List of compositions by George Frideric Handel

File:Georg Friedrich Händel.jpg

Portrait of Handel by Thomas Hudson

George Frideric Handel (23 February 1685 – 14 April 1759) composed works including 42 operas; 24 oratorios; more than 120 cantatas, trios and duets; numerous arias; odes and serenatas; solo and trio sonatas; 18 concerti grossi; and 12 organ concertos.

Collected editions of Handel's works include the Händel-Gesellschaft (HG) and the Hallische Händel-Ausgabe (HHA), but the more recent Händel-Werke-Verzeichnis (HWV) publication is now commonly used to number his works. For example, Handel's Messiah can be referred to as: HG xlv, HHA i/17, or HWV 56.Template:Sfn Some of Handel's music is also numbered based on initial publications, for example a 1741 publication by Walsh labelled twelve of Handel's concerti grossi as Opus 6.

Operas

List of operas by George Frideric Handel. All works are opera seria in three acts, unless otherwise stated.

HWV	Title	Premiere	Venue	Libretto	Notes
Template:Hs1	Almira	Template:Hs8 January 1705	Oper am Gänsemarkt, Hamburg	Template:HsFriedrich Christian Feustking, after G. Pancieri	Singspiel
Template:Hs2	Nero	Template:Hs25 February 1705	Oper am Gänsemarkt, Hamburg	Template:HsFriedrich Christian Feustking	Music lost
Template:Hs3	Florindo	Template:Hs1708	Oper am Gänsemarkt, Hamburg	Template:HsHinrich Hinsch	Only a copy of the libretto and 1 aria preserved
Template:Hs4	Daphne	Template:Hs1708	Oper am Gänsemarkt, Hamburg	Template:HsHinrich Hinsch	1 chorus and 1 aria preserved
Template:Hs5	Rodrigo	Template:Hs1707	Florence	Template:Hsafter F. Salvani
Template:Hs6	Agrippina	Template:HsLate 1709 / Early 1710	Teatro San Giovanni Grisostomo, Venice	Template:HsVincenzo Grimani
Template:Hs7a/b	Rinaldo	Template:Hs24 February 1711	Queen's Theatre, London	Template:HsGiacomo Rossi/Aaron Hill, after Torquato Tasso, La Gerusalemme liberata
Template:Hs8a/b/c	Il pastor fido	Template:Hs22 November 1712	Queen's Theatre, London	Template:HsGiacomo Rossi, after Guarini	The 1712 version is 8a. The 1734 revised versions are designated 8c. The prologue Terpsicore added to the final version is 8b.
Template:Hs9	Teseo	Template:Hs10 January 1713	Queen's Theatre, London	Template:HsNicola Francesco Haym, after Philippe Quinault	5 acts
Template:Hs10	Silla	Template:HsJune 1713?	London?	Template:HsGiacomo Rossi, after Plutarch	Music reused in Amadigi
Template:Hs11	Amadigi di Gaula	Template:Hs25 May 1715	King's Theatre, London	Template:HsRossi or Haym (?), after A.H. de la Motte, 1699
Template:Hs12a/b	Radamisto	Template:Hs27 April 1720	King’s Theatre, London	Template:HsHaym (?), after D. Lalli
Template:Hs13	Muzio Scevola	Template:Hs15 April 1721	King’s Theatre, London	Template:HsPaolo Antonio Rolli, after Silvio Stampiglia	only Act 3 by Handel
Template:Hs14	Floridante	Template:Hs9 December 1721	King’s Theatre, London	Template:HsRolli, after Francesco Silvani La costanza in trionfo
Template:Hs15	Ottone	Template:Hs12 January 1723	King’s Theatre, London	Template:HsHaym, after S. B. Pallavicino
Template:Hs16	Flavio	Template:Hs14 May 1723	King’s Theatre, London	Template:HsHaym, after M Norris
Template:Hs17	Giulio Cesare	Template:Hs20 February 1724	King’s Theatre, London	Template:HsHaym
Template:Hs18	Tamerlano	Template:Hs31 October 1724	King’s Theatre, London	Template:HsHaym, after Agostin Piovene and Nicholas Pradon
Template:Hs19	Rodelinda	Template:Hs13 February 1725	King’s Theatre, London	Template:HsHaym, after Antonio Salvi, after Pierre Corneille
Template:Hs20	Scipione	Template:Hs12 March 1726	King’s Theatre, London	Template:HsRolli
Template:Hs21	Alessandro	Template:Hs5 May 1726	King’s Theatre, London	Template:HsO Mauro
Template:Hs22	Admeto	Template:Hs31 January 1727	King’s Theatre, London	Template:HsHaym
Template:Hs23	Riccardo Primo	Template:Hs11 November 1727	King’s Theatre, London	Template:HsRolli, after Francesco Briani
Template:HsA2	Genserico (or Olibrio)	Template:Hs		Template:HsAfter N. Beregan	Drafted early 1728. Only part of Act I. Music mostly used in Siroe and Tolomeo.
Template:Hs24	Siroe	Template:Hs17 February 1728	King’s Theatre, London	Template:HsHaym, after Metastasio
Template:Hs25	Tolomeo	Template:Hs30 April 1728	King’s Theatre, London	Template:HsHaym, adapted from Carlo Sigismondo Capece
Template:Hs26	Lotario	Template:Hs2 December 1729	King’s Theatre, London	Template:HsAfter Antonio Salvi
Template:Hs27	Partenope	Template:Hs24 February 1730	King’s Theatre, London	Template:HsAfter Silvio Stampiglia
Template:Hs28	Poro	Template:Hs2 February 1731	King’s Theatre, London	Template:HsAfter Metastasio
Template:HsA5	Titus l'Empereur	Template:Hs		Template:HsAfter J. Racine: Bérénice	Only one act (first three scenes) with some music used in Ezio. Composed late 1731.
Template:Hs29	Ezio	Template:Hs15 January 1732	King’s Theatre, London	Template:HsMetastasio
Template:Hs30a	Fernando, Re di Castiglia	Template:Hs			A reconstruction of Handel's 1st draft of HWV 30b
Template:Hs30b	Sosarme	Template:Hs15 February 1732	King’s Theatre, London	Template:HsAfter Salvi
Template:Hs31	Orlando	Template:Hs27 January 1733	King’s Theatre, London	Template:HsAfter Capece, after Ludovico Ariosto's Orlando furioso
Template:Hs32	Arianna in Creta	Template:Hs26 January 1734	King’s Theatre, London	Template:HsAfter Pietro Pariati
Template:HsA11	Oreste	Template:Hs18 December 1734	Covent Garden Theatre, London	Template:HsAdapted from G.G. Barlocci	Pasticcio, composed in 1734. Music entirely by Handel. Overture published in HG volume 48 (p. 102).
Template:Hs33	Ariodante	Template:Hs8 January 1735	Covent Garden Theatre, London	Template:HsAfter Salvi, after Ariosto's Orlando Furioso
Template:Hs34	Alcina	Template:Hs16 April 1735	Covent Garden Theatre, London	Template:HsAfter Ariosto's Orlando Furioso
Template:Hs35	Atalanta	Template:Hs12 May 1736	Covent Garden Theatre, London	Template:HsAfter Belisario Valeriani
Template:Hs36	Arminio	Template:Hs12 January 1737	Covent Garden Theatre, London	Template:HsAfter Salvi
Template:Hs37	Giustino	Template:Hs16 February 1737	Covent Garden Theatre, London	Template:HsAdapted from Pariati's Giustino, after Nicolo Beregan's Il Giustino
Template:Hs38	Berenice	Template:Hs18 May 1737	Covent Garden Theatre, London	Template:HsAfter Salvi
Template:Hs39	Faramondo	Template:Hs3 January 1738	King’s Theatre, London	Template:HsAdapted from Apostolo Zeno's Faramondo
Template:HsA13	Alessandro Severo	Template:Hs25 February 1738	King’s Theatre, London	Template:HsAdapted from Zeno	Pasticcio, composed in 1738. Music entirely by Handel. Overture published in HG volume 48 (p. 104).
Template:Hs40	Serse (Xerxes)	Template:Hs15 April 1738	King’s Theatre, London	Template:HsAfter Stampiglia
Template:HsA14	Giove in Argo	Template:Hs1 May 1739	King’s Theatre, London	Template:HsAdapted from A.M. Lucchini	Pasticcio, composed in April 1739. Music entirely by Handel. Semi-staged.
Template:Hs41	Imeneo	Template:Hs22 November 1740	Theatre in Lincoln's Inn Fields, London	Template:HsAfter Stampiglia's Imeneo
Template:Hs42	Deidamia	Template:Hs10 January 1741	Theatre in Lincoln's Inn Fields, London	Template:HsRolli

Incidental music

List of incidental music by George Frideric Handel

HWV	Title	Premiere	Venue	Notes
43	The Alchemist	Template:Hs14 January 1710	Queen's Theatre, London	Instrumental music for the revival of Ben Jonson's play The Alchemist. An arrangement, by an anonymous composer, of music from Handel's opera Rodrigo.
44	Comus	Template:HsJune 1745	Ludlow Castle, Shropshire	Three songs and a trio written as part of a private arrangement of John Milton's masque Comus.
45	Alceste	Template:HsNot performed		A masque which was written for an unproduced play by Tobias Smollett. Music composed between December 1749 and January 1750.
218	Love's but the frailty of the mind	Template:Hs17 March 1740	Drury Lane Theatre, London	Sung by Mrs. Kitty Clive at her benefit performance of William Congreve's The Way of the World (Act III). Music composed in London, 1740

Oratorios

List of oratorios by George Frideric Handel

HWV	Title	Premiere	Venue	Libretto	Text	Notes
46a	Il trionfo del Tempo e del Disinganno	Template:HsJune 1707	Rome	Benedetto Pamphili
46b	Il trionfo del Tempo e della Verità	Template:Hs23 March 1737	London	Benedetto Pamphili
47	La resurrezione	Template:Hs8 April 1708	Rome	Carlo Sigismondo Capece
48	Brockes Passion	Template:Hs23 March or 3 April 1719	Hamburg Cathedral (possibly)	Barthold Heinrich Brockes
50a	Esther	Template:Hs?1718	probably Cannons	John Arbuthnot	IMSLP. Based on Alexander Pope's work.	Originally a masque.
50b	Esther	Template:Hs1 May 1732	King's Theatre, London	John Arbuthnot	IMSLP. Based on Alexander Pope's work.	Contains additions by S. Humphreys
51	Deborah	Template:Hs21 February 1733	King's Theatre, London	Samuel Humphreys	Stanford
52	Athalia	Template:Hs10 July 1733	Sheldonian Theatre, Oxford	Samuel Humphreys	Stanford
53	Saul	Template:Hs16 January 1739	King's Theatre, London	Charles Jennens	Stanford
54	Israel in Egypt	Template:Hs4 April 1739	King's Theatre, London	Charles Jennens?	Stanford
55	L'Allegro, il Penseroso ed il Moderato	Template:Hs27 February 1740	Theatre in Lincoln's Inn Fields, London	Charles Jennens	Stanford. Based on John Milton's work.
56	Messiah	Template:Hs13 April 1742	New Music Hall, Dublin	Charles Jennens	Stanford
57	Samson	Template:Hs18 February 1743	Covent Garden Theatre, London	Newburgh Hamilton	Stanford
58	Semele	Template:Hs10 February 1744	Covent Garden Theatre, London	William Congreve	Stanford	An opera catalogued as an oratorio
59	Joseph and his Brethren	Template:Hs2 March 1744	Covent Garden Theatre, London	James Miller	Stanford
60	Hercules	Template:Hs5 January 1745	King's Theatre, London	Thomas Broughton	Stanford
61	Belshazzar	Template:Hs27 March 1745	King's Theatre, London	Charles Jennens	Stanford
62	Occasional Oratorio	Template:Hs14 February 1746	Covent Garden Theatre, London	Newburgh Hamilton	Stanford
63	Judas Maccabaeus	Template:Hs1 April 1747	Covent Garden Theatre, London	Thomas Morell	Stanford
64	Joshua	Template:Hs9 March 1748	Covent Garden Theatre, London	Thomas Morell	Stanford
65	Alexander Balus	Template:Hs23 March 1748	Covent Garden Theatre, London	Thomas Morell	Stanford
66	Susanna	Template:Hs10 February 1749	Covent Garden Theatre, London	Newburgh Hamilton?	Stanford
67	Solomon	Template:Hs17 March 1749	Covent Garden Theatre, London	Newburgh Hamilton?	Stanford
68	Theodora	Template:Hs16 March 1750	Covent Garden Theatre, London	Thomas Morell	Stanford
69	The Choice of Hercules	Template:Hs1 March 1751	Covent Garden Theatre, London	Thomas Morell?	Stanford
70	Jephtha	Template:Hs26 February 1752	Covent Garden Theatre, London	Thomas Morell	Stanford
71	The Triumph of Time and Truth	Template:Hs11 March 1757	Covent Garden Theatre, London	Thomas Morell?	Stanford

