| Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
| 1
|
Banksy
|
117,002
|
3,774
|
B
|
Mid
|
| 2
|
PDF
|
72,541
|
2,340
|
B
|
High
|
| 3
|
Adobe Photoshop
|
60,988
|
1,967
|
C
|
Mid
|
| 4
|
Tron
|
59,070
|
1,905
|
B
|
Low
|
| 5
|
Bauhaus
|
58,098
|
1,874
|
B
|
Top
|
| 6
|
Dash
|
57,349
|
1,849
|
B
|
Low
|
| 7
|
Heart symbol
|
44,429
|
1,433
|
Start
|
Mid
|
| 8
|
Printing press
|
41,155
|
1,327
|
B
|
High
|
| 9
|
Frutiger Aero
|
38,591
|
1,244
|
GA
|
Low
|
| 10
|
Advertising
|
30,407
|
980
|
C
|
High
|
| 11
|
No symbol
|
25,815
|
832
|
C
|
Low
|
| 12
|
Corporate Memphis
|
24,397
|
787
|
Start
|
Low
|
| 13
|
Web design
|
21,250
|
685
|
C
|
High
|
| 14
|
GIMP
|
21,195
|
683
|
B
|
Low
|
| 15
|
Gender symbol
|
20,853
|
672
|
Start
|
Low
|
| 16
|
Helvetica
|
20,655
|
666
|
C
|
High
|
| 17
|
Graphic design
|
19,880
|
641
|
C
|
Top
|
| 18
|
Protect the Dolls
|
19,867
|
640
|
B
|
Low
|
| 19
|
Adobe Flash
|
19,293
|
622
|
C
|
Unknown
|
| 20
|
3D computer graphics
|
18,529
|
597
|
C
|
Mid
|
| 21
|
Screensaver
|
18,460
|
595
|
B
|
Unknown
|
| 22
|
Typeface
|
17,799
|
574
|
B
|
Mid
|
| 23
|
Adobe Illustrator
|
17,536
|
565
|
C
|
Mid
|
| 24
|
Dieter Rams
|
17,513
|
564
|
B
|
Mid
|
| 25
|
Swoosh
|
17,052
|
550
|
Start
|
Low
|
| 26
|
David Dees
|
15,939
|
514
|
Start
|
Low
|
| 27
|
Pantone
|
15,769
|
508
|
Start
|
Low
|
| 28
|
Procreate (software)
|
15,566
|
502
|
C
|
Mid
|
| 29
|
Shepard Fairey
|
15,482
|
499
|
B
|
Low
|
| 30
|
Mascot
|
15,140
|
488
|
Start
|
Low
|
| 31
|
Typography
|
14,869
|
479
|
C
|
Mid
|
| 32
|
Ideogram
|
14,691
|
473
|
Start
|
Mid
|
| 33
|
Minimalism
|
14,459
|
466
|
C
|
Mid
|
| 34
|
Voxel
|
14,138
|
456
|
C
|
Mid
|
| 35
|
Lisa Frank
|
13,631
|
439
|
C
|
Low
|
| 36
|
Parsons School of Design
|
13,616
|
439
|
C
|
Low
|
| 37
|
Triptych
|
13,457
|
434
|
C
|
Low
|
| 38
|
All caps
|
13,301
|
429
|
B
|
Unknown
|
| 39
|
Raster graphics
|
13,034
|
420
|
C
|
Low
|
| 40
|
Adobe Acrobat
|
12,476
|
402
|
C
|
Mid
|
| 41
|
Jumpman (logo)
|
12,430
|
400
|
Start
|
Low
|
| 42
|
Eric Carle
|
12,134
|
391
|
C
|
Low
|
| 43
|
Adobe InDesign
|
12,046
|
388
|
Start
|
High
|
| 44
|
Creative director
|
11,682
|
376
|
Start
|
Mid
|
| 45
|
Barber's pole
|
11,532
|
372
|
B
|
Low
|
| 46
|
Comparison of European road signs
|
10,953
|
353
|
List
|
Low
|
| 47
|
Paul Rand
|
10,846
|
349
|
B
|
High
|
| 48
|
Ambigram
|
10,713
|
345
|
B
|
Mid
|
| 49
|
De Stijl
|
10,096
|
325
|
B
|
Mid
|
| 50
|
Saul Bass
|
9,895
|
319
|
B
|
High
|
| 51
|
Photograph manipulation
|
9,168
|
295
|
C
|
Low
|
| 52
|
I Love New York
|
8,757
|
282
|
Start
|
Low
|
| 53
|
Alfred A. Knopf
|
8,658
|
279
|
C
|
Low
|
| 54
|
Lisa Frank Incorporated
|
8,315
|
268
|
B
|
Low
|
| 55
|
Graphic designer
|
8,103
|
261
|
Start
|
Top
|
| 56
|
PostScript
|
7,836
|
252
|
C
|
High
|
| 57
|
Style guide
|
7,342
|
236
|
Start
|
Mid
|
| 58
|
Alpha compositing
|
7,205
|
232
|
Start
|
Unknown
|
| 59
|
Stationery
|
7,189
|
231
|
Start
|
Low
|
| 60
|
Image editing
|
6,882
|
222
|
C
|
Mid
|
| 61
|
List of airline liveries and logos
|
6,575
|
212
|
List
|
Low
|
| 62
|
Desktop publishing
|
6,423
|
207
|
C
|
Mid
|
| 63
|
Signage
|
6,319
|
203
|
Start
|
Mid
|
| 64
|
Marker pen
|
6,310
|
203
|
Start
|
Low
|
| 65
|
László Moholy-Nagy
|
6,203
|
200
|
C
|
Unknown
|
| 66
|
Peter Saville (graphic designer)
|
6,140
|
198
|
C
|
Low
|
| 67
|
Native American mascot controversy
|
6,039
|
194
|
GA
|
Low
|
| 68
|
2D computer graphics
|
5,873
|
189
|
C
|
Mid
|
| 69
|
Eraser
|
5,817
|
187
|
Start
|
Low
|
| 70
|
Adobe Dreamweaver
|
5,763
|
185
|
C
|
Mid
|
| 71
|
Mood board
|
5,481
|
176
|
Start
|
Low
|
| 72
|
Poster
|
5,457
|
176
|
C
|
High
|
| 73
|
Visual communication
|
5,408
|
174
|
Start
|
High
|
| 74
|
User interface design
|
5,328
|
171
|
C
|
Low
|
| 75
|
British Rail Double Arrow
|
5,297
|
170
|
C
|
Low
|
| 76
|
Three hares
|
5,289
|
170
|
B
|
Mid
|
| 77
|
Peter Blake (artist)
|
5,256
|
169
|
C
|
High
|
| 78
|
Josef Albers
|
5,170
|
166
|
C
|
Low
|
| 79
|
Pentagram (design firm)
|
5,167
|
166
|
C
|
High
|
| 80
|
Eric Haze
|
5,125
|
165
|
Start
|
Unknown
|
| 81
|
Swiss Style (design)
|
5,014
|
161
|
Start
|
Unknown
|
| 82
|
Susan Kare
|
5,007
|
161
|
B
|
High
|
| 83
|
Wanted poster
|
4,759
|
153
|
C
|
Low
|
| 84
|
Everydays: the First 5000 Days
|
4,734
|
152
|
Stub
|
Low
|
| 85
|
Behance
|
4,564
|
147
|
Stub
|
Low
|
| 86
|
Edward Tufte
|
4,482
|
144
|
B
|
Mid
|
| 87
|
Letterpress printing
|
4,479
|
144
|
C
|
High
|
| 88
|
Raster graphics editor
|
4,475
|
144
|
Start
|
Low
|
| 89
|
Art director
|
4,417
|
142
|
Start
|
Mid
|
| 90
|
The Designers Republic
|
4,402
|
142
|
C
|
Low
|
| 91
|
Anti-aliasing filter
|
4,346
|
140
|
C
|
Low
|
| 92
|
List of works by Banksy
|
4,337
|
139
|
List
|
Low
|
| 93
|
Milton Glaser
|
4,295
|
138
|
C
|
Mid
|
| 94
|
Digital on-screen graphic
|
4,235
|
136
|
Start
|
Low
|
| 95
|
Univers
|
4,208
|
135
|
C
|
Low
|
| 96
|
Film poster
|
4,150
|
133
|
B
|
Low
|
| 97
|
Business card
|
4,030
|
130
|
Start
|
Unknown
|
| 98
|
Neon sign
|
3,955
|
127
|
Start
|
Mid
|
| 99
|
Page layout
|
3,933
|
126
|
B
|
Mid
|
| 100
|
Spatial anti-aliasing
|
3,880
|
125
|
C
|
Mid
|
| 101
|
Global spread of the printing press
|
3,879
|
125
|
B
|
High
|
| 102
|
Mike Winkelmann
|
3,792
|
122
|
Start
|
Low
|
| 103
|
Book design
|
3,761
|
121
|
C
|
Unknown
|
| 104
|
Craig Braun
|
3,694
|
119
|
B
|
Unknown
|
| 105
|
Harvey balls
|
3,684
|
118
|
Start
|
Low
|
| 106
|
Ben Shahn
|
3,604
|
116
|
B
|
Low
|
| 107
|
Digital signage
|
3,575
|
115
|
Start
|
Mid
|
| 108
|
Sustainable design
|
3,560
|
114
|
C
|
Mid
|
| 109
|
Web banner
|
3,485
|
112
|
Start
|
Mid
|
| 110
|
Harvey Ball
|
3,362
|
108
|
C
|
Low
|
| 111
|
Outdoor advertising
|
3,361
|
108
|
Start
|
Low
|
| 112
|
Road signs in Spain
|
3,335
|
107
|
C
|
Low
|
| 113
|
Ben Day process
|
3,327
|
107
|
Start
|
Mid
|
| 114
|
Paula Scher
|
3,254
|
104
|
C
|
Unknown
|
| 115
|
D. Udaya Kumar
|
3,231
|
104
|
Start
|
Low
|
| 116
|
QuarkXPress
|
3,203
|
103
|
Start
|
High
|
| 117
|
Letterhead
|
3,136
|
101
|
Unknown
|
Unknown
|
| 118
|
Harry Beck
|
3,017
|
97
|
C
|
Low
|
| 119
|
PGF/TikZ
|
3,007
|
97
|
Start
|
Low
|
| 120
|
David Carson (graphic designer)
|
2,983
|
96
|
Start
|
Low
|
