g s4. s4.
 }\\ \magnifyMusic 0.6{
   \set midiMaximumVolume = #0.6
   g8 g g g as s s4. s4.
   g4 f es s4. s4.
 }>>
 }

} acco = <<

 \new Staff \relative{
   \set Staff.midiInstrument = "marimba"
   \set Staff.midiMaximumVolume = #0.8 \common
   \repeat volta 2{
   <c c,>4 <es es,> <f f,> r8 es f f <f es,> <f es,>
   <c c,>4 <es es,> <g g, c,> r8 es g g <g es,> <g es,>
   }
 }
 \drums{
   \set DrumStaff.drumStyleTable = #mydrums
   \set Staff.midiMaximumVolume = #0.8
   \repeat volta 2{ \repeat percent 2{
   <<
     {ss8 8 8 hho <hh sn> hh ss8 8 8 8 sn ss}\\
     {bd4 8 4. r4 bd8 4.}\\
     {\shiftOff \hide Stem s4 cgl8 8 cgh8 8 s cghm4 4 s8}

>>

 }

>> \score{\main \layout{indent=#0 line-width=#120 }} \score{\unfoldRepeats <<\main \acco>> \midi{\tempo 4.=115}} </score>

|caption=Radio Burkina|align=center}}

• Template:Flagu:

• China National Radio and China Radio International: Chime version of March of the Volunteers ().

<score sound>{ % https://www.intervalsignals.net/sounds/chn-cnr2_140311.mp3 \clef "treble^(8)" \key d \major \set Staff.midiInstrument = "vibraphone" d4.\omit\sustainOn fis8 a4 4 b2 <a fis> } \midi{\tempo 4 = 114}

</score>

China National Radio

<score sound> % https://www.intervalsignals.net/sounds/chn-cri_070104.mp3 \relative<<

 {\key g \major g'4. b8 d4 d e2 d s8_"//"}\\
 {d,2 g b b}

>> \midi{\tempo 4=90 \set Staff.midiInstrument = "vibraphone"}

</score>

China Radio International

• CRI Indonesian Radio (and Radio Peking, predecessor of China Radio International): 东方红 ("The East Is Red").

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/chn-z-radio_peking_cm_c1980.mp3 % https://www.youtube.com/watch?v=NEqwR2cHJ-Y&t=6m03s#2024 common = {\key g \major \time 2/4} main = \relative{

 \clef "treble^(8)" \common d4 d8 e a,2 g4 8 e a2 s4_"//"

} acco = {

 \clef treble \common g'2 <d' fis> <b' e> <d' fis>

} \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=45 \set Staff.midiInstrument = "celesta"} }

</score>

CRI Indonesian

• Voice of the Strait News Radio: Bell version of "Three Rules of Discipline and Eight Points for Attention" ().

<score sound> % https://www.intervalsignals.net/sounds/chn-vos_news_301113.mp3 {

 \clef "treble_(8)" \key b \major
 \set Staff.midiInstrument = "vibraphone"
 fis2.\omit\sustainOn gis4 b2 b gis4 b gis e fis1

} \midi{\tempo 4=68}

</score>

Interval signal for Voice of the Strait

• Template:Flagicon Radio Habana Cuba: Refrain of "March of the 26th of July" () by Agustín Díaz Cartaya.

<score sound> % https://www.intervalsignals.net/sounds/cub-radio_havana_070907.mp3 \relative{

 \set Staff.midiInstrument = "music box"
 \clef "treble^(8)" \key g \major \partial 4 
 d8. d16 b'4 g2 d'4 e b2

} \addlyrics {A -- de -- lan -- te cu -- ba -- nos} \addlyrics {lim -- pi -- an -- do con fue -- go} \midi{\tempo 4=57}

</score>

Radio Habana Cuba

• Template:Flagicon DR P1: "Drømte mig en drøm i nat", played on metallophone.

<score sound> % https://www.intervalsignals.net/sounds/dnk-dr_243kHz_290817.mp3 \relative{

 \set Staff.midiInstrument = "vibraphone"
 \clef "treble^(8)" \key d \minor \time 3/4
 f2 a4 g2 a4 f2 e4 d2 f4 a2 4 2 f4 d2.

} \layout{indent=#0 line-width=#120 } \midi{\tempo 4=80}

</score>

Interval signal for DR P1

• Template:Flagicon Radio Ethiopia:

<score sound> % https://www.intervalsignals.net/sounds/eth-ebc_national_amharic_060914.mp3 \relative{

 \set Staff.midiInstrument = "kalimba"
 \set Staff.midiMaximumVolume = #1.1 \key d \major \time 12/8
 <<
 {e8 r e r e e fis16 e d e d8~ 4. d8 r d r d8 8 fis16 e d e d8~ 4.}\\
 {e,8 r e r e e8~ 4. b16 d e fis a b d,8 r d r d d8~ 4. b16 d e fis a b}
 >>

}

\layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8

\midi{\tempo 4.=80} </score>|caption=Radio Ethiopia|align=center}}

• Template:Flagicon Radio France Internationale: Electronic-disco, culminating in the last 8 measures of "La Marseillaise".

<score sound raw>\header{tagline=##f} % https://youtu.be/t2Kj3haNb-M?t=2m24s main = \relative{

 \set Staff.midiInstrument = "synthbrass 1"
 \set midiMaximumVolume = #0.55
 a'1 cis d4. e fis4 b,2. fis'4 e2~ 8 cis d b a1 s8_"//"

} acco = << \new Staff \relative{

 \set Staff.midiInstrument = "fx 5 (brightness)"
 \set midiMaximumVolume = #0.25 \clef "treble^(8)"
 \repeat percent 6{e16 e e e e,8 e'16 e, e' e, e'8 e, e}

} \new Staff{

 \set Staff.midiInstrument = "synthbrass 2"
 \set Staff.midiMaximumVolume = #0.4 \clef bass
 <<{<d' a>1~ 1~ 1~ 1~ 1~ 1}\\{g1~ 1 fis1~ 1 g1~ 1}>>

} \new Staff \relative{

 \set Staff.midiInstrument = "slap bass 2"
 \set midiMaximumVolume = #0.7 \clef "bass_(8)"
 \repeat percent 3{a,,4 a'8-. r r4 r8 g,8 a4 a'8-. g,8 r g a'-. a,-.}

} \drums{

 \repeat percent 6{<<{hh8 8 sn hh8 8 8 sn hh}\\{bd4 4 8 8 r bd8}>>}

} >> \score{\main}

\score{<<\main \unfoldRepeats \acco>> \midi{\tempo 4=122

</score>|caption=Radio France Internationale|align=center}}

• Template:Flagicon Deutsche Welle: "Es sucht der Bruder seine Brüder" from Fidelio (Act2 No.16 Finale. Heil sei dem Tag!) by Ludwig van Beethoven.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ger-dw_1999.mp3 main = \relative{\partial 4 g4 4. e8 g f d g a8. g16 2 \fermata} acco = {\partial 4 s4 <c'~ e' c>2 <c'~ f' b'> <c' e' c\fermata>2.} \score{ <<

 \new Staff="Fernando"<<\main \\ \acco>>
 \new Lyrics \with{alignAboveContext="Fernando"}
   \lyricsto "1"{Es sucht der Bru -- der sei -- ne Brü -- _ der}

>> } \score{ <<

 <<\main \\ \acco>>
 \new Staff{
   \set Staff.midiInstrument = "celesta" \transpose c c' \main
 }

>> \midi{\tempo 4=66} }

</score>

Interval signal for DW

• Template:Flagicon Voice of Greece: "The Little Shepherd" (), played on floghera.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/grc-era_chania_101014.mp3 main = \relative{

 \cadenzaOn \time 2/2 \key g \minor

g'4 g \bar "

Interval signal for Voice of Greece

• Template:Flagicon All India Radio: A tune composed by Walter Kaufmann or Thakur Balwant Singh, used since 1936.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ind-z-air_external_rvd_c1965.mp3 common = {\key fis \minor} main = \relative{

 \set Staff.midiInstrument = "violin" \common \grace{s8}
 s2 s4 s8. a32 gis a2.~ 8 gis16 fis dis2.~ 16 gis fis dis
 cis4~ 16 dis fis dis cis2~ 1

} acco = {

 \set Staff.midiInstrument = "sitar"
 \set midiMaximumVolume = #0.6 \common \clef bass
 \grace{s8\sustainOn} \repeat unfold 5{fis,4 cis fis cis} s8\sustainOff

}

\score{\main \layout{indent=#0 line-width=#120

\score{<<\main \new Staff \acco>> \midi{\tempo 4=91}} </score>|caption=Interval signal for All India Radio|align=center}}

• Template:Flagicon Indonesia
  • RRI Programa 3: Ending bars of "Solace on Coconut Island" (), composed by Ismail Marzuki.

<score sound raw>\header{tagline=##f} % 0:12 https://www.intervalsignals.net/sounds/ins-rri_pro3_300725.mp3 common = {\key b \major \partial 2} main = \relative{

 \clef "treble^(8)" \common
 dis4 fis e4. fis8 ais2~ 2 e4 fis dis4. fis8 b2~ 2 s8_"//"

} acco = \relative{

 \set Staff.midiMaximumVolume = #0.7
 \clef bass \common
 \voices 1,4,2<<
   {a'2 gis4. fis8 e4. fis8 ais2. fis4 g4. fis8 dis4. fis8 b2}\\
   {bis,4 dis cis4. dis8 cis2 e2 cis8 b ais cis b1 dis2}\\
   {bis,2 cis2 fis,2~ 1 b1~ 2}
 >>

}

\score{\main \addlyrics{Me -- mu -- ja pu -- lau

\score{ <<\main \new Staff \acco>> \midi{\tempo 4=70 \set Staff.midiInstrument = "string ensemble 1"} } </score>|caption=RRI Programa 3|align=center}}

• • RRI Regional: "Love Ambon" by George de Fretes

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ins-rri2_banda_aceh_150915.mp3 common = {\partial 2} \score{

 \relative{\common g4^"ad lib." c e2. c4 g c8 e a4. g8 e1 c2 s8_"//"}

} \score{ << \relative{

 \set Staff.midiInstrument = "electric guitar (jazz)"
 \common g4 <c e,>
 <e g,>4. 4 4 <c e,>8 <g e>8. <c e,>8. <e b>8 <a f>4. <g e>8
 <e c>4. <e g,>4 4 <c e,>8~ 8 4 

} \new Staff \relative{

 \set Staff.midiInstrument = "acoustic guitar (nylon)"
 \clef "treble_(8)"
 \common r2
 <<{
   \repeat unfold 12{<e' c'>8} <a f'>8 8 8 8 \repeat unfold 11{<e c'>}
 }\\{
   c,2 g c f4 a, c2 g c
 }>>

} >> \midi{\tempo 4=88} }

</score>

RRI Regional

• • RRI Voice of Indonesia: "Feeling of Love" (Rasa Sayang).
• Template:Flagicon RTÉ Radio 1: 2nd segment of "O'Donnell Forever" ().

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/irl-rte1_240308.mp3 main = \relative{

 \clef "treble^(8)" \time 2/4
 c4 e8. f16 g4 g8. g16 e'4 c8. a16 g4 f8 e d4 d'8. c16 b8 g a b c4 c8. d16 c4 r

} acco = \relative{

 \set midiMaximumVolume = #0.5 \clef "treble^(8)"
 r1 \grace{c16\sustainOn g'}g'4 r\sustainOff r2
 \grace{a,16\sustainOn d}f4 r\sustainOff \grace{g,,16\sustainOn g' d'}g4 r\sustainOff <c,,~ g' e'> <c a' f'> <g' e'> r

} \score{\main \addlyrics{Fleet -- ly the steed} \layout{indent=#0 line-width=#120

 \context{\Staff \magnifyStaff 0.8}
 \context{\Lyrics fontSize = #-3 }

} } \score{<<\main \new Staff \acco>> \midi{\tempo 4=100 \set Staff.midiInstrument = "celesta"} }

</score>

RTÉ Radio 1

• Template:Flagicon NHK Radio Japan: "KazoeUta (Hitotsu to ya)" (, counting-out game).

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/jap-radio_japan_280502.mp3 common = {\key e \minor} main = \relative{

 \clef "treble^(8)" \common
 g4 g b g b2 c4 b e e c c b b g b c c b g fis1 s4_"//"

} acco = \relative{

 \set Staff.midiMaximumVolume = #0.6 \common
 r8 b' c b g a b4 r8 g b c a e fis g
 <<{
   b e fis g a e fis e e fis g fis e4 e8 fis
   g a e fis g4 r8 e dis2 \tuplet 3/2 4{e8 fis a c e fis}
 }\\{
   r2 a,, g r8 e g4 a2 b b,8 fis' b c r2
 }>>

} \score{\main \addlyrics{Hi -- to -- tsu to ya - -} \layout{indent=#0 line-width=#120 } } \score{<<\main \new Staff \acco>> \midi{\tempo 4=108 \set Staff.midiInstrument = "celesta"} }

</score>

NHK Radio Japan

• Template:Flagicon Radio Nikkei: Kan Ishii

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/jap-radionikkei1_010909.mp3 main = \relative{

 \cadenzaOn \key d \minor
 \omit Score.TimeSignature  
 \set Staff.midiInstrument = "tubular bells"
 d2 c d a1*7/4\fermata 
 f'4 d d c c d a1*7/4\fermata
 s8_"//"

} acco = \relative{

 \clef "treble_(8)" \key d \minor
 \set Staff.midiInstrument = "koto"
 \set midiMaximumVolume = #0.6
 s2\sustainOn s s \scaleDurations 25/26 {f16*4/5[ a, c d f a c d f16 a c8]} d1*9/8
 s2\sustainOff\sustainOn s s \scaleDurations 6/5 {f16*2/3[ d c a f d c16 a f d c8]} a1

} \score{\main} \score{

 <<
   \new Staff \main
   \new Staff \acco
 >>
 \midi{\tempo 4 = 100}

}

</score>

Radio Nikkei

• Template:Flagicon Radio Nepal: A tune composed by Ustad Govinda Lal Nepali.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/npl-radio_nepal_100214.mp3#Radio Nepal common = {\key e \major} main = \relative{

 \set Staff.midiInstrument = "violin"
 \set midiMaximumVolume = #0.9 \common
 \grace{b8}gis2~ 8 \grace{\once\stemDown cis}b \tuplet 3/2{cis e fis}
 gis fis16 gis b8 gis16 b cis4. b16 gis 
 e8 \grace{\once\stemDown fis}gis4.~ 8 a16*3/2 gis fis4*3/4
 \grace{b,8} e1

} acco = {

 \set midiMaximumVolume = #0.8 \common \grace{s8\sustainOn}
 \repeat unfold 4{gis8 gis' e' e b b' cis' cis} s8\sustainOff

} \score{\main \layout{indent=#0 line-width=#120

 \context{\Staff \magnifyStaff 0.8}

} }

\score{<<\main \new Staff \acco>> \midi{\tempo 4=70

</score>|caption=Interval signal for Radio Nepal|align=center}}

• Template:Flagu

• Voice of Korea: Melody of "Song of General Kim Il-sung" ().