Odes and masques

HWV	Title	Premiere	Venue	Text
49a	Acis and Galatea (masque)	Template:Hsprobably 1718	Cannons, near London
49b	Acis and Galatea (serenata)	Template:Hs10 June 1732	King's Theatre, London	Stanford
72	Aci, Galatea e Polifemo	Template:Hs19 July 1708	Naples
73	Parnasso in Festa	Template:Hs13 March 1734	King's Theatre, London
74	Ode for the Birthday of Queen Anne	Template:Hs6 February 1713	Royal Palace in London
75	Alexander's Feast	Template:Hs19 February 1736	King's Theatre, London	Stanford
76	Ode for St. Cecilia's Day	Template:Hs22 November 1739	Theatre in Lincoln's Inn Fields, London	Stanford

Cantatas

List of cantatas by George Frideric Handel

HWV	Title	Composed	Premiere	Venue	Notes	Text
77	Ah che pur troppo è vero	Template:HsFlorence, c. 1707	Template:Hs
78	Ah! crudel, nel pianto mio	Template:HsRome, August 1708	Template:Hs2 September 1708	Palazzo Bonelli, Rome
79	Diana cacciatrice or Alla caccia	Template:HsRome, May 1707	Template:HsMay – June 1707	Vignanello	Copied for Francesco Ruspoli, 1707
80	Allor ch'io dissi addio	Template:HsRome, 1707–08	Template:Hs
81	Alpestre monte	Template:HsFlorence, c. 1707	Template:Hs
82	Amarilli vezzosa or Daliso ed Amarilli or Il duello amoroso	Template:HsRome, August 1708	Template:HsProbably 28 October 1708		Copied for Ruspoli, 1708
83	Aminta e Fillide or Arresta il passo	Template:HsEarly 1708	Template:Hs14 July 1708	Rome	Copied for Ruspoli, 1708. The section, "Chi ben ama" printed separately in HG 52b
84	Aure soavi e lieti	Template:HsRome, May 1707	Template:Hs		Copied for Ruspoli, 1707
85	Venus and Adonis or Behold where weeping Venus stands	Template:HsLondon, c. 1711	Template:Hs		No autograph, authenticity uncertain
86	Bella ma ritrosetta	Template:HsLondon, c. 1717–18	Template:Hs
87	Carco sempre di gloria	Template:HsLondon, 1737	Template:Hs16 March 1737	London	Variant insertion in "Cecilia, volgi un sguardo" (89), for performances of Alexander's Feast (HWV 75), 1737, including music for the castrato Domenico Annibali
88	Care selve, aure grate	Template:HsRome, 1707–08	Template:Hs
89	Cecilia, volgi un sguardo	Template:HsLondon, January 1736	Template:Hs19 or 25 (?) February 1736	Covent Garden Theatre, London	Played between the two parts of Alexander's Feast (HWV 75).
90	Chi rapì la pace al core	Template:HsFlorence, c. 1706–07	Template:Hs		Copied for Ruspoli, 1709
91a	Clori, degli occhi miei	Template:HsFlorence, late 1707	Template:Hs
91b	Clori, degli occhi miei	Template:HsLondon, after 1710	Template:Hs
92	Clori, mia bella Clori	Template:HsRome, 1707–08	Template:Hs
93	Clori, ove sei?	Template:HsItaly, 1707–08	Template:Hs
94	Clori, si, ch'io t'adoro	Template:Hs	Template:Hs		No autograph, earliest source c. 1738–40
95	Clori, vezzosa Clori	Template:HsRome, July/August 1708	Template:Hs		Copied for Ruspoli, 1708
96	Clori, Tirsi e Fileno or Cor fedele in vano speri	Template:HsRome, July/September 1707	Template:Hs		Copied for Ruspoli, 14 October 1707.
97	Crudel tiranno Amor	Template:HsLondon, June 1721	Template:HsProbably 5 July 1721	King's Theatre, Haymarket, London	Performed at the benefit concert for Margherita Durastanti.
98	Cuopre tal volta il cielo	Template:HsItaly, 1708	Template:Hs
99	Il delirio amoroso or Da quel giorno fatale	Template:HsRome, on or before 14 January 1707.	Template:HsMay 1707	Cardinal Pamphili's palazzo
100	Da sete ardente afflitto	Template:HsItaly, 1708–09	Template:Hs		Copied for Ruspoli, 1709. (HWV 101a & 101b: Dal fatale momento. Spurious, by F. Mancini).
102a	Dalla guerra amorosa	Template:HsItaly, 1708–09	Template:Hs		Version for bass. Copied for Ruspoli, 1709
102b	Dalla guerra amorosa	Template:HsItaly, 1708–09	Template:Hs		Version for soprano. Copied for Ruspoli, 1709
103	Deh! lasciate e vita e volo	Template:HsLondon, c. 1722–25	Template:Hs			Libretto text by Paolo Antonio Rolli
104	Del bell'idolo mio	Template:HsRome, 1707–09	Template:Hs		Copied for Ruspoli in 1709, but possibly written as early as 1707.
105	Armida abbandonata or Dietro l'orme fuggaci	Template:HsRome, June 1707	Template:HsPossibly 26 June 1707	Palazzo Bonelli, Rome	Copied for Ruspoli, 1707, 1709.
106	Dimmi, o mio cor	Template:HsItaly, 1707–09	Template:Hs		See note for HWV 132
107	Ditemi, o piante	Template:HsRome, July/August 1708	Template:Hs		Copied for Ruspoli, 1708
108	Dolce mio ben, s'io taccio	Template:Hs	Template:Hs		No autograph. No source attributed to Handel.
109a	Dolc'è pur d'amor l'affanno	Template:HsLondon, c. 1717–18	Template:Hs			Libretto ?Text by Paolo Antonio Rolli
109b	Dolc'è pur d'amor l'affanno	Template:HsLondon, ?after 1718	Template:Hs			Libretto: ?Text by Paolo Antonio Rolli
110	Agrippina condotta a morire or Dunque sarà pur vero	Template:HsItaly, 1707–08	Template:HsEarly in 1708		First performed by the castrato soprano, Pasqualino Tiepoli	Libretto: Anonymous
111a	E partirai, mia vita?	Template:HsItaly, 1707–09	Template:Hs
111b	E partirai, mia vita?	Template:HsLondon, c. 1725–28	Template:Hs
112	Figli del mesto cor	Template:HsProbably Italy, 1707–09	Template:Hs		No autograph or Italian-period copies
113	Figlio d'alte speranze	Template:HsFlorence, 1706–07	Template:Hs
114	Filli adorata e cara	Template:HsRome, 1707–08	Template:Hs		Copied for Ruspoli, 1709
115	Fra pensieri quel pensiero	Template:HsItaly, 1707–08	Template:Hs
116	Fra tante pene	Template:HsFlorence, 1706–07	Template:Hs		Copied for Ruspoli, 1709
117	Hendel, non può mia musa	Template:HsJuly/August 1708	Template:Hs		Copied for Ruspoli, 1708, 1709	Libretto by Cardinal Benedetto Pamphili
118	Ho fuggito Amore anch'io	Template:HsLondon, c. 1722–23	Template:Hs		Printed without final aria in HG.	Libretto by Paolo Antonio Rolli
119	Echeggiate, festeggiate, numi eterni or Io languisco fra le gioie	Template:HsLondon, c. 1710–12	Template:Hs		Partly lost. Fragments printed in wrong order in HG.
120a	Irene, idolo mio	Template:HsItaly, 1707–09	Template:Hs		No autographs or Italian-period copies.
120b	Irene, idolo mio	Template:HsEngland, after 1710	Template:Hs		No autographs or Italian-period copies.
121a	La Solitudine or L'aure grate, il fresco rio	Template:HsLondon, c. 1722–23	Template:Hs		fragment
121b	La Solitudine or L'aure grate, il fresco rio	Template:HsLondon, before 1718	Template:Hs
122	Apollo e Dafne or La terra è liberata	Template:HsHanover, 1710	Template:Hs		Probably begun Venice, 1709
123	Languia di bocca lusinghiera	Template:HsPossibly composed in Hanover, 1710	Template:Hs		?fragment
124	Look down, harmonious saint	Template:Hsc. 1736	Template:HsFebruary 1736	Covent Garden Theatre, London	Recitative and aria; probably a discarded fragment for "Alexander's Feast" (HWV 75), 1736. It appeared in the cantata HWV 89	Libretto by Newburgh Hamilton, from Cecilian Ode 1720.
125a	Lungi da me, pensier tiranno	Template:HsItaly, July – September 1708	Template:Hs		1st version; no autographs or Italian-period copies; one version copied for Francesco Ruspoli, 1708.
125b	Lungi da me, pensier tiranno	Template:HsLondon, after 1710	Template:Hs		Second version; no autographs.
126a	Lungi da voi, che siete poli	Template:HsRome, July/August 1708	Template:Hs
126b	Lungi da voi, che siete poli	Template:HsRome, 1708	Template:Hs
126c	Lungi da voi, che siete poli	Template:HsProbably London, after 1710.	Template:Hs
127a	Lungi dal mio bel nume	Template:HsRome, 3 March 1708	Template:Hs
127b	Lungi dal mio bel nume	Template:Hs?London, after 1710	Template:Hs
127c	Lungi dal mio bel nume	Template:HsLondon, c. 1725–28	Template:Hs
128	Lungi n'andò Fileno	Template:HsRome, August 1708	Template:Hs		Copied for Ruspoli, 1708
129	Manca pur quanto sai	Template:HsRome, July/August 1708	Template:Hs		Copied for Ruspoli, 1708
130	Mentre il tutto è in furore	Template:HsRome, August 1708	Template:Hs		Copied for Ruspoli, 1708
131	Menzognere speranze	Template:HsRome, September 1707	Template:Hs		Copied for Ruspoli, 1707
132a	Mi palpita il cor	Template:Hs?London, after 1710	Template:Hs		Borrowings: Version of "Dimmi, o mio cor" (HWV 106) with new opening.
132b	Mi palpita il cor	Template:Hs?London, after 1718	Template:Hs
132c	Mi palpita il cor	Template:Hs?London, after 1710	Template:Hs
132d	Mi palpita il cor	Template:Hs?London, c. 1711–12	Template:Hs
133	Ne' tuoi lumi, o bella Clori	Template:HsRome, September 1707	Template:Hs		Copied for Ruspoli, 1707, 1709
134	Pensieri notturni di Filli or Nel dolce dell'oblio	Template:HsRome, 1707–08. Completed 1709	Template:Hs
135a	Nel dolce tempo	Template:HsProbably Naples, June/July 1708	Template:Hs
135b	Nel dolce tempo	Template:HsLondon, after 1710	Template:Hs		No autographs, and no early Italian-period copies.
136a	Nell'Africane selve	Template:HsNaples, June/July 1708	Template:Hs
136b	Nell'Africane selve	Template:HsLondon, after 1710	Template:Hs
137	Nella stagion che di viole e rose	Template:HsRome, April/May 1707	Template:Hs		Copied for Ruspoli, 1707, 1709. Probably composed for the soprano, Margherita Durastanti.
138	Nice, che fa? che pensa?	Template:Hs?Hanover, 1710	Template:Hs
139a	Ninfe e pastori	Template:HsRome, 1707–09	Template:Hs		Copied for Ruspoli, 1709
139b	Ninfe e pastori	Template:HsProbably London, after 1710	Template:Hs
139c	Ninfe e pastori	Template:HsLondon, c. 1725–28	Template:Hs
140	Nò se emenderá jamás	Template:HsRome, September 1707	Template:Hs		Copied for Ruspoli, 1707
141	Non sospirar, non piangere	Template:HsFlorence, Fall 1707	Template:Hs
142	Notte placida e cheta	Template:HsRome, 1707–08	Template:Hs			Libretto anonymous
143	Olinto pastore, Tebro fiume, Gloria or O come chiare e belle	Template:HsRome, August/September 1708	Template:Hs9 September 1708	Marquis Ruspoli's Palazzo Bonelli	?Copied for Ruspoli, 1708. First performed by the soprano Anna Marie di Piedz
144	O lucenti, o sereni occhi	Template:HsRome, 1707	Template:Hs
145	Lucrezia (O numi eterni)	Template:HsAugust 1708	Template:Hs		Copied for Ruspoli, 1709. Probably composed for the soprano Margherita Durastanti.	Libretto by Cardinal Benedetto Pamphili
146	Occhi miei che faceste?	Template:HsRome, 1707–08	Template:Hs		Copied for Ruspoli, 1709
147	Partì, l'idolo mio	Template:HsLondon, after 1710	Template:Hs		No autograph or early Italian copies.
148	Poichè giuraro amore	Template:HsRome, early 1707	Template:Hs		Copied for Ruspoli, 1707, 1709
149	Qual sento io non conosciuto	Template:Hs	Template:Hs		Only source c. 1738–40
150	Ero e Leandro or Qual ti riveggio, oh Dio	Template:HsRome, 1707	Template:Hs		Derived from the story of Hero and Leander	Libretto ?Cardinal Pietro Ottoboni.
151	Qualor crudele, sì ma vaga Dori	Template:HsLondon, after 1710	Template:Hs		No autograph or early Italian-period copies
152	Qualor l'egre pupille	Template:HsRome, September 1707	Template:Hs		Copied for Ruspoli, 1707
153	Quando sperasti, o core	Template:HsProbably Naples, June/July 1708	Template:Hs		Copied for Ruspoli, 1708
154	Quel fior che all'alba ride	Template:HsLondon, c. 1738–40	Template:Hs		Published in Handel (ed. Burrows), "Songs and Cantatas for Soprano."
155	Sans y penser	Template:HsRome, September 1707	Template:Hs		Composed in Italy. Copied for Ruspoli, 1707, 1709.
156	Sarai contenta un di	Template:HsFlorence, 1706–07	Template:Hs
157	Sarei troppo felice	Template:HsRome, September 1707	Template:Hs		Copied for Ruspoli, 1707, 1708 (incomplete)	Libretto by B. Pamphili.
158a	Se pari è la tua fè	Template:HsRome, 1708	Template:Hs		Copied for Ruspoli, 1708, 1709.
158b	Se pari è la tua fè	Template:HsProbably London, after 1710	Template:Hs
158c	Se pari è la tua fè	Template:HsLondon, c. 1725–28	Template:Hs
159	Se per fatal destino	Template:HsRome, early 1707	Template:Hs		Copied for Ruspoli, 1707, 1709
160a	La bianca rosa or Sei pur bella, pur vezzosa	Template:HsRome, early 1707	Template:Hs		Copied for Ruspoli, 1707, 1709
160b	La bianca rosa or Sei pur bella, pur vezzosa	Template:HsLondon, c. 1725–28	Template:Hs
160c	La bianca rosa or Sei pur bella, pur vezzosa	Template:HsLondon, c. 1738–41	Template:Hs
161a	Sento là che ristretto	Template:HsRome, 1708–09	Template:Hs
161b	Sento là che ristretto	Template:Hs	Template:Hs
161c	Sento là che ristretto	Template:HsLondon, c. 1725–28	Template:Hs
162	Siete rose ruggiadose	Template:HsLondon, c. 1711–12.	Template:Hs		Composed with variant
163	Solitudini care, amata libertà	Template:HsLondon, after 1710	Template:Hs		No autographs or early Italian-period copies
164a	Il Gelsomino or Son Gelsomino	Template:HsLondon, c. 1725–28	Template:Hs
164b	Il Gelsomino or Son Gelsomino	Template:HsLondon, c. 1717–18	Template:Hs
165	Spande ancor a mio dispetto	Template:HsItaly, 1707–08	Template:Hs
166	Splenda l'alba in oriente	Template:HsLondon, c. 1711–12	Template:Hs		Survives only in fragmentary form.
167a	Stanco di più soffrire	Template:HsItaly, 1707–08	Template:Hs
167b	Stanco di più soffrire	Template:HsRome, July/August 1708	Template:Hs
168	Partenza di G. B. or Stelle, perfide stelle	Template:HsRome, 1707	Template:Hs
169	Torna il core al suo diletto	Template:HsProbably Rome, 1707–08	Template:Hs
170	Tra le fiamme (Il consiglio)	Template:HsRome, 1707	Template:Hs			Libretto by Cardinal Benedetto Pamphili
171	Tu fedel? Tu costante?	Template:HsFlorence/Rome, 1706–07	Template:Hs		Copied for Ruspoli, 1707, 1708
172	Udite il mio consiglio	Template:HsFlorence, 1706–07	Template:Hs		Copied for Ruspoli, 1707
173	Un'alma innamorata	Template:HsRome, May 1707	Template:HsJune 1707	Probably Vignanello	Copied for Ruspoli, 1707
174	Un sospir a chi si muore	Template:HsFlorence, Fall 1707	Template:Hs
175	Vedendo Amor	Template:HsRome, 1707–08	Template:Hs
176	Amore uccellatore or Venne voglia ad Amore	Template:HsRome, 1707–08	Template:Hs
177	Zeffiretto, arresta il volo	Template:HsItaly, 1707–09	Template:Hs		?Copied for Ruspoli, 1709

