New Hollywood

Template:Short description Template:Use American English Template:Use mdy dates Template:Infobox Film Movement The New Hollywood, Hollywood Renaissance, or American New Wave, was a movement in American film history from the mid-1960s to the early 1980s,^[1] when a new generation of filmmakers came to prominence. They influenced the types of film produced, their production and marketing, and the way major studios approached filmmaking.^[2] In New Hollywood films, the film director, rather than the studio, took on a key authorial role.^[3]

The definition of "New Hollywood" varies, depending on the author, with some defining it as a movement and others as a period. The span of the period is also a subject of debate, as well as its integrity, as some authors, such as Thomas Schatz, argue that the New Hollywood consists of several different movements. The films made in this movement are stylistically characterized in that their narrative often deviated from classical norms. After the demise of the studio system and the rise of television, the commercial success of films was diminished.^[3]

Successful films of the early New Hollywood era include Bonnie and Clyde,^[4] The GraduateTemplate:Sfn^[5] and Easy Rider^[6] while films whose box office failure marked the end of the era include New York, New York, Sorcerer, Heaven's Gate, They All Laughed, and One from the Heart.^[7]^[8]^[9]

It is also the name of a 1990 NBC News special hosted by Tom Brokaw about the then "new" Hollywood industry of the 1980s and early 1990s making epic mainstream blockbusters, personal mid-budget fare and smaller independent efforts.Template:Refn^[10]

History

Background

In fact, The Wild Angels was kind of a... it was a big success for the New Hollywood. It was Roger Corman, it was Peter Fonda, Nancy Sinatra, it was a New Hollywood kind of movie, and it was very anti-the Old Hollywood, it was very hard-edged, violent, you know, it was not at all an Old Hollywood movie. And I didn't, I wasn't particularly aware of it. Then the following year was Bonnie and Clyde. Shadows had come out in the early '60s, so that was really the first sign of a kind of off-Hollywood movement.^[11]
– Peter Bogdanovich

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Following the Paramount Case (which ended block booking and ownership of theater chains by film studios)^[12]^[13] and the advent of television^[14] (where Gore Vidal, Rod Serling, John Frankenheimer, Arthur Penn, Paddy Chayefsky and Sidney Lumet worked in their earlier years)Template:Refn, both of which severely weakened both the traditional studio system^[15]^[16] and the Motion Picture Production Code (or the Hays Code), Hollywood studios initially used spectacle to retain profitability. Technicolor developed a far more widespread use, while widescreen processes and technical improvements, such as CinemaScope, stereo sound, and others, such as 3-D, were invented to retain the dwindling audience and compete with television. However, these were generally unsuccessful in increasing profits.^[17] By 1957, Life magazine called the 1950s "the horrible decade" for Hollywood. It was dubbed a "New Hollywood" by a press.^[18]

In the 1950s and early 1960s, Hollywood was dominated by musicals, historical epics, and other films that benefited from the larger screens, wider framing, and improved sound. However, audience shares continued to dwindle, and had reached alarmingly low levels by the mid-1960s. Several costly flops, including Doctor Dolittle,^[19] Tora! Tora! Tora!^[20] and the Julie Andrews vehicle Star!, each failed attempts to replicate the success of Mary Poppins, Doctor Zhivago and The Sound of Music, put great strain on the studios.^[21]^[22]^[23] Both British and American press dismissed filmmakers Alfred Hitchcock and Howard Hawks as "frivolous entertainers and nothing more" while praising more respectable "models of American art films" like Stanley Kramer's Judgment at Nuremberg.^[24] American underground cinema was usually regarded as "marginal and parochial" even with the debut features of John Cassavetes (Shadows in 1959) and Shirley Clarke (The Connection in 1961)^[25] as both were being praised by Esquire film critic Dwight Macdonald (despite being hostile to other underground titles like Jonas Mekas's 1963 manifestation Guns of the Trees).^[24]

By the time the Baby Boomer generation started to come of age in the mid-late 1960s, "Old Hollywood" was rapidly losing money; the studios were unsure how to react to the much-changed audience demographics. The change in the market during the period went from a middle-aged high school-educated audience in the mid-1960s to a younger, more affluent, college-educated demographic: by the mid-1970s, 76% of all movie-goers were under 30, 64% of whom had gone to college.^[26] European films, both arthouse and commercial (especially the Commedia all'italiana, the French New Wave, the Spaghetti Western), and Japanese cinema^[27] were making a splash in the United States – the huge market of disaffected youth seemed to find relevance and artistic meaning in movies like Michelangelo Antonioni's Blowup, with its oblique narrative structure and full-frontal female nudity.^[28]^[29]

