Mater Matuta

Template:Short description Template:Template otherTemplate:Wikidata imageTemplate:Compare image with Wikidata Mater Matuta was an indigenous Latin goddess, whom the Romans eventually made equivalent to the dawn goddess Aurora and the Greek dawn goddess Eos.Template:Sfn Mater derives from the Latin for "mother", a courtesy title commonly given to female deities indigenous to Rome. Matuta is connected to Latin, manes ("ghosts"), and matutinus ("early morning").Template:Sfn

Mater Matuta was the goddess of female maturation and later became linked to the dawn.Template:Sfn Her cult is attested to in several places in Latium; her most famous temple was located at Satricum.

Temples and cult

Mater Matuta had a temple in the capital city of Rome, on the north side of the Forum Boarium, mentioned in Ovid's Fasti. The sixth king of Rome, Servius Tullius, was thought to have personally consecrated the temple in the 6th century BCE.Template:Sfn It was destroyed in 506 BCE and rebuilt by Marcus Furius Camillus in 396 BCE. The temple was associated with the Matralia festival. It was situated beside the temple of Fortuna, later discovered under the church of Sant' Omobono.Template:Sfn

A temple located at Satricum is described in literature by Roman historian Livy. The earliest evidence of temple activity is dated simultaneously with votive deposits dating to the sixth century BCE. A second temple, larger and made of stone, replaced the first.Template:Sfn In the 5th century BCE, another yet even larger temple was constructed.Template:Sfn The temple was struck by lightning in 206 BCE.Template:Sfn Excavation of thousands of objects has been itemized and recorded; vessels to eat and drink, statuettes, anatomical votives, and domestic animal votives. Votive material indicative of both male and female worship is attributed to this site.Template:Sfn

A temple in Campania, outside modern Capua, yielded dozens of votive statues representing matres matutae, found in the "Fondo Patturelli," a private estate. The Paturelli family, who owned the land,Template:Sfn illegally excavated the site in 1845 and 1873.Template:Sfn The family took it upon themselves to recover artifacts and then sold them for personal gain.Template:Sfn In order to conceal their illicit activity, the family terminated the excavation, but not before they damaged the temple site. Eventually, a multitude of statues and valuables were recovered. An extensive collection of these votives is housed in the Museo Campano in Capua.Template:Sfn

Temples of Mater Matuta were not necessarily exclusively utilized to honor this particular goddess. For instance, various stelae from a sanctuary to Mater Matuta at Pesaro mention the names of numerous deities, including Apollo, Juno Lucina, Diana, Feronia, Salus, Fides, Juno Regina, Marica, and Liber.Template:Sfn Livy recounts a story in which Tiberius Sempronius Gracchus dedicated a tablet to Jupiter in the temple of Mater Matuta to commemorate a military victory in Sardinia. Likewise, in one inscription from Cora, an individual named Magia Prisca had donated a statue of Jupiter to Mater Matuta. In some cases, it appears that other deities were perceived as endorsing simultaneous worship of themselves alongside Mater Matuta—one inscription mentions that an individual named Flavia Nicolais Saddane constructed and dedicated an altar to Mater Matuta under the direction of Juno ("").Template:Sfn

It is likely that women held an important role in the worship of Mater Matuta, as numerous Roman inscriptions mention female functioning as priestesses within the cult of this goddess. Many of the women stated to be involved with the cult of Mater Matuta were also married, though it is unclear if marriage was a requirement for attaining a high position within the cult.Template:Sfn The 2nd-century CE Christian theologian Tertullian implies that the responsibility of bedecking the cult statue of Mater Matuta was reserved for —women who had only married once. However, the archaeologist Maureen Carroll doubts the reliability of Tertullian as a source, suggesting that he may have conflated the cult of Mater Matuta with the cult of Fortuna Muliebris, whose cult statue was also stated by Dionysius of Halicarnassus to only be crowned by .Template:Sfn It is also unclear whether the cult of this deity was exclusive to women or open to both sexes. Archaeological excavation of a temple to Mater Matuta in Satricum has unearthed a 5th-4th century BCE votive pit with—among other objects—weapons and metal items, which may reflect masculine activity at the site. Nevertheless, Carroll considers this possibility uncertain, noting that the same pit also contains anatomical votives depicting uteruses and male genitalia. Carroll does, however, concede that depictions of both male and female figures and genitalia appear in another votive deposit dating between the 4th and 3rd centuries BCE.Template:Sfn