Italian duets

HWV	Title	Composed	Notes	Text
178	A mirarvi io son intento	Template:Hs?Hanover, c. 1711	First movement reappeared 2 years later in the Utrecht Jubilate (HWV 279) as "Be ye sure that Lord he is God.". Slow middle section formed the basis for the final chorus of "Alcina" (HWV 34) in 1735.
179	Ahi, nelle sorti umane	Template:HsLondon, 31 August 1745
180	Amor, gioje mi porge	Template:HsItaly, c. 1707–09
181	Beato in ver chi può	Template:HsLondon, 31 October 1742	Italian version of Horace, "Beatus ille"
182a	Caro autor di mia doglia	Template:HsProbably Italy, c. 1707–09
182b	Caro autor di mia doglia	Template:HsLondon, c. 1742
183	Caro autor di mia doglia	Template:HsHanover, c. 1710–12	Spurious, by Reinhard Keiser.
184	Che vai pensando, folle pensier	Template:HsItaly, c. 1707–09
185	Conservate, raddoppiate	Template:Hs?Hanover, c. 1711	The 2nd movement, "Nodi voi" can be found later in the Opus 1 sonatas and also in the concerti grossi as well as various operas and oratorios.
186	Fronda leggiera e mobile	Template:HsLondon, c. 1745	The opening theme also appears in "Belshazzar" (HWV 61) as well as the Concerto a due cori No. 1 (HWV 332)
187	Giù nei Tartarei regni	Template:HsComposed: Italy, c. 1707
188	Langue, geme, e sospira	Template:HsLondon, c. 1722	Theme of the 2nd movement later appeared as "Thou hast prevented him" in the Coronation Anthem, "The King shall rejoice" (HWV 260)	Libretto by G.D. de Totis (from opera, "La caduta del regno dell'Amazzoni"; 1690)
189	No, di voi non vuo' fidarmi	Template:HsLondon, 3 July 1741	Thematic ideas from 2 movements used in "Messiah" (HWV 56)
190	No, di voi non vuo' fidarmi	Template:HsLondon, 2 November 1742
191	Quando in calma ride il mare	Template:HsItaly or Hanover, c. 1707–11
192	Quel fior che all'alba ride	Template:HsLondon, 1 July 1741	3rd movement uses theme from, "Quel fior che all'alba ride," (HWV 154). Thematic ideas from 2 movements used in "Messiah" (HWV 56)
193	Se tu non lasci amore	Template:HsLondon, c. 1722 (?1711)	Thematic idea from 1st movement used in "Messiah" (HWV 56) as the duet, "Oh death, where is thy sting." Sections of the concluding movement use in Esther (HWV 50a), 1718, and there's the hint of the famous Air from the "Water Music."
194	Sono liete, fortunate	Template:Hs?Hanover, c. 1710–11	The final movement was later used in the overture to "Judas Maccabeus" (HWV 63).
195	Spero indarno	Template:HsLondon, c. 1730–40	Single movement, known only from copies. Authenticity uncertain.
196	Tacete, ohimè, tacete	Template:HsItaly, c. 1707–09	Libretto by Francesco de Lemene (1692) which appears under the title "Amor dorme" in his "Poesie Diverse."
197	Tanti strali al sen mi scocchi	Template:Hs?Hanover, c. 1711	Fugal movement later used in "Solomon" (HWV 67) for "Take him all."
198	Troppo cruda, troppo fiera	Template:Hs?Hanover, c. 1711	Autograph lost.
199	Va, speme infida	Template:Hs?Hanover, c. 1711	Autograph lost.

Italian trios

List of Italian trios by George Frideric Handel

HWV	Title	Composed	Notes	Text
200	Quel fior che all'alba ride	Template:Hs?Italy, c. 1707–09	Two versions, slightly different texts.
201a	Se tu non lasci amore	Template:HsNaples, 12 July 1708
201b	Se tu non lasci amore	Template:Hs1708	First movement longer in Naples autograph than in most copies.

Hymns

List of hymns by George Frideric Handel

HWV	Title	Voice	Composed	Notes	Text
202	Künft'ger Zeiten eitler Kummer	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
203	Das zitternde Glänzen der spielenden Wellen	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
204	Süsser Blumen Ambraflocken	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
205	Süsse Stille, sanfte Quelle ruhiger Gelassenheit	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
206	Singe, Seele, Gott zum Preise	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
207	Meine Seele hört im Sehen	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
208	Die ihr aus dunkeln Grüften	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
209	In den angenehmen Büschen	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
210	Flammende Rose, Zierde der Erden	Soprano	Template:HsLondon, c. 1724–26		by B.H. Brockes from "Irdisches Vergnügen in Gott."
284	Sinners obey the Gospel word (The Invitation)	Soprano	Template:Hsc. 1747	Probably at the request of Priscilla Rich.	by Charles Wesley.
285	O Love divine, how sweet thou art (Desiring to Love)	Soprano	Template:Hsc. 1747	Probably at the request of Priscilla Rich.	by Charles Wesley.
286	Rejoice, the Lord is King (On the Resurrection)	Soprano	Template:Hsc. 1747	Probably at the request of Priscilla Rich.	by Charles Wesley.

Italian arias

List of Italian arias by George Frideric Handel

HWV	Title	Voice	Composed	Text
211	Aure dolci, deh, spirate	Alto	Template:HsLondon, c. 1722–26
212	Con doppia gloria mia	Soprano	Template:HsLondon, c. 1722–26
213	Con lacrime sì belle	Alto	Template:HsLondon, c. 1717–18
214	Dell'onda instabile	Alto	Template:HsLondon, c. 1749
215	Col valor del vostro brando	Soprano	Template:HsLondon, c. 1711–13
216	Impari del mio core	Soprano	Template:HsLondon, c. 1749
217	L'odio, sì, ma poi ritrovò	Alto	Template:HsLondon, c. 1722–26
219	Non so se avrai mai bene	Soprano	Template:HsLondon, c. 1710–18
220	Per dar pace al mio tormento	Soprano	Template:HsLondon, c. 1749
221	Quant'invidio tua fortuna	Soprano	Template:HsLondon, c. 1749
222	Quanto più amara fu sorte crudele	Soprano	Template:HsLondon, c. 1721–23
223	S'un dì m'appaga, la mia crudele	Soprano	Template:HsLondon, c. 1738–41
224	Sì, crudel, tornerà	Soprano	Template:HsLondon, c. 1738–41
225	Spera chi sa perchè la sorte	Alto	Template:HsLondon, c. 1717–18
227	Vo' cercando tra fiori	Soprano	Template:HsLondon, c. 1726

