List of motion picture film stocks

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Template:Short description This is a list of motion picture films. Those films known to be no longer available have been marked "(discontinued)". This article includes color and black-and-white negative films, reversal camera films, intermediate stocks, and print stocks.

3M

3M no longer manufactures motion picture film.

  • CR 160 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)[1]
  • CR 250 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
  • CR 64 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
  • Fine Grain Release Positive, Type 150, B&W, 35mm & 16mm (discontinued)
  • Reversal Print, Type 160, B&W, 16mm (discontinued)
  • Color Print, Type 650, 35mm & 16mm (discontinued)

Note: 1973 is first and last appearance in American Cinematographer Manual (4th edition).

Agfa

Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and Template:Interlanguage link, Agfa film was first made commercially available in 1936 (16 mm reversal and 35 mm),[2] Agfa-Gevaert has discontinued their line of motion picture camera films. Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the introduction of ORWO in 1964.

XT

  • XT100 (35 mm & 16 mm) (discontinued)
  • XT125 (35 mm & 16 mm) (discontinued)
  • XTR250 (35 mm & 16 mm) (discontinued)
  • XT320 (35 mm & 16 mm) (discontinued)
  • XTS400 (35 mm & 16 mm) (discontinued)

Black-and-white

  • Agfapan 250 250 D/200 T (discontinued)

Note: 1993 is the last appearance of Agfa film stocks in the American Cinematographer Manual (seventh edition).

DuPont

DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926.[3][4]

  • Rapid X Reversal Pan (discontinued)

The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.[5]

  • Superior 1, Type 904B (ASA 23 Day, 20 Incandescent) B&W (discontinued)
  • Superior 2, Type 926B (ASA 80 Day, 64 Incandescent) B&W (discontinued)
  • Superior 3, Type 927B (ASA 125 Day, 100 Incandescent) B&W (discontinued)
  • Duplicating Negative, Type 908B, Fine grain, panchromatic B&W (discontinued)
  • Master Positive, Type 828B, Fine grain B&W (discontinued)
  • Sound Recording, Type 801B, Variable area or density optical sound tracks (discontinued)
  • VA Sound Recording, Type 831B, Variable area optical sound tracks (discontinued)
  • Fine Grain Sound Recording, Type 837B, (to increase sharpness) (discontinued)
  • Release Positive, Type 803B, High speed, normal grain (discontinued)
  • Fine Grain Release Positive, Type 825B, for optimum picture and sound quality (discontinued)
  • Title Stock, Type 805B, a high contrast film (discontinued)
  • Low Contrast Positive, Type 824B, for kinescope recording (discontinued)

The list below is from 1960; "A" was 16mm, "B" was 35mm.[6]

  • Superior 2, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
  • Superior 4, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
  • Panchromatic Film, Type 914A (could be used as negative or reversal) B&W (discontinued)
  • Rapid Reversal Film, Type 930A (could be used as negative or reversal) B&W (discontinued)
  • High Speed Rapid Reversal Film, Type 931A (could be used as negative or reversal) B&W (discontinued)

The list below is from 1966; "A" was 16mm, "B" was 35mm.[7]

  • Fine Grain Superior 2 Negative, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
  • Superior 3 Negative, Type 937 B and A (ASA 250 Day, 200 Tungsten) B&W (discontinued)
  • Superior 4 Negative, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
  • Rapid Reversal, Type 930A, (ASA 64 Day, 50 Tungsten) B&W (discontinued)
  • High Speed Reversal, Type 931 B and A (ASA 160 Day, 125 Tungsten) B&W (discontinued)
  • Ultra Speed Reversal, Type 932 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
  • Fine Grain Duplicating Negative, Type 908 B and A, B&W (discontinued)
  • Pan Rapid Reversal Duplicating, Type 910A, B&W (discontinued)
  • Fine Grain Release Positive, Type 825 B and A, B&W (discontinued)
  • TV Recording Film, Type 834 B and A, B&W (discontinued)

The 1969 list is identical to 1966.[8] 1969 is the last appearance of DuPont motion picture film stocks in the American Cinematographer Manual.

The list below is from 1970; "A" was 16mm, "B" was 35mm.[9] Films marked with ‡ could also be processed as a negative film stock

  • Superior 2, Type 936 B and A, B&W Negative (discontinued)
  • Superior 3, Type 937 B and A, B&W Negative (discontinued)
  • Superior 4, Type 928 B and A, B&W Negative (discontinued)
  • Rapid Reversal, Type 930A, B&W Reversal‡ (discontinued)
  • High-Speed Rapid Reversal, Type 931 B and A, B&W Reversal‡ (discontinued)
  • Ultra Speed Rapid Reversal, Type 932 B and A, B&W Reversal‡ (discontinued)

Eastman Kodak

Script error: No such module "Labelled list hatnote".

In films from 1950 on, the first two digits (the prefix) of the four-digit emulsion number identify the gauge and base of film:[10]

Prefix Description
12 Nitrate-base 35 mm negative film
13 Nitrate-base 35 mm print film
22 ESTAR-base 35 mm (or larger) camera film
23 ESTAR-base 35 mm (or larger) lab/print film
32 ESTAR-base 16 mm or 8 mm camera film
33 ESTAR-base 16 mm or 8 mm lab/print film
Prefix Description
52 Acetate-base 35 mm (or larger) camera film
53 Acetate-base 35 mm (or larger) lab/print film
72 Acetate-base 16 mm or 8 mm camera film
73 Acetate-base 16 mm or 8 mm lab/print film

A "T" suffix designates a tungsten (3200K) balanced negative and a "D" suffix designates a daylight (5600K) negative. The number preceding this is the film's exposure index as determined by Kodak (it is not ISO speed).

Early nitrate films (1916–1941)

Number Name Introduced Discontinued
Cine Negative Film, Type E, orthochromatic 1916 1930
1201 Cine Negative Film, Type F, orthochromatic 1917 1930
Super Speed Cine Negative Film, orthochromatic 1922 1930
1203 Kodak Panchromatic Cine Film Type I 1922 1941
1218 Type II Cine Negative Panchromatic Films 1928 19??
Type III Cine Negative Panchromatic Films 1928 19??
1210 Panchromatic K, infrared[11] 1928 19??
1217 Super-Sensitive Cine Negative Panchromatic 1931 19??
1227 Eastman Super-X 1935 1938
1230 Eastman Background-X 1938 1956 (5230 Safety)
1231 Eastman Plus-X 1938 19?? (5231 Safety)
1232 Eastman Super-XX 1938 19?? (5323 Safety)
Super-XX reversal film, panchromatic 1938 1958
Kodacolor 16 mm 1928 19??

