Rodolfo Halffter

Rodolfo Halffter Escriche (30 October 1900 – 14 October 1987)Template:Sfn was a Spanish composer, music critic, and professor with Mexican citizenship (from 1939). He wrote in a style always informed by his early engagement with the modernist aesthetics of Madrid's , finding inspiration in the music of Claude Debussy, Manuel de Falla, and Arnold Schoenberg.

Halffter came from a musical family. Though largely self-taught as a composer, he studied Schoenberg's Harmonielehre and was advised by Falla. His music has been compared to Domenico Scarlatti's in its neoclassicism and to Falla's in its mild polytonality.

Like others in his milieu, Halffter chose to leave Francoist Spain at the end of the Spanish Civil War. He emigrated to Mexico in 1939 and taught there for more than three decades, enjoying increasing recognition. Several notable composers are among his students. Starting in 1953, he became the first composer to use twelve-tone technique in Mexico.

Halffter returned to Spain beginning in the 1960s, where he also taught, and received its in 1986. He was also honored in Mexico, where he died. He wrote music in many genres and for many films.

Biography

Early years

Born in Madrid to a family of musicians, Rodolfo Halffter was the older brother of composer-conductorTemplate:Sfn Ernesto Halffter and uncle of composer Cristóbal Halffter.Template:Sfnm His father Ernest Halffter Hein was from Königsberg, Germany. His mother Rosario Escriche Erradón was of Catalan heritage and gave her children their first music lessons.

Spain

Halffter was largely self-taught as a composer and influenced by Debussy and Schoenberg, having read the latter's Harmonielehre.Template:Sfn He was also advised by Manuel de Falla, whom he met through composer-critic Adolfo Salazar,Template:SfnTemplate:Efn and whose music then owed much to Igor Stravinsky's neoclassical style.Template:SfnTemplate:Efn Halffter also met artists like Salvador Dalí and Federico García Lorca at the , and he set the poems of Rafael Alberti to music in Marinero en tierra (1925).Template:Sfn Halffter became counted among the composers of the 1930s , or Grupo de Madrid.Template:Efn

He worked first as a bank clerk and later as a music critic for Madrid's El Sol, El universo gráfico,Template:Sfn and Template:Ill.Template:Sfn In the last, he praised Joaquín Rodrigo's Template:Ill as "the exquisite product of a refined musician".Template:Sfn He cofounded the Alianza de Intelectuales Antifascistas in 1936 and was also Head of the Department of Music at the Undersecretary of Propaganda in the Second Spanish Republic.Template:Sfn His brother Ernesto, by contrast, supported Francisco Franco.Template:Sfn

After the Spanish Civil War (1936–1939), Halffter chose to leave Francoist Spain for Mexico,Template:Sfnm as only Mexico and the Soviet Union had supported the Republican faction.Template:Sfn He was among many Spanish Republican exiles who did so,Template:Sfn including Falla, Salazar, Rosa García Ascot, Jesús Bal y Gay, and María Teresa Prieto.Template:Sfn

Mexico

Halffter arrived in Mexico in 1939,Template:Sfn where he was welcomed by Carlos Chávez and Blas Galindo in Mexico City.Template:Sfn He first taught at the Template:Ill (1939–1940) and then at the for 30 years.Template:Sfn Template:Ill, Template:Ill, Mario Lavista, and Rocío Sanz Quirós studied music with Galindo and Halffter here before continuing their education at major institutions in Europe or the United States.Template:Sfn

In 1946, he became editor of Nuestra música and director of Ediciones Mexicanas de Música.Template:Sfn The same year, violinist Samuel Dushkin gave the premieres of Halffter's Violin Concerto, helping to establish Halffter's growing international reputation.Template:Sfn Halffter may have participated in the 1954 and 1957 in Caracas, perhaps placing him in the company of Roque Cordero and René Leibowitz.Template:Sfn

Later career

Halffter returned to Spain on many occasions after 1962.Template:Sfn He taught in Granada and Santiago de Compostela and participated in music festivals. He published a catalogue of Chàvez's music in 1971 for the composer's seventieth birthday and updated it after Chàvez's death.Template:Sfn Halffter died in Mexico City on October 14, 1987.Template:Sfn

Music

Halffter wrote the majority of his most important works while in the . They are typified by their mild polytonality, asymmetric rhythms, and clear melodic writing after Falla,Template:Sfn and their neoclassical style has been compared to the musical idiom of Domenico Scarlatti.Template:Efn

Halffter began to use twelve-tone technique, as the first composer to do so in Mexico,Template:Sfnm in Tres hojas de album (1953).Template:Sfn This was at a time when the technique was becoming mainstream and had already become respected as somewhat antifascist.Template:Sfn He maintained the melodic orientation of his prior style.Template:Sfn

Reception

The Spanish government honored him with a concert in his later career, and he received further honors from the Real Academia de Bellas Artes de San Fernando and the Mexican Academia de Artes.Template:Sfn In 1986, he was awarded Spain's highest award for composition, the . He has been remembered as a composer working in the style established by FallaTemplate:Sfn and as the first composer of twelve-tone music in Mexico.Template:Sfnm Galindo honored him in music with Homenaje a Rodolfo Halffter (1989).Template:Sfn

