Off White
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History
In late 1978, ZE Records co-founder Michael Zilkha approached James Chance and offered Chance $10,000 to record a disco album.[1] Zilkha gave little direction and asked the band for its own take on the genre.[2] Anya Phillips, Chance's manager and girlfriend, came up with the idea to rename James Chance and the Contortions to James White and the Blacks for the album.[1] An alternate name, James White and His Blacks, was rejected by Zilkha. Phillips and the band put together outfits resembling 1960s soul singers.[3]
Chance said that he was interested in the monotonous sound of disco music because it "doesn't have beginnings and ends".[4] His persona is an homage to soul and funk musician James Brown.[5] Chance was also intrigued by the shock value of a punk group embracing disco.[6] He received disco records for free and passed time listening to a record for several seconds before throwing it out a window.[7] Chance wrote a piece for the first issue of East Village Eye, praising disco and denouncing "outdated, cornball 'new/no wave' drivel".[6][8]
Off White includes contributions from Lydia Lunch, Robert Quine, and Vivienne Dick.[9] The band spent most of their budget recording the album's first side and used instrumentals for the second side.[10] The album often discusses racial issues, and most of its titles are references to race.[11] Some responded to the Off White with accusations of racism.[12] Chance later responded, "I was the one that brought black music onto the whole punk scene, and I took a lot of shit for it…I was just playing with my whole image of a white person doing black music."[13]
James White and the Blacks promoted the album with a February 1979 performance at Club 57 in the East Village, Manhattan.[12] ZE rented Irving Plaza for the album's launch party, where the band lip synced its songs. The band's live performances included two teenage dancers called the Disco Lolitas.[3]
The band released "Contort Yourself" as a 12" vinyl single.[9] The song originally appeared on Buy, and the group re-recorded it with a disco beat. Chance observed that the tempo was too fast to be played in discos, so ZE labelmate August Darnell created a remix of it. Darnell used a slower tempo and wrote a new guitar part.[14] James White and the Blacks' version of "Contort Yourself" was later included in ZE's 1981 Mutant Disco compilation,[15] its 2003 NY No Wave compilation,[16] Strut Records' 2008 Disco Not Disco 3,[17] and ZE's 2009 compilation for its 30th anniversary.[18]
Critical reception
Template:Music ratings Upon the album's release, Billboard magazine said that it "commands attention" and described the music as "savage, uncompromising, sometimes dissonant, but always interesting".[5] Village Voice critic Robert Christgau described it as "pretty good to dance to" but added that "like so much disco music it gets tedious over a whole side."[19] AllMusic characterized Off White as "an acquired taste" containing "some of the most challenging, intriguing music to emerge from the post-punk era."[20] The Guardian included Off White in its list of "1000 albums to hear before you die".[21]
Track listing
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Personnel
- James White and the Blacks
- James White – alto saxophone, organ, vocals
- Jody Harris – guitar
- Pat Place – slide guitar
- George Scott III – bass
- Don Christensen – drums
- Additional personnel
- Robert Quine – guitar on 6, 7
- Vivienne Dick– viola on 8
- Paul Colin – tenor saxophone on 4, 7
- Kristian Hoffman – piano 2, 3, vocals on 3
- Adele Bertei – piano on 1, vocals on 4
- Ray Mantilla – congas on 3
- Lydia Lunch – guitar on 8, vocals (as Stella Rico) on 2
- Anya Phillips – vocals on 3, 4
Notes
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References
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External links
- Off White at ZE Records
- Template:Discogs master