English songs

List of English songs by George Frideric Handel

HWV	Title	Voice	Composed	Notes	Text
226	Hunting Song or The morning is charming	Tenor	Template:Hs1743	Voice in treble clef. Autograph, which survives, presented to Legh in 1751	by Charles Legh. Composed in London
Template:Hs228-1	The unhappy Lovers: As Celia's fatal arrows flew	Soprano	Template:Hsc. 1730
Template:Hs228-2	Charming Cloris: Ask not the cause / The poor Shepherd: The Sun was sunk beneath the Hills	Soprano	Template:Hsc. 1730
Template:Hs228-3	As on a Sunshine Summer's Day	Soprano	Template:Hsc. 1729
Template:Hs228-4	Bacchus Speech in Praise of Wine: Bacchus one day gayly striding	Soprano	Template:Hsc. 1730
Template:Hs228-5	The Polish Minuet or Miss Kitty Grevil's Delight: Charming is your shape and air	Soprano	Template:Hsc. 1720
Template:Hs228-6	The Sailor's Complaint: Come and listen to my ditty / Hosier's Ghost: As near Portobello lying	Soprano	Template:Hsc. 1735
Template:Hs228-7	Di godere ha speranza il mio core / Oh my dearest, my lovely creature	Soprano	Template:Hsc. 1719
Template:Hs228-8	The forsaken Maid's Complaint: Faithless ungrateful / The slighted Swain: Cloe proves false	Soprano	Template:Hsc. 1720
Template:Hs228-9	From scourging rebellion or A Song on the Victory obtained over the Rebels by His Royal Highness the Duke of Cumberland	Tenor	Template:Hs1746	First performance: Sung by Thomas Lowe at Vauxhall Gardens, 15 May 1746. Composed to celebrate the Duke of Cumberland's defeat of the Jacobite forces at Culloden on 16 April 1746
228-10	The forsaken Nymph: Guardian Angels now protect me	Soprano	Template:Hsc. 1735
228-11	I like the am'rous Youth that's free	Soprano	Template:Hs1737	First performance: 28 February 1737: London, Drury Lane Theatre. Published: 1741. Sung by Catherine ("Kitty") Clive in James Miller's comedy, "The Universal Passions" (Act II)
228-12	Phillis: My fair, ye Swains, is gone astray	Soprano	Template:Hsc. 1725
228-13	Not, Cloe, that I better am	Soprano	Template:Hsc. 1730
228-14	Strephon's Complaint of Love: Oh cruel Tyrant Love	Soprano	Template:Hsc. 1730
228-15	The Satyr's Advice to a Stock-Jobber: On the shore of a low ebbing sea / Ye Swains that are courting a Maid / Molly Mogg: Says my uncle, I pray you discover	Soprano	Template:Hsc. 1730
228-16	Phillis be kind and hear	Soprano	Template:Hsc. 1730
228-17	Phillis advised: Phillis the lovely	Soprano	Template:Hsc. 1739
228-18	Stand round, my brave boys or Song made for the Gentlemen Volunteers of the City of London	Tenor	Template:Hs1745	First performance : Sung by Thomas Lowe in "The Relapse or Virtue in Danger" by John Vanbrugh, at Drury Lane Theatre, London: 14 November 1745. Published: 1745. Published as "A Song made for the Gentlemen Volunteers of the City of London" (1745)
228-19	The faithful Maid / The Melancholy Nymph: 'Twas when the seas were roaring	Soprano	Template:Hs1715	First performance: 23 February 1715: London, Drury Lane Theatre. Incidental music; sung in Gay's "The Beggar's Opera" - Lucy's song XXVIII "How Cruel are the Traytors," probably sung in John Gay's "Comic Tragick Pastoral Farce" or The What D'Ye Call It, (Act II)
228-20	The Rapture / Matchless Clarinda: When I survey Clarinda's charms / Venus now leaves	Soprano	Template:Hsc. 1725
228-21	The Death of the Stag: When Phoebus the tops of the Hills does adorn	Soprano	Template:Hsc. 1740
228-22	Who to win a Woman's favour	Soprano	Template:Hsc. 1746
228-23	An Answer to Collin's Complaint: Ye winds to whome Collin complains	Soprano	Template:Hsc. 1716
228-24	Yes, I'm in love	Soprano	Template:Hsc. 1740

German church cantatas

List of German church cantatas by George Frideric Handel

HWV	Title	Composed	notes
229-1	Das gantze Haupt ist krank à 8	Template:HsHalle, c. 1700–03	music lost
229-2	Es ist der alte Bund, Mensch à 12	Template:HsHalle, c. 1700–03	music lost
229-3	Führwahr, er trug unsere Krankheit à 15	Template:HsHalle, c. 1700–03	music lost
229-4	Thue Rechnung von deinem Haußhalten à 13	Template:HsHalle, c. 1700–03	music lost
229-5	Victoria. Der Tod ist verschlungen à 14	Template:HsHalle, c. 1700–03	music lost
229-6	Was werden wir essen à 10/12	Template:HsHalle, c. 1700–03	music lost
229-7	Wer ist der, so von Edom kömmt à 12	Template:HsHalle, c. 1700–03	music lost

Italian sacred cantatas

List of Italian sacred cantatas by George Frideric Handel

HWV	Title	Voice	Composed	Notes
230	Ah! che troppo ineguali or O del ciel! Maria regina	Soprano	Template:Hs?Rome 1707–08	Recitative and aria.
233	Donna, che in ciel	Soprano	Template:Hs	First performance: ?2 February 1708, Rome on the "anniversary of the deliverance of Rome from the earthquake on the feast of the Purification of the Virgin."
234	Il pianto di Maria or Giunta l'ora fatal	Soprano	Template:Hs	Spurious. Misattributed to Handel; composed by Giovanni Battista Ferrandini (1710–91).

Latin church music

List of Latin church music including motets, Psalm settings, and antiphons by George Frideric HandelTemplate:Sfn

HWV	Type	Title	Voice	Key	Composed	Premiere	Venue	Notes	Text
231	Motet	Coelestis dum spirat aura	Soprano	D major/G major	Template:Hs?Rome, 1707	Template:Hs13 June 1707	Vignanello	Motet for the Feast of St. Anthony of Padua
232	Psalm setting	Dixit Dominus	Soprano, Alto, Tenor, Bass Chorus	G minor	Template:HsRome, April 1707			Dixit Dominus represents Handel's earliest dated autograph, and it is the earliest surviving autograph from his large-scale compositions.	Psalm 110 (Vulgate 109)
235	Antiphon	Haec est Regina virginum	Soprano	G major	Template:Hs?Rome, 1707	Template:Hs?15/16 July 1707	Rome	Probably written for services held at the church of S. Maria di Monte Santo to celebrate the feast day of "Madonna del Carmine".
236	Psalm setting	Laudate pueri dominum	Soprano	F major	Template:Hs?Hamburg, c. 1706	Template:Hs		Laudate pueri dominum in F major is Handel's earliest surviving autograph. Might have been composed in Halle, 1701-2.	Psalm 113 (Vulgate 112)
237	Psalm setting	Laudate pueri dominum	Soprano, Chorus	D major	Template:HsRome, 8 July 1707	Template:Hs		Opening theme originally found in A. Lotti's Missa Sapientiae.	Psalm 113 (Vulgate 112)
238	Psalm setting	Nisi Dominus	Alto, Tenor, Bass, Chorus	G major	Template:HsRome, 13 July 1707	Template:Hs?16 July 1707	Rome	Probably written for a grand Vespers service held at the church of S. Maria di Monte Santo in Rome, the feast day of "Our Lady of Mount Carmel". The fugal theme is originally found in Antonio Lotti's Missa Sapientiae.	Psalm 127 (Vulgate 126)
239	Motet	O qualis de coelo sonus	Soprano	G major	Template:Hs?Rome, May – June 1707	Template:Hs12 June 1707	Vignanello	For Pentecost
240	Motet	Saeviat tellus inter rigores	Soprano	D major	Template:Hs?Rome, 1707	Template:Hs?16 July 1707	Rome	Motet for the Feast of Madonna del Carmine
241	Antiphon	Salve Regina	Soprano	G minor	Template:Hs?Rome, 1707	Template:Hs?19 June 1707	Vignanello	Probably first performed on Trinity Sunday at Francesco Ruspoli's private chapel.
242	Motet	Silete venti	Soprano	B-flat major	Template:HsLondon, c. 1723–25	Template:Hs
243	Antiphon	Te decus virgineum	Alto	G minor	Template:HsRome, 1707	Template:Hs?15/16 July 1707	Rome	Probably written for services held at the church of S. Maria di Monte Santo to celebrate the feast day of "Our Lady of Mount Carmel".
244	Cantata	Kyrie eleison	Chorus		Template:Hs	Template:Hs		Misattributed to Handel; by A. Lotti ("Missa Sapientiae"), but copied by Handel c. 1749.
245	Cantata	Gloria in excelsis deo	Chorus		Template:Hs	Template:Hs		Misattributed to Handel; by A. Lotti ("Missa Sapientiae"), but copied by Handel c. 1749.
269		Amen...alleluja	Soprano, Bass	D minor	Template:Hs1735-46	Template:Hs		Probably intended as a vocal study.
270		Amen	Soprano, Bass	F major	Template:Hs1735-46	Template:Hs		Probably intended as a vocal study.
271		Amen...alleluja	Soprano, Bass	G minor	Template:Hs1735-46	Template:Hs		Probably intended as a vocal study.
272		Alleluja...amen	Soprano, Bass	D minor	Template:Hs1735-46	Template:Hs		Probably intended as a vocal study.
273		Alleluja...amen	Soprano, Bass	G major	Template:Hs1735-46	Template:Hs		Probably intended as a vocal study.
274		Alleluja...amen	Soprano, Bass	A minor	Template:Hs1735-46	Template:Hs		Probably intended as a vocal study.
276		Amen...hallelujah	Soprano, Bass	F major	Template:Hs1744-47	Template:Hs		Probably intended as a vocal study.
277		Hallelujah...amen	Soprano, Bass	F major	Template:Hs1744-47	Template:Hs		Probably intended as a vocal study.

Anthems

List of anthems by George Frideric Handel

HWV	Title	Composed	Premiere	Venue	Notes	Text
246	O be joyful in the Lord	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 1 or Jubilate ('Cannons') in D major. Also considered a Canticle. Opening theme originally found in "Laudate Pueri" (HWV 236), which itself borrowed the theme from A. Lotti's Missa Sapientia.	Psalm 100 (the Jubilate).
247	In the Lord put I my trust	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 2. Transcribed for orchestra by Edward Elgar in 1923 as the Overture in D minor, and by Stokowski in 1924	Psalm 9, 11, 12, & 13 from Tate and Brady's New Version of the Psalms of David.
248	Have mercy upon me	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 3.	Psalm 51 (the Miserere).
249a	O come, let us sing unto the Lord	Template:Hs1714	Template:Hs?26 September 1714	Chapel Royal, St. James's Palace, London.		Psalm 96
249b	O come, let us sing unto the Lord	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 4. Partly based on "O sing unto the Lord a new song" (HWV 249a). The overture was later reused in Handel's oboe concerto No. 2.	"Prayer Book" version of Psalm 93 & 96.
250a	I will magnify thee	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 5. Two movements added later. The overture was later reused in Handel's oboe concerto No. 2.	Psalms 144 & 145
250b	I will magnify thee	Template:Hs1724	Template:Hs?5 January 1724	Chapel Royal, St. James's Palace, London		Psalms 89, 96, 145
251a	As pants the hart	Template:Hsc. December 1712 to May 1713	Template:Hs1713	King's Chapel Royal	Scored for organ and basso continuo alone.	Psalm 42
251b	As pants the hart	Template:HsCannons, 1717–18	Template:Hs1718	St. Lawrence, Whitchurch, London	Chandos Anthem No. 6 (although believed to be one of the first Chandos Anthems composed). Orchestrated version of HWV 251a.	Psalm 42
251c	As pants the hart	Template:Hsc. 1722	Template:Hs?7 October 1722	Chapel Royal, St. James's Palace, London	Orchestrated version of HWV 251d.	Psalm 42
251d	As pants the hart	Template:Hsc. 1722	Template:Hs		Scored for organ and basso continuo alone. There is no evidence that the work was performed during Handel's lifetime.	Psalm 42
251e	As pants the hart	Template:Hs1738	Template:Hs28 March 1738Template:Sfn	King's Theatre, Haymarket	Written for a benefit evening	Psalm 42
252	My song shall be alway	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 7. Partly derived from the "Te Deum in D" (HWV 280). The trio "Thou rulest the raging sea" performed at Cannons but probably spurious; possibly composed by Johann Christoph Pepusch or Nicola Francesco Haym instead.	Psalm 89
253	O come, let us sing unto the Lord	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 8.	"Prayer Book" psalms 95 (the venite), 96, 97, 99, 103
254	O praise the Lord with one consent	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 9.	Psalms 117, 135, 148 in metrical versions of Nahum Tate and Nicolas Brady's "New Version of the Psalms" (1696).
255	The Lord is my light	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 10.	Psalms 18, 20, 27–30, 34, 45
256a	Let God arise	Template:HsCannons, 1717–18	Template:Hs	St. Lawrence, Whitchurch, London	Chandos Anthem No. 11. 1st movement of 'symphony' added later.	Psalms 68 & 76
256b	Let God arise	Template:Hs1726	Template:Hs?16 January 1726	Chapel Royal, St. James's Palace, London		Psalm 58
257	O praise the Lord, ye angels of his	Template:Hs	Template:Hs		Spurious. Misattributed to Handel in Arnold's edition and in HG 36. By Maurice Greene, before 1728.
258	Zadok the Priest	Template:Hs?9 September 1727 – 11 October 1727	Template:Hs11 October 1727	Westminster Abbey	Coronation Anthem No. 1. For the Coronation of King George II and Queen Caroline. Performed at the Anointing.	English version of antiphon "Unxerunt Salomonem Sadoc sacerdos," after I Kings 1, 39–48.
259	Let Thy Hand Be Strengthened	Template:Hs?9 September 1727 – 11 October 1727	Template:Hs11 October 1727	Westminster Abbey	Coronation Anthem No. 2. For the Coronation of King George II and Queen Caroline. Sung at the Recognition (the King being presented to the people).	Psalm 89: 13–14.
260	The King Shall Rejoice	Template:Hs?9 September 1727 – October 1727	Template:Hs11 October 1727	Westminster Abbey	Coronation Anthem No. 3. For the Coronation of King George II and Queen Caroline. Should have been sung at the Recognition, but instead it was performed at the Crowning.	Psalm 21: 1,2,3,5
261	My Heart is Inditing	Template:Hs?9 September 1727 – 11 October 1727	Template:Hs11 October 1727	Westminster Abbey	Coronation Anthem No. 4. For the Coronation of King George II and Queen Caroline. Performed during the coronation of the Queen.	After Psalm 45: 1, 10, 12 and Isaiah 49:23.
262	This is the day which the Lord hath made (Anthem for the wedding of Princess Anne)	Template:Hs1734	Template:Hs14 March 1734	French Chapel, St. James's Palace	Performed during the wedding of William, Prince of Orange, and Anne, Princess Royal.	Psalms 45, 118, Proverbs, Ecclesiasticus
263	Sing unto God (Anthem for the wedding of Prince Frederick)	Template:Hs1736	Template:Hs27 April 1736	German Chapel, St. James's Palace, London	For the wedding of Frederick, Prince of Wales, and Princess Augusta of Saxe-Coburg. Revised for the wedding of Princess Mary.	Psalms 68, 106, 128
264	Funeral Anthem for Queen Caroline	Template:Hs5(?) – 12 December 1737	Template:Hs17 December 1737	King Henry VII's Chapel, Westminster Abbey	Probably first performed fully choral without solo movements. The Sinfonia was not performed at the funeral and was probably added later.	From Lamentations, Samuel, Job, Ecclesiasticus, Philippians, Wisdom, and Psalms 103, 112.
265	Dettingen Anthem ("The King Shall Rejoice")	Template:Hs30 July – 3 August 1743	Template:Hs27 November 1743	Chapel Royal, St. James's Palace, London	Performed during a service in King George II's presence to celebrate his safe return to England. Also, to celebrate the combined Austrian and British armies over the French at Dettingen in Lower Franconia on 27 June 1743. Entirely different setting of the text than "The King Shall Rejoice" from the Coronation Anthems of 1727.	Psalms 20, 21
266	How beautiful are the feet of them (Peace Anthem)	Template:Hs1749	Template:Hs25 April 1749	Chapel Royal, St. James's Palace, London	To celebrate the peace of Aix-la-Chapelle (Aachen). Performed with the "Queen Caroline" Te Deum (HWV 280).	Isaiah, Psalms 29, 96, Revelation
267	(?) First draft of the "Peace Anthem" (See HWV 266)	Template:HsProbably early 1749	Template:Hs		A 209-measure composition of which the last 19 measures are incomplete.
268	Foundling Hospital Anthem	Template:Hs1749	Template:Hs27 May 1749	Foundling Hospital Chapel, London	First performance probably in fully choral version. The solo movements were probably added c. 1751.	Psalms 8, 41, 72, 112, Daniel, Revelation

