Sweet Insanity

Template:Short description Template:Use mdy dates Sweet Insanity is an unofficial album by the American musician Brian Wilson that was produced in 1990 as the follow-up to his first solo album, Brian Wilson (1988). It was largely written and produced by Wilson alongside his former psychologist, Eugene Landy.

The album was rejected by Sire Records due to Landy's lyrics and the inclusion of "Smart Girls", a rap song. Select tracks were later rerecorded for Wilson's 2004 album Gettin' In over My Head.

Background

File:Brian Wilson of the Beach Boys in West Los Angeles 1990 photographed by Ithaka Darin Pappas.jpg

Wilson in the studio, 1990

In 1987, Wilson agreed to a two-album solo contract offered by Sire Records president Seymour Stein.Template:Sfn The first album, Brian Wilson, was released in July 1988 to critical acclaim but underwhelming sales, and it was largely overshadowed by the controversies surrounding Wilson's former psychologist, Eugene Landy, who had become his business and creative partner.Template:SfnTemplate:Sfn In August, Rolling Stone reported that Wilson was readying a second album, and that "half" of it had already been written. In May 1989, Wilson recorded "Daddy's Little Girl" for the film She's Out of Control, and in June, was among the featured guests on the charity single "The Spirit of the Forest". That summer, he began producing what became Sweet Insanity.Template:Sfn

Style and production

The production of Sweet Insanity retained most of the same personnel as that for Brian Wilson.Template:Sfn This time, Landy co-produced the album alongside Wilson, and according to biographer Peter Ames Carlin, there was "no interference of the Sire hotshots who had shepherded Brian's first solo album."Template:Sfn Andy Paley, who had co-produced Brian Wilson, said that the second solo effort "was even less real Brian than the first one". He recalled that working on Sweet Insanity was "such an unpleasant experience", although "there were good songs", such as "Rainbow Eyes". Critic Matthew Horton characterized the album's production style as "more bombastic and opulent than the subtler shades of Brian Wilson."Template:Sfn

Like Brian Wilson, the record included some guest appearances.Template:Sfn The Traveling Wilburys' Bob Dylan and Tom Petty, whose bandmate Jeff Lynne had co-produced a track on Brian Wilson, were featured on "The Spirit of Rock and Roll".Template:Sfn Matt Dike, known for his recent hits with hip-hop acts Tone-Loc and Young MC, was asked to co-produce "Smart Girls", a rap song.Template:SfnTemplate:Sfn Dike, who had been a major fan of the Beach Boys' late 1960s era, recalled that Wilson had expected the song to make "millions", to which Dike thought to himself, "What are you, fucking nuts?!"Template:Sfn

Brian was the album's initial working title.Template:Sfn The renaming to Sweet Insanity was meant to be a tongue-in-cheek reference to Wilson's much-publicized personal issues.Template:Sfn In Wilson's 2016 memoir, I Am Brian Wilson, it explains that "the title was supposed to be a comment about the way that mental illness could turn into something beautiful, but I wasn't sure I wanted a title like that."Template:Sfn In a 1993 interview, Mike Love remarked, "to call a record Sweet Insanity, imagine that. A whole album of Brian’s madness that no one wants to release and still everyone says he's a genius!"Template:Sfn

Rejection and availability

I thought some of the stuff was pretty good. It wasn't the best album I ever wrote. We just didn’t think it was good enough. They were just like demos. [...] we thought that maybe people wouldn’t like it, so we junked it.

—Brian Wilson, 2015

Two iterations of Sweet Insanity were presented to Sire Records, in 1990 and 1991, and both mixes were rejected due to the inclusion of "Smart Girls" and Landy's lyrics.Template:Sfn According to Sire executive Howard Klein, "If [Sweet Insanity] was pathetic, Eugene Landy's lyrics were full of psychological mumbo jumbo. When Wilson brought the tapes in, I thought it was a joke, but it wasn't. It was awful."Template:Sfn Sire then agreed to release Wilson from his contract.Template:Sfn

Among the original Sweet Insanity tracks, "Country Feeling" was included on the 1991 charity album For Our Children.Template:Sfn A limited-release cassette single of "Smart Girls" was also produced.Template:SfnTemplate:Refn The rest of the album has since been bootlegged,Template:SfnTemplate:Sfn with CD copies of the album distributed by the bootleg labels Vigotone and Invasion Unltd [sic] in 1993.Template:Sfn

In 2004, re-recorded and slightly rewritten versions of "Rainbow Eyes", "Make a Wish", and "Don't Let Her Know She's an Angel" were included on Wilson's album Gettin' In over My Head.Template:SfnTemplate:Sfn The album also included re-recordings of "Save the Day" (retitled "Fairy Tale") and "Let's Stick Together" (retitled "The Waltz"), which were not on Sweet Insanity, but dated from the same era.Template:Sfn In 2006, a re-recording of "The Spirit of Rock and Roll" was included on a limited-release CD compilation, Songs from Here & Back.Template:Sfn

Critical reception

Sweet Insanity was critically panned by many listeners who heard the record when it first circulated.Template:Sfn One writer who liked the album was music journalist Bill Holdship, who, in 1991, praised Sweet Insanity as "a wonderful album" and an improvement upon Brian Wilson.Template:Sfn

In his 2007 book The Greatest Music Never Sold, author Dan Leroy wrote that several of the Sweet Insanity songs suggest that "Wilson's muse was still very much intact and functioning", although "it's fair to say that there is no composition in the Beach Boys' or Brian Wilson's history that has inspired so much enmity as 'Smart Girls.'"Template:Sfn In the 2014 book The Greatest Albums You'll Never Hear, contributor Matthew Horton praised Sweet Insanity for having "plentiful merits", despite some "missteps".Template:Sfn

Brett Milano of the Boston Phoenix regarded Sweet Insanity as among Wilson's "best post-'60s albums...For the first time since ''Til I Die', he's writing directly about his breakdown and recovery...Landy may have written these lyrics, but it hardly matters; Wilson didn't write the lyrics to Pet Sounds either."

AllMusic reviewer Matthew Greenwald wrote, "Most of the record is overbaked both lyrically and musically, with a feeling of sitting in on a therapy session rather than a recording. Some of it is unlistenable, and the mark of Brian Wilson only surfaces rarely. For diehard collectors and the brave of heart."

Track listing

Per Andrew Doe.

Personnel

Partial credits.Template:SfnTemplate:SfnTemplate:SfnTemplate:SfnTemplate:Sfn

• Brian Wilson - vocals, producer
• Eugene Landy - producer
• Tom Petty - vocals on "The Spirit of Rock and Roll"
• Bob Dylan - vocals on "The Spirit of Rock and Roll"
• Andy Paley
• Paula Abdul
• Weird Al Yankovic
• Matt Dike - co-producer ("Smart Girls")

See also

• The Beach Boys bootleg recordings
• Adult/Child