Tilang
Template:Short description Template:Use dmy dates Template:Use Indian English Template:Infobox raga
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.[1][2][3]
Scale
- Arohana (ascending scale): Template:SvaraH[2]
- Avarohana (descending scale): Template:SvaraH[2]
This raga has a lowered seventh, Template:SvaraH (Template:Langx) in the descending scale.[1][2]
Its defining characteristics are: Template:SvaraH, Template:SvaraH. Some performers add a Re to create the following pattern: Template:SvaraH.
Vādī and Samvādī
In Carnatic music
This raga originated in Hindustani classical music and has been taken into Carnatic music.[4] It is derived from the 28th Melakarta (parent scale) Harikambhoji.[4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.[5]
Compositions
- Shree Ganesha Charanam by Papanasam Sivan
- Ramakrishnaru Manege, Tarakka Bindige and Dasara Nindisa Beda by Purandara Dasa
- Satyavantara Sangaviralu by Kanaka Dasa
- Shanthi Nilava Vendum by Sethumadava Rao
- Prabho Ganapathe by Agastya
- Thamarai Malar Ondru by Kavi Kannan
- Jaya Vara Varini by U Ve Srinivasa Varadachariar
- Maha Ganapathim by Dayanand Saraswati
- Maha Ganapathe Namo Namo is a rare Bhajan
Film songs
Language : Hindi
| Song | Film | Composer | Singer(s) |
|---|---|---|---|
| Gori Gori Gaon Ki Gori Re | Yeh Gulistan Hamara | S. D. Burman | Lata Mangeshkar & Kishore Kumar |
| Kaise Kahen Ham | Sharmeelee | S. D. Burman | Kishore Kumar |
| Meri Kahani Bhulnevale Tera Jahan Abad Rahe | Deedar | Naushad | Mohammad Rafi |
| Yahi Arman Lekar Aaj Apne Ghar Se Ham Nukale | Shabaab | Naushad | Mohammad Rafi |
| Sajna Sang Kahe Neha Lagae | Main Nashe Mein Hoon | Shankar–Jaikishan | Lata Mangeshkar |
| Lagan Tose Lagi Balma | Dekh Kabira Roya | Madan Mohan (composer) | Lata Mangeshkar |
| Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Raagini | O. P. Nayyar | Asha Bhosle |
| Mein Apne Aap Se Ghabra Gaya Hoon | Bindya | Iqbal Qureshi | Mohammad Rafi |
| Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Mehboob Ki Mehndi | Laxmikant–Pyarelal | Lata Mangeshkar & Mohammad Rafi |
Tamil
Language : Telugu
| Song | Film | Composer(s) | Singer(s) |
|---|---|---|---|
| Neela Kandhara | Bhookailas | R. Sudarsanam & R. Govardhanam | Ghantasala |
| Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada | Mahakavi Kalidasu | Pendyala | P. Susheela |
| Naa Chandamama | Pandava Vanavasam | Ghantasala | Ghantasala & P. Susheela |
| Niluvumaa Niluvumaa | Amarasilpi Jakkanna | S. Rajeswara Rao | Ghantasala & P. Susheela |
| Manasaa, Kavvinchake | Pandanti Kapuram | S. P. Kodandapani | P. Susheela |
| Jaamu Gadichenu Jabili Vodigenu | Mogudu-Pellalu (1985) | Ramesh Naidu | S. P. Balasubrahmanyam & P. Susheela |
| Naalo Ninne Choodanaa | Vichitra Vivaham (1973) | Satyam | P. Bhanumathi |
| Naa Sneham Pandi Premai Nindina Cheliya Ravela | Babu | K. Chakravarthy | S. P. Balasubrahmanyam |
Scale similarities
- Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales,[1] while Tilang uses Kaisiki Niṣāda (N2) in descending scale.
- Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales,[1] while Tilang uses Kakali Niṣāda (N3) in ascending scale.
Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.[1]
Notes
References
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- ↑ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
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