Canticles

List of canticles by George Frideric Handel

HWV	Title	Key	Composed	Premiere	Venue	Notes	Text
278	Utrecht Te Deum	D major	Template:Hs14 January 1713	Template:Hs7 July 1713	St Paul's Cathedral, London		"We praise thee, O God" (Ambrosian hymn)
279	Utrecht Jubilate	D major	Template:Hs?January – February 1713.	Template:Hs7 July 1713	St Paul's Cathedral, London		"O be joyful in the Lord" (Psalm 100)
280	Te Deum ("Queen Caroline")	D major	Template:Hs1714	Template:Hs?26 September 1714	Chapel Royal, St. James's Palace, London		"We praise thee, O God" (Ambrosian hymn)
281	Te Deum ("Chandos" or "Cannons")	B-flat major	Template:Hsc. 1717–18	Template:Hsc. 1717–18	St. Lawrence, Whitchurch, London	Composed by Handel during his stay with the Duke of Chandos at Cannons.	"We praise thee, O God" (Ambrosian hymn)
282	Te Deum	A major	Template:Hs1726	Template:Hs?16 January 1726	Chapel Royal, St. James's Palace, London		"We praise thee, O God" (Ambrosian hymn)
283	Te Deum ("Dettingen")	D major	Template:Hs17 July – c. 29 July 1743	Template:Hs27 November 1743	Chapel Royal, St. James's Palace, London	Performed during a service, in King George II's presence, to celebrate his safe return to England. Also, to celebrate the victory of combined Austrian and British armies over the French at Dettingen in Lower Franconia on 27 June 1743.	"We praise thee, O God" (Ambrosian hymn)

Concertos

List of concertos by George Frideric Handel

HWV	Instrument	Key	Composed	Premiere	Venue	Published	Opus	Notes
287	Oboe	G minor	Template:Hs?Hamburg ?c.1704–05	Template:Hs		Template:Hs1863		"Oboe concerto No. 3"
288	Violin	B-flat major	Template:HsItaly, c. 1707	Template:Hs		Template:Hs		"Sonata a 5". Possibly for Corelli in Rome
289	Organ	G minor	Template:Hs1735–36	Template:Hs19 February 1736	London, Covent Garden Theatre	Template:Hs1738	Opus 4 No. 1	First performed with "Alexander's Feast" (HWV 75)
290	Organ	B-flat major	Template:Hs1735	Template:Hs5 March 1735	London, Covent Garden Theatre	Template:Hs1738	Opus 4 No. 2	First performed with the oratorio "Esther" (HWV 50b)
291	Organ	G minor	Template:Hs1735	Template:Hs5 March 1735	London, Covent Garden Theatre	Template:Hs1738	Opus 4 No. 3	Variant versions of last movement. First performed with the oratorio "Esther" (HWV 50b)
292	Organ	F major	Template:Hs25 March 1735	Template:Hs1 April 1735	London, Covent Garden Theatre	Template:Hs1738	Opus 4 No. 4	Originally concluded with 'Alleluja' chorus (HG 20, p. 161), short instrumental ending probably written by Handel for Walsh publication. First performed with "Athalia" (HWV 52)
293	Organ	F major	Template:Hs	Template:Hs?26 March 1735	London, Covent Garden Theatre	Template:Hs1738	Opus 4 No. 5	Performed with revival of "Deborah" (HWV 51).
294	Harp, later Organ	B-flat major	Template:Hsc. 1730 for Harp; 1732 for Organ	Template:Hsunknown; first performed with a choral work (HWV 75) in 1736	London, Covent Garden Theatre	Template:Hs1738	Opus 4 No. 6	Composed as a harp concerto, later arranged for organ; served as prototype for the organ concerto series
295	Organ	F major	Template:Hs2 April 1739	Template:Hs4 April 1739	London, King's Theatre, Haymarket	Template:Hs1740	"2nd Set" No. 1	Referred to as Organ Concerto "No. 13". The bird-song motives of the 2nd movement earned the concerto the nickname, "The Cuckoo and the Nightingale"
296a	Organ	A major	Template:Hs1739	Template:Hs20 March 1739	London, King's Theatre, Haymarket	Template:Hs1740	"2nd Set" No. 2	Referred to as organ concerto "No. 14"
296b	Organ	A major	Template:Hsc. 1743–46	Template:Hs		Template:Hs		Pasticcio. Arranged by Handel
297	Organ	D minor	Template:Hs	Template:Hs		Template:Hs1740	"2nd Set" No. 3	Referred to as organ concerto "No. 15". Arranged from Concerto Grosso Op.6 No.10 (HWV 328).
298	Organ	G major	Template:Hs	Template:Hs		Template:Hs1740	"2nd Set" No. 4	Referred to as organ concerto "No. 16". Arranged from Concerto Grosso Op.6 No.1 (HWV 319).
299	Organ	D major	Template:Hs	Template:Hs		Template:Hs1740	"2nd Set" No. 5	Referred to as organ concerto "No. 17". Arranged from Concerto Grosso Op.6 No.5 (HWV 323).
300	Organ	G minor	Template:Hs	Template:Hs		Template:Hs1740	"2nd Set" No. 6	Referred to as organ concerto "No. 18". Arranged from Concerto Grosso in G minor Op.6 No.6 (HWV 324).
301	Oboe	B-flat major	Template:Hs	Template:Hs		Template:Hs1740		"Oboe concerto No. 1"
302a	Oboe	B-flat major	Template:Hs	Template:Hs		Template:Hs1740		"Oboe concerto No. 2"
303	Organ	D minor	Template:Hsc. 1738	Template:Hs		Template:Hs		An adagio for two organs. Ending adapted by Handel to lead into another movement. Later published as the first movement of Organ Concerto in D minor, Op 7 No 4 (HWV 309)
304	Organ	D minor	Template:Hsc. 1746	Template:Hs?14 February 1746		Template:Hs1797		Sometimes referred to as organ concerto "No. 15". First performed with the premiere of The Occasional Oratorio (HWV 62).
305	Organ	F major	Template:Hsc. 1747–48	Template:Hs		Template:Hs		Sometimes referred to as organ concerto "No. 16". Arranged by Handel from the Concerto a due cori in F major (HWV 334) (3 movements) and Marche in F.
306	Organ	B-flat major	Template:Hs17 February 1740	Template:Hs27 February 1740	London, Lincoln's Inn Fields Theatre	Template:Hs1761	Opus 7 No. 1	First movement includes an independent pedal part
307	Organ	A major	Template:Hs5 February 1743	Template:Hs18 February 1743	London, Covent Garden Theatre	Template:Hs1761	Opus 7 No. 2	Performed with the oratorio Samson (HWV 57)
308	Organ	B-flat major	Template:Hs1–4 January 1751	Template:Hs1 March 1751	London, Covent Garden Theatre	Template:Hs1761	Opus 7 No. 3	Two variant autographs of 1st movement. Handel's last orchestral work
309	Organ	D minor	Template:Hs?c. 1744	Template:Hs?14 February 1746	London	Template:Hs1761	Opus 7 No. 4	?Performed with premiere of "The Occasional Oratorio" (HWV 62)
310	Organ	G minor	Template:Hs31 January 1750	Template:Hs16 March 1750	London, Covent Garden Theatre	Template:Hs1761	Opus 7 No. 5	Performed with "Theodora" (HWV 68). Final gavotte in published version probably added later by Smith Jr.
311	Organ	B-flat major	Template:Hsc. 1748–49	Template:Hs1749		Template:Hs1761	Opus 7 No. 6	Assembled by John Christopher Smith junior following Handel's death for John Walsh the younger's publication
343	Organ	G major	Template:Hsc. 1738–39	Template:Hs		Template:Hs		Ritornello for Chaconne (HWV 435). Part of a fragmentary outline of an organ concerto