<score sound> % https://www.intervalsignals.net/sounds/kre-vo_korea_140412.mp3 \relative{

 s2*1/6 <g e>2*5/6 <e c>8. <f c>16 <g c,>4 <c a,>4 <e, a,>8. <f a,>16 <g g,>2

} \midi{\tempo 4=45 \set Staff.midiInstrument = "electric piano 1"}

</score>

Voice of Korea

• Template:Ill: Melody of "Song of General Kim Jong-il" ().

<score sound> % https://www.intervalsignals.net/sounds/kre-pyongyangfm_160811.mp3 \relative{\key g \major g2 b,4 e d4 8. c16 b2 e4 fis g b a4. fis8 d2} \midi{\tempo 4=55 \set Staff.midiInstrument = "electric piano 1"}

</score>

Pyongyang FM

• Template:Flagicon KBS World Radio: "Dawn" (); Korean kids song "Moon, moon, bright moon" ()

<score sound raw>\header{tagline=##f} % 0:46 https://www.intervalsignals.net/sounds/kor-kbswr_english_211212.mp3 common = {\key d \minor \time 3/4} mainA = \relative{a'2. d c4. d8 c4 a2. d, a' g4. f8 d4 f g2 s4_"//"} \scoreTemplate:\common \mainA \score{ << {

 \set Staff.midiInstrument = "string ensemble 1"
 \common s2. <<\transpose c c' \mainA \\ \mainA>>

} \new Staff \relative{

 \set Staff.midiInstrument = "orchestral harp" \common 
 \tuplet 6/4 4{a16 bes c d e f g a bes c d e f g a bes c d}
 \clef bass
 <<{
   r4 <d,, f a>2 r4 q2 r4 <c f a>2 r4 <e g a>2
   r4 <d f a>2 r4 q2 r4 <d g bes>2 2 4
 }\\{
   <d, d,>2 a,4 q2 a4 <f f,>2. cis,2.
   d2 a4 d2. g2 f4 d bes g
 }>>

} >> \midi{\tempo 2.=46} }

</score>

KBS World Radio - Dawn

<score sound> % https://www.intervalsignals.net/sounds/kor-kbswr_english_211212.mp3 \relative{

 \time 3/4 <g d>4 <c g> <g d> q2. <g d>4 <f c> <c g> q2.
 <f c>4 <c g> <g' d> <f c>2. <g d>4 <f c> <c g> q2.

} \layout{indent=#0 line-width=#120 } \midi{\tempo 4=58 \set Staff.midiInstrument = "vibraphone"}

</score>

KBS World Radio - Moon, moon, bright moon

• Template:Flagicon RTL Radio: last segment of "lb:De Feierwon" by Michel Lentz, played on chimes.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/lux-z-rtl_german_1440_2015.mp3 main = \relative \voices 2,1<<

 {\clef "treble^(8)" g4 8 f e4 a g b c2}\\
 \magnifyMusic 0.6{e4 d8 f e4 r g f e2}

>> acco = \relative{c4~ <c b> <c' g'> <f c'> e d <g c,,>2} \score{ <<

 \main
 \new Lyrics \lyricsto "2"{Wéi mir e -- sou ze -- frid -- de sin.}

>> } \score{<<\main \new Staff \acco>> \midi{\tempo 4=72 \set Staff.midiInstrument = "music box"} }

</score>

RTL Radio

• Template:Flagicon Radio Madagascar (mg:Radio Madagasikara):

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/mdg-radio_madagascar_060815.mp3 common = {\clef "treble^(8)" \key a \major} main = \relative{

 \set Staff.midiInstrument = "kalimba"
 \set midiMaximumVolume = #1.1 \common \grace{s16*4}
 <cis a,>8. <a cis,>16 cis cis b, <e' e,> b,8 d'16 e r8 
  b16 d 8 fis16 <a e> <cis fis,>8 e,16 <cis' b,>16 r4

} acco = \relative{

 \set Staff.midiInstrument = "acoustic guitar (nylon)"
 \set midiMaximumVolume = #0.7 \common \grace{<e cis'>16*4}
 <a, e' cis'>4 4 8. 16 r8 q8 <e' gis d'>8. 16 b8 q <a e' cis'>8. 16

}

\score{\main \layout{indent=#0 line-width=#120

\score{<<\main \new Staff \acco>> \midi{\tempo 4=124}} </score>|caption=Radio Madagascar|align=center}}

• Template:Flagicon Radio Mauritania:

<score sound> % https://www.intervalsignals.net/sounds/mtn-radio_mauritania_051108.mp3 \relative{

 \set Staff.midiInstrument = "acoustic guitar (nylon)"
 \clef "treble_(8)" \key f \major \time 12/8 \partial 8 f8
 bes4 a8 c4 a8 bes4 g8~\prall 4 bes8 a4 8~ <a g'>4. <a f'>8 r g4 4
 <<
   {\hideNotes \grace{g'4~} 2. \unHideNotes}\\
   {\grace{g8 f} e4 f8 d4 e8}
 >>
 f4 g,8~\prall 4 8_" //"

}

\layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8

\midi{\tempo 4.=132} </score>|caption=Radio Mauritania|align=center}}

• Template:Flagicon Voice of Mongolia: "Motherland" () by Luvsanjambyn Mördorj.

<score sound> \relative{ % https://www.intervalsignals.net/sounds/mng-mnr2_100116.mp3 \clef "treble^(8)" \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #1.3 \key bes \major f4\omit\sustainOn d'4 8. c16 bes4 c8. d16 bes4 f2 } \midi{\tempo 4 = 50}

</score>

Interval signal for Voice of Mongolia

• Template:Flagicon Radio New Zealand International: The call of a New Zealand bellbird

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/nzl-rnz_pacific_130423.mp3 main = \relative {

 \set Score.midiInstrument = "ocarina"
 \clef "treble^(15)" \time 2/4
 \omit Staff.Script
 f8.-.[ \grace{gis,16 \stemDown c' g} \stemNeutral c,16-.] fis8-. 8-_
 a,8-_ \grace{fis'16} d16-. \grace{fis16} d16-. \repeat tremolo 8 {gis128 c} gis16[ \grace{g'8} e16-.]
 d,8.-_ \tuplet 3/2{\repeat tremolo 2 a'64-. \repeat tremolo 2 g,-. \repeat tremolo 2 f-.} d-.

} \score{\main} \score{

 \unfoldRepeats \main
 \midi{\tempo 4 = 120}

}

</score>

Radio New Zealand International

• Template:Flagicon ORTN:

<score sound raw>\header{tagline=##f} % 0:27 https://www.intervalsignals.net/sounds/ngr-ortn_lv_du_sahel_220124.mp3 main = \relative{

 \set Staff.midiInstrument = "flute"
 \set midiMaximumVolume = #0.9
 \clef "treble^(8)" \key es \major \time 5/8
 \repeat volta 2{
 \grace{as16*2(} 4) 4 8 \grace{as16*2(} geh8) eeseh8 8 deh bes'
 \grace{as16*2(} 4) 4 deh,8 \grace{geh16*2(} eeseh4) 8 deh bes'
 }

}

\score{\main \layout{indent=#0 line-width=#120

\score{\unfoldRepeats \main \midi{\tempo 4=180}} </score>|caption=Office of Radio and Television of Niger|align=center}}

• Template:Flagicon Radio Pakistan: A tune composed by Khwaja Khursheed Anwar.

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/pak-rp_nca_151013.mp3 main = \relative{

 \set Staff.midiInstrument = "lead 6 (voice)"
 \key des \major \grace{s8}
 r4 es'2.~ 4 as2.~ 4 g16 as bes as g as bes des~ 4~ 4 es2 as4

} acco = {

 \set Staff.midiInstrument = "sitar"
 \set midiMaximumVolume = #0.6
 \key des \major \clef bass
 \grace{s8\sustainOn}
 \repeat unfold 4 {<des, as,>4 <as, des> <des es>4 4} s8

} \score{\main} \score{

 <<\main \new Staff \acco>>
 \midi{\tempo 4 = 69}

}

</score>

Radio Pakistan

• Template:Flagu:

• Far East Broadcasting Company: 2nd segment of "We Have Heard the Joyful Sound (Jesus Saves)".

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/phl-febc_mon_280425.mp3 common = {\key f \major \partial 8*3} mainA = \relative{c8 c f~ 2 c8 f g a~ 2 r8 c c c~ 2 r8 g a f~ 2} main = \relative{

 \set Staff.midiInstrument = "celesta"
 \clef "treble^(15)" \common \transpose c c' \mainA

} acco = {

 \set Staff.midiInstrument = "electric piano 1"
 \set Staff.midiMaximumVolume = #0.6 \common

<<\mainA \\ \relative{r8 r8 \repeat unfold 4{<a' f c>8~ 4 <g e c> <a f c>4.

>>

} \score{\main \addlyrics{Spread the ti -- dings}

 \layout{indent=0 line-width=120 \context{\Lyrics fontSize=-3}}

} \score{<<\main \new Staff \acco>> \midi{\tempo 4=118}} </score>|caption=FEBC|align=center}}

• Radio Veritas Asia: "O via, vita, veritas".

<score sound> % https://www.intervalsignals.net/sounds/phl-z-radio_veritas_asia_130518.mp3 \relative{

 \key bes \major \partial 4
 f'4 bes f g f bes4. c8 d4 4 c2 d4. c8 bes1\fermata

} \midi{\tempo 4=100 \set Staff.midiInstrument = "shanai"}

</score>

Radio Veritas Asia

• Template:Flagicon: Qatar Radio

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/qat-z-qbs_french_010305.mp3 common = {\key ges \major \time 3/4} main = \relative{

 \set Staff.midiInstrument = "pizzicato strings"
 \common \grace{s8} r4 r ces beseh4. ges8 ces4
 beseh4. 8 4 r8 ges4 beseh8 r4 s8_"//"

} acco = \relative{

 \set Staff.midiMaximumVolume = #0.7
 \common \grace{s8\sustainOn}
 \repeat unfold 2{<<
   {ges8 des' ges ces des ces ges'4. ces,8 des ges,}\\
   {ges,2 r8 ges ges2 r8 ges}
 >>}

} \score{\main} \score{ <<

 \partCombine \main \transpose c c, \main
 \new Staff \acco

>> \midi{\tempo 4=112} }

</score>

Qatar Radio

• Template:Flagicon Radio Romania International: The first nine notes of “Pui de lei", lyrics by Ioan S. Nenițescu and song by Template:Ill

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/rou-rri_130308.mp3 main = \relative{\partial 4 g'4 e'4. d8 c b c d e2 c4 r} \score{ <<

 \main \\
 {\set midiMaximumVolume = #0.5
 \magnifyMusic 0.7 \transpose c c, \main}

>> \layout{} \midi{\tempo 4=100 \set Staff.midiInstrument = "electric piano 1"} }

</score>

Radio Romania International

• Template:Flagu

• Radio Mayak: Vibraphone version of Moscow Nights.

<score sound> % 0:19 https://www.intervalsignals.net/sounds/rus-radio_mayak_221007.mp3 \relative<<

 \key e \minor \time 2/4
 {e8 g b g a4 g8 fis b4 a e2}\\{<e, g>2 <a c>  <g b>}

>> \midi{\tempo 4=64 \set Staff.midiInstrument = "vibraphone"}

</score>

Radio Mayak

• Radio Sakha: Excerpt from a Yakut folk song.