The desperation felt by studios during this period of economic downturn, and after the losses from expensive movie flops, led to innovation and risk-taking, allowing greater control by younger directors and producers.^{Schatz|1993|pp=14–16-30|[30]} Therefore, in an attempt to capture that audience that found a connection to the "art films" of Europe, the studios hired a host of young filmmakers and allowed them to make their films with relatively little studio control.^[31] Some of whom, like actor Jack Nicholson, Dennis Hopper (who also was the main lead in Curtis Harrington's 1961 supernatural thriller Night Tide, distributed by Corman's American International Pictures)^[32]^[33] and director Peter Bogdanovich, were mentored by "King of the Bs" Roger Corman^[34]^[35]^[36]^[37] while others like celebrated cinematographer Vilmos Zsigmond worked for lesser-known B movie directors like Ray Dennis Steckler, known for the 1962 Arch Hall Jr. vehicle Wild Guitar^[38] and the 1963 horror musical flick The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies.^[39] This, together with the breakdown of the Hays Code^[40]^[41] following the Freedman v. Maryland court case in 1965 and the new ratings system in 1968^[42]^[43] (reflecting growing market segmentation) set the scene for the New Hollywood.^[44]

Bonnie and Clyde and The Graduate

A defining film of the New Hollywood generation was Bonnie and Clyde (1967).^[4] Produced by and starring Warren Beatty and directed by Arthur Penn, its combination of graphic violence and humor, as well as its theme of glamorous disaffected youth, was a hit with audiences. The film eventually won Academy Awards for Best Supporting Actress (Estelle Parsons)^[45] and Best Cinematography.^[46]^[47]

When Jack L. Warner, then-CEO of Warner Bros., first saw a rough cut of Bonnie and Clyde in the summer of 1967, he hated it. Distribution executives at Warner Brothers agreed, giving the film a low-key premiere and limited release. Their strategy appeared justified when Bosley Crowther, middlebrow film critic at The New York Times, gave the movie a scathing review. "It is a cheap piece of bald-faced slapstick comedy," he wrote, "that treats the hideous depredations of that sleazy, moronic pair as though they were as full of fun and frolic as the jazz-age cut-ups in Thoroughly Modern Millie..." Other notices, including those from Time and Newsweek magazines, were equally dismissive.^[48]

Its portrayal of violence and ambiguity in regard to moral values, and its startling ending, divided critics. Following one of the negative reviews, Time magazine received letters from fans of the movie, and according to journalist Peter Biskind, the impact of critic Pauline Kael in her positive review of the film (October 1967, New Yorker) led other reviewers to follow her lead and re-evaluate the film (notably Newsweek and Time).^[49] Kael drew attention to the innocence of the characters in the film and the artistic merit of the contrast of that with the violence in the film: "In a sense, it is the absence of sadism — it is the violence without sadism — that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Kael also noted the reaction of audiences to the violent climax of the movie, and the potential to empathize with the gang of criminals in terms of their naiveté and innocence reflecting a change in expectations of American cinema.^[50]

The cover story in Time magazine in December 1967, celebrated the movie and innovation in American New Wave cinema. This influential article by Stefan Kanfer claimed that Bonnie and Clyde represented a "New Cinema" through its blurred genre lines, and disregard for honored aspects of plot and motivation, and that "In both conception and execution, Bonnie and Clyde is a watershed picture, the kind that signals a new style, a new trend."^[29] Biskind states that this review and turnaround by some critics allowed the film to be re-released, thus proving its commercial success and reflecting the move toward the New Hollywood.^[51] The impact of this film is important in understanding the rest of the American New Wave, as well as the conditions that were necessary for it.

Also released the same year was another era-defining hit about the celebration of youthful rebellion The Graduate, starring Dustin Hoffman, with soundtrack by the popular folk duo Simon & Garfunkel^[52]^[53]^[54] and directed by Mike Nichols (for which he won the film's sole Oscar for Best Director), about Benjamin, a young college graduate rejecting the traditional values of his parents and their hypocritical society alongside a future in "plastics".^[55]^[56]

These initial successes paved the way for the studio to relinquish almost complete control to these innovative young filmmakers. In the mid-1970s, idiosyncratic, startlingly original films such as Paper Moon, Dog Day Afternoon, Chinatown, and Taxi Driver, among others, enjoyed enormous critical and commercial success. These successes by the members of the New Hollywood led each of them in turn to make more and more extravagant demands, both on the studio and eventually on the audience.

