Short-Tempered Melancholic
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Contents
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- Kajika Yamano is a female ninja whose job is to protect her family's legendary weapon. But when a boy she has a crush on tells her she should be more ladylike, she vows to give up all ninja deeds. The oneshot was Tanemura's third work, and takes its title from a song by the Japanese pop group Fairchild.[2][3]
- "Short-Tempered Melancholic -Without You-"
- Yuga challenges Hayato to a fight over Kajika.
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- Minori falls in love with Takato, a boy who shared his umbrella with her one rainy afternoon. Now she "forgets" her umbrella every time it rains in hopes of becoming closer to him. The oneshot was Tanemura's second work after her professional debut, named after an album by Shinichi Ishihara.[4]
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- Yuri sends her pen pal Ryo a picture of herself - but it's really of her best friend Karin, who is prettier than she is. Now Ryo wants to meet her, so she has no choice but to send Karin instead! Tanemura's fourth work after her debut as a mangaka, this story was the opening manga in an extra issue of Ribon, and the first of her works to be published with a color opening page.[5]
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- Mana secretly likes her friend's boyfriend, but Nakamura, a younger boy, is determined to win Mana's heart.
Media
Manga
| No. | Title | Original release date | English release date | |
|---|---|---|---|---|
| 1 | Short-Tempered Melancholic and Other Short Stories Kanshaku Dama no Yūutsu (かんしゃく玉のゆううつ) | Script error: No such module "Date time".Script error: No such module "Check for unknown parameters".[6] Template:ISBNT | Script error: No such module "Date time".Script error: No such module "Check for unknown parameters".[7][8] Template:ISBNT | |
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Reception
In its daily reviews, Publishers Weekly praised the pacing and layouts of the work, but criticized Tanemura's continued reuse of character designs across series and Kajika's relatively small role within the story, noting that "despite the ninja on the cover, the bulk of the book is straightup romance, which is too bad, as Kajika is an appealing protagonist."[9] Leroy Douresseaux of Comic Book Bin felt the story showed Tanemura's "usual ornate art with its layered flower patterns, toning, and ink wash" and found the stories to be "the kind of gentle and sweet, light-hearted romance that appeal [sic] to Tanemura's fans."[10]
References
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