Sociology of film

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Template:Short description The sociology of film deals with the sociological analysis of film.[1] According to a university class in it, the field includes "Contemporary cinema as a culture clue to social change; an introduction to the social forces involved in film-making in the United States and other cultures; the influence of films on mass and select audiences."[2] According to another university course, it covers "social aspects causes and consequences of the production, distribution, content, form and reception of film."[3]

The New York Times said, "One problem, though, is that if the audience is the measure all things, then art becomes a reflection of sociology and dissecting audience tastes becomes the art."[4]

References

<templatestyles src="Reflist/styles.css" />

  1. Script error: No such module "Citation/CS1".
  2. Script error: No such module "citation/CS1".
  3. Script error: No such module "citation/CS1".
  4. Script error: No such module "citation/CS1".

Script error: No such module "Check for unknown parameters".

External links

Bibliography

  • Diken, Bulent & Carsten Bagge Laustsen. Sociology Through the Projector. Routledge, 2007.
  • Huaco, George. Sociology of film art. Basic Books, 1965.
    • Review, American Journal of Sociology 72"314 (1966)
  • Mayer, J. P.: Sociology of Film: Studies and Documents. Faber & Faber, 1946. Full text on Internet Archive
  • Sutherland, Jean-Anne, and Katheryn Feltey. Cinematic Sociology : Social Life in Film. 2nd ed. SAGE Publishing, 2013.
  • Tudor, Anthony. Image and Influence : Studies in the Sociology of Film. Allen & Unwin, 1974.
    • Review, Literature/Film Quarterly" 5:84 (1978) [2]

Template:Authority control