Polychord

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File:Polychord C major and F major.png
Bitonal polychord: F major on top of C major.[1] Template:ErrorTemplate:Category handler

In music and music theory, a polychord consists of two or more chords, one on top of the other.[2][3][4] In shorthand they are written with the top chord above a line and the bottom chord below,[5] for example F upon C: Template:Sfrac.

The use of polychords may suggest bitonality or polytonality. Harmonic parallelism may suggest bichords.

Examples may be found in Igor Stravinsky's Petrushka, p. 15, and Rite of Spring, "Dance of the Adolescents" (1921) [6] (see Petrushka chord).

File:Polychords various over Dm.png
Polychords: E minor, E major, E major, and D major over D minor.[7] Template:ErrorTemplate:Category handler

In the polychords in the image above, the first might suggest a thirteenth chord, the second may suggest a D minor ninth chord with upper extensions, but the octave separation of the 3rd makes the suggestion of two independent triads a minor ninth apart even more likely, and the fourth is a split-third chord.[7]

Extended chords contain more than one triad, and so can be regarded as a type of polychord:

File:Thirteenth-polychord.PNG
Separate chords within an extended chord.[8] Template:ErrorTemplate:Category handler
File:G7(sharp11b9) vs Db over G chord.png
G7119 vs Template:Sfrac chord. Template:ErrorTemplate:Category handler

For example G7119 (G–B–D–F–A–C) is formed from G major (G–B–D) and D major (D–F–A), or Template:Sfrac.[5] (C ≡ D)

The Lydian augmented scale, "has a polychord sound built in,"[9] created by superimposing the Caug and the E (Template:ErrorTemplate:Category handler) and/or Fdim (Template:ErrorTemplate:Category handler) triads that exist in the scale, this being, "a very common practice for most bop and post-bop players [such as McCoy Tyner]."[10]

Examples of extended chords include the Elektra chord.

File:Park Avenue Beat polychord.png
Fred Steiner's 1957 Perry Mason theme, "Park Avenue Beat", ends with a Template:Sfrac polychord quoted by Frank Zappa in "Jezebel Boy", Broadway the Hard Way (1988) and described by Walter Everett as "juicy".[11] Template:ErrorTemplate:Category handler

When one or both of the chords in a polychord are not "chords" in some exclusive sense according to some preferred chord theory or other, polychords devolves into chordioid technique.

See also

References

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  1. Pen, Ronald (1992). Introduction to Music, p. 242. Template:ISBN.
  2. Haerle, Dan (1982). The Jazz Language: A Theory Text for Jazz Composition and Improvisation, p. 30. Template:ISBN. "The term polychord literally means many (poly) chords. In actual practice, a polychord is usually a combination of only two chords which creates a more complex sound."
  3. Guy Capuzzo, Tom Dempsey (2006). Theory for the Contemporary Guitarist, p. 76. Template:ISBN. "A bichord (other-wise known as a polychord) consists of two triads played together."
  4. Edward Shanaphy, Joseph Knowlton (1990). The Do It Yourself Handbook for Keyboard Playing, p. 62. Template:ISBN. "A polychord is nothing more than the playing of two chords at the same time."
  5. a b Policastro, Michael A. (1999). Understanding How to Build Guitar Chords and Arpeggios, p. 168. Template:ISBN.
  6. Reisberg, Horace (1975). "The Vertical Dimension in Twentieth Century Music", Aspects of Twentieth-Century Music, p. 336. Wittlich, Gary (ed.). Englewood Cliffs, New Jersey: Prentice-Hall. Template:ISBN.
  7. a b Kostka & Payne (1995). Tonal Harmony, p. 494. Third Edition. Template:ISBN.
  8. Marquis, G. Welton (1964). Twentieth Century Music Idioms. Englewood Cliffs, New Jersey: Prentice-Hall, Inc.
  9. Munro, Doug (2002). Jazz Guitar: Bebop and Beyond, p. 36. Template:ISBN.
  10. Munro (2002), p. 38.
  11. Walter Everett (Autumn, 2004). "A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan", pp. 208–09, Music Theory Spectrum, Vol. 26, No. 2, pp. 201–35.

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