<score sound> % https://www.intervalsignals.net/sounds/rus-nvk_radio_sakha_180716.mp3 \relative<<

 \key e \major \partial 4
 {b'8 b gis'4. 8 16 a gis8 fis gis8~ 2.\fermata s8_"//"}\\
 {s4 <e, b'>1*7/4}

>> \midi{\tempo 4=63 \set Staff.midiInstrument = "drawbar organ"}

</score>

Radio Sakha

• Template:Flagicon: Radio Rwanda

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/rrw-radio_rwanda_160809.mp3 main = \relative{

 \set Staff.midiInstrument = "acoustic guitar (nylon)"
 \clef bass \time 12/8
 \repeat volta 2{
 g,8 ceh4 beh8 g4 <ceh g>4 r8 deh~ <deh g,>4
 g,8 ceh4 beh8 g4 g4 r8 ceh~ <ceh g>4
 }

} cutt = \new DrumStaff \drummode{

 \set Staff.midiInstrument = "brush kit"
 \repeat volta 2{
 r4 sn r r r sn r sn r r r sn
 }

} \score{\main} \score{

 \unfoldRepeats << \main \cutt >>
 \midi{\tempo 4. = 142}

}

</score>

Radio Rwanda

• Template:Flagicon: Radio Saudi International

<score sound> % https://www.intervalsignals.net/sounds/ars-sba_rsi_181213.mp3 \relative{

 \clef "treble_(8)" \key c \major \time 4/4 \partial 8 <g g,>8
 c c d <beh beh,> c4. <g g,>8 c c d <beh beh,> c4 d
 eeh8 8 c c <a a,>8 8 <g g,>8 8 s_" //"

} \layout{indent=#0 line-width=#120 } \midi{\tempo 4=90 \set Staff.midiInstrument = "acoustic guitar (nylon)"}

</score>

Radio Saudi International

• Template:Flagicon Radio Slovenia: Electronically generated cuckoo chirping.

<score sound raw>\header{tagline=##f} % 0:03 https://www.intervalsignals.net/sounds/svn-rs1_010804.mp3 main = {

 \set Staff.midiInstrument = "ocarina"
 \repeat volta 3 {e8\omit-_ cis\omit-_ r4 r2}
 \mark \markup \tiny "3x"

} \score{\main}

\score{\unfoldRepeats \main \midi{\tempo 4=114

</score>|caption=Radio Slovenia|align=center}}

• Template:Flagicon: Radio Uganda

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/uga-z-radio_uganda_external_service_cm_310382.mp3 % https://www.intervalsignals.net/sounds/uga-z-radio_uganda_blue_020603.mp3 main = \relative{

 \key es \major \time 9/8 \repeat volta 2{
 <<{
   r8 bes8 8 8 16 8 16 8 8 g r8 bes8 8 g16 8 16 8 8 bes r
 }\\{
   g,16 des bes f' des bes es g des bes bes f' bes, bes f' bes, es g
   des es bes es es bes es g es g g des g f es bes des des
 }>>
 }

} \score{\main

\layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8

} \score{\unfoldRepeats \main \midi{\tempo 4.=106 \set Staff.midiInstrument = "xylophone"} } </score>|caption=Radio Uganda|align=center}}

• Template:Flagicon Radio Ukraine International: "The Wide Dniepr Roars and Moans" ().

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ukr-z-ur1_signon_250415.mp3 sustainOfn = \sustainOff\sustainOn mainA = \relative{\time 3/4 a'4 c e a2 e4 d2 c4 2. b} main = {

 \set Staff.midiInstrument = "ocarina"
 \clef "treble^(8)" \transpose c c' \mainA

} acco = <<{

 \set Staff.midiInstrument = "harpsichord"
 \set Staff.midiMaximumVolume = #0.7 \mainA

}\\ \relative{

 s2. \grace{a8\sustainOn e' c'}s2. \grace{d,,8\sustainOfn f' a}s2.
 \grace{e,8\sustainOfn c' a'}s2. \grace{e,8\sustainOfn e'gis}s2. s8\sustainOff

}>> \score{\main}

\score{<<\main \new Staff \acco>> \midi{\tempo 4=72

</score>|caption=Radio Ukraine International|align=center}}

• Template:Flagicon BBC World Service:

• English programme: "Bow Bells", 10 change-ringing bells.
• Non-English programme, non-Europe: three notes tuned B–B–C.
• Non-English programme, to Europe: four notes tuned B–B–B–E.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ukg-bbcws_bow_bells_is_170701.mp3 main = {

 \key b \major \omit\time 5/4 \omit Stem \slurDashed
 \transpose f e \relative{
   \repeat volta 4{e4 d c b a \bar "'"}
   \alternative{{g f d( e) c}{f( g) d e c}{g'( f) e( d) c}}
 }

\bar "

\score{<<\unfoldRepeats\main \new Staff{\skip 4*50}>>

\midi{\tempo 4=187 \set Staff.midiInstrument = "tubular bells"}

} </score>
<score sound> % https://www.intervalsignals.net/sounds/ukg-bbcws_b_interval_signal_170701.mp3 <<

 \new Staff="bbc"<<
   {b'2 2 c1}\\ \magnifyMusic 0.7{<g' d'>2 2 <g' e'>1}
 >>
 \new Lyrics \with{alignAboveContext="bbc"} \lyricsto "1"{B -- B -- C}

>> \midi{\tempo 4=106 \set Staff.midiInstrument = "electric piano 1"} </score>
<score sound> % https://www.intervalsignals.net/sounds/ukg-bbcws_v_interval_signal_170701.mp3 <<

 \voices 2,1<<
   {\clef "treble_(8)" \time 2/4 r8 b[ b b] e}\\
   \magnifyMusic 0.6{r8 b'[ b' b'] e}
 >>
 \new Lyrics \lyricsto "2"{B -- B -- B -- E}

>> \midi{\tempo 4=88 \set Staff.midiInstrument = "electric piano 1"} </score>|caption=Interval signals for BBC World Service|align=center}}

• Template:Flagu:

• NBC: 3 chime-like notes.

<score sound> {

 \set Staff.midiInstrument = "vibraphone"
 \omit Staff.TimeSignature
 \cadenzaOn

g'2 e c1*2 \bar "

Interval signal for NBC

• Trans World Radio (TWR)

• Trans World Radio: Hymne Monégasque (Monaco anthem)

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/mco-twr_romanian_150411.mp3 common = {\key g \major \time 6/8} main = \relative {

 \clef "treble^(8)" \common d4. g4 a8 b4. c4 b8 a4. b4 a8 g4. d 
 d' d4 8 4.~ 4 g,8 a4 b8 c4 b8 a2.

} acco = {

 \common <g' b'>2.~ 2. <d' fis'>2. <g' b'>2. 2.~ 2. <d' fis'>2.~ 2.

} \score{\main

\layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9

} \score{<<\main \new Staff \acco>> \midi{\tempo 4.=116 \set Staff.midiInstrument = "electric piano 1"} } </score>|caption=Trans World Radio|align=center}}

• TWR Europe: Amazing Grace

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/mco-twr_europe.mp3

1. (define (mag mus) #{ \stemDown \magnifyMusic 0.7{#mus } \stemUp #})

m = \applyMusic #mag \etc common = {\key g \major \time 3/4 \partial 4} \score{ \relative<<{

 \common d4 \tuplet 3/2 4{g4 \m{d8 g4 b8} b a g} b4 \m{d,} a'

\tuplet 3/2 4{g4 \m{c8

\m{g4} e d2.

}\\ \magnifyMusic 0.6{

 \common s4 <g, b>2. <f g b> <e g c> <g b>

}>> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=110 \set Staff.midiInstrument = "vibraphone"} } </score>|caption=TWR Europe|align=center}}

• TWR Albania: last segment of "What a Friend We Have in Jesus"

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/alb-twr_c1998.mp3

1. (define (mag mus) #{ \stemDown \magnifyMusic 0.7{#mus } \stemUp #})

m = \applyMusic #mag \etc \score{ \new Staff="what"<< \relative \voices 1,2,4<<{

 \key e \major

\tuplet 3/2 4{b4 \m{e,8 gis4} b8 cis4 b8 gis4 e8} e4 \m{cis4} \tuplet 3/2 4{4 \m{e8 dis4 cis8

 b4 \tuplet 3/2 4{\m{4} e8 gis4 fis8 e4 dis8} e2. r4

}\\ \magnifyMusic 0.6{

 <e, b'>2 <e a>4 <e b'> <a, a'>2 2 <e' gis>2 b2 <e gis b>2.

}\\ \magnifyMusic 0.6{

 s1 s1 s2 \shiftOff <a dis>4 a

}>> \new Lyrics \with{alignAboveContext="what"}

 \lyricsto "1"{All - - be -- cause}

>> \layout{indent=0 line-width=120

 \context{\Staff \magnifyStaff 0.9}
 \context{\Lyrics fontSize=-3}

} \midi{\tempo 4=118 \set Staff.midiInstrument = "vibraphone"} } </score>|caption=TWR Albania|align=center}}

• TWR Guam: first part of "We've a story to tell to the nations"

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/gum-ktwr_130815.mp3 sustainOfn = \sustainOff\sustainOn common = {\key d \major \partial 4} main = \relative{

 \clef "treble^(8)" \common \tuplet 3/2{d4 e8}
 fis4 4 g \tuplet 3/2{fis4 eis8} fis2 d4 \tuplet 3/2{fis g8} a4 4 b \tuplet 3/2{a gis8} a2. r4

} acco = \relative{

 \set Staff.midiInstrument = "acoustic guitar (steel)"
 \set Staff.midiMaximumVolume = #0.7
 \clef "treble_(8)" \common s4
 <<{
   \grace{d16\sustainOn a' d}fis2 \grace{g,,16\sustainOfn g' d'}a'2 
   \grace{d,,16\sustainOfn a' d}fis1
   \grace{d,16\sustainOfn a'}e'2 \grace{e,16\sustainOfn gis}e'2
   \grace{a,,16\sustainOfn cis'}e2. r4\sustainOff
 }\\{
   s1 s4 \tuplet 3/2 4{d4 e8 fis4 e8 d4 cis8} d4 cis b gis a2.
 }>>

}

\score{\main \layout{indent=#0 line-width=#120

\score{<<\main \new Staff \acco>> \midi{\tempo 4=110}} </score>|caption=KTWR|align=center}}

• TWR Africa: last part of "We've a story to tell to the nations"

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/swz-twrafrica_sw_300724.mp3 common = {\key g \major \partial 4} main = \relative{

 \clef "treble^(8)" \common d4 g g fis e8. 16 d4 b g c
 b b8. 16 4 a g \magnifyMusic 0.6{d'8. 16 g2\longfermata}

} acco = \relative{

 \set midiMaximumVolume = #0.5
 \common d'4 g  <c g'> <cis g'> <d g> <dis g> e <a, g'> 
 <d, g'> <a' g'> <c fis> <c d>  <g e'> <g d'>2 s1 s

} \score{\main \addlyrics{And Christ’s}

\layout{indent=#0 line-width=#120 \context{\Lyrics fontSize = #-3

} \score{<<\main \new Staff \acco>> \midi{\tempo 4=132 \set Staff.midiInstrument = "fx 3 (crystal)"} } </score>|caption=TWR Africa|align=center}}

• TWR Bonaire: last part of Stand Up, Stand Up for Jesus by George James Webb, in various renditions

<score sound raw>\header{tagline=##f} % 0:06 https://shortwavearchive.com/archive/trans-world-radio-pjb-bonaire-june-30-1993 common = {\key bes \major \partial 4} mainA = \relative{\common f4 bes4. 8 d4 bes4 2 g4 bes f bes d c bes1} main = <<\magnifyMusic 0.6 \transpose c c' \mainA \\ \mainA>> \score{{\clef "treble^(8)" \mainA} \addlyrics{Till ev -- 'ry foe}} \score{ <<

 <<\mainA \\ \transpose c c, \mainA>>
 \new Staff \relative{
   \set midiMaximumVolume = #0.8 \clef bass \common s4
   bes,4 <f' bes d>-. r q-. es, <g' bes es>-. r q-.
   bes,4 <f' bes d>-. f, <f' a c>-. bes,-_ f-_ bes-_ bes,-_
 }

>> \midi{\tempo 4=124 \set Staff.midiInstrument = "electric piano 1"} }

</score>

TWR Bonaire

• Voice of America: Brass band version of "Yankee Doodle".

File:Voa english signing on with yankee doodle.ogg

Interval signal for Voice of America

• WEWN, later EWTN Global Radio: "Salve Regina" (in simple tone) by Henri Dumont

<score sound> % https://www.intervalsignals.net/sounds/usa-wewn_al_181212.mp3 \relative{

 \clef "treble_(8)" \omit Staff.TimeSignature
 \key des \major \cadenzaOn \hide Stem
 des4 f as bes4*5/4 as2*9/8 \bar "'"
 bes4 des c bes as bes as as2*7/4 \bar "'"
 des4*3/2 as4*11/4 bes4*5/4 ges2*9/8 es2*11/8 \bar "'"

f4 ges as4*5/4 f4*6/4 f4*7/4 es des2*2 s4 \bar "

\midi{\tempo 2=73 \set Staff.midiInstrument = "choir aahs"} </score>|caption=WEWN|align=center}}

• Template:Flagicon Vatican Radio: "Christus Vincit" by fr:Aloys Kunc.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/cva-z-vatican_radio_c1982.mp3 common = {\key f \major} sustainOfn = \sustainOff\sustainOn mainA = \relative{a2 a c c f, f a a d g, c f,4 bes a2 g4. f8 1} main = {

 \set Staff.midiInstrument = "celesta"
 \clef "treble^(8)" \common \grace{s8 s s}
 \partCombine \mainA \transpose c c, \mainA

} acco = {

 \set Staff.midiInstrument = "orchestral harp"
 \set midiMaximumVolume = #0.9 \clef bass \common
 \grace{f8\sustainOn a c'}f'1
 \grace{e8\sustainOfn g c'}g'1
 \grace{d8\sustainOfn a d'}f'2 b
 \grace{c8\sustainOfn g a }e'1
 <bes, d' f'>2\sustainOff <c c' e'>4\sustainOn bes,
 <a, c' f'>2\sustainOff <bes, bes d'>4\sustainOn g,
 <c a f'>2\sustainOff <c, c bes e'>
 \grace{f,8\sustainOn c a}f'1

} \score{{\clef "treble^(15)" \common \mainA} \layout{indent=#0 line-width=#120 }}

\score{<<\main \new Staff \acco>> \midi{\tempo 2=62

</score>|caption=Interval signal for Vatican Radio|align=center}}

• Template:Flagicon Radio Nacional de Venezuela's Template:Ill: Beginning of "Alma Llanera" by Pedro Elías Gutiérrez and Rafael Bolívar Coronado.

