Ilango Adigal

File:Puhar-ILango.jpg

Relief sculpture of Ilango Adigal, in the Silappathikara Art Gallery, Poombuhar, Tamil Nadu.

Ilango Adigal (a title, literally "prince ascetic", fl. c. 4th-6th century CETemplate:Sfn) was a Jain monk, belonging to the Chera royal family, from the city of Vanchi. He is traditionally credited as the author of the epic poem Cilappatikaram (the Song of the Anklet), one of the Five Great Epics of Tamil literature.

In the patikam (the prologue) to the poem, Ilango Adigal identifies himself as the brother of the Chera king Cenkuttuvan (c. late 2nd century CE).Template:Sfn However, it is generally assumed that the author was a member of the Chera royal family who lived much later than Cenkuttuvan and composed the poem based on a reliable version of the historical tradition concerning Cenkuttuvan and Kannaki.Template:Sfn

Biography

No directly verifiable information about Ilango Adigal exists outside of Cilappatikaram ("The Lay of the Anklet") and its prologue.Template:SfnTemplate:Sfn

According to the text, Ilango Adigal was a Chera prince ("Kudakko Ceral Ilanko").Template:SfnTemplate:Sfn He was the younger son of the Chera king "Imayavarampan" Ceralatan and Conai/Nalconai of the Chola dynasty. His elder brother was Cenkuttuvan, the future warrior-king from the Chera family.Template:Sfn

Ilango is said to have renounced royal life after a soothsayer informed the Chera court that the younger prince was destined to succeed his father.Template:Sfn To avoid this fate, he chose the path of asceticism and became a Jain monk, residing in a monastery called "Kunavayirkottam", located outside the Chera capital of Vanchi.Template:SfnTemplate:Sfn

It was likely another poet, Chathanar — a friend of Ilango — who discussed the legend of Kannaki with him and inspired the creation of the epic poem.Template:Sfn In several parts of Cilappatikaram, the main characters are shown encountering a Jaina monk or nun.Template:SfnTemplate:Sfn

Legacy

The epic Cilappatikaram — credited to Ilango Adigal — inspired another Tamil poetic work titled Manimekalai, which serves as its sequel. Manimekalai centers on the daughter of Kovalan, the protagonist of Cilappatikaram, and Madhavi, the dancing girl who had an affair with him.

Historic dating

The dating of Ilango Adigal, the author, to early historic south India or the Sangam period remains uncertain. This is primarily due to the absence of any mention of Ilango Adigal in the Fifth Ten of the Patitruppattu Collection, a text that provides a detailed biography of Cenkuttuvan, his royal family, and his reign (and yet does not refer to the king having a brother who became an ascetic or composed an epic). As such, scholars have posited that the biography of Ilango Adigal was likely interpolated into Cilappatikaram at a later date.

Scholar Zvelebil suggested that the Ilango Adigal background and his connection to Cenkuttuvan could be a product of "poetic fantasy", possibly introduced by a later member of the Chera dynasty (in the 5th or 6th century CE), reflecting on events from the 2nd or 3rd century CE.Template:Sfn Zvelebil, however, expanded on this by stating:Template:Main other The author [Ilango Adigal] appears as a character in the final canto of the poem (lines 155–178), where the phrase "I also went in [...]" is used. Scholars interpret this "I" as referring to Ilango Adigal himself.Template:Sfn

According to Zvelebil, the background was likely added by Ilango Adigal to ensure that he remained part of the collective memory within the epic he composed.Template:Sfn Zvelebil suggests that Adigal was probably a Jain scholar who lived several centuries later, and that his epic "cannot have been composed before the 5th or 6th century AD".Template:Sfn

R. Parthasarathy, another scholar, suggests that Ilango Adigal was likely neither a prince nor connected to the Chera dynasty. Instead, he believes that these references were added to elevate the status of the text, secure royal patronage, and play a key role in the institutionalization of the worship of the goddess Pattini and her temples in the Tamil country (modern Kerala and Tamil Nadu) as described in the poem.Template:Sfn

Gajabahu Synchronism

The epic Cilappatikaram also mentions, among other details, the "Gajabahu Synchronism" (Canto 30, lines 155-164). This reference was famously used by historians such as K. A. Nilakanta Sastri to date the poem and early Tamil history to 2nd/3rd century CE.Template:Sfn

Cilappatikaram (Canto 30, lines 155-164) states that the poet Ilango Adigal attended the consecration of the Pattini temple by Chera king Cenkuttuvan, at the Chera city of Vanchi, in the presence of Gajabahu, the king of Sri Lanka. The Gajabahu mentioned in the text is identified with the historical ruler of Sri Lanka bearing the same name (c. 173-95 CE).Template:Sfn This identification has led to the proposal that Ilango Adigal lived during the same period as the historical Gajabahu, in early historic south India.Template:Sfn

However, scholars such as Obeyesekere consider the epic's references to Gajabahu and the kinship between Ilango Adigal and Cenkuttuvan to be "ahistorical", suggesting that these portions were likely late interpolations into the poem.Template:Sfn However, it is now widely recognized that additional evidence generally supports the Gajabahu chronology.

See also

• Five Great Epics
• Tamil literature

External links

• Template:Librivox author