Characteristics

File:Bonnie and Clyde (1967 promo photo - Dunaway & Beatty).jpg

Bonnie and Clyde (1967)

File:Zombies NightoftheLivingDead.jpg

Night of the Living Dead (1968)

File:Discovery One from trailer of 2001 A Space Odyssey (1968).png

2001: A Space Odyssey (1968)

The new generation of Hollywood filmmakers was most importantly, from the studios' view, young, therefore able to reach the youth audience they were losing. This collective of actors, screenwriters and directors, dubbed the "New Hollywood" by the press, briefly changed the business from the producer-driven Hollywood system of the past as Todd Berliner has written about the period's unusual narrative practices.^[57]

The 1970s, Berliner says, marks Hollywood's most significant formal transformation since the conversion to sound film and is the defining period separating the storytelling modes of the studio era and contemporary Hollywood. New Hollywood films deviate from classical narrative norms more than Hollywood films from any other era or movement. Their narrative and stylistic devices threaten to derail an otherwise straightforward narration. Berliner argues that five principles govern the narrative strategies characteristic of Hollywood films of the 1970s:

Seventies films show a perverse tendency to integrate, in narrative incidental ways, story information and stylistic devices counterproductive to the films' overt and essential narrative purposes.
Hollywood filmmakers of the 1970s often situate their film-making practices in between those of classical Hollywood and those of European and Asian art cinema.
Seventies films prompt spectator responses more uncertain and discomforting than those of more typical Hollywood cinema.
Seventies narratives place an uncommon emphasis on irresolution, particularly at the moment of climax or in epilogues, when more conventional Hollywood movies busy themselves tying up loose ends.
Seventies cinema hinders narrative linearity and momentum and scuttles its potential to generate suspense and excitement.^[58]

Seventies cinema also dealt with female identity in the era of second wave feminism, masculine crises featuring flawed male characters, downbeat conclusions and pessimistic subject mattersTemplate:Refn alongside emotional realism in female identity stories,^[59] negative attitudes toward authoritative institutions and other aspects of American life^[60]^[61] and hard-nosed depictions of an America reeling from tense conflicts like The Vietnam War and President Richard Nixon's Watergate scandal.^[62]^[63]^[64] Some New Hollywood titles like Hopper's acid western^[65] The Last Movie and Brian De Palma's musical Phantom of the Paradise had more eccentric characteristics including indulgent storylines and dizzying disregard of genre conventions.^[66]

Thomas Schatz points to another difference with the Hollywood Golden Age, which deals with the relationship of characters and plot. He argues that plot in classical Hollywood films (and some of the earlier New Hollywood films like The Godfather) "tended to emerge more organically as a function of the drives, desires, motivations, and goals of the central characters". However, beginning with mid-1970s, he points to a trend where "characters became plot functions".^[67]

During the height of the studio system, films were made almost exclusively on set in isolated studios. The content of films was limited by the Motion Picture Production Code, and though golden-age film-makers found loopholes in its rules, the discussion of more taboo content through film was effectively prevented. The shift towards a "new realism" was made possible when the Motion Picture Association of America film rating system was introduced and location shooting was becoming more viable. New York City was a favorite spot for this new set of filmmakers due to its gritty and grimy atmosphere.^[68]^[69]^[70]^[71]^[72]

Because of breakthroughs in film technology (e.g. the Panavision Panaflex camera, introduced in 1972; the Steadicam, introduced in 1976), the New Hollywood filmmakers could shoot 35mm camera film in exteriors with relative ease. Since location shooting was cheaper (no sets need to be built) New Hollywood filmmakers rapidly developed the taste for location shooting, resulting in a more naturalistic approach to filmmaking, especially when compared to the mostly stylized approach of classical Hollywood musicals and spectacles made to compete with television during the 1950s and early 1960s. The documentary films of D.A. Pennebaker, Emile de Antonio, the Maysles Brothers and Frederick Wiseman, among others, also influenced filmmakers of this era.^[73]^[74]

However, in editing, New Hollywood filmmakers adhered to realism more liberally than most of their classical Hollywood predecessors, often using editing for artistic purposes rather than for continuity alone, a practice inspired by European art films and classical Hollywood directors such as D. W. Griffith and Hitchcock. Films with unorthodox editing included Easy RiderTemplate:'s use of jump cuts (influenced by the works of experimental collage filmmaker Bruce Conner)^[75]^[76]^[77] to foreshadow the climax of the movie, as well as subtler uses, such as those to reflect the feeling of frustration in Bonnie and Clyde, the subjectivity of the protagonist in The Graduate and the passage of time in the famous match cut from 2001: A Space Odyssey.^[78]^[79] Dense sound design was also commonplace during this era.^[80]

