| Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
| 1
|
Johann Wolfgang von Goethe
|
72,473
|
2,337
|
B
|
Mid
|
| 2
|
Eye color
|
65,585
|
2,115
|
C
|
Mid
|
| 3
|
List of colors: A–F
|
62,349
|
2,011
|
List
|
High
|
| 4
|
Blue
|
61,383
|
1,980
|
B
|
Top
|
| 5
|
Red hair
|
57,889
|
1,867
|
C
|
Low
|
| 6
|
Rainbow
|
54,018
|
1,742
|
C
|
Unknown
|
| 7
|
Camera
|
46,346
|
1,495
|
C
|
Unknown
|
| 8
|
Color blindness
|
44,382
|
1,431
|
B
|
Top
|
| 9
|
Light
|
42,000
|
1,354
|
B
|
Unknown
|
| 10
|
Shades of blue
|
38,217
|
1,232
|
List
|
Mid
|
| 11
|
Purple
|
36,719
|
1,184
|
C
|
High
|
| 12
|
Web colors
|
36,485
|
1,176
|
C
|
Mid
|
| 13
|
Photon
|
35,885
|
1,157
|
B
|
Unknown
|
| 14
|
Red
|
34,944
|
1,127
|
B
|
Top
|
| 15
|
Shades of green
|
33,915
|
1,094
|
List
|
Mid
|
| 16
|
Black-body radiation
|
33,338
|
1,075
|
B
|
Unknown
|
| 17
|
Liquid-crystal display
|
33,211
|
1,071
|
B
|
Unknown
|
| 18
|
Human skin color
|
32,561
|
1,050
|
B
|
High
|
| 19
|
Black
|
32,130
|
1,036
|
C
|
Top
|
| 20
|
Color
|
31,941
|
1,030
|
B
|
Top
|
| 21
|
List of Crayola crayon colors
|
29,713
|
958
|
List
|
Mid
|
| 22
|
PAL
|
29,685
|
957
|
C
|
Low
|
| 23
|
RGB color model
|
29,473
|
950
|
B
|
High
|
| 24
|
Technicolor
|
28,645
|
924
|
C
|
Low
|
| 25
|
Indigo
|
28,274
|
912
|
Start
|
Mid
|
| 26
|
Blond
|
27,377
|
883
|
C
|
Low
|
| 27
|
Shades of red
|
27,139
|
875
|
List
|
Mid
|
| 28
|
Green
|
26,914
|
868
|
B
|
Top
|
| 29
|
White
|
25,934
|
836
|
C
|
Top
|
| 30
|
Magenta
|
25,735
|
830
|
Start
|
High
|
| 31
|
OLED
|
25,616
|
826
|
B
|
Unknown
|
| 32
|
Tyrian purple
|
25,476
|
821
|
B
|
Mid
|
| 33
|
Vermilion
|
25,437
|
820
|
C
|
Mid
|
| 34
|
Prussian blue
|
24,675
|
795
|
B
|
Mid
|
| 35
|
Primary color
|
24,289
|
783
|
B
|
Top
|
| 36
|
CMYK color model
|
24,213
|
781
|
Start
|
High
|
| 37
|
Qualia
|
24,118
|
778
|
B
|
Unknown
|
| 38
|
Shades of pink
|
24,006
|
774
|
List
|
Mid
|
| 39
|
Vantablack
|
23,245
|
749
|
C
|
Low
|
| 40
|
HSL and HSV
|
23,051
|
743
|
B
|
High
|
| 41
|
Visible spectrum
|
22,984
|
741
|
B
|
Top
|
| 42
|
Shades of purple
|
22,959
|
740
|
List
|
Mid
|
| 43
|
Yellow
|
22,820
|
736
|
C
|
Top
|
| 44
|
Redshift
|
22,659
|
730
|
FA
|
Unknown
|
| 45
|
Color wheel
|
22,565
|
727
|
C
|
High
|
| 46
|
Violet (color)
|
22,143
|
714
|
B
|
High
|
| 47
|
Human eye
|
21,977
|
708
|
B
|
Unknown
|
| 48
|
Beer–Lambert law
|
21,916
|
706
|
Start
|
Unknown
|
| 49
|
Chartreuse (color)
|
21,531
|
694
|
Start
|
Mid
|
| 50
|
Planck's law
|
21,461
|
692
|
B
|
Unknown
|
| 51
|
Cyan
|
21,456
|
692
|
C
|
High
|
| 52
|
ROYGBIV
|
21,375
|
689
|
Start
|
Mid
|
| 53
|
Human hair color
|
21,371
|
689
|
Start
|
Mid
|
| 54
|
Fitzpatrick scale
|
21,283
|
686
|
Start
|
Low
|
| 55
|
Ochre
|
21,184
|
683
|
C
|
Mid
|
| 56
|
Impossible color
|
20,975
|
676
|
Start
|
Mid
|
| 57
|
Rayleigh scattering
|
20,860
|
672
|
B
|
Unknown
|
| 58
|
Fuchsia (color)
|
20,412
|
658
|
Start
|
Mid
|
| 59
|
Eye
|
20,213
|
652
|
B
|
Unknown
|
| 60
|
Shades of brown
|
20,173
|
650
|
List
|
Mid
|
| 61
|
Olo (color)
|
18,666
|
602
|
Stub
|
Low
|
| 62
|
Color theory
|
18,647
|
601
|
C
|
Top
|
| 63
|
Light skin
|
18,625
|
600
|
B
|
High
|
| 64
|
Terracotta
|
18,267
|
589
|
Start
|
Low
|
| 65
|
Lists of colors
|
18,159
|
585
|
List
|
Mid
|
| 66
|
CIE 1931 color space
|
17,884
|
576
|
B
|
High
|
| 67
|
Shades of gray
|
17,618
|
568
|
List
|
Mid
|
| 68
|
Tetrachromacy
|
17,532
|
565
|
C
|
High
|
| 69
|
Haint blue
|
17,170
|
553
|
Start
|
Low
|
| 70
|
Pink
|
17,083
|
551
|
C
|
High
|
| 71
|
Optics
|
17,015
|
548
|
B
|
Unknown
|
| 72
|
Orange (colour)
|
16,736
|
539
|
C
|
High
|
| 73
|
Periwinkle (color)
|
16,655
|
537
|
Stub
|
Mid
|
| 74
|
Color television
|
16,511
|
532
|
B
|
Mid
|
| 75
|
CIELAB color space
|
16,299
|
525
|
C
|
High
|
| 76
|
List of colors (alphabetical)
|
16,236
|
523
|
List
|
Low
|
| 77
|
NTSC
|
16,228
|
523
|
C
|
Low
|
| 78
|
Ultramarine
|
16,156
|
521
|
C
|
Mid
|
| 79
|
Khaki
|
16,110
|
519
|
Start
|
Mid
|
| 80
|
Shades of yellow
|
15,879
|
512
|
List
|
Mid
|
| 81
|
Teal
|
15,783
|
509
|
C
|
High
|
| 82
|
Pantone
|
15,769
|
508
|
Start
|
High
|
| 83
|
Black body
|
15,763
|
508
|
B
|
Mid
|
| 84
|
Spectroscopy
|
15,703
|
506
|
C
|
Unknown
|
| 85
|
Fluorescence
|
15,632
|
504
|
B
|
Unknown
|
| 86
|
Grey
|
15,597
|
503
|
C
|
Top
|
| 87
|
Quantum dot
|
15,446
|
498
|
C
|
Unknown
|
| 88
|
Dark skin
|
14,841
|
478
|
B
|
High
|
| 89
|
Cerulean
|
14,339
|
462
|
Start
|
Low
|
| 90
|
Political colour
|
14,241
|
459
|
B
|
Low
|
| 91
|
Iridescence
|
14,200
|
458
|
Start
|
Mid
|
| 92
|
Color temperature
|
14,106
|
455
|
B
|
High
|
| 93
|
Blue raspberry flavor
|
13,988
|
451
|
Start
|
Low
|
| 94
|
Paint
|
13,959
|
450
|
C
|
High
|
| 95
|
Visual perception
|
13,827
|
446
|
C
|
Mid
|
| 96
|
Brown
|
13,621
|
439
|
Start
|
High
|
| 97
|
Color depth
|
13,610
|
439
|
C
|
Mid
|
| 98
|
List of colors by shade
|
13,437
|
433
|
List
|
Low
|
| 99
|
Complementary colors
|
13,316
|
429
|
Start
|
High
|
| 100
|
Scarlet (color)
|
13,060
|
421
|
C
|
Mid
|
| 101
|
List of colors: N–Z
|
12,871
|
415
|
List
|
High
|
| 102
|
Brown hair
|
12,823
|
413
|
C
|
Low
|
| 103
|
Printer (computing)
|
12,765
|
411
|
C
|
Unknown
|
| 104
|
Sky blue
|
12,744
|
411
|
Start
|
High
|
| 105
|
Shades of white
|
12,655
|
408
|
List
|
Mid
|
| 106
|
Diffraction grating
|
12,593
|
406
|
C
|
Unknown
|
| 107
|
Beige
|
12,465
|
402
|
C
|
Mid
|
| 108
|
Brilliant blue FCF
|
12,461
|
401
|
C
|
Mid
|
| 109
|
Burgundy (color)
|
12,426
|
400
|
Start
|
Low
|
| 110
|
Shades of orange
|
12,408
|
400
|
List
|
Mid
|
| 111
|
Freckle
|
12,378
|
399
|
Start
|
Low
|
| 112
|
Turquoise (color)
|
12,306
|
396
|
C
|
Mid
|
| 113
|
Retina
|
12,177
|
392
|
B
|
Unknown
|
| 114
|
Maroon
|
12,141
|
391
|
C
|
Mid
|
| 115
|
Skin whitening
|
12,010
|
387
|
B
|
Low
|
| 116
|
International Klein Blue
|
11,814
|
381
|
C
|
Low
|
| 117
|
Color vision
|
11,746
|
378
|
B
|
Top
|
| 118
|
Reflection (physics)
|
11,663
|
376
|
C
|
Unknown
|
| 119
|
Shades of cyan
|
11,568
|
373
|
List
|
Mid
|
| 120
|
Color term
|
11,512
|
371
|
Start
|
High
|
| 121
|
Lavender (color)
|
11,507