Black-and-White (1954–1967)

  • Eastman Tri-X panchromatic Negative film 5233 320D/250T introduced in 1954
  • Plus-X reversal film 7276 50D/40T introduced in 1955
  • Tri-X reversal film 7278 200D/160T introduced in 1955
  • Plus-X Panchromatic Negative film 5231/7231 80D/64T introduced in 1956 (discontinued in 2010)
  • Double-X 5222/7222 250D/200T introduced in 1959
  • Plus-X reversal 7265 (16 mm & 8 mm) 100D/80T
  • Tri-X reversal 7266 (16 mm & 8 mm) 200D/160T
  • Eastman 4-X negative Pan film 5224/7224 500D/400T introduced in 1964 (discontinued in 1990)
  • Kodak 4-X reversal film 7277 400D/320T introduced in 1967 discontinued in 1990
  • Kodak Tri-X TV reversal film 7727, TVTX, no longer identified by EKC
    File:Discontinued 16mm black-and-white reversal stock (cropped).JPG
    7727
  • Eastman Background-X Negative Film 5230, ISO 32 (discontinued)
  • Eastman XT Panchromatic Negative Film 5220, 25D/20T, 1964–1970, replacing Background-X

Fine grain color negative films (1950–1968) Script error: No such module "anchor".

  • Eastman Color Negative film 5247 16D introduced in 1950 (discontinued in 1952)
  • Eastman Color Negative film 5248 25T introduced in 1952 (discontinued in 1959)
  • Eastman Color Negative film 5250 50T introduced in 1959 (discontinued in 1962)
  • Eastman Color Negative film 5251 50T introduced in 1962 (discontinued in 1968)
  • Eastman Color Negative film 5254/7254 100T introduced in 1968 (discontinued March, 1977)

Eastman Color Negative II (ECN-2 process 1974–1976)

  • 5247 100T Process ECN-2 introduced in 1974 (discontinued in 1976), it has sharper/finer grain compared to its predecessor 5254
  • 5247/7247 100T (updated) introduced in 1976 (discontinued March, 1983)

Video News Film 16 mm (VNF-1)(1976–1981)

  • Eastman Ektachrome Video News Film 7239 (VNF) 160D, introduced in 1976. Replaced 7241.
  • Eastman Ektachrome Video News Film 7240 125T, introduced in 1976. Replaced 7242.
  • Eastman Ektachrome High-Speed Video News Film 7250 400T, introduced in 1977.
  • Eastman Ektachrome High-Speed Daylight Film 7251 400D, introduced in 1981.

Kodachrome color reversal film

Script error: No such module "Labelled list hatnote".

  • Kodachrome 16 mm introduced in 1935
  • Kodachrome 35 mm (135) & 8 mm introduced in 1936 (discontinued in 2009)
  • 5262 (16 mm) introduced in 1938 (discontinued in 1946)
  • 5265 (16 mm) introduced in 1940 (discontinued in 1950)
  • 5267 (35 mm) introduced in 1942
  • 5268 (16 mm) introduced in 1946 (discontinued in 1958)
  • 5269 (16 mm) introduced in 1950
  • 7267 25D (16 mm & 8 mm) (discontinued)
  • 7270 40T (16 mm & 8 mm) (discontinued)

Ektachrome color reversal film (E1–E6 and related processes)

Script error: No such module "Labelled list hatnote".

  • 5239/7239 (reversal) 160D
  • 5240/7240 (16 mm & 8 mm) (reversal) 125T
  • 5285/7285 100D (reversal) introduced in 1999 (discontinued in 2012)
  • 7241 160D, introduced 1966, replaced 7257
  • 7242 125T, introduced 1966, replaced 7258
  • 7250 High Speed 400T
  • 7251 High Speed 400D introduced in 1981
  • 7252 25T introduced in 1970 (discontinued in 1984)
  • 7255 introduced in 1958 (discontinued in 1970, replaced by 7252)
  • 5256/7256 64D, 1963–1984
  • 7257 160D, introduced 1959
  • 7258 125T, introduced 1959
  • 7280 (8 mm) 64T (discontinued in 2010)
  • Ektachrome (Type A) 160T (super 8 mm) introduced in 1971
  • Ektachrome SM 7244 (super 8 mm)(reversal) introduced in 1975
  • 7294 100D (Super-8, 16mm) introduced in 2018, reformulated version of 5285/7285 100D

Eastmancolor Negative (1982–1986)

Script error: No such module "Labelled list hatnote".

  • 7291 100T introduced in 1983 (discontinued in 1989)
  • 7292 320T introduced in 1986 (discontinued in 1992) (First partial "T-Grain" stock)
  • 5293/7293 250T introduced in 1982 (discontinued 1983)
  • 5294/7294 400T (35 mm)/320T (16 mm) introduced in 1983, discontinued in 1986
  • 5295 400T introduced in 1986
  • 5297/7297 HS Day 250D introduced in 1986 (discontinued in 1997)

EXR color negative (ECN-2 process 1989–1996)

  • 5245/7245 EXR 50D introduced in 1989 (discontinued in 2006)
  • 5248/7248 EXR 100T introduced in 1989 (discontinued in 2005)
  • 5287/7287 EXR 200T introduced in 1996 (discontinued in 1996)
  • 5293/7293 EXR 200T introduced in 1992 (discontinued in 2004)
  • 5296/7296 EXR 500T introduced in 1989 (discontinued in 1995)
  • 5298/7298 EXR 500T introduced in 1994 (discontinued in 2003)

Vision color negative (ECN-2 process 1996–2002)

  • 5246/7246 Vision 250D introduced in 1997 (discontinued in 2005)
  • 5263/7263 Vision 500T introduced in 2002 (discontinued in 2003)
  • 5274/7274 Vision 200T introduced in 1997 (discontinued in 2006)
  • 5277/7277 Vision 320T introduced in 1996 (discontinued in 2005)
  • 5279/7279 Vision 500T introduced in 1996 (discontinued in 2006)
  • 5284/7284 Vision 500T "Expression" introduced in 2001 (discontinued in 2003)
  • 5289 Vision 800T introduced in 1998 (discontinued in 2004)
  • 7289 Vision 800T (16 mm) introduced in 1999 (discontinued in 2004)

Vision2 color negative (ECN-2 process 2002–2007)

Script error: No such module "redirect hatnote".