Relationships with other deities

Mater Matuta is associated with Fortuna, due to the closeness of their temples in Rome and the dates of their festivals.Template:Sfn Because her temple at Pyrgi is located next to a port, she was associated with the sea.Template:Sfn Mater Matuta was linked with the Greek goddess Leucothea, previously known as Ino, an ancient sea goddess.Template:SfnTemplate:Sfn According to the 1st-century CE historian Plutarch, Mater Matuta could be considered "almost identical with Leucothea." Similarly, both the 1st-century BCE statesman Cicero and the 1st-century BCE poet Ovid claim that Ino was referred to by the Greeks as Leucothea but by the Romans as Matuta.Template:Sfn Statuettes at Satricum depicted a female figure with a solar disc behind her head an iconographic detail similar to representations of other goddesses, such as Uni in Etruria and the Phoenician Astarte.Template:Sfn According to Carroll, it is likely that the divine domain of Mater Matuta overlapped with numerous other deities, allowing the goddess to perform a plethora of functions and services for her suppliants.Template:Sfn

Matralia

At Rome, Mater Matuta's festival was the Matralia, celebrated on June 11 at her temple in the Forum Boarium. The philologist and historian Martin Litchfield West suggests that the date of this ceremony may relate to the solstice, noting that—according to John the Lydian—it occurred six months prior to a solar festival.Template:Sfn Ovid implies that the festival was reserved only for "," meaning "good matrons."Template:Sfn Moreover, Plutarch implies that only freewomen were permitted to partake in the rites, stating "it is forbidden to slave-women to set foot in the shrine of Matuta." The crowning of garlands on the deity's image was for these revelers. Another aspect of the festival was eating specially prepared cakes. Varro, a 1st-century BCE polymath, states that—during this ceremony—Roman matrons would bake cakes in an earthen vessel referred to as a "." Likewise, Ovid mentions that, on the Matralia, mothers should offer to Matuta "the yellow cakes that are her due."Template:Sfn The exact term utilized to describe the color of the cake, "," is also utilized by Ovid to describe the dawn goddess Aurora, perhaps indicating that the yellow cakes were associated with the sun in some manner.Template:Sfn

Notably, a singular female slave participated in a ritual whereupon the woman was beaten and driven from the area by the freeborn women. According to the philologist Georges Dumézil, this ceremony may connect to the Vedic dawn goddess Ushas, who is responsible for forcefully driving back the night.Template:Sfn Alternatively, the Encyclopedia of Indo-European Culture instead suggests that the ritualistic beating reflects a Vedic myth in which Indra assails Ushas for her unwillingness to begin the day.Template:Sfn This story may itself reflect a broader Indo-European archetype of a reluctant dawn goddess, which also perhaps manifests itself in Greek myths regarding Eos and the Latvian deity Auseklis.Template:Sfn In support of the connection between the Vedic and Roman deity, Dumézil cites another ritual described by Plutarch, during which women would not pray for "blessings on their own children, but only on their sisters’ children."Template:Sfn Dumézil connects this ritual to the maternal role of Ushas, who supposedly cares for the child of her sister Ratri.Template:SfnTemplate:Sfn The classicist Lesley E. Lundeen suggests that, during this ritual, the women would temporarily perform a maternal role for the nieces or nephews of their sister, thereby reinforcing matrilineal family bonds.Template:Sfn

In book VI (June) of the Fasti, Ovid describes the ancient festival in some detail:

"Go, good mothers (the Matralia is your festival), and offer to the Theban goddess the yellow cakes that are her due. Adjoining the bridges and the great Circus is an open space of far renown, which takes its name from the statue of an ox there, on this day, it is said, Servius consecrated with his own sceptered hands a temple of Mother Matuta. Who the goddess is, why she excludes (for exclude she does) female slaves from the threshold of her temple, and why she calls for toasted cakes."

See also

• List of Roman birth and childhood deities
• Swaddled infant votive

External links

• Template:Sister-inline