|
371
|
C
|
Low
|
| 122
|
Crimson
|
11,482
|
370
|
Start
|
Mid
|
| 123
|
Gamma correction
|
11,384
|
367
|
C
|
Unknown
|
| 124
|
Blue–green distinction in language
|
11,375
|
366
|
Start
|
Mid
|
| 125
|
SRGB
|
11,129
|
359
|
C
|
High
|
| 126
|
Plasma display
|
11,063
|
356
|
C
|
Unknown
|
| 127
|
Stroop effect
|
11,044
|
356
|
B
|
Mid
|
| 128
|
Pigment
|
11,000
|
354
|
B
|
Top
|
| 129
|
AMOLED
|
10,995
|
354
|
C
|
Unknown
|
| 130
|
Color photography
|
10,923
|
352
|
C
|
Low
|
| 131
|
Navy blue
|
10,811
|
348
|
C
|
Mid
|
| 132
|
List of colors: G–M
|
10,772
|
347
|
List
|
High
|
| 133
|
Black and white
|
10,731
|
346
|
Start
|
Mid
|
| 134
|
Ishihara test
|
10,683
|
344
|
C
|
Mid
|
| 135
|
Candela
|
10,671
|
344
|
B
|
Unknown
|
| 136
|
Azure (color)
|
10,613
|
342
|
Start
|
Mid
|
| 137
|
Ultra-high-definition television
|
10,460
|
337
|
C
|
Low
|
| 138
|
Cone cell
|
10,291
|
331
|
C
|
Mid
|
| 139
|
Chromatic aberration
|
10,171
|
328
|
B
|
Mid
|
| 140
|
Color space
|
10,112
|
326
|
C
|
High
|
| 141
|
Color psychology
|
10,069
|
324
|
C
|
High
|
| 142
|
Phosphorescence
|
10,060
|
324
|
Start
|
Unknown
|
| 143
|
RYB color model
|
10,036
|
323
|
C
|
Mid
|
| 144
|
Night vision
|
10,002
|
322
|
C
|
Unknown
|
| 145
|
Cobalt blue
|
9,998
|
322
|
Start
|
Mid
|
| 146
|
Ink
|
9,934
|
320
|
C
|
Unknown
|
| 147
|
Food coloring
|
9,918
|
319
|
C
|
Mid
|
| 148
|
Dye
|
9,856
|
317
|
C
|
High
|
| 149
|
Chromesthesia
|
9,831
|
317
|
B
|
Low
|
| 150
|
Thomas Young (scientist)
|
9,691
|
312
|
C
|
Mid
|
| 151
|
Visual system
|
9,598
|
309
|
C
|
Unknown
|
| 152
|
Hermann von Helmholtz
|
9,565
|
308
|
C
|
Mid
|
| 153
|
Auburn hair
|
9,549
|
308
|
Start
|
Low
|
| 154
|
Monochrome
|
9,307
|
300
|
C
|
High
|
| 155
|
Tincture (heraldry)
|
9,016
|
290
|
B
|
Mid
|
| 156
|
Verdigris
|
8,962
|
289
|
Start
|
Low
|
| 157
|
Mauve
|
8,694
|
280
|
Start
|
Mid
|
| 158
|
YCbCr
|
8,686
|
280
|
Start
|
High
|
| 159
|
Lighting
|
8,661
|
279
|
C
|
Unknown
|
| 160
|
Black hair
|
8,616
|
277
|
Start
|
Low
|
| 161
|
Visual cortex
|
8,610
|
277
|
C
|
Unknown
|
| 162
|
Gold (color)
|
8,540
|
275
|
Start
|
Mid
|
| 163
|
Afterimage
|
8,516
|
274
|
C
|
High
|
| 164
|
Gamut
|
8,400
|
270
|
C
|
High
|
| 165
|
Tyndall effect
|
8,379
|
270
|
C
|
Low
|
| 166
|
Pastel (color)
|
8,363
|
269
|
Stub
|
Mid
|
| 167
|
Knowledge argument
|
8,297
|
267
|
C
|
Low
|
| 168
|
Hair coloring
|
8,278
|
267
|
Start
|
Low
|
| 169
|
Emission spectrum
|
8,264
|
266
|
C
|
Unknown
|
| 170
|
Y′UV
|
8,233
|
265
|
C
|
Low
|
| 171
|
Color in Chinese culture
|
8,199
|
264
|
Start
|
Mid
|
| 172
|
Inkjet printing
|
8,167
|
263
|
C
|
Unknown
|
| 173
|
Robin egg blue
|
8,152
|
262
|
Stub
|
Low
|
| 174
|
SECAM
|
8,099
|
261
|
C
|
Mid
|
| 175
|
Hue
|
8,059
|
259
|
Start
|
High
|
| 176
|
Pan-Arab colors
|
7,949
|
256
|
Start
|
Low
|
| 177
|
Olive (color)
|
7,940
|
256
|
Start
|
High
|
| 178
|
Equine coat color
|
7,934
|
255
|
Start
|
Low
|
| 179
|
Prism (optics)
|
7,913
|
255
|
Start
|
Mid
|
| 180
|
Phosphor
|
7,862
|
253
|
Start
|
Unknown
|
| 181
|
Quantum dot display
|
7,830
|
252
|
C
|
Unknown
|
| 182
|
Chroma subsampling
|
7,814
|
252
|
B
|
Low
|
| 183
|
Munsell color system
|
7,804
|
251
|
B
|
High
|
| 184
|
Royal blue
|
7,744
|
249
|
Start
|
Mid
|
| 185
|
Saffron (color)
|
7,730
|
249
|
Start
|
High
|
| 186
|
Darkness
|
7,704
|
248
|
C
|
Unknown
|
| 187
|
Blue-green
|
7,666
|
247
|
Start
|
Mid
|
| 188
|
Spectrophotometry
|
7,640
|
246
|
C
|
High
|
| 189
|
Standard illuminant
|
7,640
|
246
|
B
|
High
|
| 190
|
Cosmic latte
|
7,638
|
246
|
Start
|
Low
|
| 191
|
Halftone
|
7,596
|
245
|
C
|
Mid
|
| 192
|
Anaglyph 3D
|
7,541
|
243
|
C
|
Low
|
| 193
|
British racing green
|
7,497
|
241
|
Start
|
Low
|
| 194
|
Grayscale
|
7,459
|
240
|
Start
|
High
|
| 195
|
Shades of black
|
7,424
|
239
|
List
|
Top
|
| 196
|
Shades of violet
|
7,330
|
236
|
List
|
Mid
|
| 197
|
Pantone 448 C
|
7,329
|
236
|
Stub
|
Low
|
| 198
|
List of flags containing the color purple
|
7,323
|
236
|
List
|
Low
|
| 199
|
Color symbolism
|
7,206
|
232
|
Start
|
Mid
|
| 200
|
Alpha compositing
|
7,205
|
232
|
Start
|
Unknown
|
| 201
|
Flame test
|
7,111
|
229
|
Start
|
Low
|
| 202
|
Taupe
|
7,095
|
228
|
Start
|
Low
|
| 203
|
Amber (color)
|
7,060
|
227
|
C
|
Mid
|
| 204
|
Tint, shade and tone
|
7,060
|
227
|
Start
|
High
|
| 205
|
Shades of magenta
|
7,058
|
227
|
List
|
Mid
|
| 206
|
Whitewash
|
7,051
|
227
|
Start
|
High
|
| 207
|
Secondary color
|
7,029
|
226
|
C
|
High
|
| 208
|
Bayer filter
|
6,967
|
224
|
C
|
Mid
|
| 209
|
Spectrometer
|
6,953
|
224
|
Start
|
Unknown
|
| 210
|
DCI-P3
|
6,942
|
223
|
C
|
Low
|
| 211
|
Color of water
|
6,920
|
223
|
C
|
Low
|
| 212
|
Eigengrau
|
6,910
|
222
|
Start
|
Low
|
| 213
|
X11 color names
|
6,888
|
222
|
Start
|
Mid
|
| 214
|
Autochrome Lumière
|
6,833
|
220
|
C
|
Low
|
| 215
|
Photoreceptor cell
|
6,720
|
216
|
C
|
Mid
|
| 216
|
Color difference
|
6,641
|
214
|
B
|
High
|
| 217
|
False color
|
6,594
|
212
|
B
|
Mid
|
| 218
|
Color grading
|
6,588
|
212
|
Start
|
Mid
|
| 219
|
Sepia (color)
|
6,580
|
212
|
Start
|
Mid
|
| 220
|
Tiffany Blue
|
6,499
|
209
|
Start
|
Low
|
| 221
|
Rec. 709
|
6,498
|
209
|
C
|
Low
|
| 222
|
Luminance
|
6,493
|
209
|
Start
|
Unknown
|
| 223
|
Spring green
|
6,479
|
209
|
C
|
Low
|
| 224
|
Specular reflection
|
6,452
|
208
|
C
|
Unknown
|
| 225
|
Spectral color
|
6,428
|
207
|
Start
|
High
|
| 226
|
Color motion picture film
|
6,366
|
205
|
B
|
Low
|
| 227
|
Laser printing
|
6,350
|
204
|
C
|
Unknown
|
| 228
|
Lilac (color)
|
6,317
|
203
|
Stub
|
Low
|
| 229
|
Marker pen
|
6,310
|
203
|
Start
|
Low
|
| 230
|
Sienna
|
6,286
|
202
|
Start
|
Mid
|
| 231
|
Colorfulness
|
6,278
|
202
|
Start
|
High
|
| 232
|
Chromophore
|
6,154
|
198
|
Start
|
Mid
|
| 233
|
RAL colour standard
|
6,110
|
197
|
Start
|
Mid
|
| 234
|
Phthalocyanine Green G
|
6,101
|
196
|
Start
|
Low
|
| 235
|
School colors
|
6,048
|
195
|
Start
|
Mid
|
| 236
|
Egyptian blue
|
5,992
|
193
|
C
|
Mid
|
| 237
|
Rec. 2020
|
5,973
|
192
|
C
|
Low
|
| 238
|
High-dynamic-range television
|
5,931
|
191
|
C
|
Mid
|
| 239
|