  • 5201/7201 Vision2 50D introduced in 2005. discontinued in 2012.
  • 5205/7205 Vision2 250D introduced in 2004. discontinued in 2009.
  • 5212/7212 Vision2 100T introduced in 2004. discontinued in 2010.
  • 5217/7217 (35, 16, & 8 mm) Vision2 200T introduced in 2004. discontinued in 2010.
  • 5218/7218 (35, 16, & 8 mm) Vision2 500T introduced in 2002. discontinued in 2009.
  • 5229/7229 Vision2 "Expression" 500T introduced in 2003. discontinued in 2011.
  • 5260 Vision2 500T introduced in 2009 (35 mm only). discontinued in 2011.
  • 5299/7299 Vision2 "HD Color Scan film" 500T introduced in 2005. discontinued in 2009.

Vision3 color negative (ECN-2 process 2007–present)

  • 5219/7219 Vision3 500T introduced in 2007. SO-219 is ESTAR-base variant.
  • 5207/7207 Vision3 250D introduced in 2009.
  • 5213/7213 (35, 16, & 8 mm) Vision3 200T introduced in 2010.
  • 5203/7203 Vision3 50D introduced in 2011.

Print films (1941–present)

Introduced/Discontinued?
Number Name Intro. Disc.? Notes
1302 Eastman Fine Grain Release Positive 1941 1950 Black-and-white, nitrate-base. Replaced by 5302.[12]
5302/7302 Eastman Fine Grain Release Positive 1950 2015 Replaced 1302.
5381 Eastman Color Print 1950 1953 Replaced by 5382.[13] Process ECP, 45 minute wet time.[14] Not the same as 1972 film.
5382 Eastman Color Print 1952 1966 Replaced 5381 ("Better definition"), replaced by 5385.[13]
7282 Eastman Color Print 1952 1961 Replaced by 7383.
7303 Eastman Fine Grain Release Positive 1960 1962 "16mm only. Better image structure than 7302."[15]
5385/7385 Eastman Color Print 1962 1972 Replaced 5382 and 7383. "Improved definition and speed".[15] Process ECP, wet time reduced to 28 min. in 1966, and 20 min. in 1967.[14] Not the same as 1993 film.
7381 Eastman Color Print (super 8 only) 1970 19?? Replaced 7380.[15]
7381 Eastman Color Print (16 mm) 1971 Jan. 1982 Replaced 7385.[15]
5381 Eastman Color Print 1972 Jan. 1982 Replaced 5385 "for 35mm end use".[15] Not the same as 1950 film.
Number Name Intro. Disc.? Notes
5383/7383 Eastman Color SP Print 1974 1983 Process ECP-2. Similar quality to 5381/7381.[15] "Short Process"[16] (10-minute wet time[14])
5738/7738 Eastman Color SP Low Contrast Print 1977 c.1983 Process ECP-2.[15]
7378 Eastman Color LF print 1978 1982 Process ECP. "Improved cyan dye dark-keeping stability"[14][17]
7379 Eastman Color LFSP print 1978 1983[15] Process ECP-2 counterpart of 7379[14][17]
5384/7384 Eastman Color Print 1982 19?? Replaced 5381/7381, 5383/7283, 7378, 7379. So-called low-fade "LPP." Brought "improved cyan dye dark-keeping" and ECP-2 from 7379, and "reduced sensitivity to process variations" introducing process ECP-2A (persulfate bleach replaced ferricyanide bleach, and bromide concentration was increased). Modified in 1998 for ECP-2B (eliminating formalin).[14][18]
5380/7380 Eastman Color LC Print 1983 c.1993 Replaced 5738/7738. "Low contrast for video transfers."[18] Process ECP-2A, dye stability, and reduced process sensitivity from 5384[19]
5385/7385 Eastman Color LC Print 1993 19?? Replaced 5380/7380.[18] Not the same as 1962–1972 film.
5386/7386 Eastman EXR Color Print 1993 c.2002 Replaced 5384/7384[18]
2386/3386 Eastman EXR Color Print 1994[20] c.1999 ESTAR-base version of 5386, with rem-jet backing.
SO-886 Special Order 886 1997 1998? ESTAR-base. Antistatic layer.[16]
Number Name Intro. Disc.? Notes
2383/3383 Vision Color Print 1998 no Replaced 5386.[18] ESTAR-base; processes ECP-2D and ECP-2E, no rem-jet backing. (Process ECP-2E removes soundtrack redeveloper and the "first fixer"; it is suitable for cyan-dye soundtrack prints)
2393 Vision Premier Color Print 1998 2015 [18] ESTAR-base; processes ECP-2D and ECP-2E. Higher density blacks than 2383.
2395 Vision Color Teleprint c.1999 2010 Low-contrast prints[21]
2302 Black-and-white Print c.1999 no Complements 5302. Process D97.[22]
Number Name Intro. Disc.? Notes

Lab films

Introduced/Discontinued?
Number Name Intro. Disc.? Notes
5234/7234 Eastman Fine Grain Duplicating Panchromatic Negative film 1958 2017 [13]
2234/3234 Eastman Fine Grain Duplicating Panchromatic Negative film 1958 no ESTAR-based version of 5234.
5235 Eastman Panchromatic film unknown 1998 35 and 70 mm only.
7361 Eastman Reversal BW Print Film 1962 unknown, but disc. 16 mm only, Black-and White.[15]
5249/7249 Eastman Color Reversal Intermediate film 1968 unknown, but disc. Process CRI-1.[15]
5360/7360 Eastman Direct MP Film 1968 unknown, but disc. [15]
Number Name Intro. Disc.? Notes
5369 Eastman High Contrast Panchromatic Film unknown 2011 35 and 70 mm only.
2369/3369 Eastman High Contrast Panchromatic Film unknown 2011 ESTAR-based version of 5369. Also provided 16 mm.
5272/7272 Eastman Color Internegative II Film 1980 2014 Process ECN-2. Replaced 5271/7271.[18]
5243 Eastman Color Intermediate Film 1976 unknown, but disc. Introduced in 1976,[15] improved in 1986[18]
5244/7244 Eastman Color Intermediate Film 1992 unknown, but disc. Replaced 5243/7243.[18]
2244 Eastman Color Intermediate Film 1992 unknown, but disc. ESTAR-based version of 5244.
Number Name Intro. Disc.? Notes
5363/7363 Eastman High Contrast Black/White Positive Film c. 1999 no Used for title production
5366/7366 Eastman Fine Grain Duplicating Positive Film c. 1999 no
2374 Kodak Panchromatic Sound Recording Film c. 1999 no ESTAR-based and 35 mm only. For optical soundtrack recording use.
2378E/3378E Eastman EXR Sound Recording Film c. 1999 no ESTAR-based only. For optical soundtrack recording use.
2238 Kodak Panchromatic Separation Film c. 1999 2023[23] ESTAR-based version and 35 mm only too.
5242/7242 Kodak Vision Color Intermediate Film c. 1998 no Process ECN-2.
2242/3242 Kodak Vision Color Intermediate Film c. 1998 no ESTAR-based version of 5242. Process ECN-2.
Number Name Intro. Disc.? Notes
5254/2254 Kodak Vision3 Color Digital Intermediate Film 2010 no Recording film.
2332 Kodak Color Asset Protection Film 2012 2014 Recording film. ESTAR-based. Optimized for productions that originate or are finished digitally.
2237 Kodak Vision3 Digital Separation Film 2012 no Black-and-white recording film. ESTAR-based. Intended for making archival separations from color digital masters.

