Monta Bell

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Louis Monta Bell (February 5, 1891 – February 4, 1958) was an American film director, producer, and screenwriter.

Biography

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Monta Bell first appeared in theatrical venues with Washington D.C. stock companies and then took up journalism and publishing in New York.[1] While in New York, filmmaker Charlie Chaplin enlisted the 32-year-old Bell to ghost-write his 1922 memoir My Trip Abroad. Bell, along a number of other apprentices including Harry d'Abbadie d'Arrast and Mal St. Clair, became film editors and assistant directors. Here Bell was “exposed to Chaplin’s meticulous style of comedy construction and a complete immersion in all aspects of filmmaking.”[2][3]

In 1924, Paramount manager Walter Wanger engaged a number of “promising young men without significant directing experience”, among them Bell, to direct pictures at their Astoria Studios, Queens, New York. One of Bell’s early achievements as director is The King on Main Street (1925).[4] Bell developed into a major cinematic stylist, directing sophisticated film essays on “contemporary sexual mores.” Bell is notable for directing the 1926 Torrent, Greta Garbo's first American film.[5]

In 1928, with the advent of sound films, Bell was transferred Paramount Pictures’ east coast operations, serving as head of production at the Astoria Studios.[6] There Bell directed a number of high comedies and low melodramas and later moved to producing films,[7][8]

Like his mentor Charles Chaplin, Bell championed the superiority of silent cinema as an art form and a method of conveying a story.[9][10]

Bell was married for six years to actress Betty Lawford, cousin of actor Peter Lawford. Monta directed 20 films from 1924 to 1945. In addition, he produced 20 films and wrote 9 screenplays.

He died on February 4, 1958, at the Motion Picture Country House and Hospital, one day before his 67th birthday.[11] He is interred in Section 8 Garden of Legends in the Hollywood Forever Cemetery, Hollywood, California.

Filmography

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Year Title Director Writer Producer
1924 Broadway After Dark Yes No No
The Snob Yes Yes No
1925 Lady of the Night Yes No No
Pretty Ladies Yes No No
The King on Main Street Yes Adaptation No
Lights of Old Broadway Yes No No
1926 Torrent Uncredited No No
The Boy Friend Yes No Yes
Upstage Yes No No
1927 After Midnight Yes Story No
Man, Woman and Sin Yes Story No
1929 The Letter No No Yes
Gentlemen of the Press No No Yes
Applause No No Yes
The Bellamy Trial Yes Yes No
The Battle of Paris No No Yes
1930 Behind the Make-Up No No Yes
Young Man of Manhattan Yes No Yes
The Big Pond No No Yes
Laughter No No Yes
East Is West Yes No Co-producer
1932 Downstairs Yes No Yes
1933 The Worst Woman in Paris? Yes Yes No
1934 Men in White No No Yes
Student Tour No No Yes
1941 West Point of the Air No No Yes
Aloma of the South Seas No No Yes
Birth of the Blues No No Yes
1945 China's Little Devils Yes No No

Uncredited actor

Footnotes

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  1. Koszarski, 1976 p. 227: “...drifted into publishing” in D.C. and New York.
  2. Koszarski, 1976 p. 227
  3. Koszarski, 2008 p. 181: “...Bell had been one of Chaplin’s assistants on that film...one of the comedian’s inner circle after ghostwriting [Chaplin’s] 1922 memoir My Trip Abroad.”
  4. Koszarski, 2008 p. 48
  5. Koszarski, 2008 p. 181: See here for info on Garbo and John Gilbert films. Quotation taken from same page.
  6. Koszarski, 1976 p. 227: Bell assigned to Paramount’s “east coast operation when sound arrived, a position no doubt intended to take advantage of his experience” in stage productions in that region.
  7. Koszarski, 2008 p. 219: “After being kicked upstairs [to executive status] Monta Bell continued at Astoria Studios as a producer and occasional director.”
  8. Koszarski, 1976 p. 227: “Bell prefers a trashy, but highly stylized melodrama like Alibi (1929) to a more respectable, literate, and ultimately static photoplay such as Madame X (1929).”
  9. Koszarski, 1976 p. 227: Bell’s “preference for the silent film, attitude shared by his mentor, Charles Chaplin.”
  10. Koszarski, 2008 p. 181: See here for Bell’s displeasure with sound films, compared to silent.
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Sources

  • Koszarski, Richard. 1976. Hollywood Directors: 1914-1940. Oxford University Press. Library of Congress Catalog Number: 76-9262.
  • Koszarski, Richard. 2008. Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff. Rutgers University Press. Template:ISBN

External links

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