List of video game console palettes
|
5,892
|
190
|
List
|
Low
|
| 240
|
Congenital red–green color blindness
|
5,864
|
189
|
C
|
Mid
|
| 241
|
List of monochrome and RGB color formats
|
5,862
|
189
|
List
|
Mid
|
| 242
|
Ermine (heraldry)
|
5,851
|
188
|
Stub
|
Low
|
| 243
|
Go Away Green
|
5,789
|
186
|
Start
|
Low
|
| 244
|
List of color palettes
|
5,773
|
186
|
List
|
Mid
|
| 245
|
Pan-African colours
|
5,703
|
183
|
Start
|
Low
|
| 246
|
List of people with red hair
|
5,692
|
183
|
List
|
Low
|
| 247
|
Grapheme–color synesthesia
|
5,558
|
179
|
C
|
Low
|
| 248
|
Subtractive color
|
5,509
|
177
|
Start
|
High
|
| 249
|
Theory of Colours
|
5,369
|
173
|
B
|
High
|
| 250
|
Amaranth (color)
|
5,361
|
172
|
Start
|
Low
|
| 251
|
Contrast (vision)
|
5,350
|
172
|
Start
|
High
|
| 252
|
Ivory (color)
|
5,337
|
172
|
Stub
|
Low
|
| 253
|
Puce
|
5,317
|
171
|
Stub
|
Mid
|
| 254
|
Optic nerve
|
5,314
|
171
|
C
|
Unknown
|
| 255
|
Brightness
|
5,309
|
171
|
Start
|
Mid
|
| 256
|
Natural dye
|
5,222
|
168
|
C
|
Mid
|
| 257
|
Buff (colour)
|
5,191
|
167
|
Start
|
Low
|
| 258
|
Carmine (color)
|
5,165
|
166
|
Stub
|
Low
|
| 259
|
YPbPr
|
5,163
|
166
|
Start
|
Mid
|
| 260
|
Color mixing
|
5,150
|
166
|
C
|
High
|
| 261
|
Light-on-dark color scheme
|
5,116
|
165
|
Start
|
Low
|
| 262
|
Absorption spectroscopy
|
5,111
|
164
|
C
|
Unknown
|
| 263
|
Electronic color code
|
5,090
|
164
|
C
|
Low
|
| 264
|
RGBA color model
|
5,057
|
163
|
Start
|
Mid
|
| 265
|
Color rendering index
|
5,057
|
163
|
C
|
Mid
|
| 266
|
Baker–Miller pink
|
5,013
|
161
|
Start
|
Low
|
| 267
|
Structural coloration
|
4,995
|
161
|
GA
|
Mid
|
| 268
|
Color scheme
|
4,946
|
159
|
Start
|
Mid
|
| 269
|
Color analysis
|
4,888
|
157
|
Start
|
Mid
|
| 270
|
Photonics
|
4,869
|
157
|
C
|
Low
|
| 271
|
List of international auto racing colours
|
4,859
|
156
|
List
|
Low
|
| 272
|
Traditional colors of Japan
|
4,817
|
155
|
Start
|
Mid
|
| 273
|
Rod cell
|
4,794
|
154
|
Start
|
Unknown
|
| 274
|
Umber
|
4,773
|
153
|
Start
|
Low
|
| 275
|
LED display
|
4,707
|
151
|
Start
|
Unknown
|
| 276
|
Luminescence
|
4,700
|
151
|
C
|
Unknown
|
| 277
|
CIELUV
|
4,632
|
149
|
Start
|
Mid
|
| 278
|
RGB color spaces
|
4,626
|
149
|
Start
|
Mid
|
| 279
|
Rose (color)
|
4,497
|
145
|
C
|
Low
|
| 280
|
Cornflower blue
|
4,482
|
144
|
Stub
|
Low
|
| 281
|
Oklab color space
|
4,361
|
140
|
Start
|
Low
|
| 282
|
Trichromacy
|
4,359
|
140
|
C
|
High
|
| 283
|
Diffuse reflection
|
4,337
|
139
|
Start
|
Unknown
|
| 284
|
Adaptation (eye)
|
4,322
|
139
|
B
|
Unknown
|
| 285
|
Viridian
|
4,294
|
138
|
Start
|
Low
|
| 286
|
Polychrome
|
4,276
|
137
|
C
|
Mid
|
| 287
|
Absorption (electromagnetic radiation)
|
4,268
|
137
|
Start
|
Unknown
|
| 288
|
Lake pigment
|
4,252
|
137
|
Start
|
Low
|
| 289
|
Purple Earth hypothesis
|
4,181
|
134
|
Start
|
Unknown
|
| 290
|
Tan (color)
|
4,176
|
134
|
Start
|
Mid
|
| 291
|
Feldgrau
|
4,154
|
134
|
Start
|
Low
|
| 292
|
Photoluminescence
|
4,133
|
133
|
C
|
Unknown
|
| 293
|
Mummy brown
|
4,118
|
132
|
Start
|
Mid
|
| 294
|
Dichromacy
|
4,087
|
131
|
Start
|
Mid
|
| 295
|
List of colors
|
4,053
|
130
|
NA
|
High
|
| 296
|
Gules
|
4,050
|
130
|
Start
|
Low
|
| 297
|
Purkinje effect
|
4,046
|
130
|
C
|
Unknown
|
| 298
|
Silver (color)
|
4,044
|
130
|
Start
|
Mid
|
| 299
|
Shades of rose
|
4,018
|
129
|
List
|
Mid
|
| 300
|
Chromaticity
|
4,015
|
129
|
Start
|
High
|
| 301
|
Dye-sublimation printing
|
3,992
|
128
|
Unknown
|
Unknown
|
| 302
|
Blood red
|
3,980
|
128
|
Stub
|
Low
|
| 303
|
Metamerism (color)
|
3,962
|
127
|
Start
|
High
|
| 304
|
Ecru
|
3,961
|
127
|
Stub
|
Mid
|
| 305
|
Coral (color)
|
3,952
|
127
|
Stub
|
Low
|
| 306
|
Opsin
|
3,951
|
127
|
C
|
Unknown
|
| 307
|
Argent
|
3,903
|
125
|
Start
|
Low
|
| 308
|
Aqua (color)
|
3,895
|
125
|
Stub
|
Mid
|
| 309
|
Monochromacy
|
3,832
|
123
|
C
|
Mid
|
| 310
|
Palette (computing)
|
3,823
|
123
|
C
|
Mid
|
| 311
|
Gendered associations of pink and blue
|
3,819
|
123
|
C
|
Mid
|
| 312
|
Falun red
|
3,811
|
122
|
Start
|
Low
|
| 313
|
YInMn Blue
|
3,810
|
122
|
B
|
Low
|
| 314
|
Lime (color)
|
3,807
|
122
|
Start
|
Mid
|
| 315
|
Film colorization
|
3,795
|
122
|
C
|
Low
|
| 316
|
Wine (color)
|
3,737
|
120
|
Stub
|
Low
|
| 317
|
Pan-Slavic colors
|
3,728
|
120
|
Start
|
Low
|
| 318
|
8-bit color
|
3,695
|
119
|
Start
|
Low
|
| 319
|
SIGGRAPH
|
3,679
|
118
|
Start
|
Unknown
|
| 320
|
Chromotherapy
|
3,674
|
118
|
C
|
Low
|
| 321
|
Opponent process
|
3,674
|
118
|
Start
|
High
|
| 322
|
Anti-flash white
|
3,662
|
118
|
Start
|
Mid
|
| 323
|
Additive color
|
3,659
|
118
|
Start
|
High
|
| 324
|
Color model
|
3,639
|
117
|
B
|
High
|
| 325
|
Blue-gray
|
3,639
|
117
|
C
|
Low
|
| 326
|
International orange
|
3,612
|
116
|
Stub
|
Low
|
| 327
|
Shades of chartreuse
|
3,550
|
114
|
List
|
Mid
|
| 328
|
Lincoln green
|
3,547
|
114
|
C
|
Low
|
| 329
|
Electric blue (color)
|
3,484
|
112
|
Start
|
Low
|
| 330
|
Kumkuma
|
3,462
|
111
|
Start
|
Mid
|
| 331
|
Animal coloration
|
3,451
|
111
|
GA
|
Mid
|
| 332
|
Midnight blue
|
3,446
|
111
|
Start
|
Low
|
| 333
|
25-pair color code
|
3,426
|
110
|
Start
|
Low
|
| 334
|
Glare (vision)
|
3,399
|
109
|
Start
|
Low
|
| 335
|
Thermochromism
|
3,389
|
109
|
Start
|
Low
|
| 336
|
Von Luschan's chromatic scale
|
3,345
|
107
|
Start
|
Low
|
| 337
|
Linguistic relativity and the color naming debate
|
3,308
|
106
|
Start
|
Mid
|
| 338
|
Colorimetry
|
3,297
|
106
|
Start
|
High
|
| 339
|
Photometry (optics)
|
3,295
|
106
|
Start
|
Unknown
|
| 340
|
Demosaicing
|
3,263
|
105
|
Start
|
Low
|
| 341
|
Red-violet
|
3,247
|
104
|
Stub
|
Low
|
| 342
|
Cerise (color)
|
3,238
|
104
|
Stub
|
Low
|
| 343
|
Inverted spectrum
|
3,228
|
104
|
B
|
Low
|
| 344
|
Rosso corsa
|
3,214
|
103
|
Start
|
Low
|
| 345
|
Color of chemicals
|
3,211
|
103
|
C
|
High
|
| 346
|
Alvy Ray Smith
|
3,188
|
102
|
C
|
Low
|
| 347
|
Colour banding
|
3,177
|
102
|
Stub
|
Low
|
| 348
|
Diffuse sky radiation
|
3,166
|
102
|
C
|
Mid
|
| 349
|
Photographic print toning
|
3,144
|
101
|
Start
|
Mid
|
| 350
|
Peach (color)
|
3,138
|
101
|
Stub
