Nicky Spence

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Template:Short description Script error: No such module "Unsubst". Template:EngvarB Nicholas Eliot Spence Template:Postnominals (born 1983) is a Scottish operatic tenor who performs in opera, oratorio and recital in both the UK and internationally.

Life and career

Spence was born and raised in Dumfries. He was educated at Wallace Hall in Thornhill where he had his first lessons with Margaret Davies aged 15 and attended Scottish Youth Theatre and the National Youth Music Theatre.[1]Template:R/superscript He was accepted to the Guildhall School of Music and Drama and graduated with a Bachelor of Music in 2005.[2]Template:R/superscript After his first year, he won the Kathleen Ferrier Society Young Singers Bursary.[3]Template:R/superscript

In 2004, during his final year at Guildhall, Spence received a five-record contract with Universal Classics on the Decca label who promoted him as "The Scottish Tenor". His debut album My First Love, recorded with the Royal Philharmonic Orchestra, was released in 2007.[4]Template:R/superscript That same year he was nominated for the "Young British Classical Performer of the Year" Classical Brit Award.[5]Template:R/superscript During this time, he sang regularly on television and toured with Katherine Jenkins and Shirley Bassey.[6]Template:R/superscript

However, when it came time to record his second album, Spence turned his back on the recording contract to pursue a legitimate opera career. He returned to the Guildhall School of Music and Drama to study on their Opera Studies course, studying there from 2007 to 2009 under John Llewelyn Evans[1]Template:R/superscript[2]Template:R/superscript, alongside training on British Youth Opera’s summer programme in 2008 and 2009.[7] He then won a place at the National Opera Studio in 2009 where he won the Bruce Millar Gulliver Opera Prize.[8]Template:R/superscript The following year he joined the English National Opera as one of their inaugural Harewood Artists.[9]Template:R/superscript

As a Harewood Artist at ENO, Spence created the role of Brian in the world premiere of Nico Muhly's opera Two Boys in 2011.[10]Template:R/superscript Other roles at ENO have included The Novice in Billy Budd directed by David Alden, David in Die Meistersinger von Nürnberg directed by Richard Jones, Steva in Jenůfa directed by David Alden, Alwa in Lulu directed by William Kentridge, and Francesco in Benvenuto Cellini directed by Terry Gilliam.[11]Template:R/superscript He was nominated for the International Opera Awards as Young Singer of the Year in 2015 and was also one of ten artists included in the Times Breakthrough Award at the South Bank Sky Arts Awards.[12]Template:R/superscript[13]Template:R/superscript

Spence's appearances in international opera houses include Brian in Two Boys (Metropolitan Opera, 2013);[14]Template:R/superscript Don Ottavio in Don Giovanni (New Zealand Opera, 2013);[15]Template:R/superscript Steva in Jenufa (La Monnaie, 2014);[16]Template:R/superscript Isacco in La gazza ladra (Oper Frankfurt, 2014);[17]Template:R/superscript Tichon in Katya Kabanova (Seattle Opera, 2017);[18]Template:R/superscript Captain Pirzel in Die Soldaten (Teatro Real, 2018);[19]Template:R/superscript and The Big Prisoner in From the House of the Dead (Opéra de Lyon, 2019)[20]Template:R/superscript

Spence was appointed Officer of the Order of the British Empire (OBE) in the 2023 Birthday Honours for services to music.[21]

In 2024 Spence became President of ISM, following Pauline Black, and a vice president of British Youth Opera, where he is also alumni.[22][23]

Personal life

Spence is a patron of Blackheath Halls and their community opera company[24]Template:R/superscript and of An Tobar and Mull Theatre, a multi art form creative hub on the Hebridean island of Mull.[25] He is also active in the charity Help Musicians UK and president of Dumfries Musical Theatre Company.[26]Template:R/superscript[12]Template:R/superscript Spence's partner is pianist Dylan Perez and the two got married on 1st January 2022.[27][28]

Discography

Spence's recordings include:

References

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  1. a b Brown, Annie (16 November 2012). "Nicky Spence turned back on £1m record deal to climb to top of opera profession on his own". Daily Record. Retrieved 1 February 2019.
  2. a b Board of Governors, Guildhall School of Music and Drama (14 May 2012). "Principal's General Report: , p. 32. Retrieved 2 February 2019.
  3. Kathleen Ferrier Society. "Kathleen Ferrier Society Bursary for Young Singers: Past Winners". Retrieved 1 February 2019.
  4. Brown, Geoff (13 January 2007). "Nicky Spence", The Times. Retrieved 1 February 2019 Template:Link note.
  5. BBC News (3 May 2007). "Pop duo fight for Classical Brits". Retrieved 1 February 2019.
  6. Davies, Hugh (7 June 2006). "There's a guy works down the chip shop swears he's Pavarotti". The Daily Telegraph. Retrieved 1 February 2019.
  7. Script error: No such module "citation/CS1".
  8. s.n. (6 March 2014). "Bruce Millar/Gulliver Prize doubled". The Herald. Retrieved 2 February 2019.
  9. Christiansen, Rupert (16 April 2012). "ENO plans to grow its own".The Daily Telegraph. Retrieved 2 February 2019.
  10. Woolfe, Zachary (30 June 2011). "Review: On the Internet, Nobody Knows You're a Youngster With Issues". The New York Times. Retrieved 1 February 2019.
  11. English National Opera. "Nicky Spence". Retrieved 3 February 2019.
  12. a b Liptrott, Sharon (9 May 2015). "Dumfries tenor Nicky Spence shortlisted for prestigious South Bank Sky Arts Award". Daily Record. Retrieved 1 February 2019.
  13. International Opera Awards (2015). Nominees. Retrieved 1 February 2019.
  14. Metropolitan Opera Archives. Two Boys. Retrieved 1 February 2019.
  15. Radio New Zealand (18 August 2013). "Arts on Sunday". Retrieved 1 February 2019.
  16. Loomis, George (30 January 2014). "A Lavish and Folkloric Production of Janacek's Jenufa". The New York Times. Retrieved 1 February 2019.
  17. Forsling, Göran (November 2015). "Review: La gazza ladra, Live recording, Oehms Classics OC961". Musicweb International. Retrieved 1 February 2019.
  18. May, Thomas (26 February 2017). "A searing ‘Katya Kabanova’ on the Seattle Opera stage". The Seattle Times. Retrieved 1 February 2019.
  19. Irurzun, José M. (29 May 2018). "Zimmermann’s Die Soldaten Triumphs in Its Spanish Premiere". Seen and Heard International. Retrieved 1 February 2019.
  20. Valette-Pilenko, Gallia (23 January 2019). "Une Maison des morts engagée et crue à l'Opéra de Lyon". Tout Lyon Affiches. Retrieved 3 February 2019 Template:In lang.
  21. Script error: No such module "Citation/CS1".Script error: No such module "London Gazette util".
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  24. Blackheath Halls. "Nicky Spence to join Edward Gardner as Patron of the Blackheath Halls Community Opera". Retrieved 1 February 2019.
  25. Script error: No such module "citation/CS1".
  26. Help Musicians UK (23 October 2012. "'Opera Offstage' calendar launched". Retrieved 1 February 2019.
  27. Script error: No such module "citation/CS1".
  28. Template:Cite tweet
  29. Quinn, John (October 2020). "Review: Complete Folk Songs, Vol. 1, Albion Records ALBCD042". Quinn, John (March 2021). "Review: Complete Folk Songs, Vol. 2, Albion Records ALBCD043". Quinn, John (August 2021). "Review: Complete Folk Songs, Vol. 3, Albion Records ALBCD044". Woolf, Jonathan (February 2022). "Review: Complete Folk Songs, Vol. 4, Albion Records ALBCD045".all: Musicweb International, Retrieved 26 April 2022.
  30. Duchen, Jessica (24 January 2019). "Frances-Hoad: Magic Lantern Tales". BBC Music Magazine, pp. 88–89. Retrieved 2 February 2019.
  31. Bruce, Keith (17 February 2017). "Album review: Nicky Spence, Buxton Orr – Songs (Delphian)". The Herald. Retrieved 3 February 2019.
  32. Power, Steph (25 October 2018). "Fata Morgana: Songs by Pavel Haas performed by the Navarra Quartet". BBC Music Magazine. Retrieved 2 February 2019.
  33. Quinn, John (May 2017). "Review: Paradis sur Terre: A French Songbook, Chandos CHAN 10893", Musicweb International. Retrieved 1 February 2019.
  34. Wiley, Richard (December 2016). "CD Reviews: Purer than Pearl". The Elgar Society Journal, Vol.19 No.6, pp. 65–66. Retrieved 3 February 2019.
  35. Whitehouse, Richard (12 May 2013). "Post-millennium Turnage in chamber and vocal mode". Gramophone. Retrieved 2 February 2019.

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External links

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