| 121
|
Visiting card
|
2,946
|
95
|
Start
|
Unknown
|
| 122
|
J. Walter Thompson
|
2,937
|
94
|
Start
|
Low
|
| 123
|
Minimalism (visual arts)
|
2,855
|
92
|
C
|
Low
|
| 124
|
Saul Steinberg
|
2,854
|
92
|
Start
|
Mid
|
| 125
|
Massimo Vignelli
|
2,816
|
90
|
C
|
High
|
| 126
|
Debbie Millman
|
2,810
|
90
|
Start
|
Low
|
| 127
|
Communication design
|
2,746
|
88
|
Start
|
Low
|
| 128
|
Cigarette card
|
2,694
|
86
|
Start
|
Mid
|
| 129
|
Karim Rashid
|
2,674
|
86
|
B
|
Mid
|
| 130
|
Polyptych
|
2,638
|
85
|
C
|
Low
|
| 131
|
The Medium Is the Massage
|
2,619
|
84
|
Start
|
Low
|
| 132
|
Cover art
|
2,603
|
83
|
Start
|
High
|
| 133
|
International Typographic Style
|
2,598
|
83
|
Start
|
Low
|
| 134
|
Warming stripes
|
2,565
|
82
|
B
|
Mid
|
| 135
|
Image stitching
|
2,539
|
81
|
C
|
Low
|
| 136
|
Chip Kidd
|
2,352
|
75
|
Start
|
Low
|
| 137
|
Suki Lopez
|
2,293
|
73
|
C
|
Low
|
| 138
|
Exit sign
|
2,286
|
73
|
Start
|
Low
|
| 139
|
Ed Thrasher
|
2,275
|
73
|
Stub
|
Low
|
| 140
|
Pen & Pixel
|
2,250
|
72
|
Start
|
Unknown
|
| 141
|
Neville Brody
|
2,243
|
72
|
C
|
High
|
| 142
|
Leo Lionni
|
2,204
|
71
|
C
|
Low
|
| 143
|
Vector graphics editor
|
2,189
|
70
|
Start
|
Mid
|
| 144
|
Rabbits and hares in art
|
2,150
|
69
|
C
|
Low
|
| 145
|
Comparison of raster graphics editors
|
2,147
|
69
|
C
|
Mid
|
| 146
|
Don't Mess with Texas
|
2,128
|
68
|
Start
|
Unknown
|
| 147
|
Bumper sticker
|
2,105
|
67
|
Start
|
Low
|
| 148
|
Calculator (Apple)
|
2,059
|
66
|
Start
|
Low
|
| 149
|
Big-character poster
|
2,042
|
65
|
B
|
Low
|
| 150
|
Commercial art
|
2,029
|
65
|
Start
|
Mid
|
| 151
|
Secession (art)
|
1,994
|
64
|
B
|
Mid
|
| 152
|
Yinka Ilori
|
1,981
|
63
|
B
|
Mid
|
| 153
|
Isotype (picture language)
|
1,977
|
63
|
Start
|
Low
|
| 154
|
Visual design elements and principles
|
1,934
|
62
|
Disambig
|
NA
|
| 155
|
Polish School of Posters
|
1,904
|
61
|
C
|
Low
|
| 156
|
History of CAD software
|
1,887
|
60
|
Start
|
Low
|
| 157
|
Storyboard artist
|
1,872
|
60
|
Start
|
Mid
|
| 158
|
John Kiss (artist)
|
1,872
|
60
|
B
|
Unknown
|
| 159
|
Cassandre
|
1,852
|
59
|
Start
|
Mid
|
| 160
|
Atkinson Hyperlegible
|
1,839
|
59
|
C
|
Low
|
| 161
|
Jessica Walsh
|
1,836
|
59
|
C
|
Mid
|
| 162
|
Hermann Zapf
|
1,825
|
58
|
C
|
Low
|
| 163
|
British Airways ethnic liveries
|
1,811
|
58
|
Start
|
Low
|
| 164
|
Motion graphic design
|
1,807
|
58
|
Stub
|
Mid
|
| 165
|
Kuwahara filter
|
1,804
|
58
|
C
|
Low
|
| 166
|
Screen space ambient occlusion
|
1,794
|
57
|
Start
|
Low
|
| 167
|
Dribbble
|
1,773
|
57
|
Start
|
Low
|
| 168
|
Color code
|
1,769
|
57
|
Start
|
Mid
|
| 169
|
Richard Saul Wurman
|
1,766
|
56
|
Start
|
Unknown
|
| 170
|
Stefan Sagmeister
|
1,753
|
56
|
C
|
High
|
| 171
|
Jan Tschichold
|
1,749
|
56
|
Start
|
Unknown
|
| 172
|
Paste up
|
1,749
|
56
|
Start
|
Low
|
| 173
|
Extinction symbol
|
1,717
|
55
|
Start
|
Low
|
| 174
|
Picnik
|
1,716
|
55
|
Start
|
Low
|
| 175
|
Kyle Cooper
|
1,706
|
55
|
C
|
Low
|
| 176
|
Koloman Moser
|
1,702
|
54
|
C
|
Mid
|
| 177
|
Ransom note effect
|
1,643
|
53
|
Start
|
Low
|
| 178
|
Emily Carr University of Art and Design
|
1,617
|
52
|
Start
|
Mid
|
| 179
|
Tadanori Yokoo
|
1,612
|
52
|
Start
|
Low
|
| 180
|
Particle system
|
1,593
|
51
|
C
|
High
|
| 181
|
John Pasche
|
1,571
|
50
|
Start
|
High
|
| 182
|
Matthew Carter
|
1,560
|
50
|
Start
|
Mid
|
| 183
|
Bruno Munari
|
1,546
|
49
|
C
|
Mid
|
| 184
|
Infinite scrolling
|
1,543
|
49
|
Unknown
|
Unknown
|
| 185
|
Otl Aicher
|
1,531
|
49
|
Start
|
High
|
| 186
|
Grid (graphic design)
|
1,516
|
48
|
Start
|
Low
|
| 187
|
John Maeda
|
1,512
|
48
|
Start
|
Unknown
|
| 188
|
Gerald Holtom
|
1,499
|
48
|
Start
|
Low
|
| 189
|
Shigetaka Kurita
|
1,475
|
47
|
Start
|
Low
|
| 190
|
For position only
|
1,465
|
47
|
Stub
|
Low
|
| 191
|
Marq (company)
|
1,438
|
46
|
C
|
Low
|
| 192
|
Alfred A. Knopf Sr.
|
1,426
|
46
|
Start
|
Low
|
| 193
|
S. Neil Fujita
|
1,423
|
45
|
Start
|
Low
|
| 194
|
AARON
|
1,420
|
45
|
Start
|
Low
|
| 195
|
Depth map
|
1,418
|
45
|
Start
|
Low
|
| 196
|
Adobe FreeHand
|
1,409
|
45
|
B
|
Mid
|
| 197
|
ISO 690
|
1,402
|
45
|
C
|
Unknown
|
| 198
|
Vignette (graphic design)
|
1,398
|
45
|
Start
|
Mid
|
| 199
|
Herbert Bayer
|
1,388
|
44
|
Start
|
Mid
|
| 200
|
Obama logo
|
1,341
|
43
|
B
|
Mid
|
| 201
|
Web typography
|
1,340
|
43
|
B
|
Low
|
| 202
|
List of common 3D test models
|
1,339
|
43
|
List
|
Low
|
| 203
|
History of graphic design
|
1,333
|
43
|
C
|
Unknown
|
| 204
|
Bill Gold
|
1,322
|
42
|
C
|
Low
|
| 205
|
Section (typography)
|
1,277
|
41
|
Start
|
Low
|
| 206
|
Josef Müller-Brockmann
|
1,271
|
41
|
Start
|
Unknown
|
| 207
|
Stanley Morison
|
1,257
|
40
|
Start
|
Mid
|
| 208
|
Consumer Aesthetics Research Institute
|
1,221
|
39
|
Start
|
Low
|
| 209
|
Herb Lubalin
|
1,212
|
39
|
Start
|
Mid
|
| 210
|
Richard Amsel
|
1,207
|
38
|
C
|
Low
|
| 211
|
Visual hierarchy
|
1,203
|
38
|
B
|
Unknown
|
| 212
|
Ecological design
|
1,193
|
38
|
Start
|
Low
|
| 213
|
Tomato (design collective)
|
1,193
|
38
|
Stub
|
Low
|
| 214
|
List of desktop publishing software
|
1,183
|
38
|
List
|
Unknown
|
| 215
|
George Lois
|
1,183
|
38
|
Start
|
Low
|
| 216
|
Graphic communication
|
1,132
|
36
|
C
|
Mid
|
| 217
|
Creative Market
|
1,121
|
36
|
Start
|
Low
|
| 218
|
Tibor Kalman
|
1,114
|
35
|
Start
|
Mid
|
| 219
|
Job Definition Format
|
1,109
|
35
|
Start
|
Low
|
| 220
|
Joshua Davis (designer)
|
1,097
|
35
|
Start
|
Low
|
| 221
|
GUI
|
1,079
|
34
|
Redirect
|
NA
|
| 222
|
Chermayeff & Geismar & Haviv
|
1,054
|
34
|
Start
|
High
|
| 223
|
Michael Bierut
|
1,050
|
33
|
C
|
High
|
| 224
|
SK1 (program)
|
1,027
|
33
|
Start
|
Mid
|
| 225
|
Alexey Brodovitch
|
1,017
|
32
|
B
|
Low
|
| 226
|
April Greiman
|
1,012
|
32
|
C
|
Mid
|
| 227
|
Chimping
|
1,009
|
32
|
Start
|
Low
|
| 228
|
Blob emoji
|
1,009
|
32
|
Start
|
Low
|
| 229
|
Frederic Goudy
|
997
|
32
|
Start
|
Mid
|
| 230
|
Michael Okuda
|
996
|
32
|
Start
|
Mid
|
| 231
|
American Institute of Graphic Arts
|
995
|
32
|
Start
|
Unknown
|
| 232
|
MyPaint
|
976
|
31
|
Start
|
Low
|
| 233
|
Tim Jacobus
|
971
|
31
|
Stub
|
Unknown
|
| 234
|
Page footer
|
966
|
31
|
Start
|
Low
|
| 235
|
Duospaced font