|
Low
|
| 351
|
Colored pencil
|
3,103
|
100
|
C
|
High
|
| 352
|
Dodger blue
|
3,097
|
99
|
Start
|
Low
|
| 353
|
Earth tone
|
3,092
|
99
|
Stub
|
Low
|
| 354
|
List of color spaces and their uses
|
3,064
|
98
|
Start
|
High
|
| 355
|
Salmon (color)
|
3,062
|
98
|
Start
|
Low
|
| 356
|
Aquamarine (color)
|
3,046
|
98
|
Stub
|
Low
|
| 357
|
National colours
|
3,041
|
98
|
Start
|
Mid
|
| 358
|
Lightness
|
3,021
|
97
|
Start
|
High
|
| 359
|
Mustard (color)
|
3,013
|
97
|
Stub
|
Low
|
| 360
|
Rose madder
|
2,976
|
96
|
Start
|
Low
|
| 361
|
ICC profile
|
2,967
|
95
|
C
|
Low
|
| 362
|
Wilhelm Ostwald
|
2,927
|
94
|
C
|
Mid
|
| 363
|
Light blue
|
2,927
|
94
|
Stub
|
Low
|
| 364
|
Maya blue
|
2,911
|
93
|
C
|
Low
|
| 365
|
Glaucous
|
2,883
|
93
|
Stub
|
Low
|
| 366
|
Air Force blue
|
2,880
|
92
|
Start
|
Low
|
| 367
|
Sage (color)
|
2,870
|
92
|
Stub
|
Low
|
| 368
|
Tawny (color)
|
2,819
|
90
|
Start
|
Low
|
| 369
|
Intrinsically photosensitive retinal ganglion cell
|
2,814
|
90
|
C
|
Unknown
|
| 370
|
History of Crayola crayons
|
2,808
|
90
|
C
|
Low
|
| 371
|
Hypercolor
|
2,791
|
90
|
C
|
Low
|
| 372
|
Mountbatten pink
|
2,783
|
89
|
GA
|
Low
|
| 373
|
Azure (heraldry)
|
2,753
|
88
|
Start
|
Low
|
| 374
|
Copper (color)
|
2,738
|
88
|
Stub
|
Low
|
| 375
|
Domain coloring
|
2,711
|
87
|
C
|
Low
|
| 376
|
Sable (heraldry)
|
2,702
|
87
|
Stub
|
Low
|
| 377
|
Scotopic vision
|
2,693
|
86
|
Start
|
Low
|
| 378
|
Color balance
|
2,691
|
86
|
Start
|
High
|
| 379
|
List of historical sources for pink and blue as gender signifiers
|
2,681
|
86
|
List
|
Low
|
| 380
|
Relative luminance
|
2,676
|
86
|
Start
|
Mid
|
| 381
|
Green in Islam
|
2,666
|
86
|
Stub
|
Low
|
| 382
|
Analogous colors
|
2,657
|
85
|
Stub
|
Mid
|
| 383
|
Colors of the day in Thailand
|
2,653
|
85
|
Stub
|
Low
|
| 384
|
Color appearance model
|
2,646
|
85
|
Start
|
Mid
|
| 385
|
Basic Color Terms
|
2,638
|
85
|
Start
|
Mid
|
| 386
|
Color chart
|
2,629
|
84
|
Start
|
Mid
|
| 387
|
Color constancy
|
2,626
|
84
|
B
|
Mid
|
| 388
|
Cream (colour)
|
2,619
|
84
|
Stub
|
Low
|
| 389
|
Shades of azure
|
2,616
|
84
|
NA
|
NA
|
| 390
|
Natural Color System
|
2,608
|
84
|
Start
|
High
|
| 391
|
Savoy blue
|
2,593
|
83
|
B
|
Low
|
| 392
|
Autumn leaf color
|
2,572
|
82
|
C
|
Mid
|
| 393
|
Johann Heinrich Lambert
|
2,563
|
82
|
Start
|
Unknown
|
| 394
|
Color printing
|
2,525
|
81
|
C
|
High
|
| 395
|
Or (heraldry)
|
2,517
|
81
|
Stub
|
Low
|
| 396
|
Chromostereopsis
|
2,517
|
81
|
C
|
Mid
|
| 397
|
Bronze (color)
|
2,509
|
80
|
Start
|
Mid
|
| 398
|
Chestnut (color)
|
2,508
|
80
|
Stub
|
Low
|
| 399
|
Color management
|
2,502
|
80
|
Start
|
Mid
|
| 400
|
LMS color space
|
2,495
|
80
|
Start
|
Mid
|
| 401
|
Mars surface color
|
2,484
|
80
|
B
|
Low
|
| 402
|
Evolution of color vision in primates
|
2,478
|
79
|
C
|
Mid
|
| 403
|
School bus yellow
|
2,466
|
79
|
Start
|
Low
|
| 404
|
Russet (color)
|
2,443
|
78
|
Stub
|
Low
|
| 405
|
Sapphire (color)
|
2,424
|
78
|
Stub
|
Low
|
| 406
|
Newton disc
|
2,410
|
77
|
C
|
Mid
|
| 407
|
Chrominance
|
2,403
|
77
|
Start
|
Mid
|
| 408
|
Fawn (colour)
|
2,399
|
77
|
Stub
|
Low
|
| 409
|
List of inorganic pigments
|
2,386
|
76
|
List
|
Low
|
| 410
|
Rec. 2100
|
2,383
|
76
|
Start
|
Low
|
| 411
|
Champagne (color)
|
2,376
|
76
|
Stub
|
Low
|
| 412
|
ColorChecker
|
2,364
|
76
|
Start
|
Mid
|
| 413
|
Bleu de France (colour)
|
2,361
|
76
|
Start
|
Low
|
| 414
|
Color gradient
|
2,359
|
76
|
Start
|
Low
|
| 415
|
Chromophobia
|
2,343
|
75
|
Start
|
Mid
|
| 416
|
Color correction
|
2,335
|
75
|
Start
|
Mid
|
| 417
|
Optical brightener
|
2,329
|
75
|
Start
|
Mid
|
| 418
|
Dinosaur coloration
|
2,322
|
74
|
C
|
Mid
|
| 419
|
New riddle of induction
|
2,320
|
74
|
Start
|
Low
|
| 420
|
Baby blue
|
2,302
|
74
|
Stub
|
Low
|
| 421
|
Color vision test
|
2,297
|
74
|
B
|
High
|
| 422
|
Spectral power distribution
|
2,294
|
74
|
Start
|
High
|
| 423
|
Color filter array
|
2,291
|
73
|
C
|
Low
|
| 424
|
Mach bands
|
2,255
|
72
|
Start
|
Unknown
|
| 425
|
Luma (video)
|
2,247
|
72
|
Start
|
Unknown
|
| 426
|
Johannes Itten
|
2,232
|
72
|
Start
|
Mid
|
| 427
|
Cambridge Blue (colour)
|
2,232
|
72
|
Start
|
Low
|
| 428
|
Alice blue
|
2,231
|
71
|
Stub
|
Low
|
| 429
|
Monochromator
|
2,230
|
71
|
Start
|
Unknown
|
| 430
|
Hand-colouring of photographs
|
2,230
|
71
|
C
|
Mid
|
| 431
|
Black-and-white dualism
|
2,229
|
71
|
Start
|
Low
|
| 432
|
Lightfastness
|
2,223
|
71
|
Start
|
Mid
|
| 433
|
Powder blue
|
2,208
|
71
|
Stub
|
Low
|
| 434
|
Heliotrope (color)
|
2,194
|
70
|
Stub
|
Low
|
| 435
|
Solarized
|
2,171
|
70
|
Start
|
Low
|
| 436
|
Rec. 601
|
2,159
|
69
|
Start
|
Unknown
|
| 437
|
Adobe RGB color space
|
2,154
|
69
|
Start
|
Mid
|
| 438
|
Cardinal (color)
|
2,115
|
68
|
Stub
|
Low
|
| 439
|
Columbia blue
|
2,105
|
67
|
Stub
|
Low
|
| 440
|
Opponent-process theory
|
2,092
|
67
|
Start
|
Unknown
|
| 441
|
Color science
|
2,086
|
67
|
Stub
|
Top
|
| 442
|
Liver (color)
|
2,084
|
67
|
Stub
|
Low
|
| 443
|
Michel Eugène Chevreul
|
2,080
|
67
|
Start
|
Unknown
|
| 444
|
Persian blue
|
2,070
|
66
|
Stub
|
Low
|
| 445
|
Cyanometer
|
2,061
|
66
|
Stub
|
Low
|
| 446
|
Carolina blue
|
2,057
|
66
|
Start
|
Mid
|
| 447
|
Chocolate (color)
|
2,052
|
66
|
Start
|
Low
|
| 448
|
Complexion
|
2,039
|
65
|
Start
|
Low
|
| 449
|
Gray card
|
2,029
|
65
|
Start
|
Low
|
| 450
|
Dandelion (crayon color)
|
1,998
|
64
|
Start
|
Low
|
| 451
|
Lemon (color)
|
1,995
|
64
|
Stub
|
Low
|
| 452
|
Han purple and Han blue
|
1,990
|
64
|
B
|
Mid
|
| 453
|
Ink cartridge
|
1,977
|
63
|
Start
|
Unknown
|
| 454
|
Color solid
|
1,974
|
63
|
Start
|
High
|
| 455
|
HCL color space
|
1,973
|
63
|
Start
|
Mid
|
| 456
|
Coquelicot
|
1,968
|
63
|
Start
|
Low
|
| 457
|
Ruby (color)
|
1,959
|
63
|
Start
|
Mid
|
| 458
|
Gamboge
|
1,956
|
63
|
Start
|
Low
|
| 459
|
Super black
|
1,939
|
62
|
Start
|
Mid
|
| 460
|
Alizarin crimson (color)
|
1,936
|
62
|
Stub
|
Mid
|
| 461
|
Oxblood
|
1,931
|
62
|
Start
|
Low
|
| 462
|
Safety orange
|
1,925
|
62
|
Start
|
Low
|
| 463
|
History of spectroscopy
|
1,923
|
62
|