<score sound> % https://www.intervalsignals.net/sounds/ven-rnv_international_101008.mp3 \relative{

 \key f \major \time 3/4
 r4 c c f e8 g4 f8 a4 g8 f4 e8 g4 f8 e4 d8 e4 c r4 

} \addlyrics{Yo na -- cí~en es -- ta ri -- be -- ra del A -- rau -- ca vi -- bra -- dor} \layout{indent=#0 line-width=#120 } \midi{\tempo 2.=72 \set Staff.midiInstrument = "synthbrass 2"}

</score>

Radio Nacional de Venezuela

• Template:Flagicon Đài tiếng nói Việt Nam (VOV): latter half of "vi:Diệt phát xít"

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/vtn-vov5_150405.mp3 mainA = \relative{

 \set Staff.midiInstrument = "violin" \partial 4
 d8.-. 16 8 r d8.-. c16 d8 r d8.-. c16 a8.-. g16 c8.-. d16 e8 r \bar ""
 e8.-. 16 d8 r d8.-. 16 8 r d8.-. e16 d8.-. c16 a8.-. c16 g4

} acco = \relative{

 \set Staff.midiInstrument = "electric piano 1"
 \clef bass \partial 4 r4
 <<{
   \set midiMaximumVolume = #0.6
   r8 <g b d> r q r q r q r q r q r <g c e> r q
   r <g b d> r q r q r q <g b>4  <d g> s8
 }\\{
   g,,4-. d-. g-. d-.-. g d-. c-. e-. g-. d-. g-. d-. g-. d-. g4
 }>>

} \paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 10))} \score{{\omit Script \clef "treble^(8)" \mainA} \addlyrics{Mau mau mau vai kề vai} } \score{ << <<\mainA \\ \transpose c c, \mainA>> \new Staff \acco >> \midi{\tempo 4=102} } </score>|caption=Voice of Vietnam|align=center}}

Formerly used

• Template:Flagicon Radio Tirana: Këputa një gjethe dafine (transmission intro); the trumpet version of With Pickaxe and Rifle.

<score sound raw>\header{tagline=##f} % 0:26 https://www.intervalsignals.net/sounds/alb-radio_tirana_xs_270418.mp3 common = {\key e \minor} main = \relative{

 \set Staff.midiInstrument = "electric guitar (clean)"
 \common b4 e e e e e e e e8 fis8 4~ 2~ 1 s8_"//"

} acco = <<

 \new Staff \relative{
   \set Staff.midiInstrument = "fx 1 (rain)"
   \set Staff.midiMaximumVolume = #0.3 \common
   <<

{\repeat unfold 4{g'8 e' b e} \repeat unfold 4{fis, dis' b dis

\\

   {<e, b>1~ 1 <dis b>1~ 1}
   >>
 }

\drums{\repeat unfold 8{<<{<cymr>8 8 ss q}\\{bd4. 8}>>

>> \score{\main} \score{<<\main \acco>> \midi{\tempo 4=160}} </score>|caption=Radio Tirana - Këputa një gjethe dafine|align=center}}

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/alb-z-radio_tirana_c1980.mp3 common = {\key g \minor \time 2/4 \partial 16} main = \relative{\common d16-. 4-_ 8. es16-. d4-_ c8. a16-. bes2 g} acco = \relative{

 \set midiMaximumVolume = #0.7 \common bes'16-. 4-_ a-_ g-_ d-_ g2 d

} \scoreTemplate:\omit Script \main \score{<<\main \new Staff \acco>> \midi{\tempo 4=114 \set Staff.midiInstrument = "trumpet"} }

</score>

Radio Tirana - Në njërën dorë kazmën në tjetrën pushkën

• Template:Flagicon Radio Australia: chorus segment of Waltzing Matilda; Kookaburra call; News signature tune: Majestic Fanfare.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/aus-radio_australia_061104.mp3 \paper{indent=#0 line-width=#120

 system-system-spacing = #'((basic-distance . 9))

} common = {\key f \major} main = \relative{

 \clef "treble^(8)" \common
 c4 c8. 16 4 a-. f'4 8. e16 d4 c4
 4 8 8 d4 c8 8 4 bes8 a g4 f8 g
 a4 8 8 g4 4 f8 g a f d e f4 c f8 a c4 bes8 a g4-. g8-. g f2

} acco = \relative{

 \set Staff.midiMaximumVolume = #0.6 \common
 \voices 2,1,3<<{
   f'8 a c a f a c a f bes d bes f bes a4
   8 c, a'-. a bes c, a'-. a-. a c, g' f e c d e
   f a c a e bes' c bes d, a' d4 \stemUp f,8 g as4 \stemDown
   c,8 f a4 c,8 a' g f e c d e f2
 }\\{
   f2 f f f4 s s8 c4. s8 c4. s8 c4. s2
   f2 e d \stemDown bes4 b \stemUp c2 c4
 }\\{
   <f' a>4 s4 s2 bes4 4 f4 4 4 8-. 8-. 4 8-. 8-. f4 s4 s2
   s1 s1 s1 s4 bes,-. a2
 }>>

} \score{{\omit Script \main} \addlyrics{Waltz -- ing Ma -- til -- da, waltz -- ing Ma -- til -- da} \layout{

 \context{\Staff \magnifyStaff 0.9}
 \context{\Lyrics fontSize=#-2 }

} } \score{<<\main \new Staff \acco>> \midi{\tempo 4=108 \set Staff.midiInstrument = "electric piano 1"} } </score>|caption=Radio Australia|align=center}}

• Template:Flagicon Radio Österreich International: An der schönen blauen Donau ("Blue Danube Waltz") by Johann Strauss.

<score sound> % https://www.intervalsignals.net/sounds/aut-z-orf_c1975.mp3 {

 \key bes \major \time 3/4 
 \voices 2,1<<{
   \set midiInstrument = "french horn"
   \set midiMaximumVolume = #1.0
   bes d' f'
   <bes d' f'>2.*7/3
 }\\{
   \set midiInstrument = "clarinet"
   \set midiMaximumVolume = #0.6
   s2. r2 <d f>4-. 4-. r4 <bes' d>4-. 4-. s8
 }>>

} \midi{

 \context{\Staff \remove "Staff_performer"}
 \context{\Voice \consists "Staff_performer"}
 \tempo 4 = 114

}

</score>

Radio Österreich International

• Template:Flagicon Ö1: Three notes signifying O–R–F by Werner Pirchner, played on viola.

<score sound> % https://www.intervalsignals.net/sounds/aut-orf1_260112.mp3 {

 \clef bass
 \set Staff.midiInstrument = "viola"
 \set midiMaximumVolume = #1.0
 c4 g c'2

} \midi{\tempo 4 = 120}

</score>

Interval signal for Ö1

• Template:Flagicon ORF:

1st Program: Schubert, Rosamunde, Ballet Music 2

<score sound> % https://www.intervalsignals.net/sounds/aut-z-orf_regional_1980.mp3 \relative{

 \key g \major \time 2/4
 \set Staff.midiInstrument = "vibraphone"
 \set midiMaximumVolume = #1.1
 g'8\omit\sustainOn g16 d g8 g16 d g8 b d4

} \midi { \tempo 4 = 80 }

</score>

Österreichischer Rundfunk

3rd Program: Haydn, Surprise Symphony

<score sound> % https://www.intervalsignals.net/sounds/aut-z-radio_oesterreich_c1953.mp3 \relative{

 \key f \major \time 2/4
 \set Staff.midiInstrument = "vibraphone"
 \set midiMaximumVolume = #1.1
 f'8 f a a c c a4

} \midi { \tempo 4 = 40 }

</score>

Österreichischer Rundfunk

• Template:Flagicon RTBF International:

Template:Ill.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/bel-z-rtbf1_c1998.mp3 common = {\key e \major} main = {gis2 8 a a b b4. a16 gis fis4 r a2 8 b cis dis e4. dis16 cis b4 r} \score{ <<

 {\common \relative c \main}\\
 \magnifyMusic 0.6{ \set midiMaximumVolume = #0.8 \common \relative c' \main}

>> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=55 \set Staff.midiInstrument = "vibraphone"} }

</score>

RTBF International

Benoit, Beiaardlied

<score sound> % https://www.intervalsignals.net/sounds/bel-z-brt1_rvd_1977.mp3 \relative{

 \set Staff.midiInstrument = "electric piano 1"
 \key f \major \cadenzaOn

\partial 4 a'4*5/6 \bar "

RTBF International

• Template:Flagicon Rádio Nacional: Luar do Sertão ("Hinterlands Moonlight").

<score sound raw>\header{tagline=##f} % https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=5586 sustainOfn = \sustainOff\sustainOn main = \relative{

 \partial 8 g'8 c4. d8 e4. d8 f4. e8 d4. c8 b4. a8 g4. f8 e2.

} acco = {

 \set midiMaximumVolume = #0.7 \clef bass \partial 8 r8 
 c8\sustainOn g e'4 \grace{<g' c>16\sustainOfn}bes,8 bes g'4
 \grace{<f' c>16\sustainOfn}a,8 f c'4 \grace{<f' bes'>16\sustainOfn}as,8 f bes4
 \grace{<d' g'>16\sustainOfn}g,8 f b4 f,8\sustainOfn f 4
 e,8\sustainOfn <g c'> <f d'>\sustainOfn g,8 <c, c'>8*2\sustainOfn s8\sustainOff

} \score{\main} \score{<<\new Staff \main \new Staff \acco>> \midi{\tempo 4=64 \set Staff.midiInstrument = "electric piano 1"} }

</score>

Rádio Nacional

• Template:Flagicon Radio Canada International: First four notes of O Canada, played on piano (played in G major) , an electronic square wave (played in Bb major) , or autoharp (played in D major).

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/can-z-rci_200907.mp3 main = {\clef "treble^(8)" \key g \major b2 d4.. d16 g2} acco = {\set midiMaximumVolume = #0.6 \key g \major <g' d>2 <d' a'> } \score{\main}

\score{<<\main \new Staff \acco>> \midi{\tempo 4=106

</score>

Radio Canada International

• Template:Flagicon Cyprus Broadcasting Corporation: closing segment of Avkoritissa (), a traditional Cypriot song of Avgorou

<score sound raw>\header{tagline = ##f} % 0:24 https://www.intervalsignals.net/sounds/cyp-cybc1_100910.mp3 main = \relative{

 \set Staff.midiInstrument = "flute"
 \set midiMaximumVolume = #0.9
 \clef "treble^(8)"
 \partial 16*3 g16 a b16*2
 \grace{c8 d} c8.*2/3 a16 b8 g d'4 r16 g,16 a b16*2
 \grace{c8 d} c8.*2/3 a16 b8 g a2

} acco = {

 \set Staff.midiInstrument = "string ensemble 1"
 \set midiMaximumVolume = #0.7
 \clef bass \partial 16*3 s16 s8
 <c g e'>4 <g, b d'> <d a f'>2
 <c g e'>4 <g, b d'> <a, a c'>2
 s8

}

\score{\main \layout{\context{\Staff \magnifyStaff 0.8

}

\score{

 <<\main \new Staff \acco>>
 \midi{\tempo 4 = 102}

} </score>|caption=Cyprus Broadcasting Corporation|align=center}}

• Template:Flagicon Radio Prague:

• Smetana, Má vlast, 1. Vyšehrad

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/tch-z-csr_praha_210868.mp3 common = {\clef "treble_(8)" \key es \major \time 3/4} sustainOfn = \sustainOff\sustainOn mA = {\common

 <es g bes>4 <c es g c' es'> r8 <d f bes d'> <es g bes>4

} mB = {\common

 \grace{es32\sustainOn g}bes4 \grace{c32\sustainOfn es g c'}es'4 r8 \grace{d32\sustainOfn f bes}d'8 \grace{es32\sustainOfn g}bes4

} \score{\mA}

\score{\mB \midi{\tempo 4 = 50 \set Staff.midiInstrument = "orchestral harp"

</score>|caption=Czechoslovak Radio|align=center}}

• last segment of Kupředu levá ("Forward, Left") by cs:Jan Seidl

<score sound> % https://www.intervalsignals.net/sounds/tch-z-radio_prague_swahili_c1975.mp3 <<

 \relative<<{
   \set Staff.midiInstrument = "trumpet"
   \key d \major a'8.-. d16 4 e8-. d4.
   b8.-. d16 4 e8-. \cadenzaOn d4.*3\fermata
 }\\{
   \set midiMaximumVolume = #0.6
   fis,8.-. <fis a>16 4 8-. 4.
   g8.-. <g b>16 4 8-. 4.*3\fermata s8
 }>>
 \new Lyrics \lyricsto "1"{
   Ku -- pře -- du le -- vá, ku -- pře -- du le -- vá,
 }

>> \midi{\tempo 4=104}

</score>

Radio Prague

• Adagio – Allegro molto from Symphony No. 9 by Dvořák.

