Katsuji Fukuda

Template:Short description was a Japanese photographer known for his photographs of still lifes and nudes, and also a writer of practical books about photography.

Fukuda was born on 11 January 1899 in Nakanoseki (later part of Hōfu), Yamaguchi (Japan). He moved to Tokyo in 1920, and worked at Takachiho Seisakujo (later renamed Olympus), where he worked making thermometers and developed an interest in photography, buying a Vest Pocket Kodak. The 1923 Kantō earthquake impelled him to leave the company and move to Kansai.

Fukuda ran a photographic studio in Sakai and Osaka, but this failed. He then worked as an editorial assistant on Hakuyō Fuchikami's periodical Hakuyō. A photograph he took in 1925, shown in an exhibition (titled Template:Category handler, Nihon Shashin Bijutsutenrankai) at Daimaru department store (Osaka) and elsewhere, won the Ilford Diamond Prize the following year. Fukuda then worked as a commercial photographer in Sakai and Hiroshima.

Fukuda moved back to Tokyo in 1933, where, influenced by Modernist trends from Europe (particularly Moholy-Nagy), he pursued a successful career as an advertising photographer. (Other than for a year at Hōfu toward the end of the war, Fukuda stayed in Tokyo for the rest of his life.) A series of photographs in Asahi Camera starting in 1936 and including portraits of Setsuko Hara and Takako Irie was very popular, and the next year Fukuda turned this into a book on photographing women that became a best-seller.

After the war, Fukuda published collections of nude studies and more books on photographic technique. He also experimented with color. The value he placed on the expression of beauty rendered his work old fashioned with the postwar wave of realism led by photographers such as Ken Domon, and the trends that followed this. In 1974 he was not even among one hundred living photographers profiled in a Camera Mainichi supplement. However, he contributed one volume (Shōka / Psalm) to the popular series "Sonorama Shashin Sensho" in 1979; in an afterword to this, Akira Hasegawa writes:

There are no photographers of women in Japan even today who have not been influenced by Fukuda in one way or another. Many techniques commonly used today were developed by Fukuda, a fact which has been forgotten.

Fukuda continued working in his old age. He died on 26 December 1991. The estimation of his work has since increased, and it is often anthologized in collections of Modernist and mid-century works. A major exhibition of his work was held in the Yamaguchi Prefectural Museum of Art in 1994.

Works by Fukuda are in the permanent collections of the National Museum of Modern Art, Tokyo, Yokohama Museum of Art, and Yamaguchi Prefectural Museum of Art.

Books by Fukuda

• Genzō no jissai (Template:Category handler). Asahi Camera Sōsha 14. Tokyo: Asahi Shinbunsha, 1937. Template:In lang
• Onna no utsushikata (Template:Category handler) / Photokunst von Frauen. Tokyo: Ars, 1937. Template:In lang Despite the German-language alternative title, all in Japanese.
• Haru no shashin-jutsu (Template:Category handler). Tokyo: Ars, 1938. Template:In lang
• Watakushi no shashinshū: Sakuga no jissai (Template:Category handler) / Meine Foto-bilder. Tokyo: Ars, 1938. Template:In lang Despite the German-language alternative title embossed in the cover, all in Japanese. Fifty-eight pages of black and white plates, followed by 84 pages of commentary and advice on photography.
• Haru no shashinshū (Template:Category handler) / Spring Photography. Tokyo: Ars, 1939. Template:In lang
• Onna no utsushikata: zoku (Template:Category handler). Tokyo: Ars, 1939. Template:In lang
• Seibutsu shashin no tsukurikata (Template:Category handler). Ars Shashin Bunko 18. Tokyo: Ars, 1939. How to photograph still lifes. Template:In lang
• Ginza (Template:Category handler, Ginza). Tokyo: Genkōsha, 1941. With an essay by Tama Morita (Template:Category handler). Template:In lang
• Ushi kau shōgakkō (Template:Category handler). Tokyo: Genkōsha, 1941. Template:In lang
• Shuppatsu (Template:Category handler, Departure). Tokyo: Kōgasō, 1942. Template:In lang A miscellany of photographs: nature, women, still lifes, etc.
• Jingu Gaien (Template:Category handler). Tokyo: Nihon Shashin Kōgeisha, 1942. Template:In lang
• Rafu gotai (Template:Category handler). Tokyo: Ivuningusutā-sha, 1946. Template:In lang
• Onna no utsushikata (Template:Category handler). Tokyo: Seiusha, 1947. Template:In lang A booklet; not the same as the identically titled book published ten years earlier. Photographs of women, clothed and nude.
• Hana to rafu to (Template:Category handler, Flowers and nude women) / Nude et fleur. Tokyo: Ivuningusutā-sha, 1947. Template:In lang Flowers, nude women, their combination, etc. Despite the alternative title, in Japanese only.
• Shashin geijutsu (Template:Category handler). Tokyo: Kōgasō, 1949. Template:In lang
• Iro to hikari no geijutsu: Fukuda Katsuji tennenshoku shashin sakuhinshū (Template:Category handler). Tokyo: Ondorisha, 1951. Template:In lang
• Mite wakaru shashin no utsushikata (Template:Category handler). Tokyo: Onodorisha, 1951. Template:In lang
• Watakushi-tachi no kimono (Template:Category handler). Seikatsu Gurabia Sōsho. Tokyo: Ondorisha, 1951. Template:In lang
• Ginza (Template:Category handler). Tokyo: Ars, 1952. Template:In lang
• Onna no utsushikata (Template:Category handler). Tokyo: Ars, 1955. Special issue of Camera, July. Template:In lang
• Kamera no sekai (Template:Category handler). Zusetsu Bunko 32. Tokyo: Kaiseisha, 1957. Template:In lang
• Atarashiki miwaku (Template:Category handler). Nippon Camera rinji zōkan. Tokyo: Nippon Camera-sha, 1958. Template:In lang Women (mostly nudes).
• Kyōto (Template:Category handler) / Kyoto. Tokyo: Iwasaki Shoten, 1958. Template:In lang
• Bi no tabiji (Template:Category handler). Tokyo: Futsūsha, 1962. Template:In lang
• Shōka (Template:Category handler) / Psalm. Sonorama Shashin Sensho 19. Tokyo: Asahi Sonorama, 1979. Template:In lang Women (some of them nude), still lifes, and photographs from Fukuda's 1955 travel in Italy. No captions, but with some text in English as well as Japanese.
• Shashinka Fukuda Katsuji-ten: Kokō no modanisuto (Template:Category handler) / Katsuji Fukuda. Yamaguchi: Yamaguchi Prefectural Museum of Art, 1994. Template:In lang Catalogue of a major exhibition of Fukuda's work held at the Yamaguchi Prefectural Museum of Art in 1994.