B
|
Mid
|
| 464
|
Red pigments
|
1,920
|
61
|
C
|
Low
|
| 465
|
Chrome yellow
|
1,914
|
61
|
Start
|
Mid
|
| 466
|
Planckian locus
|
1,909
|
61
|
C
|
Mid
|
| 467
|
High color
|
1,903
|
61
|
Start
|
Low
|
| 468
|
National colours of Australia
|
1,893
|
61
|
Start
|
Low
|
| 469
|
CMY color model
|
1,883
|
60
|
NA
|
High
|
| 470
|
Color-blocking
|
1,856
|
59
|
Start
|
Low
|
| 471
|
Colour trade mark
|
1,849
|
59
|
Start
|
High
|
| 472
|
HWB color model
|
1,813
|
58
|
Stub
|
Low
|
| 473
|
Rufous
|
1,811
|
58
|
Start
|
Low
|
| 474
|
Majorelle Blue
|
1,809
|
58
|
Stub
|
Low
|
| 475
|
Indexed color
|
1,806
|
58
|
C
|
High
|
| 476
|
Mahogany (color)
|
1,794
|
57
|
Stub
|
Low
|
| 477
|
Wine color
|
1,790
|
57
|
Start
|
Low
|
| 478
|
Philipp Otto Runge
|
1,771
|
57
|
Start
|
Unknown
|
| 479
|
Color code
|
1,769
|
57
|
Start
|
Mid
|
| 480
|
Color blind glasses
|
1,769
|
57
|
B
|
Mid
|
| 481
|
Photochromism
|
1,767
|
57
|
C
|
Low
|
| 482
|
Channel (digital image)
|
1,765
|
56
|
C
|
Mid
|
| 483
|
Cadet grey
|
1,764
|
56
|
Start
|
Low
|
| 484
|
Color preferences
|
1,761
|
56
|
Stub
|
Mid
|
| 485
|
Slate gray
|
1,760
|
56
|
Stub
|
Low
|
| 486
|
Photopic vision
|
1,748
|
56
|
Start
|
Unknown
|
| 487
|
Apricot (color)
|
1,739
|
56
|
Stub
|
Low
|
| 488
|
Philosophy of color
|
1,731
|
55
|
Start
|
High
|
| 489
|
Old gold
|
1,722
|
55
|
Start
|
Low
|
| 490
|
Spectral sensitivity
|
1,722
|
55
|
Start
|
Mid
|
| 491
|
ISCC–NBS system
|
1,720
|
55
|
Start
|
High
|
| 492
|
Xanthochromism
|
1,712
|
55
|
Stub
|
Low
|
| 493
|
Rust (color)
|
1,710
|
55
|
Stub
|
Low
|
| 494
|
X-Rite
|
1,704
|
54
|
Start
|
Low
|
| 495
|
Dracula (color scheme)
|
1,703
|
54
|
C
|
Low
|
| 496
|
Iris (color)
|
1,694
|
54
|
Stub
|
Low
|
| 497
|
International Commission on Illumination
|
1,684
|
54
|
Start
|
High
|
| 498
|
List of dyes
|
1,683
|
54
|
List
|
Mid
|
| 499
|
Line of purples
|
1,676
|
54
|
Start
|
Mid
|
| 500
|
Evolution of color vision
|
1,659
|
53
|
Start
|
Mid
|
| 501
|
Plum (color)
|
1,646
|
53
|
Start
|
Mid
|
| 502
|
Vair
|
1,624
|
52
|
Stub
|
Low
|
| 503
|
List of people with color blindness
|
1,624
|
52
|
List
|
Low
|
| 504
|
Tooth discoloration
|
1,612
|
52
|
C
|
Low
|
| 505
|
Beta movement
|
1,603
|
51
|
C
|
Low
|
| 506
|
Bistre
|
1,596
|
51
|
Start
|
Mid
|
| 507
|
Optica (society)
|
1,589
|
51
|
C
|
Low
|
| 508
|
Contrast effect
|
1,586
|
51
|
C
|
Mid
|
| 509
|
Color cycling
|
1,574
|
50
|
Start
|
Low
|
| 510
|
Young–Helmholtz theory
|
1,574
|
50
|
Stub
|
High
|
| 511
|
List of 16-bit computer color palettes
|
1,561
|
50
|
List
|
Low
|
| 512
|
Image gradient
|
1,558
|
50
|
Stub
|
Mid
|
| 513
|
Academy Color Encoding System
|
1,551
|
50
|
C
|
Unknown
|
| 514
|
Purpure
|
1,544
|
49
|
Start
|
Low
|
| 515
|
Color quantization
|
1,544
|
49
|
C
|
High
|
| 516
|
St. Patrick's blue
|
1,539
|
49
|
Start
|
Low
|
| 517
|
Coyote brown
|
1,534
|
49
|
Stub
|
Mid
|
| 518
|
Forest green
|
1,531
|
49
|
Stub
|
Low
|
| 519
|
Byzantium (color)
|
1,520
|
49
|
Start
|
Low
|
| 520
|
LED strip light
|
1,520
|
49
|
C
|
Low
|
| 521
|
Diffuser (optics)
|
1,517
|
48
|
Stub
|
Unknown
|
| 522
|
Colorist
|
1,511
|
48
|
C
|
Low
|
| 523
|
Dominant wavelength
|
1,507
|
48
|
Start
|
High
|
| 524
|
Color picker
|
1,505
|
48
|
Start
|
Low
|
| 525
|
Printing registration
|
1,500
|
48
|
C
|
Low
|
| 526
|
Middle gray
|
1,485
|
47
|
Stub
|
Unknown
|
| 527
|
Blue in culture
|
1,477
|
47
|
B
|
High
|
| 528
|
Mesopic vision
|
1,472
|
47
|
C
|
Unknown
|
| 529
|
Iron oxide red
|
1,465
|
47
|
Stub
|
Low
|
| 530
|
Non-photo blue
|
1,449
|
46
|
Start
|
Low
|
| 531
|
Eggplant (color)
|
1,448
|
46
|
Stub
|
Low
|
| 532
|
Desert sand (color)
|
1,448
|
46
|
Start
|
Low
|
| 533
|
ProPhoto RGB color space
|
1,446
|
46
|
Start
|
Low
|
| 534
|
YIQ
|
1,444
|
46
|
Start
|
Low
|
| 535
|
Tertiary color
|
1,443
|
46
|
NA
|
High
|
| 536
|
Metallic color
|
1,439
|
46
|
Start
|
Mid
|
| 537
|
Unique hues
|
1,436
|
46
|
C
|
Mid
|
| 538
|
White point
|
1,435
|
46
|
Start
|
High
|
| 539
|
History of red
|
1,427
|
46
|
C
|
Mid
|
| 540
|
Visual processing
|
1,422
|
45
|
Start
|
Low
|
| 541
|
Color gel
|
1,420
|
45
|
Start
|
Low
|
| 542
|
Payne's grey
|
1,411
|
45
|
Stub
|
Mid
|
| 543
|
Soil color
|
1,408
|
45
|
Start
|
Low
|
| 544
|
Cordovan (color)
|
1,406
|
45
|
Stub
|
Low
|
| 545
|
Sepia tone
|
1,397
|
45
|
NA
|
Mid
|
| 546
|
Electrochromism
|
1,394
|
44
|
C
|
Low
|
| 547
|
CIECAM02
|
1,394
|
44
|
B
|
High
|
| 548
|
Aureolin
|
1,390
|
44
|
Stub
|
Low
|
| 549
|
High Capacity Color Barcode
|
1,382
|
44
|
C
|
Low
|
| 550
|
Illuminant D65
|
1,379
|
44
|
NA
|
Mid
|
| 551
|
EnChroma
|
1,374
|
44
|
Start
|
Mid
|
| 552
|
Blue light spectrum
|
1,367
|
44
|
C
|
Unknown
|
| 553
|
Colorburst
|
1,363
|
43
|
Start
|
Low
|
| 554
|
Steel blue
|
1,361
|
43
|
Stub
|
Low
|
| 555
|
Sunset (color)
|
1,360
|
43
|
Start
|
Low
|
| 556
|
Venetian red
|
1,358
|
43
|
Stub
|
Low
|
| 557
|
Drab (color)
|
1,351
|
43
|
Stub
|
Low
|
| 558
|
Fechner color effect
|
1,349
|
43
|
Start
|
Low
|
| 559
|
Hyaline
|
1,342
|
43
|
Stub
|
Low
|
| 560
|
Colour fastness
|
1,341
|
43
|
Start
|
Low
|
| 561
|
Fulvous
|
1,323
|
42
|
Start
|
Low
|
| 562
|
Colourant
|
1,322
|
42
|
Stub
|
High
|
| 563
|
Colour Index International
|
1,319
|
42
|
Start
|
Mid
|
| 564
|
Eton blue
|
1,318
|
42
|
Stub
|
Low
|
| 565
|
Xanthochromia
|
1,311
|
42
|
Start
|
Low
|
| 566
|
Dichroic filter
|
1,308
|
42
|
NA
|
NA
|
| 567
|
Harmony (color)
|
1,307
|
42
|
C
|
High
|
| 568
|
Budgerigar colour genetics
|
1,304
|
42
|
Start
|
Low
|
| 569
|
Abney effect
|
1,297
|
41
|
B
|
Mid
|
| 570
|
Selective yellow
|
1,297
|
41
|
C
|
Low
|
| 571
|
Bleu celeste
|
1,288
|
41
|
Start
|
Low
|
| 572
|
Raspberry (color)
|
1,285
|
41
|
Start
|
Low
|
| 573
|
List of chicken colours
|
1,281
|
41
|
List
|
Low
|
| 574
|
List of animals that can change color
|
1,281
|
41
|
List
|
Low
|
| 575
|
RG color models
|
1,271
|
41
|
C
|
Mid
|
| 576
|
Correlated color temperature
|
1,271
|
41
|
C
|
Low
|
| 577
|
Vert (heraldry)
|
1,270
|
40
|
Start
|
Low
|
| 578
|
Goldenrod (color)
|
1,263
|
40
|
Start
|
Low
|
| 579
|
Day-Glo Color Corp.