Other

  • 5600 Primetime EXR 640T Teleproduction Film introduced in 1995 (discontinued)
  • 5620/7620 Primetime 640T introduced in 1997 (discontinued)
  • SFX 200T Color Negative Film (35 mm only) introduced in 1998. Special-order film intended for special effects.[24] (discontinued in 2004)
  • 5230/7230 500T Color Negative Film introduced in 2011 (discontinued in 2012)
  • Ektagraphic High Contrast Slide (HCS) orthochromatic negative film for making reverse-text title slides etc.
  • Fine Grain Release Positive, blue-sensitive negative film specially for motion film duplication
  • Rapid Process Copy (RPC) ultra-slow duplicating film with a blue-tinted base

Filmotec

Filmotec is German company in the tradition of Agfa/ORWO. The FilmoTec GmbH was formed in 1998 to continue to manufacture a range of black and white camera and technical films for motion picture use under the ORWO brand.

  • Filmotec UN 54, ISO 100/21°, (Universal Negative film)
  • Filmotec N 74, ISO 400/27°, (Negative film)
  • Filmotec PF 2, (Positive Fine-grain film)
  • Filmotec PF 2 V3, positive copy film with anti-halation layer
  • Filmotec DP 31, (Duplicating Positive film)
  • Filmotec DN 21, (Duplicating Negative film)
  • Filmotec TF 12d, orthochromatic film for digital sound tracks, (Ton- Film Digital)
  • Filmotec LF 2, orthochromatic, high contrast, (Leader Film), (discontinued)
  • Filmotec LF 3, clear leader film
  • Filmotec LF 3S, clear leader film with anti-static layer
  • Filmotec LF 4, white leader film
  • Filmotec LF 10, leader film with coated emulsion
  • Wolfen NC 500, ISO 400/27°, colour negative film based on Agfa stock[25]

Foma

Foma Bohemia spol. s r. o. (historically Fotochema, n.p., Hradec Králové) is a czech manufacturer of black and white photographic materials. Motion picture materials are also part of the production.

Black and white films

Name ISO Dates Notes Formats
Discontinued films
Fomapan R 17 40/17° 1960s–1990 Fine grain panchromatic reversal film for amateur use.[26][27] Super 8, 2×8, DS 8, 16mm
Fomapan R 21 100/21° 1960s–1990 Panchromatic reversal film for amateur use.[26][27] Super 8, 2×8, DS 8, 16mm
Fomapan R 24 200/24° 1960s–1990 High speed panchromatic reversal film for amateur use. Suitable for use in artificial light.[26][27] Super 8, 2×8, DS 8, 16mm
Kinopozitiv 2/4° 1960s–1990 Film for making positive prints from black and white motion picture negatives.[28][27] 16mm, 2×16mm, 35mm
Kinopozitiv T ? 1960s–c1980 Film for making copies and positive prints for television.[28] 35mm
Titulkovací film 2,5/5° 1960s–1970s Black and white positive film for making title sequences. Very fine grain, high contrast.[29] 2×8, 16mm
Dokument K 2/4° 1980s–1990 Unsensitized black and white film for making motion picture copies; could also be used for making title sequences.[26][27] 2×8, DS 8, 16mm, 35mm
Available films
Fomapan R 100 100/21° c1998–present Panchromatic reversal film introduced in the late 1990s. 2×8, DS 8, 16mm
Fomapan 100 Cine 100/21° 2024–present Panchromatic negative film based on Fomapan 100 still film. 2×8, DS 8, 16mm
Foma Ortho 400 Cine 400/27° 2024–present High speed orthochromatic negative film based on Foma Ortho 400 still film. 2×8, DS 8, 16mm

Colour reversal films

Name ISO Dates Notes Formats
Discontinued films
Fomachrom MD 17 40/17° 1970s–1990 Daylight balanced colour reversal film for amateur use. Warmer colour rendering.[26][27] Super 8, 2×8, DS 8, 16mm
Fomachrom MA 17 40/17° 1980s Tungsten balanced colour reversal film which was developed by Fotochema but never reached the market. Similar properties to Fomachrom MD 17.[26] n/a

Forte

Forte photochemical industry, Vác was a hungarian film manufacturer. Forte no longer manufactures film.

  • Fortepan 2x8, ISO 80/20° panchromatic reversal film for amateur use (discontinued)

FOTON

FOTON was a brand of Warsaw Photochemical Works, a Polish state-owned film manufacturer. FOTON no longer manufactures film.

  • Fotopan RF, 2x8, ISO 80/20° for daylight, ISO 50/18° for artificial light, panchromatic reversal film for amateur use (discontinued)

Fuji

Fujifilm stopped production of all motion picture film stocks on March 31, 2013.[30] For negative stocks, "85" prefix designates 35 mm, "86" prefix designates 16 mm stock. Stock numbers ending in a "2" are Fuji's Super-F emulsions (1990s) and the stocks ending in "3" are the new Eterna emulsions.[31]

Also, Eterna Vivid series negatives' last second suffix as "4", and the ending suffix as different "E.I.".

For intermediate stocks, as negatives', adding "45" prefix designates 35 mm in polyester (PET) base, and "87" prefix designates 65/70 mm.

For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film.

Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.

As of March 2013, Fuji had ceased production of all motion picture film.[32]

Color negatives (1980s)

  • 8517 100T introduced in 1977
  • 8511/8521 (35 mm & 16 mm) Fujicolor A 125T
  • 8514/8524 (35 mm & 16 mm) Fujicolor AX 500T
  • 8518/8528 (35 mm & 16 mm) Fujicolor A 250T

Reversal (1980s)

  • 8427 (16 mm) Fujicolor RT 125T (reversal)
  • 8428 (16 mm) Fujicolor RT 500T (reversal)

Black-and-white

  • 71112 (35 mm) Fuji FG 80D/64T
  • 72161 (16 mm) Fuji RP 80D/64T

F-Series (1988)

  • 8510/8610 F64T (discontinued)
  • 8520/8620 F64D (discontinued)
  • 8530/8630 F125T (discontinued)
  • 8550/8650 F250T (discontinued)
  • 8560/8660 F-250D (discontinued)
  • 8570/8670 F-500T (discontinued)

Super F-Series (1999)

  • F-64D 8522/8622
  • F-125T 8532/8632
  • F-250T 8552/8652
  • F-250D 8562/8662
  • F-500T 8572/8672
  • F-400T 8582/8682

Reala

Containing a fourth color layer, Reala is nominally considered a part of the Super-F series. Its analogue in the stills market is Superia Reala.