|
958
|
30
|
Start
|
Low
|
| 236
|
Steven Heller (design writer)
|
943
|
30
|
Start
|
Low
|
| 237
|
Alan Fletcher (graphic designer)
|
921
|
29
|
Start
|
High
|
| 238
|
Modo (software)
|
917
|
29
|
Start
|
Low
|
| 239
|
Maxime Plescia-Büchi
|
905
|
29
|
Start
|
Low
|
| 240
|
Shigeo Fukuda
|
899
|
29
|
Start
|
Low
|
| 241
|
Error diffusion
|
895
|
28
|
C
|
Low
|
| 242
|
Vizrt
|
870
|
28
|
Start
|
Low
|
| 243
|
XX (novel)
|
868
|
28
|
Stub
|
Low
|
| 244
|
Kirby Jenner
|
865
|
27
|
Start
|
Low
|
| 245
|
21 21 Design Sight
|
848
|
27
|
Start
|
Low
|
| 246
|
Armin Hofmann
|
839
|
27
|
Stub
|
Mid
|
| 247
|
Rajie Cook
|
830
|
26
|
C
|
Low
|
| 248
|
ASCII porn
|
829
|
26
|
Stub
|
Low
|
| 249
|
Leonard Baskin
|
828
|
26
|
Start
|
Low
|
| 250
|
Seymour Chwast
|
805
|
25
|
C
|
Mid
|
| 251
|
Emory Douglas
|
793
|
25
|
C
|
Low
|
| 252
|
Adobe ImageReady
|
779
|
25
|
Stub
|
Low
|
| 253
|
Page header
|
773
|
24
|
Stub
|
Low
|
| 254
|
Album covers of Blue Note Records
|
773
|
24
|
FA
|
Low
|
| 255
|
Separation of content and presentation
|
769
|
24
|
Start
|
High
|
| 256
|
Jonathan Barnbrook
|
765
|
24
|
Start
|
Low
|
| 257
|
Print design
|
765
|
24
|
Stub
|
Mid
|
| 258
|
Adobe GoLive
|
762
|
24
|
Start
|
Low
|
| 259
|
Jim Phillips (illustrator)
|
761
|
24
|
Start
|
Low
|
| 260
|
Jonathan Hoefler
|
757
|
24
|
Start
|
Unknown
|
| 261
|
Design studies
|
753
|
24
|
C
|
Mid
|
| 262
|
Plakatstil
|
752
|
24
|
Start
|
Low
|
| 263
|
Graphic design occupations
|
738
|
23
|
Start
|
Mid
|
| 264
|
Dedication (publishing)
|
738
|
23
|
C
|
Low
|
| 265
|
Brian Collins (designer)
|
729
|
23
|
C
|
Low
|
| 266
|
Alston Purvis
|
721
|
23
|
Start
|
Low
|
| 267
|
Lumia imaging apps
|
720
|
23
|
C
|
Low
|
| 268
|
Retail design
|
718
|
23
|
C
|
Low
|
| 269
|
Cartographic design
|
707
|
22
|
B
|
Unknown
|
| 270
|
Production artist
|
702
|
22
|
Stub
|
Low
|
| 271
|
William Addison Dwiggins
|
693
|
22
|
Start
|
Unknown
|
| 272
|
Lucian Bernhard
|
676
|
21
|
Start
|
Mid
|
| 273
|
Elaine Bass
|
674
|
21
|
C
|
Low
|
| 274
|
Municipal device of Chicago
|
674
|
21
|
Stub
|
Low
|
| 275
|
Reggie Parks
|
671
|
21
|
Start
|
Unknown
|
| 276
|
Camera-ready
|
670
|
21
|
Start
|
Low
|
| 277
|
Trade card
|
668
|
21
|
Unknown
|
Mid
|
| 278
|
Keith Roberts
|
668
|
21
|
C
|
Low
|
| 279
|
Design management
|
657
|
21
|
C
|
Top
|
| 280
|
Reid Miles
|
647
|
20
|
Start
|
Low
|
| 281
|
Push Pin Studios
|
640
|
20
|
C
|
Low
|
| 282
|
Pix4D
|
637
|
20
|
Stub
|
Unknown
|
| 283
|
You mean a woman can open it?
|
635
|
20
|
Start
|
Low
|
| 284
|
Edward McKnight Kauffer
|
632
|
20
|
Start
|
Mid
|
| 285
|
Irma Boom
|
625
|
20
|
Start
|
Unknown
|
| 286
|
Paul Bacon (designer)
|
621
|
20
|
C
|
Low
|
| 287
|
Clive Piercy
|
620
|
20
|
C
|
Low
|
| 288
|
Karoly Grosz (illustrator)
|
616
|
19
|
GA
|
Mid
|
| 289
|
99designs
|
609
|
19
|
Start
|
Low
|
| 290
|
Goal structuring notation
|
605
|
19
|
Stub
|
Mid
|
| 291
|
Herbert Matter
|
602
|
19
|
Start
|
Mid
|
| 292
|
NCAA Native American mascot decision
|
598
|
19
|
C
|
Low
|
| 293
|
Henry Wolf
|
585
|
18
|
Start
|
Unknown
|
| 294
|
Chicago Athenaeum
|
582
|
18
|
Start
|
Low
|
| 295
|
Ed Benguiat
|
581
|
18
|
C
|
Low
|
| 296
|
Louise Fili
|
578
|
18
|
C
|
Low
|
| 297
|
Nik Collection
|
578
|
18
|
C
|
Low
|
| 298
|
Inkie
|
576
|
18
|
Start
|
Mid
|
| 299
|
Sustainable furniture design
|
570
|
18
|
Stub
|
Low
|
| 300
|
John Gilroy (artist)
|
565
|
18
|
Stub
|
Low
|
| 301
|
Screen space directional occlusion
|
565
|
18
|
Stub
|
Low
|
| 302
|
Human Rights Logo
|
556
|
17
|
Start
|
Mid
|
| 303
|
Icon design
|
552
|
17
|
Start
|
Unknown
|
| 304
|
Bradbury Thompson
|
550
|
17
|
Start
|
Low
|
| 305
|
Henry Steiner
|
540
|
17
|
C
|
Unknown
|
| 306
|
Zuzana Licko
|
539
|
17
|
C
|
Low
|
| 307
|
Irina Blok
|
534
|
17
|
Start
|
Low
|
| 308
|
Chorochromatic map
|
532
|
17
|
B
|
Unknown
|
| 309
|
Java 3D
|
529
|
17
|
Start
|
Low
|
| 310
|
Ehrenstein illusion
|
527
|
17
|
C
|
Low
|
| 311
|
Desk pad
|
524
|
16
|
Start
|
Low
|
| 312
|
Cipe Pineles
|
522
|
16
|
Start
|
High
|
| 313
|
2020 Summer Olympic pictograms
|
521
|
16
|
C
|
Low
|
| 314
|
Lines per inch
|
517
|
16
|
Start
|
Low
|
| 315
|
Alex Steinweiss
|
517
|
16
|
Start
|
Low
|
| 316
|
Bruce Rogers (typographer)
|
511
|
16
|
Start
|
Mid
|
| 317
|
Sheila Levrant de Bretteville
|
502
|
16
|
C
|
Unknown
|
| 318
|
Emigre (magazine)
|
500
|
16
|
Start
|
Mid
|
| 319
|
Solidarity logo
|
494
|
15
|
Stub
|
Low
|
| 320
|
List of graphic designers
|
492
|
15
|
List
|
Low
|
| 321
|
Noesis (software)
|
492
|
15
|
Start
|
Low
|
| 322
|
Barbara Stauffacher Solomon
|
487
|
15
|
Start
|
Unknown
|
| 323
|
Kozyndan
|
482
|
15
|
Start
|
Low
|
| 324
|
Hamid Nadimi
|
478
|
15
|
Redirect
|
NA
|
| 325
|
Jessica Wallenfels
|
476
|
15
|
C
|
Low
|
| 326
|
Lance Wyman
|
469
|
15
|
Start
|
Unknown
|
| 327
|
Silicon Graphics Image
|
464
|
14
|
Start
|
Low
|
| 328
|
Haibao
|
461
|
14
|
Stub
|
Low
|
| 329
|
ROSTA windows
|
461
|
14
|
Stub
|
Low
|
| 330
|
KSS Design Group
|
456
|
14
|
Start
|
Low
|
| 331
|
Lester Beall
|
452
|
14
|
Stub
|
Mid
|
| 332
|
Pablo Ferro
|
445
|
14
|
C
|
Low
|
| 333
|
News design
|
441
|
14
|
Start
|
High
|
| 334
|
Yusaku Kamekura
|
436
|
14
|
C
|
Low
|
| 335
|
Ellen Lupton
|
432
|
13
|
Start
|
Unknown
|
| 336
|
PicMonkey
|
431
|
13
|
Stub
|
Low
|
| 337
|
Michael Hertz Associates
|
424
|
13
|
Start
|
Low
|
| 338
|
National Design Awards
|
423
|
13
|
List
|
Mid
|
| 339
|
Kiyoshi Awazu
|
423
|
13
|
C
|
Low
|
| 340
|
Golan Levin
|
421
|
13
|
C
|
Low
|
| 341
|
Rick Poynor
|
420
|
13
|
Stub
|
Low
|
| 342
|
Line (graphics)
|
420
|
13
|
Start
|
Low
|
| 343
|
Charles Bigelow (type designer)
|
417
|
13
|
Start
|
Low
|
| 344
|
User experience evaluation
|
414
|
13
|
Start
|
Low
|
| 345
|
Screen reading
|
413
|
13
|
Start
|
Unknown
|
| 346
|
Jeffrey Heer
|
412
|
13
|
Start
|
Unknown
|
| 347
|
Nebiolo Printech
|
411
|
13
|
Start
|
Low
|
| 348
|
Jules Siegel
|
408
|
13
|
Stub
|
Low
|
| 349
|
Rob Roy Kelly
|
408
|
13
|
Start
|
Low
|
| 350
|
Eulindra Lim
|
401
|
12
|
Start
|
Low
|
| 351
|
Dieline
|
398
|
12
|
Stub
|
Low
|
| 352
|
23 Envelope
|
397
|
12
|
Start
|
Low
|
| 353
|
Ben Fry
|
395
|
12
|
Start
|
Mid
|
| 354
|
Amos Paul Kennedy Jr.
