Quanzhou dialects

Template:Short description The Quanzhou dialects (), also rendered Chin-chew or Choanchew, are a collection of Hokkien dialects spoken in southern Fujian (in southeast China), in the area centered on the city of Quanzhou. Due to migration, various Quanzhou dialects are spoken outside of Quanzhou, notably in Taiwan and many Southeast Asian countries, including mainly the Philippines, Singapore, Malaysia, and Indonesia.

Classification

The Quanzhou dialects are classified as Hokkien, a group of Southern Min varieties. In Fujian, the Quanzhou dialects form the northern subgroup () of Southern Min. The dialect of urban Quanzhou is one of the oldest dialects of Southern Min, and along with the urban Zhangzhou dialect, it forms the basis for all modern varieties. When compared with other varieties of Hokkien, the urban Quanzhou dialect has an intelligibility of 87.5% with the Amoy dialect and 79.7% with the urban Zhangzhou dialect.

Cultural role

Before the 19th century, the dialect of Quanzhou proper was the representative dialect of Southern Min in Fujian because of Quanzhou's historical and economic prominence, but as Xiamen developed into the political, economic and cultural center of southern Fujian, the Amoy dialect gradually took the place of the Quanzhou dialect as the representative dialect. However, the Quanzhou dialect is still considered to be the standard dialect for Liyuan opera and nanyin music.

Phonology

Template:IPA notice This section is mostly based on the variety spoken in the urban area of Quanzhou, specifically in Licheng District.

Initials

There are 14 phonemic initials, including the zero initial (not included below):

		Bilabial	Alveolar		Velar	Glottal
			plain	sibilant
Plosive/ Affricate	plain	Template:IPAslink	Template:IPAslink	Template:IPAslink	Template:IPAslink
	aspirated
	voiced	Template:IPAslink			Template:IPAslink
Fricative				Template:IPAslink		Template:IPAslink
Lateral			Template:IPAslink

When the rhyme is nasalized, the three voiced phonemes , and are realized as the nasal stops Template:IPAblink, Template:IPAblink and Template:IPAblink, respectively.

The inventory of initial consonants in the Quanzhou dialect is identical to the Amoy dialect and almost identical to the Zhangzhou dialect. The Quanzhou dialect is missing the phoneme Template:IPAslink found in the Zhangzhou dialect due to a merger of Template:IPAslink into Template:IPAslink. The distinction between Template:IPAslink () and Template:IPAslink () was still made in the early 19th century, as seen in Huìyīn Miàowù () by Huang Qian (), but Huìyīn Miàowù already has nine characters categorized into both initials. Rev. Carstairs Douglas has already observed the merger in the late 19th century. In some areas of Yongchun, Anxi and Nan'an, there are still some people, especially those in the older generation, who distinguish Template:IPAslink from Template:IPAslink, showing that the merger is a recent innovation. In Hokkien, evidently even during the early 17th century, can fluctuate freely in initial position as either a flap or voiced alveolar plosive stop .

Rimes

There are 87 rimes:

Rimes without codas (18)

	Template:IPAslink	Template:IPAslink	Template:IPAslink	Template:IPAslink	Template:IPAslink	Template:IPAslink
Template:IPAslink
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Rimes with nasal codas (17)

Template:IPAslink					Template:IPAslink

Nasalized rimes without codas (11)

	Template:IPAslink	Template:IPAslink	Template:IPAslink
Template:IPAslink

Checked rimes (41)

The actual pronunciation of the vowel has a wider opening, approaching . For some speakers, especially younger ones, the vowel is often realized as , e.g. pronouncing / (, "to fly") as , and the vowel is either realized as , e.g. pronouncing / (, "pig") as , or as , e.g. pronouncing (, "woman") as .

Tones

For single syllables, there are seven tones:

Name	Tone letter	Description
yin level ()	(33)	mid level
yang level ()	(24)	rising
yin rising ()	(554)	high level
yang rising ()	(22)	low level
departing ()	(41)	falling
yin entering ()	(5)	high
yang entering ()	(24)	rising

In addition to these tones, there is also a neutral tone.

Tone sandhi

As with other dialects of Hokkien, the tone sandhi rules are applied to every syllable but the final syllable in an utterance. The following is a summary of the rules:

• The yin level (33) and yang rising (22) tones do not undergo tone sandhi.
• The yang level and entering tones (24) are pronounced as the yang rising tone (22).
• The yin rising tone (554) is pronounced as the yang level tone (24).
• The departing tone (41) depends on the voicing of the initial consonant in Middle Chinese:
  • If the Middle Chinese initial consonant is voiceless, it is pronounced as the yin rising tone (554).
  • If the Middle Chinese initial consonant is voiced, it is pronounced as the yang rising tone (22).
• The yin entering (5) depends on the final consonant:
  • If the final consonant is Template:IPAslink, Template:IPAslink or Template:IPAslink, it is pronounced as the yang level tone (24).
  • If the final consonant is Template:IPAslink, it does not undergo tone sandhi.

External links

• 當代泉州音字彙, a dictionary of Quanzhou speech