John Koukouzeles

John Koukouzeles Papadopoulos (Template:Langx) was a Byzantine composer, singer and reformer of Byzantine chant.Template:Sfn He was recognized as a saint by the Eastern Orthodox Church after his death. Among the most illustrious musicians of the Palaiologos dynasty,Template:Sfn his music remains held in high esteem by Albanians, Bulgarians, Greeks, Macedonians, Romanians and Serbs.

Name and etymology

The name "Koukouzeles" was not the composer's surname. His real surname was Papadopoulos.Template:Sfn "Koukouzeles" is allegedly derived from the Greek word for broad beans (κουκιά, koukia) and a Slavic/Bulgarian word for cabbage (зеле, zele). Allegedly, the name appeared when Koukouzeles was asked in school about the food he was eating and he replied koukia kai zelie (Template:Langx). This, however, is regarded as a folk etymology. The name is most likely derived from the Greek word koukoutzi (Template:Langx) along with the common Greek suffix -elis (Template:Langx). A relation with the word koukoutseli (Template:Langx), a Greek word which was used to refer to some kind of bird, has also been proposed.

Life and career

Information about Koukouzeles' life and career is unclear and subject to controversy. Even the era in which he lived is disputed. It is conjectured that he lived between the 12th and 15th centuries. According to musicologist Gregorios Stathis, it is unlikely that Koukouzeles lived in the 12th or early 13th centuries, or after the late 14th century, proposing instead that he lived during the late 13th (c. Template:Trim) and early 14th centuries (before 1341).

Information about his life is derived mainly from two sources. First, the large body of his musical manuscripts containing his works and secondly from copies of a late, anonymous and problematic work of dubious authority called Life. From the former, we learn that his last name was Papadopoulos;Template:Sfn he studied with Xenos Koronis under a cantor named John Glykes (likely a reference to John XIII of Constantinople) and changed his name to Ioannikios when he became a monk.

File:Papadike Trochos.jpg

The wheel (trochos) known as "the solfège of Master John Koukouzeles" ()

According to the latter, the anonymous biography Life "of dubious authority", Koukouzeles was born in Dyrrhachium (modern-day Durrës, Albania) in the late 13th century to a father of unknown origins, (probably Greek) and a Slavic/Bulgarian mother. He was orphaned in childhood. Nevertheless, the accuracy of Life is disputed, since it was written many years after the death of Koukouzeles and also makes several fantastical claims. According to a modern German historian, he was instead born in Anatolia under the Empire of Nicaea; this opinion is based on the existence of chromatic intervals in Byzantine music. As evidenced by his real surname Papadopoulos, he was probably the son of a priest.

At a young age he was noted and accepted into the school at the imperial court at Constantinople, where he received his education and established himself as one of the leading authorities in his field during the time. A favourite of the Byzantine emperor and a principal choir chanter, he moved to Mount Athos and led a monastic way of life in the Great Lavra. Because of his singing abilities, he was called "Angel-voiced".

Musical style and compositions

Koukouzeles established a new melodious ("kalophonic") style of singing out of the sticherarion. Some years after the fall of Constantinople Manuel Chrysaphes characterised the and the as new genres of psaltic art which were once created by Koukouzeles.

File:Saint John Koukouzelis.jpg

Mural of Saint John Koukouzeles inside an Orthodox church in Patras, Greece

Reception

In general it is useful to make a distinction between compositions which can be verified as the compositions by Koukouzeles, and those which are simply based on the method which he taught (as a stylistic category based on the as exemplified by Mega Ison). Even concerning famous compositions, their authorship is often a subject of scholarly debates whose concern is not always the talent of one individual composer – like the Polyeleoi of the Voulgara allegedly dedicated to his mother that, according to some Bulgarian researchers, contains elements of traditional Bulgarian mourning songs. Greek editions of the same Polyeleos are different and especially the authorship of the Kratema used in the Bulgarian edition has been a controversial issue. Additionally, the word Voulgara might not refer to his alleged mother, but instead to the European bee-eater, a bird which was called by the same name. Concerning , there are numerous compositions made up in his name, but his authorship must be regarded as a certain school which had a lot of followers and imitators.

Modern print editions of chant books have only a very few compositions (different melismatic echos varys realisations of , several Polyeleos compositions, the , the Mega Ison, the Anoixantaria) which are almost never sung, except the short Sunday koinonikon, for the very practical reason that most of Koukouzeles' compositions, at least based on the exegetic transcriptions by Chourmouzios Chartophylakos,Template:Sfn are simply too long.

Sainthood and legacy

Koukouzeles is regarded as the most influential figure in the music of his period. He was later recognized as a saint by the Eastern Orthodox Church, his feast day being on 1 October.

A musical school in his native Durrës bears his name, Shkolla Jon Kukuzeli. Also, Kukuzel Cove in Livingston Island in the South Shetland Islands of Antarctica is named after Koukouzeles, using the Slavic form of his name.

Sources

• Template:Trim Template:Replace on YouTube, John Koukouzelis: "Polielei na Bĕlgarkata in Glas 5" (extracts), Bulgarian Byzantine Choir, Dimitar Dimitrov Template:Webarchive
• Template:Subscription

External links

• Template:Trim Template:Replace on YouTube, about Φρούρηζον (Protect, o most glorious) in , Greek Byzantine Choir, Lycourgos Angelopoulos
• Template:Trim Template:Replace on YouTube, Sunday Koinonikon Хвалите Господа с'небес in Glas 5, Sofia Priest Choir, Kiril Popov