Concerti grossi

List of concerti grossi by George Frideric Handel

HWV	Key	Composed	Premiere	Venue	Published	Opus	Notes
312	B-flat major	Template:Hs?Hanover, c. 1710	Template:Hs		Template:Hs1734	Opus 3 No. 1	No Handel autograph. Earliest surviving manuscript score from c. 1724. Probably the earliest concerto in the Op. 3 set
313	B-flat major	Template:Hsc. 1715–1718	Template:Hs		Template:Hs1734	Opus 3 No. 2
314	G major	Template:Hsc. 1717–1718	Template:Hsc. 1717–1718		Template:Hs1734	Opus 3 No. 3	Arranged (? by Walsh)
315	F major	Template:Hs1716	Template:Hs20 June 1716	London, King's Theatre, Haymarket	Template:Hs1734	Opus 3 No. 4	Referred to as either "The Orchestra Concerto" or "The Second Overture in Amadigi"
Anh. B 319	F major	Template:Hs	Template:Hs		Template:Hs1734	Opus 3 No. 4a or 4b	Of questionable authorship, was removed in Walsh's 2nd edition
316	D minor	Template:Hs1717–1718	Template:Hs		Template:Hs1734	Opus 3 No. 5	In Walsh's 2nd edition of the Op. 3 concertos, the 3rd, 4th, & 5th movements were added
317	D major	Template:Hs(?) 1733–1734	Template:Hs		Template:Hs1734	Opus 3 No. 6	Published by Walsh in 1734 as an organ concerto
318	C major	Template:Hs25 January 1736	Template:HsFebruary 1736		Template:Hs1740		First performance between the acts of the oratorio, Alexander's Feast (HWV 75)
319	G major	Template:Hs29 September 1739	Template:Hs		Template:Hs1740	Opus 6 No. 1
320	F major	Template:Hs4 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 2
321	E minor	Template:Hs6 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 3
322	A minor	Template:Hs8 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 4
323	D major	Template:Hs10 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 5	Known as the "St. Cecilia's Concerto," as the first two movements and the last use thematic material from the overture to the Ode for St. Cecilia's Day (HWV 76)
324	G minor	Template:Hs15 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 6
325	B-flat major	Template:Hs12 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 7
326	C minor	Template:Hs18 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 8
327	F major	Template:HsProbably between 10–11 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 9	The second two movements were borrowed from the Organ Concerto in F major, HWV 295, and the minuet and allegro fugue from the overture to Imeneo. The newly composed Gigue was originally intended for the Concerto Grosso in F major (HWV 320)
328	D minor	Template:Hs22 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 10	The gavotte-like last movement was originally intended by Handel for the Concerto Grosso in B minor (HWV 330)
329	A major	Template:Hs30 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 11	A reworking of the Organ Concerto in A major, HWV 296.
330	B minor	Template:Hs20 October 1739	Template:Hs		Template:Hs1740	Opus 6 No. 12
331	F major	Template:Hs	Template:Hs20 March 1723	London, Drury Lane Theatre	Template:Hs		Two movements, thematically related to the Water Music Suite in F major (HWV 348)
331-1	F major	Template:Hs	Template:Hs		Template:Hs		Water Music, Suite Variant No 1. Two movements, thematically related to the Suite No 1 in F major from The Water Music (HWV 348)
331-2	F major	Template:Hs	Template:Hs		Template:Hs		Water Music, Suite Variant No 2. Two movements, thematically related to the Suite No 1 in F major from The Water Music (HWV 348)
332	B-flat major	Template:Hs1747–1748	Template:Hs(?) 9 March 1748	London, Covent Garden Theatre	Template:Hs		Concerto a due cori in B-flat major, No. 1. Composed for performances with oratorios; probably performed during Joshua (HWV 64)
333	F major	Template:Hs1747–1748	Template:Hs(?) 23 March 1748	London, Covent Garden Theatre	Template:Hs		Concerto a due cori in F major, No. 2. Composed for performances with oratorios; probably performed during Alexander Balus (HWV 65)
334	F major	Template:Hs1747–1748	Template:Hs(?) 1 April 1748	London, Covent Garden Theatre	Template:Hs		Concerto a due cori in F major, No. 3. Composed for performances with oratorios; probably performed during Judas Maccabaeus (HWV 63)
335a	D major	Template:Hsc. 1746	Template:Hs		Template:Hs		Version of the overture to the Fireworks music.
335b	F major	Template:Hsc. 1746	Template:Hs		Template:Hs		Version of the overture to the Fireworks music.

Orchestral works

List of orchestral works by George Frideric Handel

HWV	Type	Key	Composed	Premiere	Published	Notes
302b	Largo	F major	Template:Hsc. 1738	Template:Hs	Template:Hs	Autograph headed "Suite de pieces" (presumably this was the opening movement)
336	Overture	B-flat major	Template:Hsc. 1707–1708	Template:Hs	Template:Hs	Autograph lost. Probably completed in Germany or Italy. May be the original French overture to Il Trionfo del Tempo e del Disinganno.
337	Overture	D major	Template:Hsc. 1722–1725	Template:Hs	Template:Hs	Probably intended as an introductory movement. Possibly intended to be coupled with the concerto grosso in D major Op. 3 No. 6 (HWV 317) as the adagio movement.
338	Adagio/Allegro	B minor/D major	Template:Hs1722	Template:Hs	Template:Hs	Originally, with the 1st movement of the Organ Concerto, Allegro in D minor (HWV 317), a 3-movement orchestral concerto. The 1st movement was used as the sinfonia in Ottone (HWV 15); and the theme of the last movement was reworked for the overture of Ottone
339	Sinfonia	B-flat major	Template:Hsc. 1706–1707	Template:Hs	Template:Hs1979	No autograph. First published in 1979 in the Halle Edition (IV/15) and is known only from a copy by Christopher Graupner (1683–1760). Probably completed in Hamburg or Italy
340	Allegro	G major	Template:Hs?c. 1710–1715	Template:Hs	Template:Hs	No autograph
341	Suite	D major	Template:Hs	Template:Hs	Template:Hs1733	Almost certainly spurious
342	Overture	F major	Template:Hsc. 1736	Template:Hs	Template:Hs
344	Chorus and Minuet	B-flat major	Template:Hs1708	Template:Hs	Template:Hs	No autograph. Apparently movements from the Hamburg opera Florindo (HWV 3) (See HWV 354)
345	March	D major	Template:Hsbefore 1738	Template:Hs	Template:Hs	No autograph
347	Sinfonia	B-flat major	Template:Hsc. 1747	Template:Hs	Template:Hs
348	Suite. Water Music suite No. 1	F major	Template:Hs1717	Template:Hs17 July 1717	Template:Hs1788	Autograph lost. Performed for King George I on The Thames from a barge containing about 50 musicians. The King insisted on the performance being repeated more than once
349	Suite. Water Music suite No. 2	D major	Template:Hs1717	Template:Hs17 July 1717	Template:Hs1788	Autograph lost. Performed for King George I on The Thames from a barge containing about 50 musicians. The King insisted on the performance being repeated more than once
350	Suite. Water Music suite No. 3	G major	Template:Hs1717	Template:Hs17 July 1717	Template:Hs1788	Autograph lost. Performed for King George I on The Thames from a barge containing about 50 musicians. The King insisted on the performance being repeated more than once
351	Suite. Music for the Royal Fireworks	D major	Template:Hs1749	Template:Hs27 April 1749	Template:Hs	Composed for the celebration of Peace of Aix-la-Chapelle (Aachen) which brought to an end the War of Austrian succession. First performed in Green Park, London
352	Suite	B-flat major	Template:Hs1706	Template:Hs	Template:Hs	No autograph
353	Suite	G major	Template:Hs1706	Template:Hs	Template:Hs	No autograph
354	Suite	B-flat major	Template:Hs1708	Template:Hs	Template:Hs	No autograph
355	Hornpipe aria	C minor	Template:Hs?c. 1710–1715	Template:Hs	Template:Hs	No autograph
356	Hornpipe	D major	Template:Hs1740	Template:Hs	Template:Hs	No autograph. Composed for Vauxhall Gardens
413	Gigue	B-flat major	Template:Hs1736	Template:Hs	Template:Hs

Solo sonatas

List of solo sonatas for various instruments (with keyboard accompaniment) by George Frideric Handel

HWV	Instrument	Key	Composed	Published	Opus	Notes
357	Oboe	B-flat major	Template:Hsc. 1707–10	Template:Hs		One of Handel's earliest extant compositions. Probably written during his years in Italy
358	Unspecified	G major	Template:Hsc. 1707–10	Template:Hs		A "Fitzwilliam" sonata. The autographed manuscript, located in the Fitzwilliam Museum, does not mention instrumentation, nor are there tempo markings for the movements. It is tentatively assigned to the violin in the HHA, though the recorder is also a possibility.
359a	Violin	D minor	Template:Hsc. 1724	Template:Hs		The D minor sonata, headed "Sonata 2", follows the G major sonata (HWV 358) in the Fitzwilliam Museum autograph. Originally written for violin and published in two different E minor versions for the flute. See flute sonata in E minor (HWV 359b)
359b	Flute	E minor	Template:Hsc. 1724	Template:Hs1732	Template:HsOpus 1 No. 1b	Of the two sonatas published by Chrysander as Opus 1 Sonata I, this one (Sonata Ib) is the one in Walsh's original edition (where it is called Sonata I).
360	Recorder	G minor	Template:Hsc. 1712	Template:Hs1732	Template:HsOpus 1 No. 2
361	Violin	A major	Template:Hsc. 1725–26	Template:Hs1732	Template:HsOpus 1 No. 3	The only violin sonata to have been published exactly as written by Handel.
362	Recorder	A minor	Template:Hsc. 1712	Template:Hs1732	Template:HsOpus 1 No. 4
363a	Oboe	F major	Template:Hsc. 1711–16	Template:Hs
363b	Flute	G major	Template:Hsc. 1711–16	Template:Hs1732	Template:HsOpus 1 No. 5
364a	Violin	G minor	Template:Hsc. 1722–24	Template:Hs1732	Template:HsOpus 1 No. 6	Both Walsh and Chrysander published the work as an oboe sonata.
364b	Viola da gamba	G minor	Template:Hsc. 1724	Template:Hs		A transcription of HWV 364a—as suggested by Handel on the manuscript.
365	Recorder	C major	Template:Hsc. 1712	Template:Hs	Template:HsOpus 1 No. 7
366	Oboe	C minor	Template:Hsc. 1711–12	Template:Hs1732	Template:HsOpus 1 No. 8
367a	Recorder	D minor	Template:Hsc. 1712	Template:Hs	Template:HsOpus 1 No. 9a	Movements 1–5 constitute the "Fitzwilliam Sonata III" in Thurston Dart's arrangement. Originally published Flute Sonata in B minor, Op 1 No 9b (HWV 367b). The contemporary edition of Handel attributes it to the transverse flute, but the autograph manuscript is clearly for the recorder.
367b	Flute	B minor	Template:Hsc. 1725–26	Template:Hs1732	Template:HsOpus 1 No. 9b	In the 'Aylesford' collection the Alla breve appears with the title of FUGE
368	Violin	G minor	Template:Hs	Template:Hs1732	Template:HsOpus 1 No. 10	Probably spurious
369	Recorder	F major	Template:Hsc. 1712	Template:Hs1732	Template:HsOpus 1 No. 11
370	Violin	F major	Template:Hs	Template:Hs1732	Template:HsOpus 1 No. 12	Probably spurious
371	Violin	D major	Template:Hsc. 1749–50	Template:Hs	Template:HsOpus 1 No. 13	This sonata represents Handel's last piece of chamber music. The piece was not published by Walsh; the designation Op 1 No.13 is Chrysander's
372	Violin	A major	Template:Hs	Template:Hs1732	Template:HsOpus 1 No. 14	Probably spurious. The piece was published by Walsh as Op 1 No. 10 in the original edition that had a faked title page naming Roger as the publisher; the designation Op 1 No.14 is Chrysander's
373	Violin	E major	Template:Hs	Template:Hs1732	Template:HsOpus 1 No. 15	Probably spurious. The piece was published by Walsh as Op 1 No. 12 in the original edition that had a faked title page naming Roger as the publisher; the designation Op 1 No.15 is Chrysander's
374	Flute	A minor	Template:Hs	Template:Hs1730		"Halle sonata No. 1". Authenticity uncertain
375	Flute	E minor	Template:Hs	Template:Hs1730		"Halle sonata No. 2". Authenticity uncertain. The first two movements are identical to those of HWV 366, and the last also appears (out of context) at the end of Walsh's printing of HWV 434
376	Flute	B minor	Template:Hs	Template:Hs1730		"Halle sonata No. 3". Authenticity uncertain
377	Recorder	B-flat major	Template:Hsc. 1712	Template:Hs		All three movements appear as parts of other works
378	Flute	D major	Template:Hsc. 1707?	Template:Hs1979		No autograph, but now considered authentic. It appears in an important manuscript of 18th century solo sonatas in the Brussels Royal Conservatory, and is there attributed to 'Sr Weisse'
379	Flute	E minor	Template:Hsc. 1727–28	Template:Hs1879	Template:HsOpus 1 No. 1a	The work's authenticity is unquestioned, but the sonata is not part of Handel's Opus 1 as published by Walsh—having been added by Chrysander.
406	Violin	A major	Template:Hsc. 1751	Template:Hs		Adagio and Allegro. Three–part accompaniment (? orchestral short score)
407	Violin	G major	Template:Hsc. 1738	Template:Hs		Allegro
408	Violin	C minor	Template:Hsc. 1725–29	Template:Hs		Allegro. It may be the only surviving fragment of a completed sonata in C minor. Used as the finale to the Recorder sonata in A minor (HWV 362).
409	Recorder	D minor	Template:Hsc. 1712	Template:Hs		Andante. Variant of movement from the Recorder Sonata in D minor (HWV 367a)
412	Violin	A minor	Template:Hsc. 1725–26	Template:Hs		Andante
419-1	Unspecified	G major	Template:Hsc. 1710–20	Template:Hs		HWV 419 1-6 are six marches. They are known only from printed sources; were published as separate treble and bass parts; with instrumentation unspecified, though title pages mention flute and violin for treble parts. May have originated as a keyboard work.
419-2	Unspecified	G major	Template:Hsc. 1710–20	Template:Hs
419-3	Unspecified	G major	Template:Hsc. 1710–20	Template:Hs
419-4	Unspecified	F major	Template:Hsc. 1710–20	Template:Hs
419-5	Unspecified	C major	Template:Hsc. 1710–20	Template:Hs
419-6	Unspecified	C major	Template:Hsc. 1710–20	Template:Hs
420	Unspecified	D major	Template:Hsc. 1743–44	Template:Hs		Minuet. Two–stave versions in autograph; instrumentation unspecified, upper stave ? violins. May have originated as a keyboard work
421	Unspecified	D major	Template:Hsc. 1743–44	Template:Hs		Minuet. Two–stave versions in autograph; instrumentation unspecified, upper stave ? violins. May have originated as a keyboard work