|
394
|
12
|
C
|
Unknown
|
| 355
|
Robert Brownjohn
|
393
|
12
|
Start
|
Unknown
|
| 356
|
R. O. Blechman
|
388
|
12
|
Start
|
Low
|
| 357
|
Georg Olden (graphic designer)
|
387
|
12
|
Stub
|
Low
|
| 358
|
Mike Bostock
|
387
|
12
|
Stub
|
Unknown
|
| 359
|
The Beatles Illustrated Lyrics
|
386
|
12
|
Start
|
Low
|
| 360
|
Boxology
|
385
|
12
|
Start
|
Low
|
| 361
|
Mobirise
|
385
|
12
|
Start
|
Unknown
|
| 362
|
Design Professionals of Canada
|
382
|
12
|
Start
|
Low
|
| 363
|
Giorgia Lupi
|
378
|
12
|
Start
|
Low
|
| 364
|
Emigre Fonts
|
374
|
12
|
Start
|
Low
|
| 365
|
Daniel Sotomayor
|
373
|
12
|
Start
|
Low
|
| 366
|
Seashore (software)
|
370
|
11
|
Start
|
Low
|
| 367
|
Annie Atkins
|
370
|
11
|
Start
|
Low
|
| 368
|
Will H. Bradley
|
366
|
11
|
Start
|
Low
|
| 369
|
German Design Award
|
362
|
11
|
Start
|
Low
|
| 370
|
Lella Vignelli
|
361
|
11
|
B
|
Mid
|
| 371
|
Hightower Text
|
361
|
11
|
Start
|
Low
|
| 372
|
Artwork (graphic arts)
|
357
|
11
|
Stub
|
Mid
|
| 373
|
Ammunition Design Group
|
356
|
11
|
Start
|
Low
|
| 374
|
ACiD Productions
|
355
|
11
|
Start
|
Low
|
| 375
|
Muriel Cooper
|
353
|
11
|
C
|
Unknown
|
| 376
|
Python Anghelo
|
353
|
11
|
Start
|
Low
|
| 377
|
3D Slash
|
353
|
11
|
Start
|
Low
|
| 378
|
Dard Hunter
|
352
|
11
|
Start
|
Low
|
| 379
|
George Macy
|
350
|
11
|
Start
|
Low
|
| 380
|
Willem Sandberg
|
349
|
11
|
Start
|
Unknown
|
| 381
|
Visual variable
|
347
|
11
|
C
|
Mid
|
| 382
|
Ernst Bettler
|
346
|
11
|
Start
|
Low
|
| 383
|
Content designer
|
341
|
11
|
Start
|
Mid
|
| 384
|
Mehemed Fehmy Agha
|
341
|
11
|
Start
|
Mid
|
| 385
|
Mick Haggerty
|
339
|
10
|
Stub
|
Unknown
|
| 386
|
Sandy Dvore
|
337
|
10
|
Start
|
Low
|
| 387
|
Gary Grimshaw
|
333
|
10
|
B
|
Unknown
|
| 388
|
Thomas Spitzer
|
333
|
10
|
Start
|
Low
|
| 389
|
Peter Corriston
|
331
|
10
|
Stub
|
Low
|
| 390
|
Xanti Schawinsky
|
331
|
10
|
Start
|
Unknown
|
| 391
|
Comprehensive layout
|
330
|
10
|
Start
|
Mid
|
| 392
|
MetaDesign
|
330
|
10
|
Start
|
Low
|
| 393
|
TVBoy
|
328
|
10
|
Start
|
Low
|
| 394
|
Corporate design
|
326
|
10
|
Redirect
|
Mid
|
| 395
|
Alvin Lustig
|
326
|
10
|
Start
|
Unknown
|
| 396
|
Web content development
|
322
|
10
|
Start
|
Mid
|
| 397
|
Dori Tunstall
|
321
|
10
|
C
|
High
|
| 398
|
Jan van Krimpen
|
320
|
10
|
Start
|
Mid
|
| 399
|
Image fidelity
|
320
|
10
|
Start
|
Low
|
| 400
|
Jessica Helfand
|
317
|
10
|
Start
|
Unknown
|
| 401
|
Peter Mendelsund
|
317
|
10
|
Start
|
Low
|
| 402
|
Artkraft Strauss
|
316
|
10
|
Start
|
Low
|
| 403
|
Jayme Odgers
|
316
|
10
|
Stub
|
Low
|
| 404
|
Broadcast designer
|
315
|
10
|
Stub
|
Mid
|
| 405
|
Lettering guide
|
314
|
10
|
Start
|
Low
|
| 406
|
Manhattan Design
|
311
|
10
|
Unknown
|
Unknown
|
| 407
|
Ladislav Sutnar
|
305
|
9
|
Stub
|
Low
|
| 408
|
Tom Geismar
|
304
|
9
|
Stub
|
Unknown
|
| 409
|
Design School Kolding
|
304
|
9
|
Start
|
Unknown
|
| 410
|
Aviary (image editor)
|
303
|
9
|
Start
|
Low
|
| 411
|
DTP artist
|
302
|
9
|
Stub
|
Low
|
| 412
|
Earnest Elmo Calkins
|
301
|
9
|
C
|
Mid
|
| 413
|
Rolf Weijburg
|
301
|
9
|
Start
|
Unknown
|
| 414
|
Karlsruhe University of Arts and Design
|
300
|
9
|
C
|
Low
|
| 415
|
Mirko Hanák
|
298
|
9
|
Stub
|
Low
|
| 416
|
Richard Turley (graphic designer)
|
297
|
9
|
C
|
Low
|
| 417
|
Paul Giambarba
|
294
|
9
|
Start
|
Low
|
| 418
|
Marian Bantjes
|
294
|
9
|
Start
|
Low
|
| 419
|
Chemical X (artist)
|
294
|
9
|
Start
|
Unknown
|
| 420
|
Mikhail Sokolov
|
292
|
9
|
Start
|
Low
|
| 421
|
Hans Hilfiker
|
290
|
9
|
C
|
Mid
|
| 422
|
Jobbing press
|
288
|
9
|
Start
|
Mid
|
| 423
|
Joseph Binder (graphic designer)
|
287
|
9
|
C
|
Low
|
| 424
|
European Design Awards
|
285
|
9
|
Stub
|
Low
|
| 425
|
Jerry Dior
|
285
|
9
|
Start
|
Low
|
| 426
|
Saffron Brand Consultants
|
285
|
9
|
Start
|
Mid
|
| 427
|
List of AIGA medalists
|
284
|
9
|
List
|
Unknown
|
| 428
|
Cey Adams
|
283
|
9
|
C
|
Low
|
| 429
|
International Council of Design
|
282
|
9
|
Start
|
Mid
|
| 430
|
Paul Brooks Davis
|
282
|
9
|
Start
|
Mid
|
| 431
|
Piet Zwart
|
281
|
9
|
Start
|
Low
|
| 432
|
William Rose (illustrator)
|
278
|
8
|
GA
|
Low
|
| 433
|
Oswald Bruce Cooper
|
275
|
8
|
B
|
Low
|
| 434
|
Jacqueline Casey
|
274
|
8
|
C
|
Unknown
|
| 435
|
Derek Birdsall
|
273
|
8
|
Start
|
Low
|
| 436
|
E-Types
|
272
|
8
|
Stub
|
Low
|
| 437
|
Carlo Vivarelli
|
271
|
8
|
Stub
|
Unknown
|
| 438
|
Henryk Tomaszewski (poster artist)
|
270
|
8
|
Start
|
Low
|
| 439
|
Gudrun Zapf von Hesse
|
270
|
8
|
B
|
Low
|
| 440
|
Syd Mead's Terraforming
|
270
|
8
|
Stub
|
Low
|
| 441
|
Leif Podhajsky
|
269
|
8
|
Start
|
Mid
|
| 442
|
Invisible Creature
|
268
|
8
|
Stub
|
Low
|
| 443
|
Bob Noorda
|
266
|
8
|
C
|
Mid
|
| 444
|
Graphics coordinator
|
264
|
8
|
Start
|
Low
|
| 445
|
Quentin Fiore
|
263
|
8
|
C
|
Low
|
| 446
|
Best Art Vinyl
|
259
|
8
|
List
|
Low
|
| 447
|
Mark Farrow
|
255
|
8
|
Start
|
Mid
|
| 448
|
Curve (tonality)
|
253
|
8
|
Stub
|
Mid
|
| 449
|
Away3D
|
252
|
8
|
B
|
Low
|
| 450
|
Visual brand language
|
251
|
8
|
Start
|
Low
|
| 451
|
Angela Guzman
|
251
|
8
|
Start
|
Unknown
|
| 452
|
Art Chantry
|
250
|
8
|
Start
|
Mid
|
| 453
|
John & Paul & Ringo & George
|
250
|
8
|
Stub
|
Low
|
| 454
|
Gilbert (typeface)
|
249
|
8
|
Start
|
Low
|
| 455
|
Impossible Dream (advertisement)
|
247
|
7
|
Start
|
Low
|
| 456
|
Friedrich Kurt Fiedler
|
246
|
7
|
Start
|
Unknown
|
| 457
|
David Costa (graphic designer)
|
246
|
7
|
Start
|
Low
|
| 458
|
Fatpaint
|
242
|
7
|
Start
|
Low
|
| 459
|
William Golden (graphic designer)
|
241
|
7
|
C
|
Low
|
| 460
|
Amanda Marie
|
240
|
7
|
C
|
Unknown
|
| 461
|
MtPaint
|
240
|
7
|
C
|
Low
|
| 462
|
Paul Kuhr
|
239
|
7
|
Start
|
Low
|
| 463
|
Out of Home Advertising Association of America
|
239
|
7
|
Stub
|
Low
|
| 464
|
Michael Schwab (designer)
|
239
|
7
|
Stub
|
Unknown
|
| 465
|
Colin Forbes (graphic designer)
|
235
|
7
|
Stub
|
Mid
|
| 466
|
Kii Arens
|
235
|
7
|
C
|
Unknown
|
| 467
|
Deborah Sussman
|
235
|
7
|
C
|
Low
|
| 468
|
Gail Anderson (graphic designer)
|
234
|
7
|
C
|
Low
|
| 469
|
Edward Fella
|
233
|
7
|
Start
|
Mid
|
| 470
|
Boutros Advertisers Naskh
|
232
|
7
|
Start
|
Unknown
|
| 471
|
Germano Facetti
|
231
|
7
|
Stub
|
Low
|
| 472
|
Tom Eckersley
|
231
|
7
|
C
|
Unknown
|
| 473
|
Michael Cho (illustrator)
|
231
|
7
|
Stub
|
Low
|
| 474
|
Frederic G. Melcher
|
229
|
7
|
Start
|
Low
|
| 475
|
First Things First 2000 manifesto
|
228
|
7
|
Start
|
Low
|
| 476
|