Also influential were the works of experimental and structural filmmakers Arthur Lipsett,^[81] Stan Brakhage,^[24] Bruce Baillie,^[82] Jordan Belson,^[83]^[84] John Whitney,^[84] Scott Bartlett,^[85] Maya Deren,^[25] Andy Warhol,^[73] Michael Snow and Kenneth Anger^[24] with their combinations of music and imagery and each were cited by George Lucas, Francis Ford Coppola and Martin Scorsese as influences.^[86]^[25] The New Hollywood generation of directors and screenwriters (each educated at either USC, UCLA, NYU and AFI^[87]) such as Coppola, Lucas, Scorsese, Steven Spielberg, John Milius and Paul Schrader^[88] were sometimes jokingly labeled as "Movie Brats" or "Young Turks".^[89]

The end of the production code enabled New Hollywood films to feature anti-establishment political themes, the use of rock music, and sexual freedom deemed "counter-cultural" by the studios.^[90] The youth movement of the 1960s turned anti-heroes like Bonnie and Clyde and Cool Hand Luke into pop-culture idols, and Life magazine called the characters in Easy Rider "part of the fundamental myth central to the counterculture of the late 1960s."^[91] Easy Rider also affected the way studios looked to reach the youth market.^[91] The success of Midnight Cowboy, in spite of its "X" rating, was evidence for the interest in controversial themes at the time and also showed the weakness of the rating system and segmentation of the audience.^[92]

Interpretations on defining the movement

For Peter Biskind, the new wave was foreshadowed by Bonnie and Clyde and began in earnest with Easy Rider. Biskind's book Easy Riders, Raging Bulls argues that the New Hollywood movement marked a significant shift towards independently produced and innovative works by a new wave of directors, but that this shift began to reverse itself when the commercial success of Jaws and Star Wars led to the realization by studios of the importance of blockbusters, advertising and control over production (even though the success of The Godfather was said to be the precursor to the blockbuster phenomenon).^[93]^[94]

Writing in 1968, critic Pauline Kael argued that the importance of The Graduate was in its social significance in relation to a new young audience, and the role of mass media, rather than any artistic aspects. Kael argued that college students identifying with The Graduate were not too different from audiences identifying with characters in dramas of the previous decade.^[95] She also compared this era of cinema to "tangled, bitter flowering of American letters in the 1850s".^[96]

Filmmaker Quentin Tarantino identified in his 2022 book Cinema Speculation that:^[8]

"regular moviegoers were becoming weary of modern American movies. The darkness, the drug use, the embrace of sensation-the violence, the sex, and the sexual violence. But even more than that, they became weary of the anti-everything cynicism... Was everything a bummer? Was everything a drag? Was every movie about some guy with problems?"

In 1980, film historian/scholar Robert P. Kolker examined New Hollywood film directors in his book A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman, and how their films influenced American society of the 1960s and 1970s.^[97] Kolker observed that "for all the challenge and adventure, their films speak to a continual impotence in the world, an inability to change and to create change."^[98]

John Belton points to the changing demographic to even younger, more conservative audiences in the mid 1970s (50% aged 12–20) and the move to less politically subversive themes in mainstream cinema,^[99] as did Thomas Schatz, who saw the mid- to late 1970s as the decline of the art cinema movement as a significant industry force with its peak in 1974–75 with Nashville and Chinatown.^[100]

Geoff King sees the period as an interim movement in American cinema where a conjunction of forces led to a measure of freedom in filmmaking yet also pointed out that scholarships about the era tend to center on two versions: the auteur-driven indie and blockbuster eras.^[101]^[102] Todd Berliner says that 70s cinema resists the efficiency and harmony that normally characterize classical Hollywood cinema and tests the limits of Hollywood's classical model.^[103]

According to author and film critic Charles Taylor (Opening Wednesday at a Theater or Drive-In Near You), he stated that "the 1970s remain the third — and, to date, last — great period in American movies".^[104] Author and film critic David Thomson also shared similar sentiments, to the point of dubbing the era "the decade when movies mattered".^[96]

Video essayist Leigh Singer wrote that this celebrated period revered the epic dramas and serious state-of-the-nation addresses "made by homebred auteurs" (The Last Picture Show, The Godfather, Chinatown, Nashville, Network and Taxi Driver) over less respectable genre pictures.^[105]

Author A.D. Jameson (I Find Your Lack of Faith Disturbing), on the other hand, claimed that Star Wars was New Hollywood's finest achievement that actually embodied the characteristics of the respected "serious, sophisticated adult films" while questioning the often-told critical narrative of said "last great decade of American cinema".^[106]^[107]

