Map of the Problematique

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Script error: No such module "Unsubst". Template:Use dmy dates Template:Use British English Script error: No such module "Infobox".Template:Template otherScript error: No such module "Check for unknown parameters". "Map of the Problematique" is a song by English rock band Muse, released as the fifth and final single from their fourth studio album Black Holes and Revelations on 18 June 2007 as a download.[1] The release date followed the two concerts the band performed at Wembley Stadium on 16 and 17 June.[2]

Composition

"Map of the Problematique" is an electronic rock song featuring heavy use of synthesisers, distortion, flanging and octave shifting. Written in the key of C minor, it moves in common time at a moderately fast tempo of 125 bpm. Lead singer Matthew Bellamy's displayed vocal range spans from B♭3 to C5. His vocals in the song are overdubbed to create an echo effect.

The main riff does not feature any dominant chords, which gives it a more modal sound. The chords being played are C minor, E♭ major, A♭ major, and F minor.Script error: No such module "Unsubst".

The song has drawn frequent comparisons to "Enjoy the Silence" by Depeche Mode due to their similar chord progression and arrangement. Bellamy has also cited Depeche Mode as inspiration for the song in interviews.[3]

The title is a reference to the book The Limits to Growth (1972) and the Club of Rome think-tank who would create a "map of the problematique" detailing the "global problematique" - a set of likely challenges the world might face in the near future.Script error: No such module "Unsubst".

Recording

Originating from rehearsals before the recording of Black Holes and Revelations, "Map of the Problematique" was one of the later songs the band started work on. It was originally played on synthesisers before being transferred to guitar, giving it a darker sound, although initially the intention was to keep it as keyboard-orientated as possible. The rhythm section was recorded after the guitar tracks. This was different from anything the band had done before, according to bassist Chris Wolstenholme, "because the whole theme of the song was based more on the sound and creation of this sound".Script error: No such module "Unsubst".

The riff was written on keyboard; at producer Rich Costey's encouragement, Bellamy recreated it on guitar by splitting the guitar into three signals, which were processed with pitch shifters and synthesisers.[4]

Track listing

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Chart performance

The song reached number 18 in the UK singles chart in its first week of release, and was more successful than "Invincible", the previous single.

Charts

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Chart (2007) Peak
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References

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