Other books showing works by Fukuda

• Klochko, Deborah, ed. Modern Photography in Japan 1915–1940. San Francisco: The Friends of Photography, 2001. Template:ISBN. Template:In lang The plates are not paginated but are alphabetically ordered by photographer. One still life of Fukuda's from 1925 is shown.
• Matsumoto Norihiko. (Template:Category handler), ed. A Collection of Japanese Photographs 1912–1940. Tokyo: Shashinkosha, 1990. Template:In lang Despite its English-only title, the book is in Japanese only. Plate 18 is a still life by Fukuda from 1925.
• Modanizumu no jidai (Template:Category handler) / The Age of Modernism. Tokyo: Tokyo Metropolitan Museum of Photography, 1995. Template:In lang Catalogue of an exhibition held 1995–96 at the Tokyo Metropolitan Museum of Photography. Three still lifes from 1925 on p. 42, a portrait on p. 74.
• Nihon nūdo meisakushū (Template:Category handler, Japanese nudes). Camera Mainichi bessatsu. Tokyo: Mainichi Shinbunsha, 1982. Template:In lang Pp. 81–88 show Fukuda's work from 1946 to 1980.
• Nihon kindai shashin no seiritsu to tenkai (Template:Category handler) / The Founding and Development of Modern Photography in Japan. Tokyo: Tokyo Museum of Photography, 1995. Template:In lang Plates 166 and 167 are of works by Fukuda.
• Nihon no shashin: Uchinaru katachi, sotonaru katachi 2: Sengo shashin no hen'yō: 1945–80 (Template:Category handler) / Japanese Photography: Form In/Out 2: The Transformation of Photography in the Postwar Era: 1945–80. Tokyo: Tokyo Metropolitan Museum of Photography, 1996. Template:In lang Exhibition catalogue. A nude from 1946 is shown on p. 40.
• Sengo shashin / Saisei to tenkai (Template:Category handler) / Twelve Photographers in Japan, 1945–55. Yamaguchi: Yamaguchi Prefectural Museum of Art, 1990. Template:In lang Despite the alternative title in English, almost exclusively in Japanese (although each of the twelve has a potted chronology in English). Pp. 82–92 show Fukuda's works from 1925 to 1965.
• Shashinka wa nani o hyōgen shita ka: 1945–1960 (Template:Category handler, What were photographers expressing? 1945–1960). Tokyo: Konica Plaza, 1991. Template:In lang Three postwar works and a potted chronology on pp. 48–49.

References

• Hasegawa, Akira. "Psalm: Katsuji Fukuda." Afterword to Fukuda's book Shōka / Psalm. Template:In lang
• Matsumoto Norihiko (Template:Category handler), ed. Nihon no bijutsukan to shashin korekushon (Template:Category handler, Japan's art galleries and photography collections). Kyoto: Tankōsha, 2002. Template:ISBN. Template:In lang
• Moriyama Tomoe (Template:Category handler). "Fukuda Katsuji". Nihon shashinka jiten (Template:Category handler) / 328 Outstanding Japanese Photographers. Kyoto: Tankōsha, 2000. Template:ISBN. P.267. Template:In lang Despite the English-language alternative title, all in Japanese.
• Nihon no shashinka (Template:Category handler) / Biographic Dictionary of Japanese Photography. Tokyo: Nichigai Associates, 2005. Template:ISBN. Pp. 347–49. Template:In lang Despite the English-language alternative title, all in Japanese.