Unimark International
|
228
|
7
|
Start
|
Low
|
| 477
|
News Bunny
|
226
|
7
|
Start
|
Low
|
| 478
|
Michael Rock (graphic designer)
|
226
|
7
|
Start
|
Low
|
| 479
|
Ray-traced ambient occlusion
|
226
|
7
|
Stub
|
Low
|
| 480
|
Paul Shaw (design historian)
|
225
|
7
|
Stub
|
Low
|
| 481
|
E. C. Stoner
|
222
|
7
|
GA
|
Low
|
| 482
|
List of Art on the Underground Tube map covers
|
221
|
7
|
List
|
Unknown
|
| 483
|
Zoltron
|
221
|
7
|
C
|
Unknown
|
| 484
|
Erik Nitsche
|
218
|
7
|
Stub
|
Unknown
|
| 485
|
Michael Wolff (graphic designer)
|
218
|
7
|
Stub
|
Low
|
| 486
|
Neue Grafik
|
218
|
7
|
Start
|
Low
|
| 487
|
International Design Awards
|
217
|
7
|
Stub
|
Low
|
| 488
|
Student design competition
|
216
|
6
|
Start
|
Low
|
| 489
|
Marina Willer
|
216
|
6
|
Stub
|
Unknown
|
| 490
|
Lawrence C. Wroth
|
213
|
6
|
C
|
Low
|
| 491
|
Thomas Maitland Cleland
|
213
|
6
|
Start
|
Low
|
| 492
|
Representative image
|
211
|
6
|
Stub
|
Low
|
| 493
|
Vignelli Associates
|
211
|
6
|
C
|
High
|
| 494
|
Patrick Clair
|
211
|
6
|
C
|
Low
|
| 495
|
Jean-Pascal Fournier
|
210
|
6
|
Stub
|
Unknown
|
| 496
|
Alliance Graphique Internationale
|
209
|
6
|
Stub
|
Low
|
| 497
|
May Massee
|
209
|
6
|
C
|
Unknown
|
| 498
|
Dan Friedman (graphic designer)
|
209
|
6
|
Start
|
Mid
|
| 499
|
Ernie Cefalu
|
208
|
6
|
Start
|
Low
|
| 500
|
Giovanni Pintori
|
208
|
6
|
Start
|
Mid
|
| 501
|
Philip B. Meggs
|
207
|
6
|
Start
|
Mid
|
| 502
|
Max Huber (graphic designer)
|
207
|
6
|
Start
|
Mid
|
| 503
|
Matrix Feminist Design Co-operative
|
206
|
6
|
C
|
Low
|
| 504
|
Brett Wickens
|
205
|
6
|
Start
|
Low
|
| 505
|
Gui Bonsiepe
|
204
|
6
|
Stub
|
Unknown
|
| 506
|
Elaine Lustig Cohen
|
204
|
6
|
C
|
Low
|
| 507
|
Soren Iverson
|
203
|
6
|
Start
|
Low
|
| 508
|
Pegasus (artist)
|
202
|
6
|
Start
|
Low
|
| 509
|
MatterHackers
|
201
|
6
|
Start
|
Low
|
| 510
|
Safiya al Bahlani
|
201
|
6
|
Start
|
Low
|
| 511
|
Patrice Murciano
|
201
|
6
|
Start
|
Low
|
| 512
|
Web template
|
200
|
6
|
Redirect
|
NA
|
| 513
|
Michael Doret
|
200
|
6
|
Start
|
Low
|
| 514
|
Bob Cato
|
199
|
6
|
Start
|
Low
|
| 515
|
Yorgo Tloupas
|
199
|
6
|
B
|
Low
|
| 516
|
Margo Chase
|
198
|
6
|
C
|
Low
|
| 517
|
Richard Hollis
|
198
|
6
|
Stub
|
Unknown
|
| 518
|
ICE Advertisements
|
197
|
6
|
Start
|
Low
|
| 519
|
Jay Alders
|
197
|
6
|
C
|
Low
|
| 520
|
Creative brief
|
194
|
6
|
Start
|
Low
|
| 521
|
Timothy Cole
|
191
|
6
|
Start
|
Low
|
| 522
|
Bob Gill (artist)
|
191
|
6
|
Start
|
Low
|
| 523
|
Emily Oberman
|
190
|
6
|
C
|
Low
|
| 524
|
Louis Oppenheim
|
188
|
6
|
Start
|
Low
|
| 525
|
Jugate
|
188
|
6
|
C
|
Low
|
| 526
|
Rudy VanderLans
|
187
|
6
|
Stub
|
Unknown
|
| 527
|
Porter Garnett
|
187
|
6
|
Start
|
Low
|
| 528
|
M & Co. (design firm)
|
186
|
6
|
Start
|
Mid
|
| 529
|
Antigirl
|
186
|
6
|
C
|
Low
|
| 530
|
William Drenttel
|
185
|
5
|
Start
|
Low
|
| 531
|
Bea Feitler
|
183
|
5
|
Start
|
Low
|
| 532
|
Steve Jenkins (author)
|
183
|
5
|
C
|
Low
|
| 533
|
Rudolf Modley
|
182
|
5
|
C
|
Unknown
|
| 534
|
Paul Barnes (designer)
|
181
|
5
|
Start
|
Low
|
| 535
|
Marc Balet
|
180
|
5
|
Start
|
Low
|
| 536
|
Jim Silke
|
180
|
5
|
Stub
|
Low
|
| 537
|
Digital typography
|
179
|
5
|
Redirect
|
NA
|
| 538
|
Daniel Berkeley Updike
|
179
|
5
|
Start
|
Low
|
| 539
|
Nabil Abou-Harb
|
178
|
5
|
C
|
Low
|
| 540
|
Lida Lopes Cardozo Kindersley
|
178
|
5
|
C
|
Unknown
|
| 541
|
Samuel Burgess-Johnson
|
178
|
5
|
Start
|
Low
|
| 542
|
Fumism
|
178
|
5
|
B
|
Mid
|
| 543
|
Rudolph Ruzicka
|
177
|
5
|
Start
|
Low
|
| 544
|
Abraham Nathanson
|
177
|
5
|
Start
|
Low
|
| 545
|
James Victore
|
174
|
5
|
Stub
|
Unknown
|
| 546
|
Roy Kuhlman
|
174
|
5
|
Start
|
Low
|
| 547
|
Ruth Ansel
|
174
|
5
|
Start
|
Low
|
| 548
|
Nick de Ville
|
174
|
5
|
Start
|
Unknown
|
| 549
|
David Plunkert
|
173
|
5
|
Stub
|
Unknown
|
| 550
|
Ootje Oxenaar
|
173
|
5
|
Stub
|
Unknown
|
| 551
|
Art Directors Club Hall of Fame
|
172
|
5
|
List
|
Low
|
| 552
|
Katherine McCoy
|
171
|
5
|
B
|
High
|
| 553
|
Bitmap textures
|
170
|
5
|
Stub
|
Low
|
| 554
|
Hans Rudi Erdt
|
170
|
5
|
Start
|
Unknown
|
| 555
|
John Casado
|
170
|
5
|
Start
|
Mid
|
| 556
|
Bob Pepper (illustrator)
|
170
|
5
|
Start
|
Low
|
| 557
|
Deena Mohamed
|
169
|
5
|
C
|
Low
|
| 558
|
Lou Dorfsman
|
167
|
5
|
Start
|
Low
|
| 559
|
Kōhei Sugiura
|
167
|
5
|
Unknown
|
Unknown
|
| 560
|
Adrian Shaughnessy
|
165
|
5
|
C
|
Low
|
| 561
|
Lo-Type
|
163
|
5
|
Stub
|
Low
|
| 562
|
Noiseless
|
163
|
5
|
Start
|
Low
|
| 563
|
Tony Lane
|
161
|
5
|
Stub
|
Low
|
| 564
|
The Ant Farm
|
160
|
5
|
Stub
|
Low
|
| 565
|
Pulsonix
|
156
|
5
|
Start
|
Unknown
|
| 566
|
J. Abbott Miller
|
154
|
4
|
Start
|
Low
|
| 567
|
John J. Graham
|
153
|
4
|
Start
|
Unknown
|
| 568
|
Rack card
|
152
|
4
|
Stub
|
Low
|
| 569
|
Sun Raster
|
152
|
4
|
Start
|
Low
|
| 570
|
William S. Harvey
|
152
|
4
|
Start
|
Low
|
| 571
|
Bruce Blackburn
|
152
|
4
|
Start
|
Low
|
| 572
|
The Gehenna Press
|
150
|
4
|
C
|
Low
|
| 573
|
Reynold Ruffins
|
149
|
4
|
C
|
Low
|
| 574
|
Roger Black (graphic designer)
|
149
|
4
|
Start
|
Low
|
| 575
|
National Library Symbol
|
149
|
4
|
Start
|
Unknown
|
| 576
|
Armando Testa
|
148
|
4
|
C
|
Low
|
| 577
|
Michael Patrick Cronan
|
146
|
4
|
C
|
Low
|
| 578
|
See Red Women's Workshop
|
145
|
4
|
Start
|
Unknown
|
| 579
|
Eric Thake
|
144
|
4
|
C
|
Low
|
| 580
|
JPEGmini
|
143
|
4
|
Start
|
Low
|
| 581
|
Philippe Apeloig
|
142
|
4
|
Start
|
Mid
|
| 582
|
Michael Manwaring
|
142
|
4
|
Start
|
Low
|
| 583
|
Demian Conrad
|
142
|
4
|
C
|
Unknown
|
| 584
|
Carnegie Mellon School of Design
|
141
|
4
|
Start
|
Mid
|
| 585
|
Papervision3D
|
141
|
4
|
Start
|
Unknown
|
| 586
|
RAWGraphs
|
141
|
4
|
Start
|
Low
|
| 587
|
Tony Chambers
|
140
|
4
|
C
|
Mid
|
| 588
|
Carin Goldberg
|
140
|
4
|
Start
|
Low
|
| 589
|
Gordon Andrews (industrial designer)
|
140
|
4
|
C
|
Mid
|
| 590
|
Jane Davis Doggett
|
139
|
4
|
Start
|
Unknown
|
| 591
|
Gail Swanlund
|
139
|
4
|
Start
|
Unknown
|
| 592
|
Foka Wolf
|
139
|
4
|
B
|
Low
|
| 593
|
Television presentation
|
138
|
4
|
Start
|
Low
|
| 594
|
Simon Halfon
|
138
|
4
|
Stub
|
Low
|
| 595
|
Rosmarie Tissi
|
138
|
4
|
Stub
|
Unknown
|
| 596
|
Jennifer Morla
|
137
|
4
|
C
|
Low
|
| 597
|
Lucille Tenazas
|
136
|
4
|
C
|
Low
|
| 598
|
Deborah Adler
|
136
|
4
|
Start
|
Low
|
| 599
|
Italpinas
|
135
|
4
|
Stub
|
Low
|
| 600
|
Paul Sahre
|
133
|
4
|
Start
|
Low
|
| 601
|
Carbone Smolan Agency
|
133
|
4
|
C
|
Low
