Leopard-Skin Pill-Box Hat

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Template:Good article Template:Use mdy dates Script error: No such module "Infobox".Template:Template otherScript error: No such module "Check for unknown parameters".Template:Main other "Leopard-Skin Pill-Box Hat" is a song by the American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. Dylan has denied that the song references any specific individual, although critics have speculated that it refers to Edie Sedgwick, whom Dylan had spent time with in December 1965.

After several takes on January 25 and 27, 1966, in New York, the final version was finally achieved in the early hours of March 10 in Nashville. Released as a single in March 1967, "Leopard-Skin Pill-Box Hat" peaked at number 81 on the American Billboard Hot 100 chart in June 1967. Critics have not rated the song amongst Dylan's best, although the song's humor has been praised. From 1966 to 2013, Dylan played the song live in concert over 500 times.

Background and recording

The song was one of the first compositions attempted by Dylan and the Hawks when in January 1966 they went into Columbia recording studios in New York City to record material for Dylan's seventh studio album, which was eventually released as the double album Blonde on Blonde. Two takes of the song were attempted on January 25, and four takes on January 27, but none of the recordings were deemed satisfactory.Template:SfnTemplate:Sfn Frustrated with the lack of progress made with the Hawks in the New York sessions (only one song, "One of Us Must Know (Sooner or Later)", had been successfully realized), Dylan relocated to Nashville, Tennessee in February 1966, following the recommendation of his producer Bob Johnston.Template:Sfn Johnston hired experienced session musicians, who were joined by Robbie Robertson of the Hawks, and Al Kooper, who had both played at the New York sessions.Template:Sfn

Dylan completed the lyrics for the song between the New York and Nashville sessions.Template:Sfn In Nashville, the evening of the first day of recording, February 14, was devoted to "Leopard-Skin Pill-Box Hat". Present at the session were Charlie McCoy (guitar and bass), Kenny Buttrey (drums), Wayne Moss (guitar), Joe South (guitar and bass), Kooper (organ), Hargus Robbins (piano) and Jerry Kennedy (guitar). Earlier in the day Dylan and the band had achieved satisfactory takes of "Fourth Time Around" and "Visions of Johanna" (which were included on the album), but none of the 13 takes of "Leopard-Skin Pill-Box Hat" recorded on February 14 were to Dylan's satisfaction. Dylan soon left Nashville to play some concerts with the Hawks. He returned in March for a second set of sessions. A satisfactory take of "Leopard-Skin Pill-Box Hat" was finally achieved in the early hours of March 10, 1966.Template:Sfn Dylan sang on the track, and played electric guitar and harmonica.Template:Sfn Kennedy was absent, but, in addition to the musicians from the earlier session, Henry Strzelecki was on bass, and Robertson was on lead guitar, though Dylan himself plays lead guitar on the song's opening 12 bars.Template:Sfn

Releases

Blonde on Blonde, Dylan's seventh studio album, was issued as a double album on June 20, with "Leopard-Skin Pill-Box Hat" as the third track on side two.Template:SfnTemplate:Sfn The album version had a duration of three minutes and fifty-eight seconds.Template:Sfn

The song was included on an EP in West Germany in late 1966.[1] On April 24, 1967, an edited version lasting 2 minutes and 20 seconds was issued as a single in the United States, Canada, and the Netherlands.[1]Template:Efn The Netherland release had a different duration, fading out at 3:42.[1] A UK release of the 2:20 version followed, on May 5, with an Italian release the following month.[1] The single was also released, either in 1967 or around 1967, in Australia, Denmark, France, Greece, New Zealand, Norway, Portugal, South Africa, and West Germany.[1] The singles had "Most Likely You Go Your Way and I'll Go Mine" as the B-side.[1]Template:Sfn The single reached number 81 on the Billboard Hot 100, and 97th place on the Cashbox chart.[2]Template:Sfn

The first take from January 25 was released on The Bootleg Series Vol. 7: No Direction Home: The Soundtrack (2005).Template:Sfn The recording sessions were released in their entirety on the 18-disc Collector's Edition of The Bootleg Series Vol. 12: The Cutting Edge 1965–1966 (2015) with highlights from the February 14, 1966, outtakes appearing on the 6-disc and 2-disc versions of that album.[3]