<score sound> % https://www.intervalsignals.net/sounds/cze-z-cro7_radio_prague_021102.mp3 % Mvt.1, b.189 \relative{

 \set Staff.midiInstrument = "french horn"
 \set midiMaximumVolume = #1.0
 \key e \major \time 2/4
 \omit Script e'4. e8-. cis-. b4.
 \undo\omit Script e8. gis16-. b8-. 8-. 2

} \midi{\tempo 4 = 110}

</score>

Radio Prague

• Template:Flagicon Radio Denmark: Nielsen, Moderen, Scene7 No.22 Som en rejselysten flåde

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/dnk-z-radio_denmark_c1978.mp3 main = \relative{

 \clef "treble^(8)"
 \key g \major \partial 4
 g8 fis g4 d g a b2 a4 c8 b a4 g g fis g2. r4

} acco = \relative{

 \set Staff.midiMaximumVolume = #0.7
 \key g \major \partial 4
 <<{
   g'8 fis g4 d g a <g' d>2 <fis d>4 <g c,>8 <g e> <e c>4 <e b> <e a,> <d a> <d b>2.
 }\\{
   s4 s1 g,,4 b d e a e c d g,2.
 }>>

} \score{\main} \score{

 <<
   \set Score.midiInstrument = "celesta"
   \main \new Staff \acco
 >>
 \midi{\tempo 4 = 94}

}

</score>

Radio Denmark

• Template:Flagicon HCJB: using a motif from Great Is Thy Faithfulness

<score sound raw>\header{tagline=##f} % 0:10 http://www.kawamura-photo.sakura.ne.jp/bcl/sound/hcjb2000.mp3 % https://www.youtube.com/watch?v=2P-z_OqSEFo common = {\partial 4} ep = {\set Staff.midiInstrument = "electric piano 2"} st = {\set Staff.midiInstrument = "string ensemble 1"} mainB = \relative<<{r8 g2 4 d f4. e8 e2}\\{g,8-. c4-. r8 g-. c4-. r8 g-. c-. g-. c-. g-. c4-. s}>> main = \relative{

 \ep \common \partial 4 c16 d e f 
 \new Voice="1A"{g8-. g-. g-. d-. f8. e16 8-. d-.}
 c-. d-. e-. d16 c d8-. g,8-. g-. c-.
 g'8-. g-. g-. d-. f8. e16 8-. d-.
 c-. d8*3/2-. \grace{d8 e}d8.*2/3 c16 \once\stemUp 4.
 \st \mainB s8_"//"

} acco = \relative{

 \ep \common s4 s1 r2 r4 r8 c'8 g'2. r8 c,16 c g'2. r8
 \st \transpose c c, \mainB

} \score{ \new Staff="gr"<<

 {\omit Staff.Script \main}
 \new Lyrics 
   \lyricsto "1A"{Great _ is Thy faith -- ful -- ness}
 \new Lyrics \with{alignAboveContext="gr"}
   \lyricsto "1"{Great is Thy faith -- ful -- ness}

>>

\layout{\context{\Staff \magnifyStaff 0.8} \context{\Lyrics fontSize = #-3

} \paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 10))} \score{<<\main \new Staff \acco>> \midi{\tempo 4=110}} </score>|caption=The Voice of the Andes|align=center}}

• HCJB Japanese program: "Sakura Sakura" (, cherry blossoms)

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/eqa-z-hcjb_japanese_1975.mp3 common = {\key c \minor} main = {

 \set Staff.midiInstrument = "marimba"
 \set midiMaximumVolume = #0.8 \common
 \relative{c4 4 d2 c4 4 d2 c4 d es d c d8 c as2 s8_"//"}

} acco = << \new Staff \relative{

 \set Staff.midiInstrument = "marimba"
 \set midiMaximumVolume = #0.6 \common
 \repeat percent 2{
 \repeat percent 8{c'64*1/2 es64*3/2 c'64*1/2 g64*3/2}
 \repeat percent 8{d64*1/2 g64*3/2 d'64*1/2 b64*3/2}
 }
 \repeat tremolo 4{c,32 c'} \repeat tremolo 4 {d, d'}
 \repeat tremolo 4{es, es'} \repeat tremolo 4{d, d'}
 \repeat tremolo 4{c, c'} \repeat tremolo 2{d, d'} \repeat tremolo 2{c, c'}
 \repeat tremolo 8{as, as'}

} \new Staff \relative{

 \set Staff.midiMaximumVolume = #0.6 \clef bass \common
 \repeat percent 2{<<{s2 r8 g es d}\\{<c,, es g>4-. r <g d' g>2}>>}
 es'8 g' g, g' c,, g g, g' f, as' es,4 d8 f' g as 

} >> \score{\main}

\score{<<\main \unfoldRepeats \acco>> \midi{\tempo 4=70

</score>|caption=The Voice of the Andes (Japanese)|align=center}}

• Template:Flagicon Yle Radio 1: Pim-pam-pulla, a tune from the 1700s proposed by A. O. Väisänen for 5-string kantele.

<score sound> % https://yle.fi/a/20-98112 "Uusi väliaikamerkki" <<\relative{

 \key f \major c2 bes4 a g2 a2 c bes4 a g1 a

}\\ \magnifyMusic 0.7 \relative{

 \set midiMaximumVolume = #0.9 f'1 c'2 f,~ f r c'1 <f, c'>

}>> \midi{\tempo 4=95 \set Staff.midiInstrument = "electric piano 1"}

</score>

Radio Finland (Yle)

• Template:Flagicon Radio France Internationale: a popular song, Template:Ill.

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/fra-z-rfi_c1975.mp3 main = \relative{

 \key g \major \time 2/4
 \set Staff.midiInstrument = "trumpet"
 \omit Script

r8. g'16-. b8-. c-. d4 g d \grace{\scaleDurations 2 {c16( e

d8-.) c-. b4 a g2

} acco = {

 \key g \major
 \set Staff.midiInstrument = "bassoon"
 \set Staff.midiMaximumVolume = #0.7
 << 
 \relative{
   r8. g'16 fis8-. e-. d8. c16 b8-. c-. d-. c-. b-. c-. d8. s16 s8 d-. b2
 }\\{
    g2~ 2~ 2 d8. d'16 d'8-. d-. g2
 }\\ \relative{
    s2 b'8. a16 g8-. a-. b8. g16 g8-. e-. g4. fis8-. g2 s8
 }>>

} \score{\main} \score{

 <<\main \new Staff \acco>>
 \midi{\tempo 4 = 110}

} </score>|caption=Radio France Internationale|align=center}}

• Template:Flagicon Nordwestdeutscher Rundfunk: The 4th symphony by Brahms.

<score sound raw>\header{tagline=##f} % https://youtu.be/0xAWEL6mnZI % Mvt.1 b.112 main = \relative{

 \set Staff.midiInstrument = "french horn"
 \set midiMaximumVolume = #0.9 \key b \major \time 2/2
 \tuplet 3/2 2{r4 r <dis' b>8-. <e cis>-. <fis dis>4-. <dis b>-. <gis e>-.} <fis dis>2*2/3

} acco = {

 \set Staff.midiInstrument = "timpani"
 \set midiMaximumVolume = #0.8 \clef bass \omit Dots
 \repeat tremolo 24 b,16*2/3 b,2

} \scoreTemplate:\omit Script \main

\score{<<\main \new Staff \unfoldRepeats \acco>> \midi{\tempo 2=60

</score>|caption=NWDR|align=center}}

• Template:Flagicon Template:Ill: Ending bars of Volk ans Gewehr, played on celesta.

<score sound> % https://rias1.de/audiokennung.htm#:~:text=Reichsprogramm \relative{

 \clef "treble^(8)" \key d \minor
 f2 a,4. d8 <c a>1 <<{a2 a4. a8}\\{a2 g}>> <d' f,>1

} \addlyrics{Volk ans Ge -- wehr} \midi{\tempo 4=90 \set Staff.midiInstrument = "celesta"}

</score>

Reichssender Berlin

• Template:Flagu

• Berliner Rundfunk: Motif from the opera Regina, Act3 Finale by Albert Lortzing, played by horns.

<score sound> % https://www.intervalsignals.net/sounds/ger-z-brf_c1975.mp3 % Act3 Finale \relative{

 \key f \major \time 3/4
 \set Staff.midiInstrument = "french horn"
 \set Staff.midiMaximumVolume = #0.9
 \omit Staff.Script
 \partial 4
 <<{
   c'4-. bes'8.-. a16-. g4-. f-. e8.-. f16-. g4-.
 }\\{
   c,4-. g'8.-. f16-. e4-. d-. c8.-. d16-. e4-.
 }
 >>

} \midi{\tempo 4 = 100}

</score>

Berliner Rundfunk

• Radio Berlin International: Beginning of Auferstanden aus Ruinen ("Risen from Ruins"), played on chimes.

<score sound> % https://www.intervalsignals.net/sounds/ger-z-rbi_rvd_1975.mp3 \relative{

 \set Staff.midiInstrument = "electric piano 1"
 \key as \major \time 2/4
 <c as>4 4 <bes es,> <as c,> <des bes>4 4 <c as> <bes es,>

} \midi{\tempo 4 = 69}

</score>

Radio Berlin International

• Radio DDR: Refrain of de:Wann wir schreiten Seit’ an Seit’

<score sound> % https://www.intervalsignals.net/sounds/ger-z-radio_ddr1-2_c1988.mp3 \relative{

 \set Staff.midiInstrument = "oboe"
 \set midiMaximumVolume = #0.9
 \key g \major \time 3/2 \partial 2 \omit Staff.Script
 <d b g>4-_ 4-_ 2.-_ 4-_ <c a>-_ <d b>-_ <e c>2~ \hideNotes 4 s8

} \addlyrics{Mit uns zieht die neu -- e Zeit} \midi{\tempo 4=108}

</score>

Radio DDR

• Radio NTS: Tchaikovsky, Symphony #5, Mvt.4

File:Radio NTS 1972.ogg

Interval signal for Radio Free Russia

• Template:Ill: "Ode to Joy"

File:Deutscher Freiheitssender 904.ogg

Interval signal for DFS 904

• Template:Flagicon Germany

• Deutschlandfunk: Ending bars of "Ich hab' mich ergeben" by August Daniel von Binzer.

<score sound> % https://rias1.de/audiokennung.htm#:~:text=Deutschlandfunk,-1963 \relative{

 \set Staff.midiInstrument = "celesta"
 \clef "treble^(8)" \key d \major \partial 4 d4
 <b' g>4 4 <d b>  <a fis>2 <fis d>2

} \addlyrics{Dir Land voll Lieb' und Le -- ben} \midi{\tempo 4=76}

</score>

DLF

• RIAS Berlin: Template:Ill

<score sound> % https://www.intervalsignals.net/sounds/ger-z-rias_c1948.mp3 \relative{

 \set Staff.midiInstrument = "electric piano 1"
 \clef "treble^(8)"
 \partial 4 g8 <c e,>16 
 <c e,>8 <g d> <e c> <f d> <g e>2

} \midi{\tempo 4 = 72}

</score>

RIAS Berlin

• Deutschlandsender: Mozart, The Magic Flute (Ein Mädchen oder Weibchen) / Schubart, Üb’ immer Treu und Redlichkeit

<score sound> % https://rias1.de/audiokennung.htm#:~:text=Deutschlandsender {

 \set Staff.midiInstrument = "orchestral harp"
 \key g \major \time 2/4 \partial 4
 d'4 <g' b>4 4 <a' d'>4 4 << { b'4. a'8 } \\ { g'4 d' } >> <g' b>

} \midi {\tempo 4 = 90}

</score>

Deutschlandsender

• Template:Ill:

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/ger-z-reichssender_berlin_1935.mp3 main = \relative{

 \set Staff.midiInstrument = "brass section"
 \set midiMaximumVolume = #0.9
 \key bes \major
 bes4 d8-. f-. bes2 <bes, d>4 <d f>8-. <f bes>-. <bes d>2

} acco = {

 \clef bass
 \set Staff.midiInstrument = "timpani"
 r2 r8 d16 d d4 r2 r8 d16 d d4 s

} \score{\main} \score{

 <<\main \new Staff \acco>>
 \midi {\tempo 4 = 114}

}

</score>

Reichssender Berlin

• ORAG Königsberg

• Friedrich Dewischeit, de:Masurenlied (Wild flutet der See)

<score sound raw>\header{tagline = ##f} % https://rias1.de/audiokennung.htm#:~:text=ORAG main = {

 \key d \major \time 6/8
 \set midiMaximumVolume = #1.2
 d4. fis'8. g'16 a'8 d'2.

} acco = {

 \set midiMaximumVolume = #0.8
 \clef bass \key d \major
 <fis, fis>2. <d fis>2.

} \score{\main} \score{

 <<
   \set Score.midiInstrument = "orchestral harp"
   \main \new Staff \acco
 >>
 \midi{\tempo 4. = 60}

}

</score>

Ostmarken Rundfunk

• Wo des Haffes Wellen trecken an den Strand

<score sound> % https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=2447 [caution: recreation] % https://www.radiomuseum.org/images/audioimages_klein/Reichssender_Koenigsberg.jpg \relative{

 \key g \major \time 6/8 \partial 4.
 <<
 {b'4 a8 g4 fis8 g4 fis8 g4 b8 e4 d8 a2.}
 \\
 \magnifyMusic 0.7{d,4 c8 4 a8 4 a8 4 <d g>8 4. <d fis>2.}
 >>

} \midi{\tempo 4. = 60}

</score>

Ostmarken Rundfunk

• NORAG Hamburg: Wagner, Der fliegende Holländer, Act 3, Steuermann, lass die Wacht (Sailors' Chorus)

<score sound> % https://rias1.de/audiokennung.htm#:~:text=NORAG \relative{

 \set Staff.midiInstrument = "orchestral harp"
 \key g \major \time 2/4
 <b' g>16 <a d,>16 <g b,>8 4~ 8 <a d,>8 <g b,>4

} \midi {\tempo 4 = 69}

</score>

Nordische Rundfunk

• NDR Hamburg:

• Brahms, Symphony #2, Mvt.1

<score sound raw>\header{tagline = ##f} % Mvt.1, b.425 % https://www.intervalsignals.net/sounds/ger-z-ndr_010156.mp3 main = \relative{

 \set Staff.midiInstrument = "oboe"
 \set midiMaximumVolume = #0.9
 \key d \major \time 3/4
 \partial 4 <fis d>8 <g e>
 <a fis>2 <fis d>8 <a fis>
 <d b>4 <cis a>   <a fis>

} acco = \relative{

 \set Staff.midiInstrument = "clarinet"
 \set midiMaximumVolume = #0.6
 \key d \major \partial 4 s4
 <a' fis>2 <fis d>8 <a fis>
 <d b>4 <cis a>   <a d,>
 s8

} \score{\main} \score{

 <<\main \new Staff \acco>>
 \midi {\tempo 4 = 130}

}

</score>

Nordische Rundfunk

• (Dominant major ninth chord)

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/ger-z-ndr_rvd_c1975.mp3 main = {

 \set Staff.midiInstrument = "ocarina"
 \key d \major \omit Script
 a4-! cis'-! e'-! g'-! b'-!
 \ottava 1
 a4*5/4-! a-!