|
| 602
|
Mackey Saturday
|
133
|
4
|
Start
|
Mid
|
| 603
|
Franzisca Baruch
|
132
|
4
|
GA
|
Low
|
| 604
|
Jer Thorp
|
131
|
4
|
Start
|
Unknown
|
| 605
|
Object co-segmentation
|
131
|
4
|
C
|
Low
|
| 606
|
Hansje van Halem
|
131
|
4
|
Start
|
Low
|
| 607
|
Alexis Georgacopoulos
|
131
|
4
|
Start
|
Low
|
| 608
|
Norman Ives
|
130
|
4
|
C
|
Low
|
| 609
|
Alexander Isley
|
129
|
4
|
Start
|
Low
|
| 610
|
Yiying Lu
|
129
|
4
|
C
|
Unknown
|
| 611
|
Sons of Chaos
|
128
|
4
|
C
|
Low
|
| 612
|
8vo (design)
|
127
|
4
|
Stub
|
Low
|
| 613
|
P. Scott Makela
|
127
|
4
|
C
|
Low
|
| 614
|
Frank Parkinson Newbould
|
127
|
4
|
Stub
|
Low
|
| 615
|
Joseph Blumenthal (printer)
|
127
|
4
|
C
|
Mid
|
| 616
|
Hisui Sugiura
|
127
|
4
|
Start
|
Mid
|
| 617
|
Deva Pardue
|
127
|
4
|
Start
|
Unknown
|
| 618
|
Neal Layton
|
124
|
4
|
Stub
|
Low
|
| 619
|
Logoworks
|
123
|
3
|
Start
|
Low
|
| 620
|
Andrew Blauvelt
|
123
|
3
|
Start
|
Low
|
| 621
|
Hans Schleger
|
123
|
3
|
C
|
Mid
|
| 622
|
FXT1
|
122
|
3
|
Start
|
Low
|
| 623
|
Fré Cohen
|
122
|
3
|
Start
|
Low
|
| 624
|
Lisa Strausfeld
|
121
|
3
|
C
|
Low
|
| 625
|
Henry Watson Kent
|
121
|
3
|
C
|
Low
|
| 626
|
Julia Hasting
|
121
|
3
|
C
|
Unknown
|
| 627
|
Melbert B. Cary Jr.
|
120
|
3
|
Start
|
Low
|
| 628
|
Gaston Redon
|
119
|
3
|
Start
|
Low
|
| 629
|
Association of Registered Graphic Designers
|
118
|
3
|
Start
|
Low
|
| 630
|
Bruno Monguzzi
|
118
|
3
|
Start
|
Unknown
|
| 631
|
Dennis Ichiyama
|
118
|
3
|
Start
|
Unknown
|
| 632
|
The Longing for Less
|
118
|
3
|
Stub
|
Low
|
| 633
|
Graphex
|
117
|
3
|
Redirect
|
NA
|
| 634
|
Inge Druckrey
|
117
|
3
|
Start
|
Low
|
| 635
|
Trickett & Webb
|
116
|
3
|
Unknown
|
Unknown
|
| 636
|
Dorothy E. Hayes
|
116
|
3
|
C
|
Mid
|
| 637
|
Rod Dyer
|
115
|
3
|
Stub
|
Low
|
| 638
|
Trevor Johnson (designer)
|
114
|
3
|
Stub
|
Unknown
|
| 639
|
E-Lab
|
114
|
3
|
B
|
Unknown
|
| 640
|
Astrid Stavro
|
113
|
3
|
Start
|
Low
|
| 641
|
Tomoko Miho
|
112
|
3
|
Start
|
Low
|
| 642
|
Louise Sandhaus
|
112
|
3
|
Start
|
Mid
|
| 643
|
List of Adobe Flash software
|
111
|
3
|
List
|
Low
|
| 644
|
Clement Mok
|
110
|
3
|
Stub
|
Low
|
| 645
|
Jaap Drupsteen
|
110
|
3
|
Stub
|
Unknown
|
| 646
|
Rudolph de Harak
|
110
|
3
|
Start
|
Low
|
| 647
|
Bob Salpeter
|
110
|
3
|
Start
|
Low
|
| 648
|
John Gall (designer)
|
110
|
3
|
Start
|
Low
|
| 649
|
Kim Rees
|
110
|
3
|
Start
|
Unknown
|
| 650
|
Antonio Peticov
|
110
|
3
|
C
|
Low
|
| 651
|
Michael Vanderbyl
|
109
|
3
|
Stub
|
Low
|
| 652
|
Lee Moyer
|
109
|
3
|
C
|
Low
|
| 653
|
Dawn Baillie
|
109
|
3
|
Start
|
Low
|
| 654
|
Arnold Armitage
|
108
|
3
|
Stub
|
Low
|
| 655
|
Burkey Belser
|
108
|
3
|
Start
|
Low
|
| 656
|
Bram de Does
|
108
|
3
|
Start
|
Mid
|
| 657
|
Noémi Raymond
|
108
|
3
|
C
|
Low
|
| 658
|
Matt Willey
|
108
|
3
|
Stub
|
Low
|
| 659
|
Epica Awards
|
107
|
3
|
Start
|
Low
|
| 660
|
Will Burtin
|
106
|
3
|
B
|
Mid
|
| 661
|
Officina Bodoni
|
106
|
3
|
Start
|
Low
|
| 662
|
Woody Pirtle
|
105
|
3
|
Start
|
Low
|
| 663
|
Lorraine Wild
|
104
|
3
|
Stub
|
Low
|
| 664
|
Malcolm Grear
|
104
|
3
|
Start
|
Low
|
| 665
|
Karl Bickel
|
104
|
3
|
C
|
Low
|
| 666
|
Bayer Cross Leverkusen
|
103
|
3
|
Redirect
|
Low
|
| 667
|
Hussain Almossawi
|
103
|
3
|
C
|
Low
|
| 668
|
Khoi Vinh
|
102
|
3
|
Stub
|
Low
|
| 669
|
Modern College of Design
|
102
|
3
|
Stub
|
Low
|
| 670
|
Will Ransom
|
102
|
3
|
Start
|
Low
|
| 671
|
Steven Brower
|
102
|
3
|
Start
|
Low
|
| 672
|
O'Plérou
|
102
|
3
|
Stub
|
Low
|
| 673
|
Jost Hochuli
|
102
|
3
|
Start
|
Low
|
| 674
|
Template generator
|
101
|
3
|
Start
|
High
|
| 675
|
Lora Lamm
|
101
|
3
|
B
|
Low
|
| 676
|
Base Design
|
100
|
3
|
Stub
|
Unknown
|
| 677
|
It is. A Magazine for Abstract Art
|
100
|
3
|
B
|
Low
|
| 678
|
Autonomous Design Group
|
100
|
3
|
Stub
|
Unknown
|
| 679
|
Tod Lippy
|
99
|
3
|
C
|
Low
|
| 680
|
Marthe Rajchman
|
97
|
3
|
B
|
Unknown
|
| 681
|
Colorway
|
96
|
3
|
Redirect
|
NA
|
| 682
|
Robert Blakeley
|
96
|
3
|
C
|
Low
|
| 683
|
Italo Lupi
|
96
|
3
|
Start
|
Low
|
| 684
|
Rob Carter
|
95
|
3
|
Start
|
Low
|
| 685
|
Steve Duenes
|
95
|
3
|
Start
|
Low
|
| 686
|
Michael Gericke
|
94
|
3
|
C
|
Low
|
| 687
|
Visualizer (advertising)
|
93
|
3
|
Redirect
|
Low
|
| 688
|
Sandra Eisert
|
93
|
3
|
B
|
Mid
|
| 689
|
Graphical time warping
|
93
|
3
|
C
|
Low
|
| 690
|
JESS3
|
92
|
2
|
Start
|
Low
|
| 691
|
Edley ODowd
|
92
|
2
|
Start
|
Low
|
| 692
|
George Tscherny
|
91
|
2
|
Start
|
Mid
|
| 693
|
Chepman and Myllar Press
|
91
|
2
|
C
|
Low
|
| 694
|
Semi-Permanent
|
91
|
2
|
Start
|
Low
|
| 695
|
Robert E. Pearlman
|
91
|
2
|
C
|
Low
|
| 696
|
Yang Sung-chun
|
90
|
2
|
Start
|
Low
|
| 697
|
Kit Hinrichs
|
89
|
2
|
C
|
Low
|
| 698
|
Matt Gondek
|
89
|
2
|
Start
|
Low
|
| 699
|
Angus Hyland
|
88
|
2
|
Start
|
Low
|
| 700
|
Jan V. White
|
88
|
2
|
Start
|
Low
|
| 701
|
Art Sims
|
87
|
2
|
Start
|
Unknown
|
| 702
|
Strategy visualization
|
86
|
2
|
Stub
|
Low
|
| 703
|
Agrafka Creative Workshop
|
86
|
2
|
Start
|
Low
|
| 704
|
David Berman (graphic designer)
|
85
|
2
|
Start
|
Low
|
| 705
|
Chrysler Design Award
|
85
|
2
|
List
|
Low
|
| 706
|
Olga Kaljakin
|
84
|
2
|
Stub
|
Low
|
| 707
|
Walter Herdeg
|
84
|
2
|
B
|
Mid
|
| 708
|
Marget Larsen
|
84
|
2
|
Start
|
Low
|
| 709
|
Stefan G. Bucher
|
82
|
2
|
C
|
Low
|
| 710
|
Kevin Reagan
|
82
|
2
|
Stub
|
Low
|
| 711
|
Decorative Designers
|
80
|
2
|
Start
|
Low
|
| 712
|
Ougrapo
|
79
|
2
|
Stub
|
Unknown
|
| 713
|
Harrie Geelen
|
79
|
2
|
Stub
|
Unknown
|
| 714
|
Homer Lee
|
79
|
2
|
Stub
|
Low
|
| 715
|
Jason Munn
|
79
|
2
|
C
|
Low
|
| 716
|
Carl Fischer (photographer)
|
79
|
2
|
C
|
Low
|
| 717
|
Ron Miriello
|
78
|
2
|
C
|
Low
|
| 718
|
Simon C. Page
|
78
|
2
|
Start
|
Low
|
| 719
|
WRDSMTH
|
78
|
2
|
Start
|
Unknown
|
| 720
|
Web button
|
77
|
2
|
Redirect
|
Low
|
| 721
|
Donald M. Anderson
|
77
|
2
|
Start
|
Low
|
| 722
|
Morton Goldsholl Associates
|
77
|
2
|
Start
|
Low
|
| 723
|
Henry Lewis Bullen
|
77
|
2
|
Start
|
Low
|
| 724
|
Peter Seitz
|
76
|
2
|
Start
|
Low
|
| 725
|
Evert Bloemsma
|
76
|
2
|
Start
|
Unknown
|
| 726
|
Louis Silverstein
|
76
|
2
|
Stub
|
Low
|
| 727
|
Span (design firm)
|
76
|
2
|
Start
|
High
|
| 728
|
A Smile in the Mind
|
74
|
2
|
Start
|
Unknown
|
| 729
|
Alan Peckolick
|
72
|
2
|
Start
|
Unknown
|
| 730
|
Adam and Sophie Gimbel Design Library
|
72
|
2
|
Stub
|
Low
|
| 731
|
Stefanie Posavec
|
72
|
2
|
Start
|
Unknown
|
| 732
|
Doremus & Co.