Compositions

Ballet suites

• Don Lindo de Almería (José Bergamín), Op. 7b, from the ballet (1935)Template:Sfnm
• La madrugada del panadero (José Bergamín), Op. 12a, from the ballet-pantomime (1940)Template:Sfnm

Chamber

• Piezas for string quartet (1923)Template:Sfn
• Giga for guitar, Op. 3 (1930)Template:Sfn
• Divertimento from Don Lindo de Almería for mixed ensemble, Op. 7a (1935)Template:Sfn
• Pastorale for violin and piano, Op. 18 (1940)Template:Sfn
• String Quartet, Op. 24 (1957–1958)Template:Sfn
• Cello Sonata, Op. 26 (1960)Template:Sfn
• Three Movements for string quartet, Op. 28 (1962)Template:Sfn
• Ocho Tientos for string quartet, Op. 35 (1973)Template:Sfn

Films

• The Lady from Trévelez, dir. Edgar Neville (1936)
• La mujer y la guerra, dir. Mauricio A. Sollín (1938)Template:Sfn
• Christopher Columbus, dir. José Díaz Morales (1943)Template:Sfn
• Michael Strogoff, dir. Miguel M. Delgado (1944)
• Entre hermanos, dir. Ramón Peón (1945)Template:Sfn
• Template:Ill, dir. Luis Buñuel (1945)Template:Sfn
• Raíces, dir. Benito Alazraki (1955), in collaboration with Galindo, José Pablo Moncayo, and Guillermo NoriegaTemplate:Sfn

Orchestra

• Suite, Op. 1 (1924–1928)Template:Sfnm
• Preludio atonal, homenaje a Arbós (1933)Template:Sfn
• Violin Concerto, Op. 11 (1940)Template:Sfn
• Tres sonatas de Fray Antonio Soler (1951)Template:Sfn
• Obertura festiva, Op. 21 (1952)Template:Sfnm
• Tripartita, Op. 25 (1959)Template:Sfnm
• Diferencias for orchestra, Op. 33 (1970)Template:Sfnm
• Dos ambientes sonoros, Op. 37 (1975–1979)Template:Sfnm

Piano

• Template:Ill de El Escorial, Op. 2 (1928, after Antonio Soler)Template:Sfn
• Para la tumba de Lenin (1937)Template:Sfn
• Homenaje a Antonio Machado, Op. 13 (1944)Template:Sfn
• Sonata No. 1, Op. 16 (1947)Template:Sfn
• Sonata No. 2, Op. 20 (1951)Template:Sfn
• Tres hojas de album, Op. 22 (1953)Template:Sfn
• Sonata No. 3, Op. 30 (1967)Template:Sfn
• Homenaje Arturo Rubinstein (Nocturno), Op. 36 (1973)Template:Sfn

String orchestra

• Dos impromptus y divertimento (c. 1931)Template:Sfn
• Tres piezas, Op. 23 (1954)Template:Sfnm
• Elegía en memoriam Carlos Chávez, Op. 41 (1978)Template:Sfnm

Vocal

• Marinero en tierra (Rafael Alberti) for voice and piano, Op. 27 (1925)Template:Sfn
• La nuez (A. del Rio) for three-part children's chorus (1944)Template:Sfn
• Dos sonetos (Juana Inés de la Cruz) for alto and piano, Op. 15 (1946)Template:Sfn
• Tres epitafios (Miguel de Cervantes) for chorus, Op. 17 (1947–1953)Template:Sfn

References

Bibliography

• Template:Ill. 2024. Musical Modernism in Global Perspective: Entangled Histories on a Shared Planet. Music in Context Series, gen. ed. Benedict Taylor. Cambridge: Cambridge University Press. Template:ISBN (hbk). .
• Hess, Carol A. 2023. "The Symphony in Mexico, Central America, and the Spanish-Speaking Caribbean". The Symphony in the Americas, ed. Brian Hart. Vol. 5, The Symphonic Repertoire, founding ed. A. Peter Brown. Bloomington: Indiana University Press. Template:ISBN (ebk). Template:ISBN (hbk).
• Iglesias, Antonio and Juan A. Orrego-Salas. 2001. "Halffter (Escriche), Rodolfo". Grove Music Online. Digitally published 2001. Retrieved 20 September 2024. . Template:Grove Music subscription
• López Gómez, Lidia. 2024. "Soundtracks for the Republic: Musical propaganda in documentary films during the Spanish Civil War". The Routledge Handbook to Spanish Film Music, ed. Laura Miranda. Routledge Music Handbooks Series. London and New York: Routledge. Template:ISBN (hbk). Template:ISBN (pbk). Template:ISBN (ebk). .
• Suárez-Pajares, Javier and Walter Aaron Clark. 2024. A Light in the Darkness: The Music and Life of Joaquín Rodrigo, fwd. Julian Lloyd Webber, ed. and trans. Template:Ill. Music in Context Series, gen. ed. Benedict Taylor. New York: W. W. Norton. Template:ISBN (ebk). Template:ISBN (hbk).

Further reading

• Bal y Gay, Jesús. 1946. "Rodolfo Halffter, el compositor mexicano". Nuestra música 1(3): 141–146.

External links

• Rodolfo Halffter discography at Discogs
• Template:Trim/ Rodolfo Halffter at IMDbTemplate:EditAtWikidata