} accA = {

 \set Staff.midiInstrument = "ocarina"
 \clef bass \key d \major
 r1 r4 a,4*5/4-! a,-!

} accB = \relative{

 \set Staff.midiInstrument = "tremolo strings"
 \set midiMaximumVolume = #0.4
 \clef "treble_(8)" \key d \major
 <a, cis e g b'>1*2 s4

} \score{\main} \score{

 <<\main \new Staff \accA \new Staff \accB>>
 \midi{
   \tempo 4 = 90
   \set Score.midiReverbLevel = #1.0
 }

}

</score>

Nordische Rundfunk

• WERAG Köln:

<score sound>{ % https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=2421 [caution: recreation] % https://www.radiomuseum.org/images/audioimages_klein/Pausezeichen_Koeln.jpg \set Staff.midiInstrument = "celesta" \omit Staff.TimeSignature \cadenzaOn dis2 fis'2 b2

}</score>

Westdeutsche Rundfunk

• WDR Köln: Beethoven, Bundeslied (In allen guten Stunden)

<score sound> % https://www.intervalsignals.net/sounds/ger-z-wdr_010156.mp3 \relative{

 \key bes \major \partial 4 f'4 <bes f d>\omit\sustainOn f
 <d' bes f>\omit\sustainOff <c a es> <bes f d>2 4*2\fermata

} \midi{\tempo 4=124 \set Staff.midiInstrument = "electric piano 1"}

</score>

Westdeutscher Rundfunk

• Deutsche Stunde in Bayern München: Wagner, Parsifal, Parsifal bell

<score sound> % https://rias1.de/audiokennung.htm#:~:text=München {

 \set Staff.midiInstrument = "orchestral harp"
 \set midiMaximumVolume = #1.3
 \key as \major \clef bass
 \omit Staff.TimeSignature  
 as, es, f, c,

} \midi {\tempo 4 = 38}

</score>

Bayerischer Rundfunk

• BR München: Wiesberg, de:Solang der alte Peter

<score sound> % https://rias1.de/audiokennung.htm#:~:text=Bayerischer%20Rundfunk,-1963 \relative{

 \set Staff.midiInstrument = "orchestral harp"
 \set midiMaximumVolume = #1.2
 \key es \major \time 3/4 \partial 4 bes4 
 <es bes g>2 4 <g es bes>2 4 <bes g es>2. <g es bes> 

} \midi{\tempo 4 = 112}

</score>

Bayerischer Rundfunk

• Schlesische Funkstunde Breslau: Hohenfriedberger Marsch

<score sound raw>\header{tagline = ##f} % https://rias1.de/audiokennung.htm#:~:text=Breslau main = \relative{

 \clef "treble^(8)" \partial 4 g4
 <c e,>4 8. 16 4 <d g,> <e c>8. <d g,>16 <c e,>8. 16 <c e,>2

} acco = \relative{

 \partial 4 g'4 c, g' c g c g c,2

} \score{\main} \score{

 <<
 \set Score.midiInstrument = "celesta"
 \new Staff \main \new Staff \acco
 >>
 \midi {\tempo 4 = 88}

}

</score>

SFAG Breslau

• Sender Freies Berlin: Es-F-B

<score sound> % https://www.intervalsignals.net/sounds/ger-z-sfb_rvd_1975.mp3 << <<{\time 2/2 s1 es2 f bes'1}\\{es'2 f' bes1*3/2}>> \new Lyrics \lyricsto "2"{S -- F -- B} >> \midi{\tempo 2=54 \set Staff.midiInstrument = "electric guitar (jazz)"}

</score>

SFB

• Radio Saarbrücken: Kein schöner Land in dieser Zeit

<score sound> % https://www.intervalsignals.net/sounds/ger-z-radio_saarbrucken_1950.mp3 \relative{

 \key f \major \time 3/4 \partial 8*3 c8 c c
 <f c a>4\omit\sustainOn <a f c> g8 f <g e c>2.\omit\sustainOff

} \midi{\tempo 4=54 \set Staff.midiInstrument = "vibraphone"}

</score>

Saarländischer Rundfunk

• SR Saarbrücken: de:Steigerlied (2nd line: Und er hat sein helles Licht bei der Nacht)

<score sound> % https://www.intervalsignals.net/sounds/ger-z-sr1_europawelle_c1975.mp3 <<

 \new Staff="SR" \relative<<{
   \key f \major \partial 4 \omit Staff.Script
   f'8-. g-. a4-_ a-_ a-_ g8-. a-. bes4-_ g8.-_ 16-. 2
 }\\{a,8-. c-. f4-_ f-_ f-_ c8-. f8-. g4-_ c,8.-_ 16-. 2
 }>>
 \new Lyrics \with{alignAboveContext="SR"}
   \lyricsto "1"{Und er hat sein hel -- les _ Licht bei der Nacht}

>> \midi{\tempo 4=92 \set Staff.midiInstrument = "french horn"}

</score>

Saarländischer Rundfunk

• SWF Baden-Baden: Mozart, The Magic Flute (Act 2: No.21, Finale: Bald prangt, den Morgen zu verkünden)

<score sound> % https://www.intervalsignals.net/sounds/ger-z-swf1_1974.mp3 \relative{

 \omit Staff.Script
 \key es \major \partial 4
 <<{
 bes'4-_
 4. d8 es8. d16 c8. f16 es4 d
 } \\ \magnifyMusic 0.7{
 <g, es>4-_
 4. <as f>8 <bes g>8. es,16 as8. f16 <bes g>4 <f bes,>
 }>>

} \midi{\tempo 4 = 72}

</score>

Südwestfunk

• SDR Stuttgart: Silcher, Jetzt gang i ans Brünnele

<score sound> % https://www.intervalsignals.net/sounds/ger-z-sdr_c1970.mp3 \relative{

 \omit Staff.Script
 \set Staff.midiInstrument = "clarinet"
 \key bes \major \time 3/4 \partial 4 
 <<{

f'4-_ bes4.-_ a8-. bes-. c-. d4.-_ es8-. \cadenzaOn d4*2 \bar "

Süddeutscher Rundfunk

• HR Frankfurt: Hermann Heiss

<score sound> % https://www.intervalsignals.net/sounds/ger-z-hr_rvd_c1975.mp3 {

 \set Staff.midiInstrument = "electric piano 1"
 \omit Staff.TimeSignature \cadenzaOn 
 \ottava -1
 <g, f>4\omit\sustainOn 
 \ottava 1
 c4.*5/6 a8*3/2[ e8 b'8*3/2]
 <a f d>1

} \midi{\tempo 4 = 72}

</score>

Hessischer Rundfunk

• Radio Bremen: Bach, Mass in B minor, Et in terra pax

<score sound> % https://rias1.de/audiokennung.htm#:~:text=Bremen,-1963 \relative{

 \set Staff.midiInstrument = "electric piano 1"
 \key d \major \omit Script
 r4 <a' fis>4~ 8 8-. 8 <c a>8-. 8  <c a> <d b> 2

} \midi{\tempo 4 = 90}

</score>

Radio Bremen

• Template:Flagicon Radio Budapest:

• Excerpts from the suite 1848 by T.K. Polgar played on three trumpets and two cornets.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/hng-z-radio_budapest_fdxa_c1976.mp3 common = {\key a \major} main = \relative{

 \set Staff.midiInstrument = "trumpet" \common
 <<{
   e2-_ a8-. e-. d8.-. fis16-. e1-_
   4.-_ 16-. 16-. a8-. e-. d8.-. fis16-. e1
 }\\ \magnifyMusic 0.7{
   \set midiMaximumVolume = #0.6
   <cis a>2-_ <e cis>8-. <cis a>-. 8.-. <d b>16-. <cis a>1-_
   4.-_ 16-. 16-. <e cis>8-. <cis a>-. 8.-. <d b>16-. <cis a>1
 }>>

} acco = \relative{

 \set Staff.midiInstrument = "french horn" \common
 r4 a'2 e4-_ a e8. 16-. a8-. e-. a4
 r4 a2 e4-_ a e8-. 16-. e-. a8-. e-. a4 s

} \score{{\omit Staff.Script \main} \layout{indent=#0 line-width=#120 }}

\score{<<\main \new Staff \acco>> \midi{\tempo 4=112

</score>|caption=Radio Budapest|align=center}}

• Budapest 2

<score sound> % https://www.intervalsignals.net/sounds/hng-z-mtr_budapest2_1942.mp3 \relative{

 \set Score.midiInstrument = "celesta"
 \clef "treble^(8)" \key ges \major
 \repeat unfold 2{<bes ges>4 <des bes> <ces as> <des f, des>} <bes ges>4

} \midi {\tempo 4 = 63}

</score>

Hungarian Telephone & Radio

• Template:Flagicon Kol Yisrael: latter half of Hatikvah played on trumpets and timpani.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/isr-z-voice_of_israel_fdxa_c1976.mp3 main = \relative{

 \set Staff.midiInstrument = "trumpet" \key d \minor
 \omit Staff.Script
 <<{
   d'4-_ <d' f,>4-_ 4-_ 4-_ <c a>8-. <d bes>-. <c a>-. <bes g>-.
  \cadenzaOn <a f>2*2
 }\\{
   \set midiMaximumVolume = #0.7
   d,4-_ d4-_ 4-_ 4-_ d2 \undo\omit Staff.Script d2*2_\fermata

}>> \bar "

</score>|caption=Kol Yisrael|align=center}}

• Template:Flagicon Rai Italia Radio: Mechanically generated canary chirping.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ita-z-rai_international_220907.mp3 main = \relative{

 \clef "treble^(15)" \omit Staff.TimeSignature
 \time 17/16 \set Timing.beatStructure = 10,3,4
 c'8-. d-. a'-. bes,-. e-. a16 e8-. a16 es8-. r16
 \time 23/16 \set Timing.beatStructure = 10,5,3,3,2
 a8-. es-. des-. bes-. des-. a'16 des,8-. bes-. a'16 es8-. bes16 des8~ 8
 \time 21/16 \set Timing.beatStructure = 6,10,5
 \grace{bes8}es-. \grace{b}es-. \grace{c}f-.
 \repeat percent 5{\grace{es}bes'-.}
 \grace{es,}bes'16.-. \grace{es,8}bes'16.-. \grace{es,8}ges16 r
 \time 12/8

\repeat percent 3{\repeat unfold 4{\grace{as16}ges16.-.

 \repeat unfold 2{\grace{as16}ges16.-.} \grace{ges16}f16.-. r

} \score{\main \layout{\context{\Staff \magnifyStaff 0.7}}} \score{ \unfoldRepeats \main \midi{\tempo 4=238 \set Staff.midiInstrument = "ocarina"} } \paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 7)) } </score>|caption=Rai Italia Radio|align=center}}

• Template:Flagicon Radio Riga: Template:Better source needed

<score sound> % https://www.intervalsignals.net/sounds/lva-z-radio_riga_1991.mp3 % 0:10 http://www.kurzwelle-historisch.de/radios/UdSSR83_R_Riga_hm.mp3 {

 \time 3/4 \omit Staff.Script
 <<\relative{
   \set midiMaximumVolume = #0.9
   c8.*10/9-_ 16*2/3 <e c>2 \tuplet 3/2 {c8 c c} <e c>2

<f c>4~ \repeat unfold 2{\tuplet 3/2 {<f c>8 <d a> <f c>

s4_"//"

 }\\ \relative{
   \set midiMaximumVolume = #0.7
   c'8.*10/9-_ 16*2/3 <e c>2 \tuplet 3/2 {<c b>8 8 8} <e bes>2
   <d a>4~ \repeat unfold 2{\tuplet 3/2 {<d a>8  <d a>}}
 }>>

} \midi{\tempo 4=54 \set Staff.midiInstrument = "brass section"} </score>|caption=Latvijas Radio|align=center}}

• Template:Flagicon Radio Vilnius:

• Lietuvininkai we are born

<score sound raw>\header{tagline=##f} % 1:06 https://www.intervalsignals.net/sounds/ltu-z-lr_radio_vilnius_180706.mp3

common = {\key es \major \partial 4} mainA = {es'4 bes'4. 8 8. 16 g8 es es'4. c8 bes2\omit-_} main = \relative{

 \common \mainA es4 f8 es bes4 es8 c d es c4 bes s8_"//"

} acco = \relative c,{

 \clef bass \common \mainA
 <es, bes' g'>4 <es bes' as'>8 <es bes' g'> <d bes' f'>4 <c bes' g'>
 <f bes f'> <f a es'> <bes d>