|
1,260
|
40
|
Start
|
Mid
|
| 580
|
Composite artifact colors
|
1,258
|
40
|
C
|
Low
|
| 581
|
Alcian blue stain
|
1,255
|
40
|
C
|
Low
|
| 582
|
Rich black
|
1,250
|
40
|
C
|
Mid
|
| 583
|
Solvatochromism
|
1,249
|
40
|
Start
|
Low
|
| 584
|
Palatinate (colour)
|
1,249
|
40
|
Start
|
Low
|
| 585
|
Spot color
|
1,227
|
39
|
Start
|
High
|
| 586
|
Marian blue
|
1,219
|
39
|
Start
|
Low
|
| 587
|
Tenné
|
1,208
|
38
|
B
|
Low
|
| 588
|
MacAdam ellipse
|
1,201
|
38
|
C
|
High
|
| 589
|
Chromatic adaptation
|
1,198
|
38
|
Start
|
Mid
|
| 590
|
Orcein
|
1,198
|
38
|
Start
|
Mid
|
| 591
|
Color triangle
|
1,197
|
38
|
Start
|
High
|
| 592
|
Jonquil (color)
|
1,195
|
38
|
Stub
|
Low
|
| 593
|
Orchid (color)
|
1,192
|
38
|
Stub
|
Low
|
| 594
|
CcMmYK color model
|
1,191
|
38
|
Stub
|
Low
|
| 595
|
Farnsworth–Munsell 100 hue test
|
1,188
|
38
|
C
|
Low
|
| 596
|
Mulberry (color)
|
1,187
|
38
|
Stub
|
Low
|
| 597
|
On Vision and Colours
|
1,172
|
37
|
Start
|
Low
|
| 598
|
Wide-gamut RGB color space
|
1,171
|
37
|
Start
|
Mid
|
| 599
|
ScRGB
|
1,170
|
37
|
Start
|
Mid
|
| 600
|
PAL-M
|
1,165
|
37
|
Start
|
Low
|
| 601
|
Duotone
|
1,162
|
37
|
Start
|
Low
|
| 602
|
Platinum (color)
|
1,161
|
37
|
Stub
|
Low
|
| 603
|
Marigold (color)
|
1,157
|
37
|
Stub
|
Low
|
| 604
|
Tricolour
|
1,155
|
37
|
NA
|
NA
|
| 605
|
Rifle green
|
1,150
|
37
|
NA
|
Low
|
| 606
|
Abnormal urine color
|
1,145
|
36
|
Start
|
Low
|
| 607
|
APHA color
|
1,125
|
36
|
Start
|
Low
|
| 608
|
Synthetic colorant
|
1,121
|
36
|
C
|
Low
|
| 609
|
Van Dyke brown
|
1,113
|
35
|
Stub
|
Low
|
| 610
|
Caput mortuum (pigment)
|
1,110
|
35
|
Start
|
Low
|
| 611
|
Federal Standard 595
|
1,106
|
35
|
Stub
|
Low
|
| 612
|
Candy apple red
|
1,090
|
35
|
Start
|
Low
|
| 613
|
PALplus
|
1,073
|
34
|
C
|
Low
|
| 614
|
List of color film systems
|
1,066
|
34
|
List
|
Low
|
| 615
|
Fire engine red
|
1,064
|
34
|
Stub
|
Low
|
| 616
|
Standard-dynamic-range video
|
1,060
|
34
|
C
|
Mid
|
| 617
|
Utility location
|
1,035
|
33
|
Start
|
Mid
|
| 618
|
Oren–Nayar reflectance model
|
1,019
|
32
|
C
|
Low
|
| 619
|
Gray
|
1,010
|
32
|
NA
|
NA
|
| 620
|
Quattron
|
1,009
|
32
|
Stub
|
Low
|
| 621
|
Color print film
|
1,008
|
32
|
Start
|
Low
|
| 622
|
ICtCp
|
1,008
|
32
|
C
|
Mid
|
| 623
|
Mexican pink
|
1,005
|
32
|
Start
|
Low
|
| 624
|
Architectural lighting design
|
997
|
32
|
C
|
Unknown
|
| 625
|
Light reflectance value
|
983
|
31
|
Start
|
Unknown
|
| 626
|
Sinopia
|
956
|
30
|
Start
|
Low
|
| 627
|
Colored smoke
|
954
|
30
|
Stub
|
Mid
|
| 628
|
Color of the day (police)
|
950
|
30
|
Start
|
Low
|
| 629
|
Citrine (colour)
|
945
|
30
|
Stub
|
Low
|
| 630
|
Display contrast
|
944
|
30
|
C
|
Unknown
|
| 631
|
Lüscher color test
|
939
|
30
|
Start
|
Low
|
| 632
|
Continuous tone image
|
934
|
30
|
Start
|
Low
|
| 633
|
Color histogram
|
932
|
30
|
Start
|
Mid
|
| 634
|
Calcein
|
927
|
29
|
Start
|
Low
|
| 635
|
Flax (color)
|
925
|
29
|
Stub
|
Low
|
| 636
|
Image color transfer
|
916
|
29
|
Start
|
Low
|
| 637
|
Maize (color)
|
913
|
29
|
Stub
|
Low
|
| 638
|
Eggshell (color)
|
912
|
29
|
Stub
|
Low
|
| 639
|
Color calibration
|
911
|
29
|
Start
|
Mid
|
| 640
|
Yale Blue
|
906
|
29
|
Start
|
Low
|
| 641
|
Coffee (color)
|
897
|
28
|
Start
|
Low
|
| 642
|
Erin (color)
|
893
|
28
|
Stub
|
Low
|
| 643
|
Cerebral achromatopsia
|
892
|
28
|
C
|
Low
|
| 644
|
Vision science
|
882
|
28
|
Start
|
Mid
|
| 645
|
Color organ
|
880
|
28
|
C
|
Low
|
| 646
|
Pearl (color)
|
859
|
27
|
Stub
|
Low
|
| 647
|
Olive drab
|
858
|
27
|
NA
|
NA
|
| 648
|
Sakura Color Products Corporation
|
840
|
27
|
Stub
|
Low
|
| 649
|
Jungle green
|
836
|
26
|
C
|
Low
|
| 650
|
Mired
|
834
|
26
|
Start
|
Mid
|
| 651
|
Rg chromaticity
|
825
|
26
|
Stub
|
Low
|
| 652
|
Kruithof curve
|
820
|
26
|
C
|
Mid
|
| 653
|
Tristimulus colorimeter
|
820
|
26
|
Stub
|
Low
|
| 654
|
Albert Henry Munsell
|
811
|
26
|
Start
|
Mid
|
| 655
|
Murrey
|
805
|
25
|
Stub
|
Low
|
| 656
|
Solid ink
|
797
|
25
|
Start
|
Unknown
|
| 657
|
Magnolia (color)
|
784
|
25
|
Stub
|
Low
|
| 658
|
Navajo white
|
782
|
25
|
Stub
|
Low
|
| 659
|
Arylide yellow
|
769
|
24
|
Stub
|
Low
|
| 660
|
Capri (color)
|
764
|
24
|
Stub
|
Low
|
| 661
|
Citron (color)
|
764
|
24
|
Stub
|
Low
|
| 662
|
Index of color-related articles
|
760
|
24
|
Start
|
Mid
|
| 663
|
Camel (color)
|
755
|
24
|
Start
|
Low
|
| 664
|
On Colors
|
753
|
24
|
Start
|
Low
|
| 665
|
Journal of the Optical Society of America
|
744
|
24
|
Start
|
Unknown
|
| 666
|
Cinereous
|
735
|
23
|
Stub
|
Low
|
| 667
|
Hexachrome
|
726
|
23
|
Start
|
Low
|
| 668
|
Carnelian (color)
|
726
|
23
|
Stub
|
Low
|
| 669
|
Bezold–Brücke shift
|
725
|
23
|
Stub
|
Low
|
| 670
|
Dichromatism
|
719
|
23
|
Start
|
Unknown
|
| 671
|
Tangerine (color)
|
719
|
23
|
Stub
|
Low
|
| 672
|
Field-sequential color system
|
719
|
23
|
C
|
Low
|
| 673
|
Color war
|
718
|
23
|
Stub
|
Low
|
| 674
|
Marengo (color)
|
710
|
22
|
Start
|
Low
|
| 675
|
Android green
|
709
|
22
|
Stub
|
Low
|
| 676
|
Gene therapy for color blindness
|
703
|
22
|
C
|
Low
|
| 677
|
YCoCg
|
703
|
22
|
C
|
Mid
|
| 678
|
Vanilla (color)
|
698
|
22
|
Start
|
Mid
|
| 679
|
Floral color change
|
670
|
21
|
C
|
Low
|
| 680
|
ACM SIGGRAPH
|
654
|
21
|
Start
|
Low
|
| 681
|
The Secret Lives of Colour
|
654
|
21
|
C
|
Low
|
| 682
|
Blue Wool Scale
|
649
|
20
|
Stub
|
Low
|
| 683
|
Blush (color)
|
646
|
20
|
Stub
|
Low
|
| 684
|
Grassmann's laws (color science)
|
645
|
20
|
Start
|
Mid
|
| 685
|
Zaffre
|
643
|
20
|
Stub
|
Mid
|
| 686
|
Ao (color)
|
639
|
20
|
NA
|
Low
|
| 687
|
Map coloring
|
624
|
20
|
Start
|
Low
|
| 688
|
Titanium yellow
|
622
|
20
|
Stub
|
Low
|
| 689
|
Pompeian red
|
622
|
20
|
B
|
Low
|
| 690
|
XvYCC
|
618
|
19
|
Start
|
Low
|
| 691
|
Color suite
|
614
|
19
|
Start
|
Low
|
| 692
|
Color Light Output
|
607
|
19
|
Start
|
Low
|
| 693
|
Rose pink
|
601
|
19
|
Stub
|
Low
|
| 694
|
Color phi phenomenon
|
593
|
19
|
Start
|
Low
|
| 695
|
Persian red
|
592
|
19
|
Stub
|
Low
|
| 696
|
HSV color space
|
587
|
18
|
NA
|
High
|
| 697
|
Standard Reference Method
|
584
|
18
|
C
|
Low
|
| 698
|
Duke blue
|
578
|
18
|
Stub
|
Low
|
| 699
|
Local color (visual art)
|
575
|
18
|
Stub
|
Low
|
| 700
|
Reseda green
|
574
|
18
|
Stub
|
Low
|
| 701
|
Lava (color)
|
572
|
18
|
Stub
|
Low
|
| 702
|
Eyeborg
|
566
|
18
|
Start
|
Low
|
| 703
|
Colour cast
|
564
|
18
|
Start
|
Mid
|
| 704
|
Historic paint analysis
|
563
|
18
|
C
|
Low
|
| 705
|
Werner's Nomenclature of Colours
|
560
|
18
|
Stub
|
Low
|
| 706
|
Straw (colour)
|
556
|
17
|
Stub
|
Low
|
| 707
|
Zinc white
|
555
|
17
|
C
|
Mid
|
| 708
|
Ewald Hering
|
542
|
17
|
Start
|
Mid
|
| 709
|
Orange (heraldry)
|
541
|
17
|
Stub
|
Low
|
| 710
|
Illuminating Engineering Society
|