Composition and lyrical interpretation

Fashion victim

Dylan's lyrics affectionately ridicule a female "fashion victim" who wears a leopard-skin pillbox hat. The pillbox hat was a fashionable ladies' hat in the United States in the early to mid-1960s, most famously worn by Jacqueline Kennedy.Template:SfnTemplate:Sfn Dylan satirically crosses this accessory's high-fashion image with leopard-skin material, perceived as more downmarket and vulgar. The song was also written and released after pillbox hats had been at the height of fashion.Template:Sfn

The narrator of the song is addressing a woman that he wants to be with.Template:Sfn In one verse, the narrator has been advised by the doctor not to see the woman, then finds her with the doctor at his office: "You know, I don't mind him cheatin' on me / But I sure wish he'd take that off his head / Your brand new leopard-skin pill-box hat".Template:Sfn[4] In the last verse, the narrator says that he is aware that the woman has a new partner: "I saw him makin' love to you / you forgot to close the garage door".Template:Sfn[4]

Possible allusion to Edie Sedgwick

Some journalists and Dylan biographers have speculated that the song was inspired by Edie Sedgwick, an actress and model associated with Andy Warhol.Template:SfnTemplate:Sfn Dylan had spent time with Sedgwick in December 1965,Template:Sfn and according to Sedgwick's former housemate Danny Fields, Sedgwick owned a leopard-skin hat.[5]Template:Sfn Dylan's biographer Clinton Heylin wrote that, "for a brief moment, Dylan seemed fascinated by this ill-fated starlet".Template:SfnTemplate:Sfn Scholar of English Graley Herren wrote in 2018 that "most Dylanologists consider Sedgwick the subject of jealous mockery" in the song.Template:Sfn It has been suggested that Sedgwick was an inspiration for other Dylan songs of the time as well, particularly some from Blonde on Blonde;Template:SfnTemplate:Sfn Heylin thought that "One of Us Must Know (Sooner or Later)" was an example.Template:Sfn

Asked in a 1969 interview with Jann Wenner what the song was about, Dylan replied:[6]

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It's just about that. I think that's something I mighta taken out of the newspaper. Mighta seen a picture of one in a department store window. There's really no more to it than thatTemplate:Nbsp... Just a leopard skin pillbox. That's all.

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When asked by his biographer Anthony Scaduto whether songs on Blonde on Blonde such as "Leopard-Skin Pill-Box Hat" referred to specific people, Dylan said that the numbers were "coming down hard on all the people, not just specific people".Template:Sfn another of Dylan's biographers, Robert Shelton interpreted the song as "A sustained joke about mindless excess", where "the hat could mean any trend in fashion or speech, popular or high culture".Template:Sfn

Influences

"Leopard-Skin Pill-Box Hat" is a 12-bar blues,;Template:Sfn melodically and lyrically it resembles Lightnin' Hopkins's "Automobile Blues",Template:SfnTemplate:Sfn English language scholar Douglas Mark Ponton wrote that although Dylan has sometimes used Delta blues themes such as love, sex, mourning and anxiety when composing original blues songs, "he also brings his own kind of lyrical inventiveness to the form, taking it into new semantic territory."Template:Sfn Ponton takes "Leopard-Skin Pill-Box Hat" as an example, where Dylan takes a piece of clothing that is outside the traditional blues lexicon into his song, rather than using the metaphor of an automobile for a woman that had been used by Robert Johnson and Hopkins.Template:Sfn Another possible influence, identified by Craig McGregor in The Sydney Morning Herald, is "In the Evenin'".[7]Template:Efn

Daryl Sanders's comparison of opening verses. He wrote that "the connection to Hopkins's composition is obvious".Template:Sfn
"Automobile Blues" (1961) "Leopard-Skin Pill-Box Hat" (Take 1)

