Zvonimir Ciglič

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Template:Short description Script error: No such module "Unsubst". Script error: No such module "infobox".Script error: No such module "Check for unknown parameters".Script error: No such module "Check for clobbered parameters".Template:Wikidata image Zvonimir Ciglič (February 20, 1921 – January 21, 2006) was a Slovenian composer, conductor and academic teacher.[1]

Biography

Ciglič was born in 1921 in Ljubljana. He was educated at the Ljubljana Academy of Music (to 1948), where he studied with Lucijan Marija Škerjanc and Danilo Švara; later he went to Salzburg where he worked on his conducting with Lovro von Matačić (1957).[1] He was the conductor of the Sarajevo Opera (1948–49) and later held a position at the Lamoureux Orchestra (1958–59). He also taught at the Subotica PO and Music School (1955–56), and later held various positions in Ljubljana.[1]

He died in Golnik in 2006.[1]

Compositions

Ciglič is known for his orchestral music, including three symphonies (1948, 1956), the symphonic poem Obrežje plesalk ("Dancer's Shore"; 1952) and the Harp Concertino (1960).[1] The Harp Concertino is described by Wolfgang Burde as "partly impressionistic and fleecy and partly in the tradition of lean melodiousness cultivated in French orchestral music".[2] He also wrote other instrumental works, as well as choral music and songs. According to Niall O'Loughlin in the composer's entry in Grove Music Online, his influences include Wagner and Debussy.[1]

He has been considered to fall into a "third modern generation" of Slovenian composers who began composing after the Second World War.[3]

See also

References

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  1. a b c d e f Niall O'Loughlin (2020 [2001]). Ciglič, Zvonimir. Grove Music Online Script error: No such module "CS1 identifiers".
  2. Wolfgang Burde (1973). Review: Musica Slovenica: Works by P. Ramovš; I. Petrić; U. Krek; Z. Cigliò; J. Jež; D. Božič; P. šivič; S. Osterc and M. Lipovšek. The World of Music 15 (2): 60–63 Template:Jstor
  3. Franc Križnar (2013). The music of Slovenia from the past to the present. Fontes Artis Musicae 60 (1): 17–25 Template:Jstor

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