  • Reala 500D 8592/8692 was introduced in December 2001, and discontinued in February 2011[33]

Eterna (2004–2013)

  • Eterna Vivid 160T 8543/8643 introduced in 2007
  • Eterna Vivid 250D 8546/8646 introduced in 2010
  • Eterna 250D 8563/8663 introduced in 2006
  • Eterna 250T 8553/8653 introduced in 2006
  • Eterna 400T 8583/8683 introduced in March 2005, discontinued in July 2011[34]
  • Eterna 500T 8573/8673 introduced in 2004
  • Eterna Vivid 500T 8547/8647 introduced in 2009

Print films

  • F-CP 3519 Fujicolor positive film. Polyester (PET) base. Introduced in 1996.
  • F-CP 3519D Fujicolor positive film. High-contrast. Polyester base. Introduced in 1999.
  • Super F-CP 3510/3610 Fujicolor positive film. Polyester base.[35] Introduced in 2002.
  • Eterna-CP 3513DI/3613DI Fujicolor positive film. High-contrast. Polyester base.[35] Introduced in 2002.
  • Eterna-CP 3521XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2007.
  • Eterna-CP 3514DI/3614DI Fujicolor positive film. High-contrast. Polyester base. Introduced in April 2010.
  • Eterna-CP 3523XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.
  • Eterna-CP 3512/3612 Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.

Intermediate film

  • Eterna-CI 8503/4503(Polyester base)/8603 Fujicolor intermediate film.[36]
  • Super F-CI 8702(65/70 mm)/8502/4502(Polyester base)/8602 Fujicolor intermediate film.[35] (One of the Super F-Series)

Recording film

  • Eterna-RDI 8511/4511(Polyester base) Fujicolor recording film (RDI short for Recording for Digital Intermediate). Designed to be used with Arri Laser.[36]
  • Eterna-RDS 4791(Polyester base) Fujicolor recording film (RDS short for Recording for Digital Separation). The black-and-white recording film designed to be used for digital archive. Process with D96 or D97. Introduced in April 2010.

GAF/Ansco

GAF/Ansco no longer manufactures film.

  • GAF Anscochrome 500 D (discontinued)
  • GAF Anscochrome 100 T (discontinued)

The list below is of 35mm film stocks in use in 1956.[37]

  • Ansco Color Negative, Type 844. E.I. 16 Day (w/ Wratten #85 filter), 25 Tungsten (discontinued)
  • Ansco Color Dupe Negative, Type 846, for Intermediate Negatives (discontinued)
  • Ansco Color Print Film, Type 848, for release prints, balanced for approx. 3,000 degrees K (discontinued)
  • Ansco Color Reversal Duplicating Film, Type 538, for duplication of positive image originals (discontinued)
  • Ansco Supreme, Type 453, panchromatic (black & white?). E.I. 50 Day, 32 Tungsten (discontinued)
  • Ansco Ultra-Speed, Type 456, very high speed, medium grain, panchromatic. E.I. 100 Day, 64 Tungsten (discontinued)

Ilford

Ilford specialises in B&W films and, until 2003, produced motion picture versions of their photographic films for 16mm and 35mm cameras.

(As used in Hollywood, 1960s)[38][39][40]

  • Ilford Pan F Negative, ASA 25 Day, 20 Tungsten (B&W, 35mm & 16mm)
  • Ilford FP3 Negative, ASA 80 Day, 64 Tungsten (B&W, 35mm & 16mm)
  • Ilford HP3 Negative, ASA 200 Day, 160 Tungsten (B&W, 35mm & 16mm
  • Ilford Mark V Negative, ASA 250 Day, 200 Tungsten (B&W, 35mm & 16mm)
  • Ilford HPS Negative, ASA 400 Day, 320 Tungsten (B&W, 35mm & 16mm)
  • Ilford HRT Television Recording Film (B&W, 16mm)
  • Ilford Fine Grain Safety Positive for release prints (B&W, 35mm & 16mm)
  • Ilford Newsreel Positive (B&W, 35mm)
  • Ilford SFX 200 Negative for Special Effects, ASA 200 Day, 100 Tungsten (B&W, 16mm)

Note: 1973 is last appearance in American Cinematographer Manual (fourth edition).

ORWO

VEB Filmfabrik Wolfen was an East German film manufacturer, originally Agfa factory in Wolfen. ORWO stands for ORiginal WOlfen. VEB Filmfabrik Wolfen no longer manufactures film. Motion picture production was transferred to Filmotec.

Amateur films

Black and white reversal films

Make Name ISO Notes Process Formats
Discontinued films
Agfa Isopan F 25/15° Very fine grain panchromatic film suitable for daylight scenes.[41] B&W reversal 1x8, 2x8, 16mm
Agfa Isopan SS 64/19° High speed panchromatic film.[41] B&W reversal 1x8, 2x8, 16mm
ORWO UP 15 25/15° Very fine grain panchromatic film suitable for daylight scenes.[42] ORWO 4105 1x8, 2x8, DS 8, 9,5mm, 16mm
ORWO UP 17 40/17° Fine grain panchromatic film made exclusively in a Super 8 cassette. ORWO 4105 Super 8
ORWO UP 19 64/19° Panchromatic film with high red sensitivity, suitable for scenes in artificial light or in harsher weather.[42] Discontinued at the start of the 70's. ORWO 4105 1x8, 2x8, 9,5mm, 16mm
ORWO UP 22 125/22° High speed panchromatic film for harsher weather conditions and artificial light.[42] ORWO 4105 1x8, 2x8, DS 8, 9,5mm, 16mm
ORWO UP 21 100/21° Similar features as UP 22, this film replaced UP 22 at the beginning of 70's[43] ORWO 4105 2x8, DS 8, 16mm
ORWO UP 27 400/27° Ultra high speed panchromatic film suitable for night scenes and slow motion shots.[42] ORWO 4105 2x8, DS 8, 16mm

