Public humanities

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Public humanities is the work of engaging diverse publics in reflecting on heritage, traditions, and history, and the relevance of the humanities to the current conditions of civic and cultural life.[1][2] Public humanities is usually practiced within federal, state, nonprofit and community-based cultural organizations that engage people in conversations, facilitate and present lectures, exhibitions, performances and other programs for the general public on topics such as history, philosophy, popular culture and the arts.[3][4] Public Humanities also exists within universities as a collaborative enterprise between communities and faculty, staff, and students.[5]

Definitions

Public humanities projects include exhibitions and programming related to historic preservation, oral history, archives, material culture, public art, cultural heritage, and cultural policy.[6][7][8] The National Endowment for the Humanities notes that public humanities projects it has supported in the past include "interpretation at historic sites, television and radio productions, museum exhibitions, podcasts, short videos, digital games, websites, mobile apps, and other digital media."[9] Many practitioners of public humanities are invested in ensuring the accessibility and relevance of the humanities to the general public or community groups. [10]

The American Council of Learned Societies' National Task Force on Scholarship and the Public Humanities suggests that the nature of public humanities work is to teach the public the findings of academic scholarship: it sees "scholarship and the public humanities not as two distinct spheres but as parts of a single process, the process of taking private insight, testing it, and turning it into public knowledge."[11] Others, such as former museum director Nina Simon and Harvard professor Doris Sommer, suggest a more balanced understanding of the ways in which history, heritage, and culture are shared between the academy and the public.[12][13] These approaches draw on the notion of shared historical authority.[14]

Subfields of the public humanities include public history, public sociology, public folklore, public anthropology, public philosophy, historic preservation, museum studies, museum education, cultural heritage management, community archaeology, public art, collection management and public science.[15]

History

Case Studies

Programs

Several universities have established programs in the public humanities (or have otherwise expressed commitments to public humanities via the creation of centers, degrees, or certificate programs with investments in various forms of "public" work).[16] Programs include:

  • Yale University, whose MA program in Public Humanities is part of the American Studies Program at the Graduate School of Arts and Sciences.[38]

Publications

Public Humanities work can take the form of written communication in news magazines as well as in academic journals and books.

In 2024, Cambridge University Press launched an open-access international journal for the Public humanities which aims "to create a venue for sharing knowledge about the intersections of humanities scholarship and public life".[10]

References

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  5. Julie Ellison, “The New Public Humanists,” PMLA 128, no. 2 (2013): 289–98.
  6. Bridget Draxler and Danielle Spratt, Engaging the Age of Jane Austen: Public Humanities in Practice (Iowa City: University Of Iowa Press, 2019).
  7. Ned Kaufman, Place, Race, and Story : Essays on the Past and Future of Historic Preservation (New York: Routledge, 2009).
  8. Amy Lonetree, Decolonizing Museums : Representing Native America in National and Tribal Museums (Chapel Hill: University of North Carolina Press, 2012).
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  10. a b Script error: No such module "citation/CS1". Public Humanities, Cambridge University Press
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  12. Nina Simon, The Art of Relevance (Museum 2.0, 2016).
  13. Doris Sommer, The Work of Art in the World: Civic Agency and Public Humanities (Durham: Duke University Press, 2014).
  14. Bill Adair, Benjamin Filene, and Laura Koloski, eds., Letting Go? Sharing Historical Authority in a User-Generated World (Philadelphia: The Pew Center for Arts & Heritage, 2011).
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  16. Humanities Indicators, “Humanities in Our Lives: Public Humanities” American Academy of Arts and Sciences, Accessed 10/12/20. https://www.amacad.org/sites/default/files/media/document/2020-03/Public-Humanities.pdf.
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  26. https://www.oakland.edu/cas/humanities/index
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