Matana Roberts

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Matana Roberts (born 1975[1]) is an American sound experimentalist, visual artist, jazz saxophonist and clarinetist, composer and improviser based in New York City.[2] They have previously been a member of the Association for the Advancement of Creative Musicians (AACM), and a member of the B.R.C. Black Rock Coalition.[3][4]

The works in their multichapter Coin Coin project have received wide acclaim: Coin Coin Chapter One: Gens de Couleur Libres was named in multiple JazzTimes 2011 Critics’ Lists;[5] Coin Coin Chapter Two: Mississippi Moonchile was called "stunning" by both the Chicago Reader[6] and SPIN;[7] and Coin Coin Chapter Three: River Run Thee was named among Rolling Stone's Best Avant Albums of 2015.[8] Coin Coin Chapter Four: Memphis has garnered their greatest accolades, and was included in Pitchfork's Best Experimental Albums,[9] Bandcamp's Best Jazz Albums,[10] and the top ten of the NPR Music Jazz Critics Poll in 2019.[11] Anthony Fantano of The Needle Drop called the album "one of the decade's most compelling jazz projects".[12]

The annual DownBeat Critics Poll has named Roberts Rising Star in both the alto saxophone[13] and clarinet categories.[14] Roberts received a Doris Duke Impact Award in 2014 and a Doris Duke Artist Award in 2016.[15][16]

Early life and career

File:Matana roberts 05N1480.jpg
Roberts at Moers Festival 2010

Born in 1975 in Chicago, Illinois, Roberts was raised partly on the city's South Side and studied classical clarinet during their youth.[3] They formed a trio, Sticks and Stones, with bassist Josh Abrams and drummer Chad Taylor, with whom they regularly performed at the Velvet Lounge.[17] In 2002, Roberts moved to New York, initially busking in subways and publishing a zine, Fat Ragged, about their experiences.[17]

Roberts is the composer of Coin Coin, a multichapter musical work-in-progress exploring themes of history, memory and ancestry.[18] Roberts performed at the London Jazz Festival in 2007.[19] In 2008, Central Control released Roberts' The Chicago Project.[20] The album, produced by Vijay Iyer, includes performances by members of Prefuse 73 and Tortoise along with AACM saxophonist Fred Anderson.[21]

They have previously been a member of the Association for the Advancement of Creative Musicians (AACM).[3]

In January 2010, Roberts was the guest curator at The Stone.[22] Roberts was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival that he curated in March 2012 in Minehead, England.[23] Roberts held a residency at the Whitney Museum of American Art in the summer of 2015, during which they produced a series of research-based sound works entitled i call america.[24] The following summer, they had a solo show at the Fridman Gallery entitled I Call America II that was presented as an expanded version of the Whitney exhibition.[25]

Awards

Discography

Solo / as band leader

As collaborator / side musician

  • Sticks and Stones (482 Music, 2002)
  • Sticks and Stones, Shed Grace (Thrill Jockey, 2004)
  • DePaul University Jazz Ensemble, Bob Lark, Shade Street (Blue Birdland, 1999)
  • Ras Moshe and the Music Now Society, Schematic (Jump Arts, 2002)
  • Ayelet Gottlieb, InTernal/ExTernal (Genivieve, 2004)
  • Matt Bauder, Paper Gardens (rec. 2006; 482 Music, 2010)
  • Guillermo E. Brown, Handeheld (Melanine Harmonique, 2008)
  • Exploding Star Orchestra featuring Roscoe Mitchell (/ Rob Mazurek), Matter Anti-Matter (Rogueart, 2013)
  • Matana Roberts, Sam Shalabi, Nicolas Caloia, Feldspar (Tour de Bras, 2014)
  • Matana Roberts / Savion Glover / Reg E. Gaines, If 'Trane Was (SG self release)?
  • Matana Roberts / Pat Thomas, The Truth (Otoroku, 2020)

With Burnt Sugar

  • Not April in Paris (Live from Banlieus Bleues) (TruGroid, 2004)
  • If You Can’t Dazzle Them with Your Brilliance, Then Baffle Them with Your Blisluth (TruGroid, 2005)
  • More Than Posthuman – Rise of the Mojosexual Cotillion (TruGroid, 2006)
  • Making Love to the Dark Ages (LiveWired, 2009)

As guest artist

References

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External links

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