Color negative films

Make Name ISO Notes Process Formats
Discontinued films
ORWOCOLOR NT 18 50/18° Colour negative film balanced for daylight.[42] Discontinued by the end of the 60's. ORWO 5160 16mm
ORWOCOLOR NK 18 50/18° Colour negative film balanced for artificial light.[42] Discontinued by the end of the 60's. ORWO 5160 16mm

Color reversal films

Make Name ISO Notes Process Formats
Discontinued films
Agfacolor Umkehr T 16/13° Daylight balanced colour reversal film.[41] Agfacolor 1x8, 2x8
Agfacolor Umkehr K 25/15° Tungsten balanced colour reversal film.[41] Agfacolor 1x8, 2x8
ORWOCOLOR UT 13 16/13° Very fine grain colour reversal film for daylight. Film renders red very boldly.[42] ORWO 9160 2x8
ORWOCOLOR UT 16 32/16° Daylight balanced colour reversal film.[42] ORWO 9160 1x8, 2x8, 9,5mm, 16mm
ORWOCOLOR UK 14 20/14° Tungsten balanced colour reversal film.[42] ORWO 9160 1x8, 2x8, 16mm
ORWOCOLOR UK 18 50/18° Tungsten balanced colour reversal film. ORWO 9160 1x8, 2x8, DS 8, 16mm
ORWOCHROM UT 15 25/15° Daylight balanced colour reversal film. Colder colour rendering.[26] Replaced old ORWOCOLOR films in mid-70's. ORWO 9165 Super 8, 2x8, DS 8, 16mm
ORWOCHROM UK 17 40/17° Tungsten balanced colour reversal film. Colder colour rendering.[26] Replaced old ORWOCOLOR films in mid-70's. ORWO 9165 Super 8, 2x8, DS 8, 16mm

Leader films

Make Name Notes Formats
Discontinued films
ORWO Vorspannfilm Amateursatz Leader film for amateur use sold in the usual formats. Box contained 15m of red and green leader films. 8mm, Super 8

Professional films

Black and white negative films

Make Name ISO Notes Process Formats
Discontinued films
ORWO NP 2 25/15° Fine grain panchromatic film for amateur and professional use.[42] ORWO 1180 16mm, 35mm
ORWO NP 3 32/16° Fine grain panchromatic film suitable for outdoor and aerial scenes, also suitable for back projection. For amateur and professional use.[42] ORWO 1180 16mm, 35mm, 70mm
ORWO NP 5 125/22° Standard panchromatic film for motion picture use. Very sharp with wide latitude. Also was available to amateurs in 16mm format.[42] ORWO 1180 16mm, 35mm, 70mm
ORWO NP 55 125/22° Improved version of ORWO NP 5.[44] ORWO 1180 16mm, 35mm
ORWO NP 7 400/27° High speed film suitable for artificial light but also harsher weather conditions. For amateur and professional use.[42] ORWO 1180 16mm, 35mm
ORWO NP 71 400/27° High speed film for slow-motion shots with high frame rate. For amateur and professional use.[42] ORWO 1180 16mm, 35mm
ORWO TF 5 n/a Sound recording film.[43] ORWO 1180 16mm, 35mm
ORWO TF 6 n/a Sound recording film.[42] ORWO 1180 16mm, 2x16mm, 35mm
ORWO TF 7 n/a Sound recording film.[43] ORWO 1180 16mm, 35mm
ORWO TF 8 n/a Sound recording film.[44] ORWO 1180 16mm, 35mm
ORWO NI 750 n/a Infrared negative film with sensitivity up to 750-760nm. Suitable for special effects.[42] ORWO 1180 35mm

Black and white positive films

Make Name Notes Process Formats
Discontinued films
ORWO PF 1 Positive fine grain film, also suitable for recording title sequences.[42] ORWO 1180 8mm, 2x8mm, 16mm, 2x16mm, 35mm, 70mm
ORWO PF 11 Similar properties as ORWO PF 1 and ORWO PF 2, has a thick base of 0,2mm.[42] ORWO 1180 35mm
ORWO PF 2 Positive fine grain film on a thin base. Slightly lower sensitivity than ORWO PF 1.[42] ORWO 1180 8mm, 2x8mm, 16mm, 2x16mm, 35mm, 70mm
ORWO PF 3 Positive fine grain film.[44] ORWO 1180 16mm, 35mm
ORWO PF 5 Positive fine grain film used for television.[44] ORWO 1180 16mm, 35mm

Black and white duplicating films

Make Name ISO Notes Process Formats
Discontinued films
ORWO DN 1 1,2/2° Ultra fine grain film for making copies, inter-positives or sound track positives. Flat gradation.[42] ORWO 1180 16mm, 2x16mm, 35mm, 70mm
ORWO DN 2 n/a Ultra fine grain panchromatic film for making inter-negatives or black and white negatives from colour positives. Sensitivity is 1,5 to 2 stops slower than ORWO DN 1.[42] ORWO 1180 16mm, 2x16mm, 35mm, 70mm
ORWO DP 1 n/a Ultra fine grain film for making inter-positives. Gray film base.[42] ORWO 1180 16mm, 2x16mm, 35mm, 70mm
ORWO DP 2 n/a Ultra fine grain film with flat gradation curve for making inter-positives. Sensitivity is 1 stop slower than ORWO DP 1.[42] ORWO 1180 16mm, 2x16mm, 35mm, 70mm
ORWO DP 3 n/a Ultra fine grain panchromatic film for making inter-positives. Also suitable for making positives from unmasked colour negative films. Sensitivity is 0,3 stop slower than ORWO DP 1.[42] ORWO 1180 16mm, 2x16mm, 35mm, 70mm

Black and white television films

Make Name ISO Notes Process Formats
Discontinued films
ORWO UP 11 25/15° Fine grain panchromatic reversal film suitable for daylight scenes.[42] ORWO 4105 / 4185 16mm
ORWO UP 21 64/19° Panchromatic reversal film suitable for scens with artificial light.[42] ORWO 4105 / 4185 16mm
ORWO UP 31 100/21° Fine grain panchromatic reversal film for daylight and artificial light. Flatter gradation than ORWO Fernseh-Umkehr-Film UP 21.[42] ORWO 4105 / 4185 16mm
ORWO UP 32 100/21° Universal television film for reportage. It could be developed either as a reversal film or as a negative film. Same EI for negative and reversal process. Wide exposure latitude and fine tonal gradation.[42] ORWO 4105 / 4185

or 1180

16mm
ORWO UP 51 320/26° Panchromatic reversal film for scenes with artificial light or in bad weather.[42] ORWO 4105 / 4185 16mm
ORWO UP 52 320/26° Universal television film. It could be developed either as a reversal film or as a negative film.[44] Same EI for negative and reversal process. ORWO 4105 / 4185