}

\score{\main \layout{indent=#0 line-width=#120

\score{<<\main \new Staff \acco>> \midi{\tempo 4=65 \set Staff.midiInstrument = "choir aahs"} } </score>|caption=Radio Vilnius - Lietuvninkai mes esam gimę|align=center}}

• latter half of Anthem of the Lithuanian Soviet Socialist Republic

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ltu-z-radio_vilnius_c1982.mp3 common = {\key f \major \partial 8} \score{ <<

 \new Staff="ltu"<<\relative{
   \common c'8 f4. 8 g8. e16 d8 c f4 c2 r8 c a'4. 8 bes8. g16 f8 g a2. r4
 }\\ \magnifyMusic 0.6 \relative{
   \common c'8 <c a>4. q8 <d bes>8. 16 <bes g>8 8 <c a>4 <a f>2 s8
   c <f c>4. 8 <g c,>8. <e c>16 <d c>8 <d bes> <c f,>2.
 }
 >>
 \new Lyrics \with{alignAboveContext="ltu"} \lyricsto "1"{Ta -- ry -- bų Są -- jun -- goj}

>> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=83 \set Staff.midiInstrument = "french horn"} }

</score>

Radio Vilnius - LTSR Himnas

• Template:Flagu

• NPO: First eight notes of Wilhelmus, played on:

• Flute family: Hilversum 1 (Radio 2)
• Oboe family: Hilversum 2 (Radio 1), Hilversum 5
• Synthesizer then Carillon: Hilversum 3
• Harpsichord: Hilversum 4

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/hol-z-nos_hilversum4_1982.mp3 common = {\key b \major \partial 4} \score{ \relative{\mark "Hilversum 4" \common fis'4 b b cis8 dis e cis8 dis2} } \score{ <<\relative{

 \common fis'4 \stemDown b_. \stemUp b-. cis8 dis e cis8*2 \grace{dis16*2 cis}dis2

} \\ \magnifyMusic 0.6 \relative{

 \set midiMaximumVolume = #0.6
 s4 \stemUp <dis b>8[ <cis ais>] \stemDown [ <ais fis>]
 <gis e> cis, <ais' fis> fis,8*3/2 2.

}>> \midi{\tempo 4=122 \set Staff.midiInstrument = "harpsichord"} }

</score>

Nederlandse Publieke Omroep

• Radio Netherlands: Carillon version of the Eighty Years' War song Merck toch hoe sterck.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/hol-z-radio_netherlands_rvd_c1975.mp3 common = {\key a \minor \time 2/2} main = \relative{

 \common a'4 gis8 a b4 a8 b c4 b8 a b2
 c4 b8 c d4 c8 d e4. e8 d e c d b2 a

} acco = \relative{

 \set midiMaximumVolume = #0.7 \common
 <a c>2 <e gis'> <a c> <e' gis>
 <a, e'> <g' bes> <c, g'> <f a> <e, e'>4 <e' gis> <a, c>2 s

}

\score{\main \layout{indent=#0 line-width=#120

\score{<<\main \new Staff \acco>> \midi{\tempo 2=53 \set Staff.midiInstrument = "tubular bells"} } </score>|caption=Radio Netherlands (old)|align=center}}

• Template:Flagu

• NRK P1: Motif from Sigurd Jorsalfar by Edvard Grieg.
• Radio Norway International (Template:Ill, former international service of NRK): no:Pausesignalet og kjenningssignalet

• Pausesignalet: a herding call stylized by Eivind Groven

<score sound> % https://www.intervalsignals.net/sounds/nor-z-radio_norway_1966.mp3 \relative{

 \time 9/4 \omit Staff.TimeSignature a' d a c d c8 a8 b8 g8 a4*2

} \midi{\tempo 4=86 \set Staff.midiInstrument = "celesta"}

</score>

NRK - Pausesignalet

• Kjenningssignalet: beginning bars of Symphony No.1 "Innover viddene" by Eivind Groven

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/nor-z-radio_norway_rvd_c1981.mp3 common = {\key es \major \time 3/4 \partial 8} main = \relative{

 \common bes'8 16 16 d f es d es8~ 8 8 d16 bes8. c16 as8. bes4~ 2 r8 bes8
 16 16 d f es4. des8 ces bes16 as ges4. 8 as bes16 des ces8 bes4 as8
 ges16 f ges f es f ges8~ 8 as ges16 f ges f es f ges8~ 8 f
 es des es2~ 2.

} acco = \relative{

 \set midiMaximumVolume = #0.7 \clef "treble_(8)" \common s8
 <d' f>4 <c as'>2 <bes g'>4 <as f'> <ges es'>4~ 2.
 <f d'>4 <ges es'> <as f'>4~ 4 <ces es>2 <fes, des'>2.
 <es bes'>2~ 8 <as ces> <es bes'>2~ 8 <as~ des>
 <ces,~ as'>4 ces <es ges bes>4~ 2.

} \paper{system-system-spacing = #'((basic-distance . 0))} \score{\main

\layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.7

} \score{<<\main \new Staff \acco>> \midi{\tempo 4=60 \set Score.midiInstrument = "orchestral harp"} } </score>|caption=NRK - Kjenningssignalet|align=center}}

• Template:Flagu

• Radio Katowice: Sound of a hammer striking an anvil.
• Template:Ill: Excerpt from pl:O Warmio moja miła by Feliks Nowowiejski, played on barrel organ.

<score sound> % https://www.intervalsignals.net/sounds/pol-z-pr_olsztyn_rvd_1975.mp3 \relative<<{

 \clef "treble^(8)" \key f \major \partial 8 c8 4. a8 bes4 d f2 c2

}\\ \magnifyMusic 0.7{

 \set midiMaximumVolume = #0.7 s8 f, e d c d4 bes a4 c8 f a2

}>> \midi{\tempo 4=88 \set Staff.midiInstrument = "electric piano 1"}

</score>

Radio Olsztyn

• Polish Radio External Service: Excerpt from Prząśniczka by Stanisław Moniuszko

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/pol-z-radio_polonia_250206.mp3 common = {\key c \minor \time 2/4 \partial 8*3} main = \relative{

 \set Staff.midiInstrument = "flute" \common
 \set midiMaximumVolume = #0.9 \magnifyMusic 0.7{g'8-. a-. b-.}
 c8.-! 16-. es8-. f-. g4-! c,8-. c-. as'4-! g8-. f-. es4-! d-! c-! s8_"//"

} acco = << \new Staff \relative{

 \set Staff.midiInstrument = "vibraphone"
 \set midiMaximumVolume = #0.85 \common
 g'8 a b c16 d c g es g c d c d c g es g c d
 c d c as f as c d c d c as f as c d c4

} \new Staff {

 \set Staff.midiInstrument = "steel drums"
 {\set midiMaximumVolume = #0.8 \common s8 s4 c2}
 \clef "bass_(8)" \set Staff.midiInstrument = "acoustic bass"
 \new Voice{\set midiMaximumVolume = #1.0 g,4.. c,16 2~ 2 4}

} >> \scoreTemplate:\omit Script \main

\score{<<\main \acco>> \midi{\tempo 4=134

</score>|caption=Polish Radio External Service|align=center}}

• Radio Polonia:

• Etude No. 12 ("Revolutionary Etude") by Chopin

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/pol-z-polish_radio_c1996.mp3 main = \relative{

 \key c \minor
 \partial 16*5 <c c'>16[ <d d'>8. <es es'>16] 
 2 r8. <g, c es g>16[ 8. 16] <as c es as>2 <g g'>2

} acco = \relative{

 \key c \minor \clef bass
 \partial 16*5 s16 s4
 c,16\sustainOn g' c d es g c d es d c g es d c g
 c,\sustainOff\sustainOn g' c d es d c g c,2\sustainOff\sustainOn
 s8\sustainOff

} \score{\main} \score{

 <<\main \new Staff \acco>>
 \midi{\tempo 4 = 120}

}

</score>

Radio Polonia

• Military Polonaise by Chopin

<score sound> % https://www.intervalsignals.net/sounds/pol-z-polr1_c1996.mp3 \relative{

 \key a \major \time 3/4
 <<{
   <a cis,>8\sustainOn[ r16 <e cis>] q8[ r16 q] <fis d>-.\sustainOff <gis d>-. <a d,>-. -. <cis e,>8. <a cis,>16 4
 }\\{
   \set midiMaximumVolume = #0.6
   <a,, e' a>8[ r16 q] q8[ r16 q] <a e' b'>16-. q-. q-. q-. <a e' a>8. 16 4
 }>>

} \midi{\tempo 4=66}

</score>

Radio Polonia

• Template:Flagicon Radio Bucharest 1 and Radio Bucharest External Service (pre 1989): Fragment from Cantata anilor luminǎ by Anatol Vieru

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/rou-z-radio_bucharest_c1985.mp3 ob = \relative{

 \set Staff.midiInstrument = "oboe"  
 \set Staff.midiMaximumVolume = #0.9 \partial 8 
 <<{g'8-. c4-_ d8.-. d16-. e4 c8.-. e16-. g4-_ f8-. e-. d-.}\\
   {g,8-. e4-_ g8.-. g16-. c4 e,8.-. c'16-. e4-_ d8-. c-. b-.}>>

} bs = {

 \set Staff.midiInstrument = "bassoon"
 \set midiMaximumVolume = #0.7 \partial 8
 r8 r1 <g g'>4-_ 8-. 8-. 8-. s

} \scoreTemplate:\omit Staff.Script \ob

\score{<<\ob \new Staff \bs>> \midi{\tempo 4=110

</score>|caption=Radio Bucharest|align=center}}

• Template:Flagicon Voice of Russia: "Great Gate of Kiev" portion of Pictures at an Exhibition by Mussorgsky.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/rus-z-vor_is_111111.mp3 sustainOfn = \sustainOff\sustainOn common = {\key es \major \time 2/2} mainA = \relative{es1 f g2 es4 g f2 bes, g'4 bes f es d2 bes g'1} acco = \relative{

 \clef bass \common <g bes bes'>1 \grace{d4\sustainOn f}<bes bes'>1
 \grace{es,4\sustainOfn g}<bes bes'>2 <c, c' g'>2\sustainOff <d d' bes'> bes
 es'2 <d, bes' bes'>4 <c bes' bes'> <bes bes' f'>2 <g g'>
 \grace{es'4\sustainOfn g}<bes bes'>1

} \score{{\common \mainA} \layout{indent=#0 line-width=#120 }} \score{ <<{\common <<\mainA \\ \transpose c c, \mainA>>}

 \new Staff \acco>>

\midi{\tempo 2=67 \set Staff.midiInstrument = "vibraphone"} }

</score>

Voice of Russia

• Template:Flagicon Radio Serbia: Bože pravde, in various renditions.

<score sound> % 0:40 https://www.intervalsignals.net/sounds/srb-irs_100209.mp3 \relative<<{

 \key a \major
 cis4 b8 gis a4 b8 cis d4 cis8 b a gis fis4

a4 b8 cis e4 d cis b8 a \cadenzaOn b2*3\fermata \bar "

Radio Serbia

• Template:Flagicon Radio Slovakia International: sk:Kto za pravdu horí

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/svk-sr_rsi_240408.mp3

mainA = \relative{c8 g e f a4 \cadenzaOn g4*2\fermata \bar "

Radio Slovakia International

• Template:Flagicon Radio RSA (former international service of Apartheid-era South African Broadcasting Corporation): Bokmakierie chirping and first bars of Ver in die Wereld, Kittie, played on guitar.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/afs-z-radio_rsa_1977.mp3 common = {\key e \major \time 2/4} main =\relative{

 \common b'8 b16 b b8-. a-. gis b4. fis8 a4. gis8 b4.
 b8 b16 b b8-. a-. gis b4. fis8 a gis fis e2

} acco = \relative{

 \set Staff.midiMaximumVolume = #0.6
 \clef "treble_(8)" \common
 <<{
   <dis' gis>8 16 16 8-. <cis fis>-.  b4 8 a cis4 <cis a'>8 b b4 8
   <dis gis>8 16 16 8-. <cis fis>-.  b4 8 a cis b a
 }\\{
   s2 e4 b b b e b s2 e4 b b b'
 }>>
 \grace{e,,16\omit\sustainOn b'}gis'2

}

\score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9

}

\score{<<\main \new Staff \acco>> \midi{\tempo 4=53 \set Staff.midiInstrument = "acoustic guitar (nylon)"} } </score>|caption=Radio RSA|align=center}}

• Template:Flagicon Radio Exterior de España: "Generala" (1761,1769) by es:Manuel de Espinosa de los Monteros

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/spa-z-ree_c1982.mp3 common = {\key d \major \time 3/8} main = \relative{

 \set Staff.midiInstrument = "celesta" \common
 fis8.  e16 d8 fis16 e fis g a g fis8. e16 d8~ \hideNotes d4.

} acco = \relative{

 \set Staff.midiInstrument = "acoustic guitar (steel)"
 \set Staff.midiMaximumVolume = #0.6 \clef bass \common
 <<{fis'16 d a g' d a fis' d a e' d a fis' d a g' r8}\\{d,8. d d d d d}>>

} \score{\main}

\score{<<\main \new Staff \acco>> \midi{\tempo 8=119

</score>|caption=Radio Exterior de España|align=center}}

• Template:Flagicon Radio Sweden:

• Ut i vida världen ("Out in the Wide World"), composed by Ralph Lundsten

<score sound> % https://www.intervalsignals.net/sounds/swe-z-sr_radio_sweden_070704.mp3 \relative{

 \key c \minor \partial 8*3
 g'8\omit\sustainOn c d es4 g d g c,2 r8 g c f a2 f4 a g1 

} \layout{indent=#0 line-width=#120 } \midi{\tempo 4=110 \set Staff.midiInstrument = "vibraphone"}

</score>

Radio Sweden

• the opening notes of Carl Michael Bellman's Storm och böljor tystna r'en.