Trio sonatas

List of trio sonatas by George Frideric Handel

HWV	Key	Composed	Published	Opus	Notes
380	B-flat major	Template:Hs	Template:Hs		Authenticity uncertain
381	D minor	Template:Hs	Template:Hs		Authenticity uncertain
382	E-flat major	Template:Hs	Template:Hs		Authenticity uncertain
383	F major	Template:Hs	Template:Hs		Authenticity uncertain
384	G major	Template:Hs	Template:Hs		Authenticity uncertain
385	D major	Template:Hs	Template:Hs		Authenticity uncertain
386a	C minor	Template:Hsc. 1717–1719	Template:Hs1879		In Chrysander's "G. F. Handel's Werke" (1879) this piece was referred to as Op. 2 No. 1a; Variant form of Op. 2 No 1, not published by Walsh, but found in manuscripts
386b	B minor	Template:Hsbefore 1727	Template:Hs1733	Opus 2 No. 1	In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 1b
387	G minor	Template:Hs?1699	Template:Hs1733	Opus 2 No. 2	Handel's earliest datable composition. In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 2
388	B-flat major	Template:Hsc. 1717–1718	Template:Hs1733	Opus 2 No. 3	In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 4. The finale appears in the overture to Athalia (HWV 52)
389	F major	Template:Hsc. 1718–1722	Template:Hs1733	Opus 2 No. 4	In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 5. The Larghetto appears in the overture to Esther (HWV 50a)
390a	G minor	Template:Hsc. 1717–1722	Template:Hs1733	Opus 2 No. 5	In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 6
390b	G minor				Published in HG volume 48. Unlikely to be Handel's work
391	G minor	Template:Hsc. 1707	Template:Hs1733	Opus 2 No. 6	In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 7
392	F major	Template:Hsc. 1706–1707	Template:Hs		In Chrysander's "G. F. Handel's Werke" (1879) this composition referred to as Op. 2 No 3. One of the "Dresden" sonatas. No autograph
393	G minor	Template:Hsprobably c. 1719	Template:Hs		Authenticity uncertain. In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 8
394	E major	Template:Hs	Template:Hs		Authenticity uncertain. In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 9
395	E minor	Template:Hs	Template:Hs		Authenticity uncertain. Probably composed by Johann Adolph Hasse (1699–1783)
396	A major	Template:Hs	Template:Hs1739	Opus 5 No. 1
397	D major	Template:Hs	Template:Hs1739	Opus 5 No. 2
398	E minor	Template:Hs	Template:Hs1739	Opus 5 No. 3
399	G major	Template:Hs	Template:Hs1739	Opus 5 No. 4	A tempo ordinario movement is based on the overture to "Parnasso in Festa" (HWV 73).
400	G minor	Template:Hs	Template:Hs1739	Opus 5 No. 5
401	F major	Template:Hs	Template:Hs1739	Opus 5 No. 6
402	B-flat major	Template:Hs	Template:Hs1739	Opus 5 No. 7
403	C major	Template:Hsc. 1738	Template:Hs
404	G minor	Template:Hs	Template:Hs		No autograph
405	F major	Template:Hsc. 1707–1710	Template:Hs

Wind ensemble works

List of wind ensemble works by George Frideric Handel

HWV	Type	Key	Composed	Notes
346	March	F major	Template:Hs?before 1729
410	Aria	F major	Template:Hsc. 1725
411	Aria	F major	Template:Hsc. 1725
414	March for Fife	C major	Template:Hsc. 1747
415	March for Fife	D major	Template:Hsc. 1747
416	March	D major	Template:Hsc. 1734
417	March	D major	Template:Hsc. 1746–1747	May have originated as a keyboard work as a two-stave version of the march exists
418	March	G major	Template:Hs?c. 1741
422	Minuet	G major	Template:Hsc. 1746–1747
423	Minuet	G major	Template:Hsc. 1746–1747
424	Overture	D major	Template:Hsc. 1741	'Fitzwilliam' Overture

Keyboard works

List of keyboard works by George Frideric Handel

HWV	Type	Key	Composed	Published	Notes
305b	Arrangement	F minor	Template:Hsc. 1747		Used as an overture. Solo keyboard arrangement of the Organ Concerto in F major (HWV 305)
425	Air (Saraband)	E major	Template:Hs		An individual movement. Composed by Handel at St. Giles extempore. Autograph c. 1740–50 includes Handel's transcription of opening melody
426	Suite de pièce Vol. 1 No. 1	A major	Template:Hsprior to 1720	1720
427	Suite de pièce Vol. 1 No. 2	F major	Template:Hsprior to 1720	1720	Template:Plainlist
428	Suite de pièce Vol. 1 No. 3	D minor	Template:Hsprior to 1720	1720
429	Suite de pièce Vol. 1 No. 4	E minor	Template:Hsprior to 1720	1720
430	Suite de pièce Vol. 1 No. 5	E major	Template:Hsprior to 1720	1720	4th.“The Harmonious Blacksmith” or "Air and Variations in E major". Also found in early manuscript scores as a "Chaconne" in G major (at least 2 variant forms)
431	Suite de pièce Vol. 1 No. 6	F-sharp minor	Template:Hsprior to 1720	1720
432	Suite de pièce Vol. 1 No. 7	G minor	Template:Hsprior to 1720	1720	6th.Passacaglia
433	Suite de pièce Vol. 1 No. 8	F minor	Template:Hsprior to 1720	1720
434	Suite de pièce Vol. 2 No. 1	B-flat major	Template:Hs?1710–1717	1733	434-4: minuet in G minor which is also used in the flute sonata in E minor (HWV 375). Not part of the Suite de piece in B-flat major. 434-3 has the theme used by Johannes Brahms for his Handel Variations.
435	Suite de pièce Vol. 2 No. 2	G major	Template:Hs?1705–1717	1733	21 variations. A chaconne. The Ritornello in G major (HWV 343) was added to this composition
436	Suite de pièce Vol. 2 No. 3	D minor	Template:Hsc. 1721–1726	1733
437	Suite de pièce Vol. 2 No. 4	D minor	Template:Hsc. 1703–1706	1733	4th.Sarabande: the piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon.
438	Suite de pièce Vol. 2 No. 5	E minor	Template:Hsc. 1710–1717	1733
439	Suite de pièce Vol. 2 No. 6	G minor	Template:Hsc. 1703–1706	1733
440	Suite de pièce Vol. 2 No. 7	B-flat major	Template:Hsc. 1703–1706	1733	revised 1717–18
441	Suite de pièce Vol. 2 No. 8	G major	Template:Hsc. 1703–1706	1733
442	Suite de piece Vol. 2 No. 9	G major	Template:Hsc. 1703–1706	1733	62 variations. Prelude and Chaconne. Two different preludes noted in sources (HWV 442/1b in Walsh)
443	Suite	C major	Template:Hs1700–1703		Includes Chaconne (of which there are 26 variations)
444	Partita	C minor	Template:Hsc. 1705–1706
445	Suite	C minor	Template:Hs1705–1706
446	Suite	C minor	Template:Hsc. 1703–1706		Composed for two harpsichords, but the music for only one harpsichord survives
447	Suite	D minor	Template:Hsc. 1738–1739		Written for Princess Louisa. Companion piece to the Suite in G minor (HWV 452)
448	Suite	D minor	Template:Hsc. 1705–1706
449	Suite	D minor	Template:Hsc. 1705
450	Partita	G major	Template:Hsc. 1700–1705
451	Suite	G minor	Template:Hsc. 1703–1706		Allemande and Courante only
452	Suite	G minor	Template:Hsc. 1738–1739		Written for Princess Louisa. Companion piece to the Suite in D minor (HWV 447)
453	Suite	G minor	Template:Hsc. 1705–1706
454	Partita	A major	Template:Hsc. 1703–1706
455	Suite	B-flat major	Template:Hsc. 1705		Keyboard version of the overture in B-flat major (HWV 336) and the suite in B-flat major (HWV 354)
456-1	Arrangement		Template:Hsc. 1720–1727		Arrangement of the overture to the Italian opera "Il pastor fido"
456-2	Arrangement		Template:Hsc. 1720–1727		Arrangement of the overture to the Italian opera "Amadigi"
456-3	Arrangement		Template:Hsc. 1720–1727		Arrangement of the overture to the Italian opera "Flavio"
456-4	Arrangement		Template:Hsc. 1720–1727		Arrangement of the overture to the Italian opera "Rodelinda"
456-5	Arrangement		Template:Hsc. 1720–1727		Arrangement of the overture to the Italian opera "Riccardo Primo"
457	Air	C major	Template:Hsc. 1720–1721
458	Air	C minor	Template:Hs?c. 1710–1720		Authenticity uncertain
459	Air	C minor	Template:Hs?c. 1710–1720		Authenticity uncertain
460	Air (March)	D major	Template:Hsc. 1720–1721
461	Air (Hornpipe)	D minor	Template:Hsc. 1717–1718
462	Air and minuet	D minor	Template:Hsc. 1724–1726
463	Air	F major	Template:Hsc. 1707–1709
464	Air	F major	Template:Hsc. 1724–1726		A version of the air from the "Water Music" (HWV 348–350)
465	Air and two Doubles	F major	Template:Hsc. 1710–1720
466	Air	G minor	Template:Hsc. 1710–1720		For two-manual harpsichord (or possibly organ)
467	Air Lentement	G minor	Template:Hsc. 1710–1720
468	Air	A major	Template:Hsc. 1727–1728
469	Air	B-flat major	Template:Hsc. 1738–1739		Re-used in orchestral form in the Sinfonia in B-flat major (HWV 347) and the Organ Concerto in B-flat major (HWV 311)
470	Air	B-flat major	Template:Hsc. 1710–1720		For two-manual harpsichord (or possibly organ)
471	Air	B-flat major	Template:Hsc. 1710–1720
472	Allegro	C major	Template:Hsc. 1705
473	Allegro	C major	Template:Hs25 August 1738		Clock-Organ
474	Air	G major	Template:Hsc. 1736–1738		Based on the first chorus of "Acis and Galatea" (HWV 49a). Possibly for organ
475	Allegro	D minor	Template:Hsc. 1710–1720
476	Allemande	F major	Template:Hsc. 1730–1735
477	Allemande	A major	Template:Hsc. 1724–1726
478	Allemande	A minor	Template:Hsc. 1705
479	Allemande	B minor	Template:Hsc. 1721–1722
480	Chorale	G minor	Template:Hsc. 1736–1740		Chorale melody "Jesu, meine Freude" in the middle part. Possibly for organ. A two-bar epilogue may represent a planned variation
481	Capriccio	F major	Template:Hsc. 1703–1706
482-1	Arrangement		Template:Hsc. 1720–1725		Arrangement of the aria 'Molto voglio, molto spero' to the Italian opera 'Rinaldo'
482-2	Arrangement		Template:Hsc. 1720–1725		Arrangement of the aria 'Sventurato, godi, o core abbandonato' to the Italian opera 'Floridante'
482-3	Arrangement		Template:Hsc. 1720–1725		Arrangement of the aria 'Ombra cara di mia sposa' to the Italian opera 'Radamisto'
482-4	Arrangement		Template:Hsc. 1720–1725		Arrangement of the aria 'Pupille sdegnose! sareste pietose' to the Italian opera 'Muzio Scevola'
482-5	Arrangement		Template:Hsc. 1720–1725		Arrangement of the aria 'Come, se ti vedrò' to the Italian opera 'Muzio Scevola'
483	Capriccio	G minor	Template:Hsc. 1720–1721
484	Chaconne with 49 variations	C major	Template:Hsc. 1700–1705		Version of the Chaconne in Suite HWV 443
485	Chaconne	F major	Template:Hsc. 1705		For a two-manual harpsichord
486	Chaconne	G minor	Template:Hsc. 1705
487	Concerto	G major	Template:Hsc. 1710–1720		Two movements
488	Allegro (Courante)	F major	Template:Hsc. 1717–1718		In G major for the Suite de piece in G major, Vol. 2 No. 9 (HWV 442)
489	Courante	B minor	Template:Hsc. 1722
490	Fantasie pour le clavecin,	C major	Template:Hsc. 1703–1706
491	Gavotte	G major	Template:Hsc. 1705
492	Gigue	F major	Template:Hsc. 1726–1727
493	Gigue	G minor	Template:Hsc. 1704–1705		Two versions
494	Impertinence (Bourée)	G minor	Template:Hsc. 1705
495	Lesson	D minor	Template:Hsc. 1705–1710		Early form (two variants) of the Suite de pièce in D minor, Vol. 1 No. 3 (HWV 428), movement six
496	Lesson	A minor	Template:Hsc. 1715–1720
497 to 558	62 Minuets	Various	Template:Hs		Two-stave pieces, probably for keyboard. Some related to minuets in other works
559	Passepied	C major	Template:Hsc. 1721–1722
560	Passepied	A major	Template:Hsc. 1705
561	Prelude	D minor	Template:Hsc. 1705–1706		Version of the prelude to the Suite de pièce in D minor, Vol. 2 No. 4 (HWV 437)
562	Prelude (Harpeggio)	D minor	Template:Hsc. 1711–1712
563	Prelude	D minor	Template:Hsc. 1700–1703
564	Prelude	D minor	Template:Hsc. 1705
565	Prelude	D minor	Template:Hsc. 1710–1720		An early version of the Prelude to the Suite de pièce in D minor, Vol. 1 No. 3 (HWV 428)
566	Prelude	E major	Template:Hsc. 1710–1720		Associated in some manuscripts with movements in the Suite de pièce in F minor, Vol. 1 No. 8 (HWV 433)
567	Preludium	F major	Template:Hsc. 1710–1720
568	Preludium	F minor	Template:Hsc. 1710–1720		Associated in some manuscripts with movements in the Suite de pièce in F minor, Vol. 1 No. 8 (HWV 433)
569	Preludium	F minor	Template:Hs?c. 1710–1720		Arpeggio del Cook. Authorship uncertain
570	Prelude (Harpeggio)	F-sharp minor	Template:Hsc. 1717–1718		Originally associated with the Suite de pièce in F-sharp minor, Vol. 1 No. 6 (HWV 431)
571	Prelude and Capriccio	G major	Template:Hsc. 1703–1706		Two movements
572	Prelude	G minor	Template:Hsc. 1710–1717		Originally associated with the Suite de pièce in G minor, Vol. 1 No. 7 (HWV 432)
573	Prelude (Harpeggio)	G minor	Template:Hsc. 1705
574	Prelude and Allegro (Sonata)	G minor	Template:Hsc. 1705		Two movements
575	Prelude (Harpeggio)	A minor	Template:Hsc. 1717–1718		Coupled with the "Lesson in A minor"; HWV 496
576	Prelude and Allegro	A minor	Template:Hsc. 1705–1706		Two movements
577	Sonata (Fantasia) pour le clavecin,	C major	Template:Hsc. 1703–1705
578	Sonata	C major	Template:Hsc. 1750		Clock-Organ. Music related to a setting of 'Amen' (HWV 277), the Concerto Grosso in C major for "Alexander's Feast" (HWV 318), and the "Air Lentement in G minor" (HWV 467)
579	Sonata (Fantasia)	G major	Template:Hs?c. 1707–1710		For a two-manual harpsichord (or possibly organ)
580	Sonata (Larghetto)	G minor	Template:Hs?c. 1707–1710		One movement
581	Sonatina	D minor	Template:Hsc. 1705		One movement
582	Sonatina (Fugue)	G major	Template:Hsc. 1721–1722		One movement
583	Sonatina	G minor	Template:Hs?c. 1721–1722		One movement
584	Sonatina	A minor	Template:Hsc. 1706–1708		One movement. Authenticity uncertain
585	Sonatina	B-flat major	Template:Hsc. 1721–1722		One movement
586	Toccata	G minor	Template:Hsc. 1710–1720
587 to 597	Eleven pieces	C, F, and G	Template:Hsc. 1735–1740		"10 [sic] Tunes for Clay's Musical Clock" (Clock-Organ). Includes arrangements of opera arias
598 to 604	Seven pieces	C major, A minor	Template:Hsc. 1730–1740		Clock-Organ. HWV 600 (a version of HWV 588) named "A Voluntary for a Flight of Angels."
605	Fugue	G minor	Template:Hsc. 1711–1718	1735	No 1 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735
606	Fugue	G major	Template:Hsc. 1711–1718	1735	No 2 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735
607	Fugue	B-flat major	Template:Hsc. 1711–1718	1735	No 3 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735
608	Fugue	B minor	Template:Hsc. 1711–1718	1735	No 4 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735
609	Fugue	A minor	Template:Hsc. 1711–1718	1735	No 5 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735
610	Fugue	C minor	Template:Hsc. 1711–1718	1735	No 6 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735
611	Fugue	F major	Template:Hsc. 1705		No autograph
612	Fugue	E major	Template:Hs		No autograph. Single source is from a manuscript of organ voluntaries; probably authentic, though the text of final bars is defective. The fugue subject is related to the "Water Music" overture
A15 1 – 37	Minuets	Various	Template:Hs		Arranged from music of opera arias

