Nobody Runs Forever

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Nobody Runs Forever, also called The High Commissioner, is a 1968 British political neo noir spy thriller action film directed by Ralph Thomas and based on Jon Cleary's 1966 novel The High Commissioner.[1] It stars Rod Taylor as Australian policeman Scobie Malone and Christopher Plummer as the Australian High Commissioner in Britain caught up in corrupt dealings, during delicate negotiations.Script error: No such module "Unsubst". Taylor's production company was involved in making the film,[2] as was the American company Selmur Productions.

Plot

Sergeant Scobie Malone of the New South Wales Police (NSW Police) is summoned to Sydney by the gruff Premier of New South Wales, Mr Flannery, who asks Malone to travel to London and arrest the senior Australian diplomat in Britain, Sir James Quentin, High Commissioner to the UK. Sir James, a political rival of the Premier, has become the only suspect in a 17-year-old murder case.

Upon his arrival at the Australian High Commission in London, Malone meets Lady Quentin and her husband, as well as Sir James's secretary. Sir James does not object to being arrested, but he asks for a few days to conclude delicate peace negotiations. As Malone waits as a guest of the High Commission, he uncovers a plot to assassinate Sir James, masterminded by the head of a dangerous spy ring, Maria Cholon.

Cast

Production

Script error: No such module "Unsubst". In August 1966 Cleary said Frank Sinatra was interested in buying the film rights.[3]

Film rights were sold in December 1966.[4]

Filmed in Australia and London, this was the last big-screen appearance of Franchot Tone, who plays the American ambassador.

Rod Taylor has a rare opportunity to play an Australian, even though it was his native land. Taylor's unsophisticated integrity is contrasted with the London diplomatic scene throughout the film.

Taylor accepted the role on the proviso he could rewrite some of the script. In particular, the opening scene where Scobie Malone arrests Jacko (Charles Tingwell) is Rod's work.[5][6]

Ralph Thomas later said "I was a hired hand" on the film; "It was ok".[7]

Differences from novel

There were several key changes from the novel, including: introducing Scobie Malone as an outback policeman, reducing the emphasis on the peace conference being for the Vietnam War and making it something more vague,[8] Scobie having sex with Maria Cholon.[5]

Reception

Critical

The Monthly Film Bulletin wrote: "Despite a basically promising situation, a distinguished cast and plenty of gloss, this thriller is a catastrophic failure on any level. The actors are scarcely able to conceal their embarrassment with the impossible dialogue they are given, Daliah Lavi and Camilla Sparv are wasted, and even Clive Revill is hard put to raise a couple of laughs from his snobbish reactions to an Australian from the outback. The script rambles along without rhyme or reason, and the most obvious opportunities for suspense (like the attempted assassination on the Centre Court at Wimbledon) are badly mishandled. The film has something of the flavour of a middle-period Hitchcock, but not a trace of the Master's talent."[9]

Box office

The film earned rentals of $455,000 in North America and $150,000 elsewhere. It recorded a loss of $1,185,000.[10]

It recorded admissions in France of 44,083.[11]

See also

References

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  2. ↑ Script error: No such module "citation/CS1".
  3. ↑ Script error: No such module "citation/CS1".
  4. ↑ Script error: No such module "citation/CS1".
  5. ↑ a b Stephen Vagg, Rod Taylor: An Aussie in Hollywood, Bear Manor Media, 2010 p 139
  6. ↑ Script error: No such module "citation/CS1".
  7. ↑ Collected Interviews: Voices from Twentieth-century Cinema by Wheeler W. Dixon, SIU Press, 2001 p113
  8. ↑ Script error: No such module "citation/CS1".
  9. ↑ Script error: No such module "Citation/CS1".
  10. ↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
  11. ↑ French box office for 1969 at Box Office Story

External links

Template:Ralph Thomas Template:Jon Cleary

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