<score sound> % https://www.intervalsignals.net/sounds/swe-sr1_021106.mp3 \relative{

 \clef "treble^(8)" \key es \major \time 3/4

es4.. g16 <f bes,>8. as16 <g es>4 <bes f> \cadenzaOn <es g,>4*3\fermata \bar "

Radio Sweden

• Template:Flagu

• Template:Ill: D' Zit isch do, played on music box.

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/sui-z-sbc_sr2_rumantsch_1977.mp3 main = \relative{

 \clef "treble^(15)"
 \key d \major \time 2/4
 a8 a fis4 a8 a fis4 e8 e16 fis g8 e fis d' a4

} acco = \relative{

 \clef "treble^(8)" \key d \major
 <<{a8 a d4 a8 a d4 cis8 cis16 d e8 cis d d a4}
 \\
 {fis4 d fis d a4. e'8 <d fis>2}
 >>

} \score{\main} \score{

 <<
 \set Score.midiInstrument = "celesta"
 \main \new Staff \acco
 >>
 \midi {\tempo 4 = 86}

}

</score>

Landessender Beromünster, Bern

• Swiss Radio International: de:Lueget, vo Bärgen und Tal.

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/sui-z-sri_221000.mp3 common = {\key b \major \time 3/8} main = \relative{

 \common dis8. e16 dis8 cis8 fis,8 dis'8 b4. r
 fis8. gis16 fis8 b8 dis8 fis8 cis4.

} acco = {

 \clef bass \common <b, fis'>4. <fis ais'> 4. r
 <dis b>4. <b, dis'>4. <fis ais'>4.*3

} \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4.=58 \set Staff.midiInstrument = "music box"} }

</score>

Swiss Radio International

• Red Cross Broadcasting Service: Purcell, The Indian Queen, Trumpet Tune

<score sound raw>\header{tagline=##f} % http://www.kawamura-photo.sakura.ne.jp/bcl/sound/redcross.mp3 main = \relative{

 \set Staff.midiInstrument = "trumpet" \time 3/4
 g'8-. g16 g e8-. g-. e-. g-. c-. c16 c g8-. c-. g-. c-.
 e-. e16 d c8-. e-. d-. g16 f16*2 \grace{e16*2( f} e4*3/4) s_"//"

} acco = {

 \set Staff.midiInstrument = "string ensemble 1"
 \set midiMaximumVolume = #0.7 \clef bass
 <c e'>4-. r r <c e' g'>4-. r r
 <c g' c'>8 c16 d e8-. c-. <g g' b'> g,-. <c g' c'>4

} \score{{\omit Script \main} \layout{indent=#0 line-width=#120 }}

\score{<<\main \new Staff \acco>> \midi{\tempo 4=114

</score>|caption=Red Cross Broadcasting Service|align=center}}

• Template:Flagicon Voice of Turkey: Turkish makam, played on piano.

File:Voice of Turkey Interval Signal.ogg

Interval signal of Voice of Turkey as heard in 2013

• Template:Flagicon Radio Moscow (former international service of the Soviet Union):

• Подмосковные вечера ("Moscow Nights") performed by "Georgy Garanian and Melodia"

<score sound raw>\header{tagline=##f} % 0:30 https://www.intervalsignals.net/sounds/rus-z-rmws_coup_190891.mp3 % https://youtu.be/Zg6CfBtO_uw

1. (define (fiver mus) #{ \repeat unfold 5{#mus } #})

v = \applyMusic #fiver \etc common = {\key f \minor \partial 2} main = \relative{

 \set Staff.midiInstrument = "acoustic guitar (nylon)"
 \common s2 \v f'16*4/5 \v as \v c \v as \v{bes bes} \v as \v g
 \v{c c} \v{bes bes} \v{f f f f}
 \v as \v c \v es \v es \v{f f} \v es \v des
 \v{c c c c} \v{d d} \v{e e} s8

} acco = <<

 \new Staff \relative<<{
   \set Staff.midiInstrument = "electric piano 1"
   \set midiMaximumVolume = #0.7 \clef bass \common s2
   f4 <as c es>4 4. <as c d>8~ 4. <as c des>8~ 2
   <as c>8 <as es' f>4-_ 8 <as bes e>4. <as es' f>8~ 4. <as d f>8~ 8 <as es' f>4.
   <as c es>2 <g as c> <f as es'> <fes g des'>
   <es bes' c>4 f8 g as bes c f <f, b d>4 b8 d e <bes c>-. <c e bes'>4
 }\\{
   \set midiMaximumVolume = #1.0
   s2 f,,4. f8 c4 f8 es bes'4. f'8 bes,4. b8
   c4 c,4. c8 d e f4. 4 c8 bes as8
   4. 4 8 bes c des8 4 8 es8 4 8 as8 4 es8 as4 es8 as
   g8 d g ges4 des8 ges f
 }>>
 \drums{
   <<{
     \common tomh16 16 16 16 toml16 16 8 \grace{cymc16}
     \repeat unfold 16{hh8 hh sn hh}
   }\\{
     r2 \repeat unfold 8{bd4. bd8 r2}
   }>>
 }

>> \score{ \relative{\key f \minor

 f'4 as c as bes2 as4 g c2 bes f1 as4 c es es f2 es4 des c1 d2 e s8_"//"

}

\layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9

} \score{<<\main \acco>> \midi{\tempo 4=132}} </score>|caption=Radio Moscow|align=center}}

• Песня о Родине ("Wide Is My Motherland")

<score sound raw>\header{tagline = ##f} % https://www.intervalsignals.net/sounds/rus-vgtrk_motherland_is_121212.mp3 main = {\partial 4 d8 d g4. fis8 e fis g a g4 d2} acco = {\partial 4 s4 b2 c b2.}

\score{\relative{\key g \major \main

\score{

 \relative{
   \set Staff.midiInstrument = "electric piano 1" 
   \key g \major
   <<\main \\ \acco>>
 }
 \midi{\tempo 4 = 60}

} </score>|caption=Radio Moscow|align=center}}

• Template:Flagicon BBC World Service: Trumpet version of Oranges and Lemons; first four notes of Symphony No. 5 by Beethoven, played on timpani; Lillibullero (signature tune).

<score sound> % https://www.intervalsignals.net/sounds/atg-z-bbc_caribbean_relay_c1981.mp3 \relative{\key a \major \time 3/4 \omit Staff.Script <<{

 e4-_ cis-_ e-_ cis-_ a b8 cis d4-_ b-_ e-_ cis-_ a2-.
 e'4-_ cis-_ e-_ cis-_ a b8 cis d4-_ b-_ e-_ a,2

}\\{

 a4-_ e-_ a-_ e-_ cis d8 e fis4-_ d-_ gis-_ e-_ cis2-.
 gis'4-_ e-_ gis-_ e-_ fis gis8 a b4-_ d,-_ gis-_ a2

}>> r4 } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=136 \set Staff.midiInstrument = "pan flute"}

</score>

BBC - Oranges and Lemons

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/ukg-bbcws_lillibolero_230799.mp3 common = {\key g \major \time 6/4} mainA = \relative{ \repeat volta 2{

 g'4.-_ a8-. g4-. b2-_ 4-. a4.-_ b8-. a4-. c2.-_

b4-. d-. g,-. c2-_ b4-. a-. g-. fis-. g2.-_

main = {\set Staff.midiInstrument = "trumpet" \common \mainA s8_"//"} acco = << \new Staff{

 \set Staff.midiInstrument = "clarinet"
 \common \transpose c c' \mainA

} \new Staff \relative{

 \set Staff.midiInstrument = "string ensemble 1"
 \set midiMaximumVolume = #0.9 \clef bass \common
 \repeat volta 2{
 <g, b' d>4 r r <e g' d'> r r <a c' e> r r <d, a fis'> r r
 <g b' g'> r r <c, g e'> r r <d fis' d'> r r <g g' b> r r
 }

} >> \score{{\omit Script \main} \layout{indent=0 line-width=120}} \score{\unfoldRepeats <<\main \acco>> \midi{\tempo 2.=106}} </score>|caption=BBC - Lillibullero|align=center}}

• Template:Flagicon World Christian Broadcasting (Alaska KNLS, Madagascar Madagascar World Voice (MWV)):

• Chariots of Fire by Vangelis

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/als-z-knls_anchor_point_ak_c1988.mp3 \score{ \relative<<{\cadenzaOn

r8 c \tuplet 3/2{f[ g a]} \bar "

KNLS (old) - Chariots of Fire

• an unnamed tune by Jeff BrockTemplate:Better source needed

<score sound> % KNLS https://www.intervalsignals.net/sounds/als-knls_anchor_point_ak_130724.mp3 % MWV https://www.intervalsignals.net/sounds/mdg-mwv_lightoflife_150416.mp3 \relative{\key f \major c'4. c'8~ 2~ 4. bes8~ 8 a g f c'4. f,8~ 2~ 1 s8_"//"} \midi{\tempo 4=130 \set Staff.midiInstrument = "electric piano 2"}

</score>

KNLS/MWV - (an unnamed tune)

• Template:Flagicon WYFR: First bars of To God Be the Glory by William Howard Doane

<score sound raw>\header{tagline=##f} % 0:05 https://www.intervalsignals.net/sounds/usa-z-wyfr_fl_290900.mp3 common = {\key bes \major \time 3/4 \partial 4} main = \relative{

 \set Staff.midiInstrument = "trumpet" \common
 <<{
   f'4-_ 2-_ g8.-_ a16 bes4-_ f-_ bes-_ c-_ f,-_ c'-_ d4 s4_"//"
 }\\ \magnifyMusic 0.6{
   d,4-_ 2-_ es8.-_ c16 d4-_ f-_ f8-. g-. f4-_ 4-_ 4-_ f4
 }
 >>

} acco = \relative{

 \set Staff.midiInstrument = "french horn" \clef bass \common 
 <<{
   bes4-_ 2-_ 8.-_ a16 bes4-_ 8-. a-. bes4-_ a4-_ 4-_ 4-_ bes4
 }\\{
   bes,4-_ 2-_ 4-_ bes,4-_ 8-. c-. d-. es-. f2-_ 4-_ bes,4
 }
 >>

} \scoreTemplate:\omit Staff.Script \main

\score{<<\main \new Staff \acco>> \midi{\tempo 4=118

</score>|caption=KNLS/MWV - (an unnamed tune)|align=center}}

• Template:Flagicon Radio Yugoslavia (1980–1989):

• Druže Tito, ljubićice bjela anonymous Partisan song, in various orchestral renditions.

<score sound raw>\header{tagline=##f} % 0:19 https://kawamura-photo.sakura.ne.jp/bcl/sound/yugo1990.mp3 common = {\key a \major \time 2/4} main = \relative{\common e4 4 d8 e d4 cis8 8 b a b4 4~ \hideNotes 4.} acco = \relative<<{

 \common cis8 <e,> cis' q b q b q a a e e a fis <gis e>4~ 4.

}\\{

 a,2 gis fis e4. b'8 e,4. s8

}>> \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=102 \set Staff.midiInstrument = "electric piano 1"} }

</score>

Radio Yugoslavia

• The Internationale

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/yug-z-radio_yugoslavia_c1980.mp3 \score{ \relative<<{

 \omit Staff.Script \key f \major \time 2/4 \partial 8
 c8-. f4.-_ e8-. g f-. c-. a-. d2-_ bes2-_

}\\ \magnifyMusic 0.6{

 \set midiMaximumVolume = #0.6
 c,8-. <f a c>4.-_ <e a c>8-. <g a c> <f a c>-. <c f a>-. <a c f>-.
 <d f bes>2-_ <bes d f>2-_

}>> \midi{\tempo 4=85 \set Staff.midiInstrument = "trumpet"} \layout{} }

</score>

Radio Yugoslavia

• Template:Flagicon Template:Flagicon Radio Yugoslavia, later International Radio of Serbia and Montenegro: 2nd verse of Svečana Pesma (sr:Свечана песма) by sh:Nikola Hercigonja

<score sound raw>\header{tagline=##f} % https://www.intervalsignals.net/sounds/yug-z-radio_yugoslavia_160203.mp3 common = {\key bes \major \partial 4} main = \relative{

 \common f'8 f bes8. f16 4 g a8 bes c8. f,16 4~ \hideNotes 2

} acco = \relative{

 \clef bass \common r4
 <<{<bes d>2 <bes es> <a f'>1}\\{bes,1~ 2~ <bes f>2 s8}>>

}

\score{\main \addlyrics{Ju -- go -- sla -- vi -- jo, bor -- ba te ro -- di -- la,

\score{<<\main \new Staff \acco>> \midi{\tempo 4=90 \set Staff.midiInstrument = "electric piano 1"} } </score>|caption=Radio Yugoslavia|align=center}}

Classical radio station WQXR-FM in New York City, during its ownership by The New York Times Company, played different variations of a classical infused gong with the ID read at the same time as "The Classical Station of the New York Times, WQXR, New York (And WQXR.com 2000–2009)

Numbers station interval signals

Numbers stations are often named after their interval signals, such as The Lincolnshire Poacher or Magnetic Fields after "Magnetic Fields Part 1" by Jean-Michel Jarre.

References

Further reading

External links

• Interval Signals Online
• Nobuyuki Kawamura's Interval Signal Library
• IntervalSignal DataBase (German)
• Uwe Volk's Sound Library (available both in English and in German)
• Kurzwelle-Historisch
• Interval Signal Library on www.irkutsk.com