539
|
17
|
Start
|
Unknown
|
| 711
|
Mysore Paints and Varnish
|
535
|
17
|
Start
|
Low
|
| 712
|
Carnation (heraldry)
|
534
|
17
|
Stub
|
Low
|
| 713
|
Tuscan red
|
532
|
17
|
Start
|
Low
|
| 714
|
Burned (image)
|
529
|
17
|
Start
|
Mid
|
| 715
|
Gardner color scale
|
526
|
16
|
Stub
|
Mid
|
| 716
|
Lion (color)
|
522
|
16
|
Stub
|
Low
|
| 717
|
Jasmine (color)
|
519
|
16
|
Stub
|
Low
|
| 718
|
Colour recovery
|
514
|
16
|
C
|
Low
|
| 719
|
International Color Consortium
|
513
|
16
|
Start
|
Mid
|
| 720
|
Bice
|
501
|
16
|
Stub
|
Low
|
| 721
|
Red in culture
|
499
|
16
|
C
|
High
|
| 722
|
Colorpuncture
|
497
|
16
|
C
|
Low
|
| 723
|
Chromism
|
496
|
16
|
C
|
Low
|
| 724
|
Bastard color
|
491
|
15
|
Stub
|
Low
|
| 725
|
MERDC camouflage
|
491
|
15
|
Stub
|
Low
|
| 726
|
Cynthia Brewer
|
489
|
15
|
Start
|
Low
|
| 727
|
Seashell (color)
|
484
|
15
|
Stub
|
Low
|
| 728
|
Double cone (biology)
|
484
|
15
|
Start
|
Low
|
| 729
|
Azure spar
|
476
|
15
|
List
|
Low
|
| 730
|
Azurite (pigment)
|
472
|
15
|
Stub
|
Low
|
| 731
|
Sanguine (heraldry)
|
471
|
15
|
Stub
|
Low
|
| 732
|
Grey component replacement
|
467
|
15
|
Stub
|
Low
|
| 733
|
Color reproduction
|
463
|
14
|
Stub
|
High
|
| 734
|
Spring bud
|
461
|
14
|
C
|
Low
|
| 735
|
CIE 1964 color space
|
461
|
14
|
Stub
|
Low
|
| 736
|
Ostwald color system
|
461
|
14
|
C
|
High
|
| 737
|
Marrs green
|
455
|
14
|
Stub
|
Low
|
| 738
|
CIE 1960 color space
|
454
|
14
|
Start
|
Low
|
| 739
|
Mars Black (pigment)
|
450
|
14
|
Stub
|
Low
|
| 740
|
Color of clothing
|
442
|
14
|
Start
|
Mid
|
| 741
|
Multiplexed Analogue Components
|
441
|
14
|
Unknown
|
Unknown
|
| 742
|
Coventry blue
|
433
|
13
|
Stub
|
Low
|
| 743
|
Bole (color)
|
432
|
13
|
Start
|
Low
|
| 744
|
Bipack color
|
426
|
13
|
C
|
Low
|
| 745
|
ColorADD
|
426
|
13
|
Start
|
Low
|
| 746
|
Comparison of color models in computer graphics
|
423
|
13
|
Unknown
|
Unknown
|
| 747
|
HKS (colour system)
|
419
|
13
|
Stub
|
Low
|
| 748
|
Wheat (color)
|
408
|
13
|
Stub
|
Low
|
| 749
|
Seal brown
|
407
|
13
|
Stub
|
Low
|
| 750
|
Memory color effect
|
405
|
13
|
C
|
Mid
|
| 751
|
Harvest gold
|
404
|
13
|
Stub
|
Low
|
| 752
|
Color Naming System
|
398
|
12
|
Start
|
Low
|
| 753
|
Coloured Book protocols
|
396
|
12
|
C
|
Low
|
| 754
|
Fallow (color)
|
392
|
12
|
Stub
|
Low
|
| 755
|
Cerulean blue
|
391
|
12
|
NA
|
NA
|
| 756
|
Burnt sienna
|
380
|
12
|
NA
|
Mid
|
| 757
|
International Colour Authority
|
380
|
12
|
Stub
|
Low
|
| 758
|
Halochromism
|
376
|
12
|
Stub
|
Low
|
| 759
|
Specifications for Web Offset Publications
|
376
|
12
|
Start
|
Low
|
| 760
|
Differential phase
|
376
|
12
|
Start
|
Low
|
| 761
|
Cyclamen (color)
|
376
|
12
|
NA
|
Low
|
| 762
|
Bondi blue
|
374
|
12
|
NA
|
NA
|
| 763
|
Ruddy
|
373
|
12
|
NA
|
NA
|
| 764
|
Margaret Hayden Rorke
|
371
|
11
|
C
|
Low
|
| 765
|
Monochromatic colors
|
368
|
11
|
NA
|
Mid
|
| 766
|
Hunter Lab
|
364
|
11
|
Start
|
Low
|
| 767
|
Brunswick green
|
360
|
11
|
NA
|
Low
|
| 768
|
Neugebauer equations
|
359
|
11
|
Stub
|
Mid
|
| 769
|
Rose (heraldic tincture)
|
351
|
11
|
Start
|
Low
|
| 770
|
YDbDr
|
350
|
11
|
Start
|
Low
|
| 771
|
Acid green
|
350
|
11
|
NA
|
Low
|
| 772
|
Cendrée
|
348
|
11
|
Stub
|
Low
|
| 773
|
Tobias Mayer
|
347
|
11
|
Start
|
Unknown
|
| 774
|
IT8
|
346
|
11
|
Start
|
Low
|
| 775
|
Association for Research in Vision and Ophthalmology
|
344
|
11
|
Stub
|
Low
|
| 776
|
Jacob Christoph Le Blon
|
341
|
11
|
Start
|
Low
|
| 777
|
Color Association of the United States
|
335
|
10
|
Start
|
Mid
|
| 778
|
Lemon chiffon
|
334
|
10
|
Unknown
|
Low
|
| 779
|
Coloured hat
|
332
|
10
|
Start
|
Low
|
| 780
|
Oil droplet
|
330
|
10
|
Start
|
Low
|
| 781
|
Moses Harris
|
329
|
10
|
Start
|
Mid
|
| 782
|
National colours of Portugal
|
328
|
10
|
Start
|
Low
|
| 783
|
Lusty gallant
|
326
|
10
|
Stub
|
Low
|
| 784
|
Colour look-up table
|
325
|
10
|
NA
|
Low
|
| 785
|
American Association of Textile Chemists and Colorists
|
325
|
10
|
Stub
|
Mid
|
| 786
|
Tone reproduction
|
323
|
10
|
Unknown
|
Unknown
|
| 787
|
Color rendering
|
322
|
10
|
Start
|
Mid
|
| 788
|
ASC CDL
|
321
|
10
|
Start
|
Low
|
| 789
|
Sonochromatism
|
318
|
10
|
Start
|
Unknown
|
| 790
|
French gray
|
315
|
10
|
Stub
|
Low
|
| 791
|
Spring green (color)
|
310
|
10
|
NA
|
NA
|
| 792
|
Applied Optics
|
302
|
9
|
Start
|
Low
|
| 793
|
Cream (color)
|
300
|
9
|
NA
|
Low
|
| 794
|
Coloroid
|
296
|
9
|
Stub
|
Low
|
| 795
|
ColorCode 3-D
|
296
|
9
|
Start
|
Low
|
| 796
|
International Colour Day
|
294
|
9
|
Start
|
Mid
|
| 797
|
Mikado yellow
|
286
|
9
|
Stub
|
Low
|
| 798
|
Le Corbusier's Architectural Polychromy
|
285
|
9
|
Unknown
|
Unknown
|
| 799
|
Color reaction
|
275
|
8
|
Stub
|
Mid
|
| 800
|
Multi-primary color display
|
274
|
8
|
Stub
|
Low
|
| 801
|
TSL color space
|
273
|
8
|
Stub
|
Low
|
| 802
|
Dark blue (color)
|
273
|
8
|
NA
|
Low
|
| 803
|
Pterobilin
|
273
|
8
|
Start
|
Low
|
| 804
|
Amethyst (color)
|
267
|
8
|
NA
|
NA
|
| 805
|
Color coding in data visualization
|
266
|
8
|
NA
|
High
|
| 806
|
Color task
|
263
|
8
|
B
|
Mid
|
| 807
|
Icterine
|
256
|
8
|
Stub
|
Low
|
| 808
|
Andrew J. Elliot
|
256
|
8
|
Stub
|
Unknown
|
| 809
|
UofT Blue
|
256
|
8
|
Unknown
|
Unknown
|
| 810
|
Hunt effect (color)
|
255
|
8
|
Stub
|
Low
|
| 811
|
Tyros (nymph)
|
255
|
8
|
C
|
Low
|
| 812
|
Postage stamp color
|
254
|
8
|
C
|
Low
|
| 813
|
Colors (Ken Nordine album)
|
254
|
8
|
Start
|
Low
|
| 814
|
OSA-UCS
|
253
|
8
|
Stub
|
Low
|
| 815
|
Stanford Cardinal Red
|
250
|
8
|
NA
|
Low
|
| 816
|
Teal (color)
|
249
|
8
|
NA
|
NA
|
| 817
|
Plicopurpura columellaris
|
242
|
7
|
Stub
|
Low
|
| 818
|
Burnt umber
|
239
|
7
|
NA
|
Mid
|
| 819
|
Color normalization
|
237
|
7
|
Start
|
Mid
|
| 820
|
Standard Color Reference of America
|
236
|
7
|
Start
|
Low
|
| 821
|
International Colour Association
|
229
|
7
|
C
|
Mid
|
| 822
|
Whiteness (colorimetry)
|
226
|
7
|
Start
|
Low
|
| 823
|
Splash of color
|
222
|
7
|
Stub
|
Low
|
| 824
|
Rail Blue
|
216
|
6
|
NA
|
NA
|
| 825
|
Visual weight
|
213
|
6
|
Stub
|
Low
|
| 826
|
Polka-dot paint
|
211
|
6
|
Start
|
Low
|
| 827
|
Golden ochre
|
209
|
6
|
C
|
Low
|
| 828
|
Von Kries coefficient law
|
207
|
6
|
C
|
Low
|
| 829
|
Color Marketing Group
|
206
|
6
|
Stub
|
Low
|
| 830
|
Alumina effect pigment
|
205
|
6
|
Start
|
Low
|
| 831
|
Society of Dyers and Colourists
|
203
|
6
|
Stub
|
Mid
|
| 832
|
Color wheel (optics)
|
202
|
6
|
Stub
|
Low
|
| 833
|
YJK
|
202
|
6
|
Unknown
|
Unknown
|
| 834
|
Principle of univariance
|
199
|
6
|
Stub
|
Low
|
| 835
|
Deane B. Judd
|
198
|
6
|
Start
|
Low
|
| 836
|
Holmgren's wool test
|
191
|
6
|
Start
|
Low
|
| 837
|
British Colour Council
|
189
|
6
|
Start
|
Mid
|
| 838
|
True Blue (color)
|
189
|
6
