List of emo artists

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Template:Short description Script error: No such module "Protection banner". Template:Use mdy dates This is a list of notable musical artists associated with the music genre and/or subculture of emo.

Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace. As the style was echoed by contemporary American punk rock bands, its sound and meaning shifted and changed, blending with pop punk and indie rock and encapsulated in the early 1990s by groups such as Jawbreaker and Sunny Day Real Estate. By the mid-1990s numerous emo acts had emerged from the Midwestern and Central United States, and several independent record labels began to specialize in the style.

Emo broke into mainstream culture in the early 2000s with the sales success of Jimmy Eat World and Dashboard Confessional, with the genre's popularity continuing in the mid-to-late 2000s with bands such as My Chemical Romance, Fall Out Boy, and the Red Jumpsuit Apparatus.

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List

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See also

References

Bibliography

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Notes

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  1. ↑ Script error: No such module "citation/CS1".
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  8. ↑ https://www.allmusic.com/album/r1548250
  9. ↑ Script error: No such module "citation/CS1".
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  18. ↑ Raise a Frosty One to Amber Pacific Template:Webarchive. Seattle Times, June 15, 2007. Accessed June 25, 2007.
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  44. ↑ a b c d e f Script error: No such module "citation/CS1".
  45. ↑ a b c Greenwald, p. 14. "Ian Mackaye was such a huge Rites of Spring fan that he not only recorded what was to be the band's only album in 1985 and served as a roadie for them while on tour, but his own new band, Embrace, explored similar themes of self-searching and emotional release. Other peers followed suit, including Grey Matter, the archly political and arty Beefeater, and Fire Party, whom Jenny [Toomey] termed 'the world's first female-fronted emo band.Template:' "
  46. ↑ Script error: No such module "citation/CS1".
  47. ↑ Script error: No such module "citation/CS1".
  48. ↑ Script error: No such module "citation/CS1".
  49. ↑ Script error: No such module "Citation/CS1".
  50. ↑ Script error: No such module "citation/CS1".
  51. ↑ Knives and Pens Music Video|url=https://m.youtube.com/watch?v=gFDCHdKbKBY Template:Webarchive
  52. ↑ Script error: No such module "citation/CS1".
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  54. ↑ Script error: No such module "citation/CS1".
  55. ↑ Script error: No such module "citation/CS1".
  56. ↑ Greenwald, p. 46. "What Braid did better than any other band of its era was truly live the egalitarian spirit of emo. If emo is, on one level, the ability to move from sympathy for song subjects to outright empathy, then Braid blurred the line even further, engendering empathy for itself."
  57. ↑ Script error: No such module "citation/CS1".
  58. ↑ Nanna, Bob (in Zemler). "When we first started it was [that] we kind of said, 'Yeah, we're an emo band' because the bands we liked we thought were emo bands - like Jawbox or Fugazi. Then it kind of took on this negative context and it got used against us. Nowadays it's just a catch-all term and it doesn't really mean anything to me anymore."
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  91. ↑ Bogdanov, Woodstra, and Erlewineare, p. 320. "Washington, D.C.-based emo quartet the Dismemberment Plan...", "the Plan [...] are a fairly thrash-crazed example of what the term 'emo' used to mean. There aren't any apologetic weepouts, just calmer moments amidst pretty explosive performances."
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  158. ↑ a b c d e Greenwald, p. 40. "Bands that were lumped together in the emo camp back then [in the mid-1990s] varied wildly, much more so than today. The dominant sound was the melodic punk of the Promise Ring and Texas Is the Reason, but peers and tourmates like Karate, The Van Pelt, and especially Chicago's Joan of Arc played with elements of post-rock, including odd instrumentation and ample amounts of droning, wordless minor-key dirges. The Shyness clinic adored the Scottish noisemakers Mogwai, and emo mix tapes often included the Ivy League folk of New York city's Ida. At the Boston basement shows it wasn't uncommon to see the fresh-faced boys of Braid sharing the bill with the heavy rawk bombast of the Rye Coalition."
  159. ↑ Script error: No such module "citation/CS1".
  160. ↑ Script error: No such module "Citation/CS1".
  161. ↑ a b Greenwald, p. 19. "Sunny Day Real Estate was emo's head and Jawbreaker its busted gut—they two overlapped in the heart, then broke up before they made it big. Each had a lasting impact on the world of independent music. The band shared little else but fans, and yet somehow the combination of the two lays down a fairly effective blueprint for everything that was labeled emo for the next decade."
  162. ↑ Greenwald, p. 20. "Spanning two coasts, three genres, countless throat polyps, and an entire generation of heartsick boys, Jawbreaker is the Rosetta Stone of contemporary emo."
  163. ↑ Script error: No such module "citation/CS1".
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  165. ↑ Rolling Stone - Jimmy Eat World Biography
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  184. ↑ Script error: No such module "citation/CS1". (November 29, 2013)
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  196. ↑ https://www.allmusic.com/artist/p980007
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  198. ↑ Greenwald, pp. 40-41. "No band embodied [the mid-1990s emo] aesthetic more than Texas's Mineral, a quartet of deathly serious young men...In many ways, "If I Could" is the ultimate expression of mid-nineties emo. The song's short synopsis—she is beautiful, I am weak, dumb, and shy; I am alone but am surprisingly poetic when left alone—sums up everything that emo's adherents admired and its detractors detested."
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  204. ↑ Greenwald, p. 146. Template:" 'Absolutely, says [Ben] Holtzman. 'It's the depoliticization. I don't think there's anything not safe about [rising Long Island emo act] The Movielife.Template:' "
  205. ↑ My Chemical Romance: They're Okay (Promise) Template:Webarchive
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  208. ↑ [1] Template:Webarchive Native Nod - Rhapsody Music
  209. ↑ [2] Template:Webarchive Native Nod reviews, music, news - sputnikmusic
  210. ↑ Greenwald, pp. 127-128. Template:" 'I'm sick of smiling / and so is my jaw / can't you see my front is crumbling down?' asked the first song on Sticks and Stones, the New Found Glory album that stunned the world when debuted at number four in the summer of 2002. It's an interesting contradiction—the celebration of misery, the simultaneous privileging and subsuming of the self—but one that's pure emo, no matter what the band or its label says."
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  225. ↑ allmusic (((Panic at the Disco – Biography)))
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  237. ↑ Greenwald, p. 44. "[Nothing Feels Good] is the pinnacle of its generation of emo: a convergence of pop and punk, of resignation and celebration, of the lure of girlfriends and the pull of friends, bandmates, and the road."
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  243. ↑ Greenwald, p. 14. "If Minor Threat was hardcore, then Rites of Spring, with its altered focus, was emotional hardcore or emocore."
  244. ↑ allmusic (((Rites of Spring > Biography)))
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  274. ↑ The Starting Line - Biography
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  276. ↑ Script error: No such module "citation/CS1".
  277. ↑ A tale to cheer up the emo kids: Story of the Year's new release is no sad tale, but no solid effort
  278. ↑ Sunny Day Real Estate - Rolling Stone
  279. ↑ Hot Emo: Taking Back Sunday
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  283. ↑ Ten Second Epic - Biography
  284. ↑ Greenwald, pp. 38-39. "For many, the New York City-based quartet Texas Is the Reason was the perfect bridge from indie-rock to emo."
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  297. ↑ Tokio Hotel - Biography
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