Masao Horino

Template:Short description was one of the most prominent Japanese photographers in the first half of the 20th century in Japan.

He was born in Tokyo and graduated from , now .

He was a member of which was founded by in 1930.

In 1932, Horino published a monograph which is one of the most important works for Japanese modern photography (Shinkō Shashin, Template:Category handler). This monograph consists of photographs of ships and architectures made of steel, such as bridges, tanks and towers, based on his own sense of beauty, , derived directly from the theories of the art critic (photo critic) , using, for example, close-up and looking-up. Therefore, this work can be regarded as a collaboration between Horino and Itagaki. This work is as important as the monograph Métal by Germaine Krull in terms of the beauty of machinery.

Further, Horino published his work of documentary photography using montage technique in some magazines, such as the Character of Great Tokyo (Dai Tokyo no Seikaku, Template:Category handler. 1931, editing and design by Takaho Itagaki, Chūōkōron October issue) and Flowing through the City - Sumida River Album (Shutokanryū - Sumida-gawa no Arubamu, Template:Category handler, 1931, editing and design by Tomoyoshi Murayama, Hanzai Kagaku December issue). No other photographer made such high-level documentary photographs before World War II.

Horino was one very important example of the earliest photographers to have a professional mind, like Yōnosuke Natori, although in Japan before World War II, most photographers were amateurs and took pictures only for their own inside world, not for the outside world.

In Europe and America the effects of the atomic bombs over Hiroshima and Nagasaki were not fully understood. The photos produced by Masao Horino contributed to the world wide cry for the bombs to never be used again.

After World War II, he founded the company Minicum manufacturing electronic flashguns for cameras and was absorbed in managing his own company rather than taking photographs.

References

• Kaneko Ryūichi. Modern Photography in Japan 1915-1940. San Francisco: Friends of Photography, 2001. Template:ISBN
• Tucker, Anne Wilkes, et al. The History of Japanese Photography. New Haven: Yale University Press, 2003. Template:ISBN
• Camera, Me x Tetsu, Kosei (Camera, Eye x Iron, Construction (Template:Category handler)), Mokuseishashoin, 1932. Facsimile edition: Tokyo: Kokushokankōkai, 2005. Template:ISBN The facsimile edition comes with short commentaries in both Japanese and English.
• Template:In lang Iizawa Kōtarō. Eyes for Cities, Japanese Photography in 1920s and 1930s (Toshi no Shisen, Nihon no Shashin 1920-30 nendai Template:Category handler). , 1989 (Template:ISBN). Revised edition by , 2005 (Template:ISBN)
• Template:In lang Recollection of Japanese colonists settled in Manchuria and Mongolia, 50 years ago (Manmokaitakudan no Kaiso, Sono Shuhen 50 nenmae no Kiseki, Template:Category handler), Masao Horino, published by , 1993.
• Template:In lang Exhibition Catalogue for "Rhapsody of Modern Tokyo" (Modern Tokyo Kyoshi-kyoku Template:Category handler), , 1993. (You can see all pages of "Character of Great Tokyo" and "Flowing through the City - Sumida River Album" in this catalogue, though the reproductions are small.)
• Template:In lang , , 1995. (You can see all pages of Camera, Me x Tetsu, Kosei in this catalogue, though the reproductions are small.)
• Template:In lang . , vol. 9. , 1997. Template:ISBN