|
71
|
2
|
Stub
|
Low
|
| 733
|
Alvin Eisenman
|
71
|
2
|
Stub
|
Low
|
| 734
|
Robert Rabinowitz
|
71
|
2
|
Stub
|
Low
|
| 735
|
Brett Yasko
|
71
|
2
|
C
|
Low
|
| 736
|
Leon Friend
|
71
|
2
|
Start
|
Low
|
| 737
|
Tom Carnase
|
71
|
2
|
C
|
Low
|
| 738
|
Rick Valicenti
|
70
|
2
|
C
|
High
|
| 739
|
Vicente Rojo Almazán
|
70
|
2
|
Stub
|
Unknown
|
| 740
|
The History of Graphic Design
|
70
|
2
|
Start
|
Low
|
| 741
|
Fons Hickmann
|
69
|
2
|
Start
|
Low
|
| 742
|
Patrick Thomas (graphic artist)
|
69
|
2
|
Start
|
Low
|
| 743
|
Romana Javitz
|
69
|
2
|
C
|
Low
|
| 744
|
The Blockhouse of Boston
|
69
|
2
|
C
|
Low
|
| 745
|
Dafi Kühne
|
69
|
2
|
C
|
Low
|
| 746
|
Noreen Morioka
|
68
|
2
|
Start
|
Unknown
|
| 747
|
Janet Froelich
|
67
|
2
|
Start
|
Low
|
| 748
|
Basmah Felemban
|
67
|
2
|
Start
|
Low
|
| 749
|
Rufus Segar
|
67
|
2
|
Stub
|
Low
|
| 750
|
Dennis Kois
|
66
|
2
|
Start
|
Low
|
| 751
|
Paul Soulellis
|
66
|
2
|
C
|
Low
|
| 752
|
Jianping He
|
66
|
2
|
C
|
Unknown
|
| 753
|
América Sánchez
|
66
|
2
|
Stub
|
Low
|
| 754
|
Roland Hobart
|
65
|
2
|
C
|
Mid
|
| 755
|
Kijuro Yahagi
|
64
|
2
|
Start
|
Low
|
| 756
|
Noel Martin
|
62
|
2
|
Start
|
Low
|
| 757
|
Mike Warren (designer)
|
62
|
2
|
C
|
Unknown
|
| 758
|
Gene Federico
|
62
|
2
|
Start
|
Low
|
| 759
|
LiveQuartz
|
62
|
2
|
Start
|
Low
|
| 760
|
AutoCollage 2008
|
61
|
1
|
Stub
|
Low
|
| 761
|
Assil Diab
|
61
|
1
|
Start
|
Low
|
| 762
|
Jakup Ferri (artist)
|
61
|
1
|
Stub
|
Low
|
| 763
|
Gideon Amichay
|
60
|
1
|
Start
|
Low
|
| 764
|
Gertrude Huston
|
60
|
1
|
C
|
Low
|
| 765
|
ANY (magazine)
|
59
|
1
|
Stub
|
Low
|
| 766
|
Michael Mabry
|
59
|
1
|
Stub
|
Unknown
|
| 767
|
Guo Chunning
|
58
|
1
|
Stub
|
Unknown
|
| 768
|
Signal (typeface)
|
58
|
1
|
Start
|
Low
|
| 769
|
Sue Crolick
|
58
|
1
|
B
|
Low
|
| 770
|
Lita Talarico
|
57
|
1
|
Start
|
Low
|
| 771
|
Meredith Davis
|
57
|
1
|
Start
|
Low
|
| 772
|
Francesco Torniello
|
56
|
1
|
Start
|
Low
|
| 773
|
Frank Rocholl
|
56
|
1
|
C
|
Low
|
| 774
|
Adobe Photoshop CS5 Macintosh
|
56
|
1
|
Redirect
|
NA
|
| 775
|
Makoto Saitō (designer)
|
55
|
1
|
Stub
|
Low
|
| 776
|
Thomas Letts
|
54
|
1
|
Start
|
Low
|
| 777
|
Mag+
|
54
|
1
|
C
|
Low
|
| 778
|
Elsa Jernås
|
54
|
1
|
Start
|
Low
|
| 779
|
Clarence P. Hornung
|
53
|
1
|
Start
|
Low
|
| 780
|
Jennifer Kinon
|
53
|
1
|
Stub
|
Unknown
|
| 781
|
Ian Moo-Young
|
52
|
1
|
Start
|
Low
|
| 782
|
Burt Goldblatt
|
52
|
1
|
Start
|
Low
|
| 783
|
Ismar David
|
52
|
1
|
Stub
|
Low
|
| 784
|
Document composition
|
51
|
1
|
Stub
|
Mid
|
| 785
|
The Poster
|
51
|
1
|
Stub
|
Low
|
| 786
|
J. Thomson Willing
|
51
|
1
|
Start
|
Low
|
| 787
|
Tony DiSpigna
|
51
|
1
|
Start
|
Low
|
| 788
|
Jurriaan Schrofer
|
51
|
1
|
Stub
|
Unknown
|
| 789
|
Nico de Haas
|
50
|
1
|
Stub
|
Unknown
|
| 790
|
Urso Chappell
|
50
|
1
|
Stub
|
Low
|
| 791
|
Independent Publishing Resource Center
|
50
|
1
|
Start
|
Low
|
| 792
|
Gerrit Willem Ovink
|
50
|
1
|
Stub
|
Low
|
| 793
|
Do Good Design
|
49
|
1
|
Stub
|
Low
|
| 794
|
Michael Hendrix
|
49
|
1
|
C
|
Low
|
| 795
|
Harmen Liemburg
|
49
|
1
|
Start
|
Unknown
|
| 796
|
Jo Mazelis
|
49
|
1
|
C
|
Mid
|
| 797
|
Hans Neuburg
|
49
|
1
|
Stub
|
Unknown
|
| 798
|
Fabrizio Schiavi
|
48
|
1
|
Start
|
Low
|
| 799
|
Alison Forbes
|
48
|
1
|
C
|
Low
|
| 800
|
Norman Wilson (graphic designer)
|
48
|
1
|
Start
|
Unknown
|
| 801
|
Jason Pickleman
|
48
|
1
|
Start
|
Unknown
|
| 802
|
Rick Griffith
|
48
|
1
|
Unknown
|
Unknown
|
| 803
|
Number Seventeen (design)
|
47
|
1
|
Stub
|
Unknown
|
| 804
|
Pierre Kleykamp
|
47
|
1
|
Start
|
Unknown
|
| 805
|
Jacques Koeweiden
|
47
|
1
|
Start
|
Low
|
| 806
|
Finn Nygaard
|
47
|
1
|
Start
|
Unknown
|
| 807
|
Joel Robinson (graphic designer)
|
47
|
1
|
Start
|
Low
|
| 808
|
Jarlath Hayes
|
47
|
1
|
Start
|
Low
|
| 809
|
Gruye-Vogt Organization
|
47
|
1
|
Start
|
Low
|
| 810
|
Dorothy Shepard
|
47
|
1
|
Start
|
Unknown
|
| 811
|
Rudi Bass
|
46
|
1
|
Start
|
Unknown
|
| 812
|
Catherine Zask
|
46
|
1
|
C
|
Low
|
| 813
|
Faride Mereb
|
46
|
1
|
Start
|
Unknown
|
| 814
|
Emmett McBain
|
46
|
1
|
Start
|
Unknown
|
| 815
|
Communicate: Independent British Graphic Design since the Sixties
|
45
|
1
|
Stub
|
Unknown
|
| 816
|
Tevfik Fikret Uçar
|
45
|
1
|
Start
|
Low
|
| 817
|
Jauhien Kulik
|
45
|
1
|
Start
|
Low
|
| 818
|
Lou Nolan (artist)
|
45
|
1
|
Start
|
Unknown
|
| 819
|
Lorraine Louie
|
45
|
1
|
Stub
|
Low
|
| 820
|
Comparison of user features of chatbots
|
45
|
1
|
Redirect
|
NA
|
| 821
|
Fra Paalman
|
45
|
1
|
C
|
Low
|
| 822
|
Jerome Snyder
|
44
|
1
|
Start
|
Low
|
| 823
|
Pino Tovaglia
|
44
|
1
|
Start
|
Mid
|
| 824
|
Gene Greif
|
44
|
1
|
Stub
|
Low
|
| 825
|
Söre Popitz
|
44
|
1
|
Start
|
Low
|
| 826
|
Helene Nonné-Schmidt
|
44
|
1
|
Start
|
Low
|
| 827
|
List of trademarks featuring Native Americans
|
43
|
1
|
List
|
Low
|
| 828
|
WireframeSketcher
|
43
|
1
|
Start
|
Low
|
| 829
|
Advertising Producers Association
|
43
|
1
|
Stub
|
Low
|
| 830
|
Elmer Adler
|
43
|
1
|
Start
|
Low
|
| 831
|
Georgianna Stout
|
43
|
1
|
Start
|
Low
|
| 832
|
Pablo Martín (graphic designer)
|
43
|
1
|
Start
|
Unknown
|
| 833
|
Gene Mackles
|
43
|
1
|
Unknown
|
Unknown
|
| 834
|
Pieter Brattinga
|
42
|
1
|
Stub
|
Unknown
|
| 835
|
75B
|
42
|
1
|
Start
|
Low
|
| 836
|
Stephen H. Horgan
|
41
|
1
|
Stub
|
Low
|
| 837
|
Gamma Epsilon Tau
|
41
|
1
|
Start
|
Unknown
|
| 838
|
The Electronic Font Foundry
|
41
|
1
|
Stub
|
Low
|
| 839
|
John G. Agar (lawyer)
|
41
|
1
|
Start
|
Low
|
| 840
|
Michel Wlassikoff
|
41
|
1
|
Stub
|
Low
|
| 841
|
Huda Smitshuijzen AbiFarès
|
41
|
1
|
Start
|
Low
|
| 842
|
Linked by Air
|
41
|
1
|
C
|
High
|
| 843
|
Gonzalo Tassier
|
40
|
1
|
Unknown
|
Unknown
|
| 844
|
P. J. Conkwright
|
40
|
1
|
Start
|
Low
|
| 845
|
Henrietta Condak
|
40
|
1
|
Start
|
Unknown
|
| 846
|
Leo Obstbaum
|
39
|
1
|
Start
|
Unknown
|
| 847
|
Piet Gerards
|
39
|
1
|
Start
|
Unknown
|
| 848
|
Paul Bennett (typographer)
|
38
|
1
|
Stub
|
Unknown
|
| 849
|
Moses Bahelfer
|
38
|
1
|
Start
|
Unknown
|
| 850
|
Hiwa Pashaei
|
38
|
1
|
C
|
Low
|
| 851
|
Paul Balin
|
38
|
1
|
Stub
|
Low
|
| 852
|
Herbert Temple Jr.