|
NA
|
Low
|
| 839
|
PAL-S
|
188
|
6
|
Start
|
Low
|
| 840
|
Harlequin (color)
|
187
|
6
|
NA
|
NA
|
| 841
|
HSLuv
|
183
|
5
|
Start
|
Low
|
| 842
|
Bernice Kentner
|
182
|
5
|
Start
|
Low
|
| 843
|
Absolute color space
|
177
|
5
|
NA
|
Mid
|
| 844
|
Windows Color System
|
177
|
5
|
Start
|
Mid
|
| 845
|
Iron ochre
|
174
|
5
|
List
|
Low
|
| 846
|
David MacAdam
|
173
|
5
|
Start
|
Mid
|
| 847
|
Two-color system
|
170
|
5
|
Stub
|
Low
|
| 848
|
Portland Orange
|
169
|
5
|
Stub
|
Unknown
|
| 849
|
Zinzolin
|
167
|
5
|
B
|
Low
|
| 850
|
Cycolor
|
165
|
5
|
Stub
|
Low
|
| 851
|
Jade (color)
|
161
|
5
|
NA
|
Low
|
| 852
|
Journal of Vision
|
159
|
5
|
Stub
|
Low
|
| 853
|
Battleship grey
|
158
|
5
|
NA
|
NA
|
| 854
|
Practical Color Coordinate System
|
157
|
5
|
Stub
|
Low
|
| 855
|
Günter Wyszecki
|
156
|
5
|
Start
|
Unknown
|
| 856
|
Munsell Color Company
|
155
|
5
|
Stub
|
Mid
|
| 857
|
Raisin black
|
154
|
4
|
Stub
|
Low
|
| 858
|
Color quality scale
|
151
|
4
|
Stub
|
Mid
|
| 859
|
ColorZilla
|
146
|
4
|
Stub
|
Low
|
| 860
|
European Color Initiative
|
144
|
4
|
Start
|
Low
|
| 861
|
Skyscope
|
137
|
4
|
Stub
|
Unknown
|
| 862
|
UCLA Blue
|
133
|
4
|
NA
|
Low
|
| 863
|
Attic ochre
|
133
|
4
|
C
|
Low
|
| 864
|
ICAM (color appearance model)
|
127
|
4
|
Start
|
Low
|
| 865
|
Emerald (color)
|
124
|
4
|
NA
|
Low
|
| 866
|
Adams chromatic valence color space
|
124
|
4
|
Start
|
Mid
|
| 867
|
Hansa yellow
|
123
|
3
|
NA
|
Low
|
| 868
|
Colorimeter
|
118
|
3
|
NA
|
NA
|
| 869
|
EciRGB
|
116
|
3
|
Stub
|
Low
|
| 870
|
Army green
|
115
|
3
|
NA
|
NA
|
| 871
|
Charcoal (color)
|
114
|
3
|
NA
|
NA
|
| 872
|
Sinople
|
113
|
3
|
NA
|
NA
|
| 873
|
Society for Imaging Science and Technology
|
113
|
3
|
Stub
|
Unknown
|
| 874
|
Liquid color
|
112
|
3
|
C
|
Low
|
| 875
|
Moss green
|
110
|
3
|
NA
|
Low
|
| 876
|
Color engraving
|
107
|
3
|
Stub
|
Low
|
| 877
|
Registration black
|
106
|
3
|
NA
|
Mid
|
| 878
|
Charles Albert Keeley
|
105
|
3
|
Start
|
Low
|
| 879
|
Leaf Color Chart
|
104
|
3
|
Stub
|
Low
|
| 880
|
Flame (color)
|
100
|
3
|
NA
|
NA
|
| 881
|
Upsdell red
|
100
|
3
|
Stub
|
Low
|
| 882
|
Augusto Garau
|
100
|
3
|
Start
|
Low
|
| 883
|
Vantage theory
|
98
|
3
|
Start
|
Low
|
| 884
|
Inter-Society Color Council
|
98
|
3
|
Start
|
Low
|
| 885
|
Colorway
|
96
|
3
|
NA
|
Low
|
| 886
|
Sea green
|
95
|
3
|
NA
|
Low
|
| 887
|
Under color addition
|
91
|
2
|
Stub
|
Low
|
| 888
|
Brandeis blue
|
90
|
2
|
NA
|
NA
|
| 889
|
Forensic colorimetry
|
89
|
2
|
Start
|
Low
|
| 890
|
Pinchin Johnson & Associates
|
88
|
2
|
Start
|
Low
|
| 891
|
Tristimulus value
|
86
|
2
|
NA
|
Mid
|
| 892
|
Pine green
|
84
|
2
|
NA
|
Low
|
| 893
|
Klaer Lightende Spiegel der Verfkonst
|
84
|
2
|
Stub
|
Low
|
| 894
|
Lead ochre
|
83
|
2
|
List
|
Low
|
| 895
|
Descriptive Color Names Dictionary
|
74
|
2
|
Stub
|
Low
|
| 896
|
The Color Association of the United States
|
74
|
2
|
NA
|
Mid
|
| 897
|
Salmon pink
|
71
|
2
|
NA
|
Low
|
| 898
|
Tekhelet in Judaism
|
71
|
2
|
NA
|
Low
|
| 899
|
Amber shift
|
69
|
2
|
Stub
|
Low
|
| 900
|
Tufts Blue
|
69
|
2
|
NA
|
Low
|
| 901
|
Carnation pink
|
68
|
2
|
NA
|
Low
|
| 902
|
Ghost white
|
68
|
2
|
NA
|
NA
|
| 903
|
Hermann Alfred Tanner
|
68
|
2
|
GA
|
Low
|
| 904
|
Bright green
|
67
|
2
|
NA
|
NA
|
| 905
|
Peach black
|
66
|
2
|
Stub
|
Low
|
| 906
|
Rendering intent
|
65
|
2
|
NA
|
Mid
|
| 907
|
Purplish
|
64
|
2
|
NA
|
NA
|
| 908
|
Papaya whip
|
63
|
2
|
NA
|
Low
|
| 909
|
Myrtle (color)
|
63
|
2
|
NA
|
Low
|
| 910
|
The Colour Group
|
62
|
2
|
Stub
|
Low
|
| 911
|
George Palmer (colour theorist)
|
61
|
1
|
C
|
Low
|
| 912
|
Corn (color)
|
60
|
1
|
NA
|
Low
|
| 913
|
Nardo gray
|
59
|
1
|
NA
|
Low
|
| 914
|
Spray booth
|
58
|
1
|
NA
|
NA
|
| 915
|
Robert Birmelin
|
58
|
1
|
C
|
Low
|
| 916
|
Redwood (color)
|
57
|
1
|
NA
|
NA
|
| 917
|
Saffron in Hinduism
|
57
|
1
|
NA
|
Low
|
| 918
|
Lavender pink
|
56
|
1
|
NA
|
NA
|
| 919
|
Cobalt ochre
|
55
|
1
|
List
|
Low
|
| 920
|
Hooker's green
|
54
|
1
|
NA
|
NA
|
| 921
|
Antimony ochre
|
54
|
1
|
List
|
Low
|
| 922
|
Sophie Wuerger
|
54
|
1
|
Start
|
Unknown
|
| 923
|
Truecolor
|
53
|
1
|
NA
|
Mid
|
| 924
|
Peach-yellow
|
53
|
1
|
NA
|
Low
|
| 925
|
Hal Glicksman
|
50
|
1
|
Start
|
Low
|
| 926
|
Davy's grey
|
49
|
1
|
NA
|
Low
|
| 927
|
Brown spar
|
49
|
1
|
List
|
Low
|
| 928
|
Magic Pink
|
47
|
1
|
NA
|
Low
|
| 929
|
Deep sky blue
|
45
|
1
|
NA
|
Low
|
| 930
|
Pumpkin (color)
|
44
|
1
|
NA
|
NA
|
| 931
|
Color in Informatics and Media Technology
|
44
|
1
|
Start
|
Low
|
| 932
|
Color volume
|
44
|
1
|
NA
|
NA
|
| 933
|
Fluorescence intensity decay shape microscopy
|
42
|
1
|
Start
|
Low
|
| 934
|
Pinkish
|
41
|
1
|
NA
|
NA
|
| 935
|
Dark purple
|
40
|
1
|
NA
|
Low
|
| 936
|
Value (colorimetry)
|
39
|
1
|
NA
|
Mid
|
| 937
|
Old lace (color)
|
39
|
1
|
NA
|
Low
|
| 938
|
Variations of gray
|
39
|
1
|
NA
|
NA
|
| 939
|
Autotype (printing)
|
38
|
1
|
NA
|
NA
|
| 940
|
Lavender blush
|
36
|
1
|
NA
|
NA
|
| 941
|
Jorrit Tornquist
|
36
|
1
|
Stub
|
Low
|
| 942
|
Fern green
|
35
|
1
|
NA
|
Low
|
| 943
|
Green-yellow
|
33
|
1
|
NA
|
Mid
|
| 944
|
Dark-on-light color scheme
|
33
|
1
|
NA
|
Low
|
| 945
|
Ada Aline Urban
|
32
|
1
|
C
|
Low
|
| 946
|
Visible frequency
|
29
|
0
|
NA
|
NA
|
| 947
|
Tea green
|
28
|
0
|
NA
|
Low
|
| 948
|
Blue Violet
|
28
|
0
|
NA
|
NA
|
| 949
|
Theostein
|
28
|
0
|
NA
|
NA
|
| 950
|
Henry Hemmendinger
|
27
|
0
|
Start
|
Mid
|
| 951
|
Asparagus (color)
|
26
|
0
|
NA
|
NA
|
| 952
|
Sap green
|
26
|
0
|
NA
|
Low
|
| 953
|
Persian orange
|
25
|
0
|
NA
|
NA
|
| 954
|
Alexis Spectral Data
|
25
|
0
|
Stub
|
Low
|
| 955
|
Pear (color)
|
23
|
0
|
NA
|
Low
|
| 956
|
Sandy brown
|
20
|
0
|
NA
|
NA
|
| 957
|
Wenge (colour)
|
19
|
0
|
NA
|
Low
|
| 958
|
Ash grey
|
19
|
0
|
NA
|
Low
|
| 959
|
Process blue
|
19
|
0
|
NA
|
NA
|
| 960
|
Mint cream
|
18
|
0
|
NA
|
NA
|
| 961
|
Pastel green
|
16
|
0
|
NA
|
Low
|
| 962
|
Cool grey
|
13
|
0
|
NA
|
NA
|
| 963
|
Gray-asparagus
|
12
|
0
|
NA
|
Low
|
| 964
|
Geru
|
11
|
0
|
NA
|
Low
|
| 965
|
CG Red
|
11
|
0
|
NA
|
NA
|
| 966
|
Ford Blue
|
11
|
0
|
NA
|
NA
|
| 967
|
Peach-orange
|
8
|
0
|
NA
|
Low
|
| 968
|
Boysenberry (color)
|
7
|
0
|
NA
|
NA
|
| 969
|
Non-spectral color
|
6
|
0
|
NA
|
NA
|
| 970
|
Pale brown
|
5
|
0
|
NA
|
Low
|
| 971
|
Blue bell (color)
|
5
|
0
|
NA
|
NA
|
| 972
|
Raw umber (color)
|
4
|
0
|
NA
|
Low
|
| 973
|
Aramanth purple
|
4
|
0
|
NA
|
NA
|
| 974
|
(255, 0, 0)
|
3
|
0
|
NA
|
NA
|
| 975
|
Wisteria (colour)
|
3
|
0
|
NA
|
NA
|
| 976
|
Camouflage green
|
2
|
0
|
NA
|
NA
|
| 977
|
Blaze Orange
|
1
|
0
|
NA
|
Mid
|
| 978
|
Color Matching Method
|
1
|
0
|
NA
|
Low
|
| 979
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
| 980
|
LED ribbon
|
0
|
0
|
NA
|
Low
|