Sequenza XI

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Script error: No such module "Italic title". Sequenza XI for solo guitar (1987–1988) is one of a series of Sequenzas by Luciano Berio. Written for the American guitarist Eliot Fisk.

Form

The composition is in four large sections, and sets out from the six pitches of the open strings of the guitar. The composer asserted that two intervals are important elements in the work: the perfect fourth (which is the interval found between most neighbouring pairs of the guitar's strings) and the tritone, which leads to a different harmony of Berio's devising.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".

Usage

Sequenza XI is a standard work for guitarists who have chosen avant-garde modern classical music as a part of their repertoire, e.g., Denis Sung-Hô (performed Sequenzas with members of the ensemble intercontemporain), Stefan Östersjö, Todd Seelye, Mats Scheidegger, Geoffrey Morris, Pablo Gómez, Pablo Márquez, Alan Thomas, Jürgen Ruck, Nico Couck, etc.: it has been recorded numerous times (see below).

Berio's Chemins V (1992) is a work for guitar and ensemble based on Sequenza XI.[1]

References

<templatestyles src="Reflist/styles.css" />

Script error: No such module "Check for unknown parameters".

Sources

  • <templatestyles src="Citation/styles.css"/><cite class="citation wikicite" id=Script error: No such module "Footnotes".>Porcaro, Mark D. 2007. "A Polyphonic Type of Listening in and out of Focus: Berio’s Sequenza XI for Guitar". In Berio's Sequenzas: Essays on Performance, Composition, and Analysis, edited by Janet K. Halfyard, 255–274. Aldershot (Hants.); Burlington (Vermont): Ashgate Publishing. Template:ISBN.

External links

Script error: No such module "Unsubst".

Performances

Recordings

Template:Luciano Berio Template:Portal bar Script error: No such module "Authority control".