|
38
|
1
|
C
|
Low
|
| 853
|
Outline of advertising
|
37
|
1
|
List
|
High
|
| 854
|
Roger Ferriter
|
37
|
1
|
Start
|
Low
|
| 855
|
Hugo Puttaert
|
37
|
1
|
Start
|
Low
|
| 856
|
Futuracha Pro
|
37
|
1
|
Stub
|
Low
|
| 857
|
100 Beste Plakate
|
37
|
1
|
Start
|
Low
|
| 858
|
Raymond Ameijide
|
36
|
1
|
Stub
|
Low
|
| 859
|
Karen TenEyck
|
36
|
1
|
Start
|
Unknown
|
| 860
|
Stratford Press (Cincinnati)
|
36
|
1
|
C
|
Low
|
| 861
|
Marion Sampler
|
36
|
1
|
C
|
Low
|
| 862
|
Ben Blank
|
35
|
1
|
Start
|
Low
|
| 863
|
John Charles Norman
|
35
|
1
|
Stub
|
Low
|
| 864
|
Anne-Birthe Hove
|
35
|
1
|
Stub
|
Low
|
| 865
|
Axel Bertram
|
35
|
1
|
C
|
Unknown
|
| 866
|
Robert L. Leslie
|
34
|
1
|
Start
|
Low
|
| 867
|
Graphic Thought Facility
|
33
|
1
|
Stub
|
Unknown
|
| 868
|
Józef Mroszczak
|
32
|
1
|
Start
|
Unknown
|
| 869
|
Gyorgy Bp. Szabo
|
32
|
1
|
Start
|
Low
|
| 870
|
Harry Lapow
|
32
|
1
|
C
|
Low
|
| 871
|
Ivan Ivanitsky
|
32
|
1
|
Start
|
Low
|
| 872
|
Sony Ziris
|
31
|
1
|
Start
|
Mid
|
| 873
|
Paul Clark (designer)
|
31
|
1
|
C
|
Unknown
|
| 874
|
William A. Kittredge
|
31
|
1
|
Start
|
Low
|
| 875
|
Don Trousdell
|
31
|
1
|
Start
|
Low
|
| 876
|
Erik Heyl
|
31
|
1
|
Start
|
Unknown
|
| 877
|
Péter Pócs
|
31
|
1
|
Start
|
Low
|
| 878
|
Institute of Designers in Ireland
|
30
|
0
|
Start
|
Low
|
| 879
|
Krome photos
|
30
|
0
|
Stub
|
Low
|
| 880
|
Paul Dumas
|
30
|
0
|
Start
|
Low
|
| 881
|
Sally Carns
|
29
|
0
|
Stub
|
Low
|
| 882
|
Erkki Ruuhinen
|
29
|
0
|
Start
|
Unknown
|
| 883
|
Tinc (retail)
|
29
|
0
|
Stub
|
Low
|
| 884
|
Swiss Design Awards
|
29
|
0
|
Start
|
Low
|
| 885
|
Calori & Vanden-Eynden
|
28
|
0
|
Start
|
Low
|
| 886
|
Monica Ulmanu
|
28
|
0
|
Stub
|
Unknown
|
| 887
|
Stanisław Czerski
|
27
|
0
|
Stub
|
Unknown
|
| 888
|
Wiesław Rosocha
|
26
|
0
|
Stub
|
Low
|
| 889
|
Ray Nash
|
26
|
0
|
Start
|
Low
|
| 890
|
Société des designers graphiques du Québec
|
26
|
0
|
Start
|
Low
|
| 891
|
Maggie Baylis
|
26
|
0
|
Start
|
Unknown
|
| 892
|
Edward Epstean
|
26
|
0
|
Start
|
Low
|
| 893
|
Carl Purington Rollins
|
25
|
0
|
Start
|
Low
|
| 894
|
Warren Group – Studio Deluxe
|
24
|
0
|
Start
|
Low
|
| 895
|
Glenn Goluska
|
24
|
0
|
Stub
|
Unknown
|
| 896
|
Ryszard Grzyb
|
24
|
0
|
Stub
|
Low
|
| 897
|
Abel Mignon
|
24
|
0
|
Start
|
Low
|
| 898
|
Ivo Puhonny
|
23
|
0
|
Start
|
Low
|
| 899
|
3D Artist
|
22
|
0
|
Redirect
|
Low
|
| 900
|
Willy de Majo
|
22
|
0
|
C
|
Unknown
|
| 901
|
Suranga Udari
|
22
|
0
|
Start
|
Low
|
| 902
|
Bernie Haynes Robynson
|
22
|
0
|
Start
|
Low
|
| 903
|
Andriy Chebykin
|
22
|
0
|
Start
|
Low
|
| 904
|
GumCo
|
21
|
0
|
Stub
|
Low
|
| 905
|
Anna Sipkema
|
21
|
0
|
C
|
Unknown
|
| 906
|
Laurie Haycock Makela
|
21
|
0
|
C
|
Low
|
| 907
|
Burton Emmett
|
20
|
0
|
Start
|
Unknown
|
| 908
|
Boudewijn Ietswaart
|
20
|
0
|
C
|
Low
|
| 909
|
VertigoXmedia
|
19
|
0
|
Stub
|
Low
|
| 910
|
Fabio Mochi
|
19
|
0
|
Start
|
Low
|
| 911
|
Carl Max Schultheiss
|
19
|
0
|
Start
|
Low
|
| 912
|
Arabik Baghdasarian
|
19
|
0
|
Unknown
|
Unknown
|
| 913
|
Hans Leistikow (artist)
|
19
|
0
|
Start
|
Low
|
| 914
|
Spectrum Award for Advertising
|
18
|
0
|
Redirect
|
Low
|
| 915
|
Ann Willoughby
|
17
|
0
|
C
|
Low
|
| 916
|
Karmele Leizaola
|
17
|
0
|
C
|
Unknown
|
| 917
|
Charles Burki
|
17
|
0
|
Stub
|
Low
|
| 918
|
Robert Ballagh postage stamp designs
|
17
|
0
|
List
|
Low
|
| 919
|
Alioum Moussa
|
15
|
0
|
Start
|
Low
|
| 920
|
The Firecracker Press
|
14
|
0
|
Start
|
Low
|
| 921
|
I Heart New York
|
13
|
0
|
Redirect
|
NA
|
| 922
|
Norman T.A. Munder
|
12
|
0
|
C
|
Mid
|
| 923
|
Saul Mandel
|
12
|
0
|
Start
|
Low
|
| 924
|
Marie Victor Poterlet
|
12
|
0
|
Start
|
Low
|
| 925
|
Standing Committee of Trade Unions in the Graphic Industry
|
11
|
0
|
Stub
|
Low
|
| 926
|
Claude Perchat
|
9
|
0
|
Unknown
|
Unknown
|
| 927
|
Adobe Illustrator CS6 (Macintosh)
|
8
|
0
|
Redirect
|
NA
|
| 928
|
Graphical design
|
8
|
0
|
Redirect
|
NA
|
| 929
|
Jabbar Gasimov
|
7
|
0
|
Start
|
Low
|
| 930
|
Alfred H. Howard
|
7
|
0
|
Stub
|
Unknown
|
| 931
|
Ari Forman
|
6
|
0
|
Redirect
|
NA
|
| 932
|
Péter Virágvölgyi
|
4
|
0
|
C
|
Low
|
| 933
|
AIGA, the professional association for design
|
0
|
0
|
Redirect
|
NA
|
| 934
|
Nicolas Henchoz
|
0
|
0
|
Start
|
Unknown
|
| 935
|
Matrix (typeface)
|
0
|
0
|
Start
|
Unknown
|
| 936
|
Eli Gross
|
0
|
0
|
C
|
Unknown
|