Peggy Phelan
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Peggy Phelan (born April 23, 1959) is an American feminist scholar. She is the Ann O’Day Maples Professor of the Arts, Professor of Theater & Performance Studies, and Professor of English at Stanford University.[1][2][3][4]
Career
Phelan is a former president and treasurer of Performance Studies International; the former chair of New York University's Department of Performance Studies from 1993 to 1996 and of Stanford University's Drama Department; and the former Denning Family Director of the Stanford Arts Institute. She is currently the Ann O’Day Maples Professor of the Arts, Professor of Theater & Performance Studies, and Professor of English at Stanford University.[1][2][3]
Phelan's research interests include American literature, British literature, and performance studies with a focus in poetry and drama.[1] Her work is primarily concerned with the ephemerality of live performance.[5] While most of her initial work was rooted in feminist post-structuralism and psychoanalysis,[6][7] her more recent work is concerned with media, photography, and visual arts.[8] She has written on topics including the selfie,[9] Ronald Reagan,[10] and Andy Warhol.[11] Her most widely recognized essayScript error: No such module "Unsubst". is "The Ontology of Performance," originally published in her book Unmarked: The Politics of Performance (1993).[12]
Selected publications
- Phelan, Peggy. Live Art in La: Performance in Southern California, 1970-1983. New York: Routledge, 2012.
- Reckitt, Helena, and Peggy Phelan. Art and Feminism. London: Phaidon, 2001.
- Phelan, Peggy, Hans U. Obrist, Elisabeth Bronfen, and Pipilotti Rist. Pipilotti Rist. London: Phaidon, 2001.
- Phelan, Peggy, and Martin Gustavsson. Martin Gustavsson. 2001.
- Phelan, Peggy. Special Issue: Narrative and Performance. Ohio State University Press, 2000.
- Phelan, Peggy, and Jill Lane. The Ends of Performance. New York University Press, 1998.
- Phelan, Peggy. Mourning Sex: Performing Public Memories. London: Routledge, 1997.
- Phelan, Peggy. Unmarked: The Politics of Performance. London: Routledge, 1993.
Awards
- Guggenheim Fellowship for Theatre Arts, 2004[13]
- Getty Research Institute Scholar, 2004-2005[14]
- Stanford Humanities Center Violet Andrews Whittier Fellow, 2011-2012[15]
- Australian National University Humanities Institute Fellow[1]
- Callaway Prize for dramatic criticism honorable mention, 1997-1999[1]
References
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External links
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