or 1180

16mm
ORWO US 11 n/a Special film for recording television screens. Sensitivity tailored to light spectrum of a television screen. Could be developed as a negative or a positive.[42] ORWO 4105 / 4185

or 1180

16mm
ORWO UX 1 n/a Very fine grain reversal film for making duplicates of positives. This film could be developed either as a negative or as a positive. Emulsion contains yellow dye to prevent halation. Also available for amateur use.[42] ORWO 4105 / 4185

or 1180

2x8, 16mm

Color motion picture films

Make Name ISO Notes Process Formats
Discontinued films
ORWOCOLOR NC 1 32/16° Standard colour negative motion picture film balanced for artificial light. Could be used in daylight with ORWO filter K 14, the EI should be then changed to ISO 25/15°. Wide exposure latitude and high sharpness. Gradation can be adjusted with development time (0,5 to 0,9).[42] ORWO 5180 / 5186 16mm, 35mm, 70mm
ORWOCOLOR NC 3 64/19° Standard colour negative motion picture film balanced for artificial light. Could be used in daylight with ORWO filter K 14, the EI should be then changed to ISO 50/18°. Similar properties to ORWOCOLOR NC 1. By the mid 70's NC 3 replaced NC 1.[44] ORWO 5186 / 5188 16mm, 35mm, 70mm
ORWOCOLOR DC 1 n/a Film for making duplicate negatives using the reversal process.[42] ? 16mm, 2x16mm, 35mm, 70mm
ORWOCOLOR DC 2 n/a Colour duplicating film for making positive copies of positives using reversal development.[42] ORWO 9181 16mm, 2x16mm, 35mm, 70mm
ORWOCOLOR DC 6 n/a Colour duplicating film.[44] ORWO 7186 16mm, 2x16mm, 35mm, 70mm
ORWOCOLOR PC 5 n/a Positive colour film for making positive copies from negatives and duplicate negatives.[42] ORWO 7181 2x8mm, 16mm, 2x16mm, 35mm, 70mm
ORWOCOLOR PC 51 n/a Similar properties as ORWOCOLOR PC 5, has a thick base of 0,2mm. Suitable for back projection.[42] ORWO 7181 35mm
ORWOCOLOR PC 7 n/a Positive colour film for making copies from flat graduated masked and unmasked negatives.[42] ORWO 7181 / 7182 2x8mm, 16mm, 2x16mm, 35mm, 70mm
ORWOCOLOR PC 9 n/a Positive colour film for making demonstration prints from masked negatives or unmasked negatives. Improved sharpness due to reversed layer order. Also suitable for back projection.[42] ORWO 7181 16mm, 2x16mm, 35mm, 70mm

Color television films

Make Name ISO Notes Process Formats
Discontinued films
ORWOCHROM UK 3 ? Colour reversal television film balanced for artificial light.[44] ORWO 9186 16mm
ORWOCHROM UF 1 n/a Colour film for making positive copies of positives.[44] ORWO 9186 16mm

Slavich

Slavich is a Russian film manufacturer. They no longer produce motion picture film but do still produce photographic emulsion paper.

  • Black-and-white negative film NK-2 ISO/GOST 32D/25T
  • Black-and-white negative NK-2Sh ISO/GOST 100D/80T
  • Black-and-white positive print film МZ-3 ISO/GOST ~5T

Svema

Svema was a Soviet/Ukrainian film manufacturer.

Black and white films

Name ISO Notes Formats
Discontinued films:
КН-1

(KN-1)

20/14° Black and white negative film for motion pictures. In artificial light film should be rated at ISO 12/12°. 16mm, 35mm
КН-2

(KN-2)

50/18° Black and white negative film for motion pictures. 16mm, 35mm
КН-3

(KN-3)

80/20° Black and white negative film for motion pictures. 16mm, 35mm
КН-4С

(KN-4S)

500/28° Black and white negative film for motion pictures. 16mm, 35mm
НК-2Ш

(NK-2Sh)

100/21° Black and white negative film for motion pictures. 16mm, 35mm
А-2Ш

(A-2Sh)

400/27° Black and white negative film for motion pictures. 16mm, 35mm
К3-63

(K3-63)

n/a Sound recording film. 16mm, 35mm
МЗ-3

(MZ-3)

2,5/5° Film for making positive motion picture prints. 16mm, 35mm

Black and white reversal films

Name ISO Notes Formats
Discontinued films:
ОЧ-Т-45

(OCh-T-45)

50/18° Black and white reversal film for television. 16mm
ОЧ-Т-180

(OCh-T-180)

200/24° Black and white reversal film for television. 16mm
ОЧ-Т-В

(OCh-T-V)

400/27° Black and white reversal film for television. 16mm
ОЧ-Т-Н

(OCh-T-N)

3/6° Black and white television film for making copies of reversal films. 16mm
ОЧ-45

(OCh-45)

50/18° Black and white reversal film for amateur use. Super 8, 2x8, DS 8, 16mm
ОЧ-90

(OCh-90)

100/21° Black and white reversal film for amateur use. 2x8, DS 8, 16mm
ОЧ-180

(OCh-180)

200/24° Black and white reversal film for amateur use. Super 8, 2x8, DS 8, 16mm
ОЧ-50

(OCh-50)

50/18° Black and white reversal film for amateur use. 1x8, 1x Super 8, Super 8, 2x8, DS 8, 16mm

Colour films

Name ISO Notes Formats
Discontinued films:
ДС-5М

(DS-5M)

40/17° Daylight balanced masked colour negative film for motion pictures. 16mm, 35mm
ЛН-9

(LN-9)

100/21° Tungsten balanced masked colour negative film for motion pictures. 16mm, 35mm
ЦП-8Р

(CP-8R)

n/a Colour film for making positive motion picture prints. 16mm, 35mm
ЦП-10

(CP-10)

n/a Colour positive film with "displaced layers". 16mm, 35mm
ЦП-11

(CP-11)

n/a Colour positive film with "displaced layers". Triple sensitivity compared to CP-10. 16mm, 35mm
КП-6

(KP-6)

n/a Colour copy film. 16mm, 35mm
КПМ

(KPM)

n/a Colour copy film. 16mm, 35mm

Colour reversal films

Name ISO Notes Formats
Discontinued films:
ЦО-Т-22Д

(CO-T-22D)

25/15° Daylight balanced colour reversal film for television. 16mm
ЦО-Т-90ЛМ

(CO-T-90LM)

100/21° Tungsten balanced colour reversal film for television. 16mm
ЦО-Т-180Л

(CO-T-180L)

