The Motion of Light in Water

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Template:Short description Script error: No such module "Infobox".Template:Template otherScript error: No such module "Check for unknown parameters".Template:Wikidata image The Motion of Light in Water: Sex and Science Fiction Writing in the East Village, is the autobiography of the science fiction author Samuel R. Delany in which he recounts his experiences growing up as a gay African American man, as well as some of his time in an interracial and open marriage with Marilyn Hacker. It describes encounters with Albert Einstein, Bob Dylan, Stokely Carmichael and Stormé DeLarverie, a dinner with W. H. Auden, and a phone call to James Baldwin.

Among many cultural events of the decade that he witnessed, Delany recounts his attendance at the first New York City performance of the artist Allan Kaprow's 18 Happenings in 6 Parts, the 1959 performance piece that, for many, marked the end of modernism and the beginning of postmodernism.[1] In section 17.4 of the University of Minnesota Press edition, he describes the event and its venue, and speculates on its artistic significance.[2] The introduction puts an emphasis on the idea of the unreliable narrator; Delany's accounts often contrast his life as it "felt" to ways in which it actually occurred.

Awards

Legacy

Hazel Carby called it one of two contemporary autobiographies that are "absolutely central to any consideration of black manhood" (the other being that of Miles Davis).[4]

In the chapter, "The Future Is in the Present" of the book Cruising Utopia by José Esteban Munoz, Delany's The Motion of Light in the Water serves to explain how the future, as a form of utopia, can be "glimpsed" in the present through what Delany employed as "the massed bodies" of sexual dissidence.[5]

Masha Gessen in O, The Oprah Magazine selected this title as a pick for the "Best LGBTQ Books of All Time", describing it as "a textbook in observing the self, thinking about sex and love, and the best writing manual I know".[6]

Publication history

1988 Arbor House Template:ISBN 302 pages First edition
1989 Plume Template:ISBN 302 pages Paperback
1993 Richard Kasak Template:ISBN 520 pages "The first unexpurgated American edition"[7]
2004 University of Minnesota Press Template:ISBN 584 pages
2004 InsightOut Books Template:ISBN 572 pages
2014 Open Road Media Kindle edition

The first edition is subtitled "1957–1965", the revised 1993 edition is subtitled "1960–1965".

References

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  1. ↑ "Many times now Kaprow's piece (today we would call it 'performance art') has been cited by art historians as the (equally arbitrary) transition between the modern and the postmodern in cultural developments" (Script error: No such module "citation/CS1".).
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External links

Template:Samuel R. Delany


Template:US-bio-book-stub Template:LGBT-book-stub Template:Lit-bio-book-stub

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