I saw you riding' 'round in your brand-new automobile
Yes, I saw you ridin' around, babe, in your brand-new automobile
Yes, you was sittin there happy with your handsome driver at the wheel
In your brand-new automobile

Well, I see you got your brand-new leopard-skin pill-box hat
Yes, I see you got your brand-new leopard-skin pill-box hat
Tell me now, baby, how's your head feel under that
Under your brand-new leopard-skin pill-box hat

Critical reception

McGregor rated the "very funny" song as one of the best on Blonde on Blonde.[7] When the single was released, a Billboard reviewer considered that both sides were "powerful off-beat" numbers with "strong dance beats and compelling Dylan lyrics loaded with teen sales appeal".[8] A staff writer for Cash Box described "Leopard-Skin Pill-Box Hat" as a "raunchy blues-type item" that Dylan's fans would find agreeable.[9]

Musicologist Wilfrid Mellers described the music as "a frisky boogie rhythm, with plangent blue notes so rapid that they sound more like chortles than sighs".Template:Sfn He felt that Dylan "defuses negative emotions with humour" in the song.Template:Sfn Conversely, music critic Paul Williams felt that it was "the only really mean-spirited song on the album".Template:Sfn "Leopard-Skin Pill-Box Hat" was dismissed as a "minor song" by Michael Gray, who thought that it was merely a "good joke and a vehicle for showing Dylan's electric lead guitar-work".Template:Sfn However, Gray did acclaim Dylan's delivery of "You know it balances on your head / Just like a mattress balances / On a bottle of wine", arguing that "it would be hard to find a better instance of words, tune and delivery working so entirely together".Template:Sfn Author John Nogowski rated the song as "B+", and described it as a "standard blues, with some funny lyrics".Template:Sfn He noted that the track is the only one that credits a guitar solo to Dylan, but felt "He's no Eric Clapton, but it's fun, nevertheless."Template:Sfn Neil Spencer gave the song a rating of 4/5 stars in an Uncut magazine Dylan supplement in 2015.[10]

A 2015 Rolling Stone listing of Dylan's best songs included "Leopard-Skin Pill-Box Hat" in 67th position, referring to it as "a little masterpiece of inside-out innuendo and twisted double-entendre".[11] The same year, USA Today ranked 359 of Dylan's songs, placing the track at number 200.[12] Jim Beviglia had rated it 166th amongst Dylan's songs in his 2013 book.Template:Sfn

Live performances

According to his website, Dylan played "Leopard-Skin Pill-Box Hat" 535 times in concert from 1966 to 2013.[4] The site lists the earliest live performance as February 26, 1966, but the first known live performance was on February 5.[4]Template:Sfn A live version from May 17, 1966, was included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert (1998).[13] On July 7, 1984, Dylan performed the song with Clapton and Chrissie Hynde at Wembley Stadium as part of his tour with Santana.[14] The next day, at Slane Castle, Dylan was due to duet with Bono on the track, but Bono forgot the lyrics and left the stage.[14][15]Template:Efn

Usage by other artists

Cat Power has covered the song as part of her Cat Power Sings Dylan show, including a performance at the Royal Albert Hall in November 2022 in which she recreated the "Royal Albert Hall" concert.[16]

In 2013, experimental hip-hop band Death Grips released a song entitled "You Might Think He Loves You for Your Money but I Know What He Really Loves You for It’s Your Brand New Leopard Skin Pillbox Hat". The song takes its title from a lyric in "Leopard-Skin Pill-Box Hat", although no reference to Dylan's song itself is made within their song.[17]

Personnel

A man playing an electric guitar
Robbie Robertson (pictured in 1971) wrote that "Sometimes it was hard to concentrate on playing while hearing the outrageous words Bob kept belting out. The images in the song were hilarious".Template:Sfn

The personnel for the album version were as follows.

MusiciansTemplate:Sfn

TechnicalTemplate:Sfn

Charts

1967 single
Chart (1967) Peak position
US Billboard Hot 100Template:Sfn 81
US Top 100 (Cashbox)Template:Sfn 97

Notes

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References

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Sources

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External links

  • Lyrics, from Bob Dylan's official website

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