200/24° Tungsten balanced colour reversal film for television. 16mm
ЦО-5

(CO-5)

n/a Fine grain film for making copies of colour reversal films. 16mm
ЦО-32Д

(CO-32D)

40/17° Daylight balanced colour reversal film for amateur use. 1x8, 1xSuper 8, Super 8, DS 8, 16mm
ЦО-50Д

(CO-50D)

50/18° Daylight balanced colour reversal film for amateur use. 1xSuper 8, Super 8, DS 8, 16mm

Tasma

Tasma is a Russian company (Template:Langx), located in the Russian Republic of Tatarstan

  • NK-1 – ISO/GOST 250D/200T
  • NK-2 – ISO/GOST 100D/80T
  • NK-3 – ISO/GOST 32D/25T

See also

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References

  1. ↑ American Cinematographer Manual, Hollywood, 1973, pp 234, 238.
  2. ↑ Katz, Ephraim (1994). The Film Encyclopedia (2nd ed.) HarperCollins Press. Template:ISBN.
  3. ↑ Salt, Barry. Film Style and Technology: History and Analysis, Starword, London, third edition, 2009, pg 198.
  4. ↑ American Cinematographer; vol. 6, #11, February 1926, pg 2
  5. ↑ American Cinematographer Hand Book and Reference Guide, Jackson J. Rose, 9th Edition 1956, pages 52–53
  6. ↑ American Cinematographer Manual, first edition, 1960, pages 128–130
  7. ↑ American Cinematographer Manual, 2nd edition, 1966, pages 247–251
  8. ↑ American Cinematographer Manual, 3rd edition, 1969, pages 188–192
  9. ↑ Carlson, Verne and Sylvia. Professional 16/35mm Cameraman's Handbook, first edition, 1970, page 23
  10. ↑ Kodak H-1: Selecting Films: Film Types, Names, and Numbers, Retrieved 28 March 2007. Template:Webarchive
  11. ↑ Mees, C. E. Kenneth. "History of Professional Black-and-White Motion-Picture film", Journal of the SMPTE, Volume 63, October 1954.
  12. ↑ Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1889–1939 (Part 1) Template:Webarchive, Retrieved 28 March 2007.
  13. ↑ a b c Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1940–1959 (Part 2) Template:Webarchive, Retrieved 29 March 2007.
  14. ↑ a b c d e f Script error: No such module "citation/CS1".
  15. ↑ a b c d e f g h i j k l Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1960–1979 (Part 3), Retrieved 28 March 2007.
  16. ↑ a b Pytlak, John P. Eastman Kodak Corporation. At Film-Tech Forums : Film Handler's Forum, topic "Kodak '4B' print stock" (topic #2835), page 1 (post #4). 27 November 2001 02:22PM (CT)
  17. ↑ a b Script error: No such module "citation/CS1".
  18. ↑ a b c d e f g h i Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1980-today (Part 4), Retrieved 28 March 2007.
  19. ↑ Script error: No such module "citation/CS1".
  20. ↑ Pytlak, John P. "Film Notes For the Reel People: A Technical Service for Filmhandlers from Eastman Kodak Company"; Publication H-50-34, October 1994 and H-50-35, December 1994. 2386 was first used on Maverick and Getting Even with Dad.
  21. ↑ Kodak Vision Color Teleprint Film, Retrieved 29 March 2007. Template:Webarchive
  22. ↑ Kodak Black-and-white print film 2302, Retrieved 29 March 2007. Template:Webarchive
  23. ↑ Script error: No such module "citation/CS1".
  24. ↑ Kodak | Color Negative Films SFX 200T Color Negative Film, Retrieved 29 March 2007. Template:Webarchive
  25. ↑ Script error: No such module "citation/CS1".
  26. ↑ a b c d e f g h Script error: No such module "citation/CS1".
  27. ↑ a b c d e f Script error: No such module "citation/CS1".
  28. ↑ a b Script error: No such module "citation/CS1".
  29. ↑ Script error: No such module "citation/CS1".
  30. ↑ Script error: No such module "citation/CS1".
  31. ↑ Fuji (January 12, 2006). Fujifilm Expands Eterna Family with the Introduction of Eterna 400, Eterna 250 Template:Webarchive Retrieved July 8, 2006
  32. ↑ Script error: No such module "citation/CS1".
  33. ↑ Template:In langDiscontinue announcement from fujifilm.jp.
  34. ↑ {ja}Discontinue announcement from fujifilm.jp.
  35. ↑ a b c Fujifilm Motion Picture Script error: No such module "citation/CS1"., Retrieved 10 October 2007.
  36. ↑ a b Released starts early summer of 2007Script error: No such module "citation/CS1"., Retrieved 16 April 2007.
  37. ↑ American Cinematographer Hand Book and Reference Guide, Jackson J. Rose, 9th Edition 1956, page 51
  38. ↑ American Cinematographer Manual, Hollywood, 2nd edition, 1966, pp 278–281.
  39. ↑ American Cinematographer Manual, Hollywood, 3rd edition, 1969, pp 209–211.
  40. ↑ American Cinematographer Manual, Hollywood, 4th edition, 1973, pp 235–237.
  41. ↑ a b c d Script error: No such module "citation/CS1".
  42. ↑ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al Script error: No such module "citation/CS1".
  43. ↑ a b c Script error: No such module "citation/CS1".
  44. ↑ a b c d e f g h i Script error: No such module "citation/CS1".

´

www.pixpast.com for samples of original 35mm agfacolor film from 1936 to 1945.

  • Brown, Blaine (1994). The Filmmaker's Pocket Reference Focal Press. pp. 160–161. Template:ISBN.
  • Detmers, Fred H. (ed.) (1986). American Cinematographer Manual (6th ed.) ASC Press pp. 67. Template:ISBN.
  • Dr. Ryan, Rod (ed.) (1993). American Cinematographer Manual (7th ed.) ASC Press pp. 127. Template:ISBN.
  • Hummel, Rob (ed.) (2001). American Cinematographer Manual (8th ed.) ASC Press pp. 860–861. Template:ISBN.
  • Herrmann, Karl (January 1990). "Film Stock Tests: Eastman (third in a series)" American Cinematographer Magazine ASC Press. pp. 83–88.
  • Kodak Cinematographer's Field Guide Kodak publication H-2 (September 1998). pp. MPF-4 – MPF-5.
  • Kodak Cinematographer's Field Guide Kodak publication H-2 (January 2006) (12th ed.). pp. MPF-4 – MPF-5.
  • https://web.archive.org/web/20070703225400/http://www.filmotec.de/English_Site/Products/products.html
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