Arrangements by/of other composers

List of Handel's music arranged by other composers

HWV	Genre	Name	Composed	Premiere	Venue	Libretto	Notes
A1	Opera (pasticcio)	L'Elpidia, overo Li rivali generosi	Template:Hs1725	Template:Hs11 May 1725	London, King's Theatre, Haymarket (10 performances to 19 June)	?Nicola Haym, after A. Zeno, 1697	Revival on 30 November 1725: London, King's Theatre, Haymarket (4 performances to 11 December)
A3	Opera (pasticcio)	Ormisda	Template:Hs1730	Template:Hs4 April 1730	London, King's Theatre, Haymarket (13 performances to 14 May; also 9 June)	?Rossi, after Zeno, 1722	12 songs changed at 21 April 1730 performance, for Strada's benefit. Revival on 28 November 1730: London, King's Theatre, Haymarket (5 performances to 8 December).
A4	Opera (pasticcio)	Venceslao	Template:Hs1731	Template:Hs11 January 1731	London, King's Theatre, Haymarket (4 performances to 23 January)	?Rossi, after Zeno, 1724
A6	Opera (pasticcio)	Lucio Papirio dittatore	Template:Hs1732	Template:Hs23 May 1732	London, King's Theatre, Haymarket (4 performances to 6 June)	After Zeno/C.I. Frugoni, 1729
A7	Opera (pasticcio)	Catone	Template:Hs1732	Template:Hs4 November 1732	London, King's Theatre, Haymarket	After Metastasio, 1728/9
A8	Opera (pasticcio)	Semiramide or Semiramis riconosciuta	Template:Hs1733	Template:Hs30 October 1733	London, King's Theatre, Haymarket	After Metastasio, 1729
A9	Opera (pasticcio)	Caio Fabricio	Template:Hs1733	Template:Hs4 December 1733	London, King's Theatre, Haymarket	After Zeno, 1732
A10	Opera (pasticcio)	Arbace	Template:Hs1734	Template:Hs5 January 1734	London, King's Theatre, Haymarket	After Metastasio, 1730
A12	Opera (pasticcio)	Didone	Template:Hs1737	Template:Hs13 April 1737	London, Covent Garden Theatre	After Metastasio, 1726	Pasticcio by Händel using Leonardo Vinci's Didone abbandonata

HWV missing

List of Handel's compositions that are not included in the HWV Catalogue

Genre	Name	Composed	Premiere	Venue	Notes
Aria	The Beauteous Cloe or 'Cloe, you're witty'	Template:Hs	Template:Hs		A recycling of the aria 'S'io dir potessi' from Ottone (HWV 15), possibly by Handel himself.
Aria	Dicente mis ojos	Template:Hs	Template:Hs		Reworked version of the final aria of the Spanish cantata Nò se emenderá jamás (HWV 140)
Song	The Dream or 'Beneath a shady willow'	Template:Hs	Template:Hs		Based on the middle section of the opening chorus of Acis and Galatea (HWV 49a)
Latin sacred cantata	Gloria	Template:Hs?1703–1709	Template:Hs3 June 2001	The International Händel Göttingen Festival	For soprano, two-part violins, basso continuo. Identified in the year 2001 at the Royal Academy of Music's library (London). The manuscript is not in Handel's hand.
Italian Aria	Lusinga questo cor	Template:Hsc. 1712–1717	Template:Hs		For soprano. Probably completed in London
Orchestral	March in 'Judas Maccabaeus' in F major	Template:Hsc. 1747–1748	Template:Hs		As addition to oratorio "Judas Maccabaeus" (HWV 63) or to Concerto a due cori in F major (HWV 334)
Wind ensemble	Marche in G major	Template:Hsc. 1746–1747	Template:Hs		Independent wind version of the oratorio, "Judas Maccabeus" march (HWV 63, no. 32a)
Wind ensemble	Marche lentement in C major	Template:Hsc. 1741	Template:Hs		Wind version of the oratorio, Samson's (HWV 57) "Dead March"
Italian Aria	No Kossi presto nò	Template:Hs	Template:Hs		For soprano. Text apparently macaronic Italian-German
Aria	Der Mund spricht zwar	Template:Hs	Template:Hs		Reworked version of the aria from the opera Almira (HWV 1)
Opera (pasticcio)	Lucio Vero	Template:Hs1745	Template:HsNovember 1745	King's Theatre, London	A pasticcio opera containing music by Handel and performed by the "Middlesex" opera company (named after Lord Middlesex)
Oratorio (pasticcio)		Template:Hs1738	Template:Hs28 March 1738	King's Theatre, Haymarket, London	Handel's benefit performance. Bilingual pasticcio, including much music from "Deborah" (HWV 51), "As pants the hart" (Chandos Anthem No. 6; HWV 251b), a Coronation Anthem, and organ concertos
Oratorio (pasticcio)	Nabal	Template:Hs	Template:Hs16 March 1764	Covent Garden Theatre, London
Oratorio (pasticcio)	Rebecca	Template:Hs	Template:Hs
Oratorio (pasticcio)	Gideon	Template:Hs	Template:Hs10 February 1769	Covent Garden Theatre, London
Aria	Quand on suit l'amoureuse loi	Template:Hs	Template:Hs		A short da capo aria in the style of a gavotte
Opera	Rossane	Template:Hs1743	Template:HsNovember 1743	King's Theatre, London	Revived 24 February 1747 and 20 February 1748 at the King’s Theatre, Haymarket, London. Lampugnani arranged music from Handel's "Alessandro" (HWV 21), which was subsequently performed by the "Middlesex" opera company
French song	Sans y penser	Template:Hs	Template:Hs		Another version of the French song (HWV 155) in a lower key and a simpler bass line
Italian Aria	Sa perchè pena il cor	Template:Hsc. 1712–1717	Template:Hs		For alto
Orchestral Suite	Water Music chamber suite	Template:Hs	Template:Hs		Nine movements. The arrangement is contemporary, but the authenticity is uncertain. Published by Burrows in 1991
Secular/Sacred Hybrid Oratorio	Tobit	Template:Hs	Template:Hs		Compiled by John Christopher Smith from Handel’s operas, oratorios and other works, the oratorio Tobit, sometimes described as a pastiche, provided a winning synthesis of religion and entertainment at a time when newly-minted oratorios, drawing chiefly on biblical subjects were in vogue.

Previously attributed

The following works are no longer thought to have been composed by Handel:

• The Passion nach dem Evang. Johannes (the Passion according to the evangelist John). The work was published in volume nine of the Händel-Gesellschaft (1860), but is now thought to have been composed by the German composer Georg Böhm.

See also

• George Frideric Handel
• Händel-Werke-Verzeichnis
• Händel-Gesellschaft
• Publications by Friedrich Chrysander
• Hallische Händel-Ausgabe
• Handel Reference Database

References

Sources

• Template:Sfn whitelist

External links

• Free scores by George Frideric Handel at the International Music Score Library Project (IMSLP)
• List of compositions at GFHandel.org