Author Julie A. Turnock, in her book Plastic Reality, stated that one common explanation as to why both Star Wars and Close Encounters succeeded was that each film offered hopeful optimism for troubling times as opposed to the "doom and gloom" cinema of the era that audiences were getting tired of with emphasis on mistrust in authority, pessimistic and fatalistic views of the future and anti-heroic aimlessness.^[108]

Nathan Rabin, writing for an article commemorating the movie's 40th anniversary at Boston.com in 2015, contested that Jaws, despite being labeled by conventional wisdom as the film that killed the quirky New Hollywood, didn't feel like one by today's vantage point.^[109]

The Austrian Film Museum, which held a 2013 program entitled The Real Eighties featuring some New Hollywood titles like The King of Comedy, Blow Out and American Gigolo, stated that:^[110]

All ills spring from the 1980s. A transitional decade that witnessed the film industry’s restructuring along the lines of President Reagan’s neoliberal agenda, the eighties did away with the last remnants of New Hollywood while laying the foundations for today’s High Concept wasteland – thus goes an all too familiar tale of decline. The retrospective The Real Eighties questions this commonplace of film history and sides with the mainstream of Hollywood cinema: filmic realisms of the 1980s – in immediate proximity to the dream factories of Steven Spielberg or George Lucas, yet at odds with the decade’s political and aesthetic imperatives – await rediscovery.

Daniel Joyaux, writing for Roger Ebert.com on the Criterion Collection's 2024 release of the 1983 Tom Cruise classic Risky Business, shared similar concerns:^[111]

There’s a long-held belief about Hollywood history that, from basically the moment Heaven’s Gate nearly bankrupted United Artists in 1980 to the moment Sex, Lies, and Videotape kicked off the indie boom of the ‘90s, studio executives had an almost pathological aversion to any movie with artistic ambition. There’s at least some truth to this, and seminal texts like Peter Biskind’s 1998 book Easy Riders, Raging Bulls have cooked those kernels of truth into a full-blown mythologizing of ‘70s and ‘90s Hollywood, while the ‘80s remain largely dismissed as a creative wasteland.

Steven Hyden, writing for Grantland, called the Movie Brats the "cinematic version" of classic rock, to the point of roll calling Spielberg as the Beatles, Scorsese as the Velvet Underground, Coppola as Bob Dylan, Lucas as Pink Floyd, Robert Altman as Neil Young, Brian De Palma as Led Zeppelin, Bogdanovich as the Beach Boys and Hal Ashby as the Kinks.^[112]

Paul Thomas Anderson's 1997 film Boogie Nights, about the "golden age" of the adult film industry, can be seen as an allegory of the demise of this era.^[113]

Criticism

Los Angeles Times article film critic Manohla Dargis described New Hollywood as the "halcyon age" of 1970s filmmaking, that "was less revolution than business as usual, with rebel hype".^[114] She also pointed out in her New York Times article that the era's enthusiasts insist this was "when American movies grew up (or at least starred underdressed actresses); when directors did what they wanted (or at least were transformed into brands); when creativity ruled (or at least ran gloriously amok, albeit often on the studio's dime)."^[115]

Molly Haskell, in her book From Reverence to Rape: The Treatment of Women in the Movies, described how this era of cinema "with its successive revelations, progressed like a stripper, though awkwardly—like a novice in a hurry to get off the stage".^[116]

This era was also infamous for its excessive decadence and on-set mishaps (as was the case for Apocalypse Now when the tumultuous production was documented by Eleanor Coppola which in turn became her 1991 documentary Hearts of Darkness: A Filmmaker's Apocalypse).Template:Refn Incidents plaguing the behind-the-scenes of some of the horror films from this era (such as Rosemary's Baby, The Exorcist, Twilight Zone: The Movie, Poltergeist and The Omen) were also the subjects for the docuseries Cursed Films.Template:Refn Even Spielberg, who co-directed/co-produced Twilight Zone with John Landis, was so disgusted by the latter's handling of a deadly helicopter accident that resulted in the death of three actors, that he ended their friendship and publicly called for the end of New Hollywood.^[117] (De Palma and Friedkin shared similar sentiments about the crash.^[118]) When approached by the press about the accident, he stated:^[119]

"No movie is worth dying for. I think people are standing up much more now, than ever before, to producers and directors who ask too much. If something isn't safe, it's the right and responsibility of every actor or crew member to yell, 'Cut!'

Turner Classic Movies personality John Malahy, in his book Rewinding the '80s,^[120] noted that a growing problem with this era was the director's ego spending millions on elaborate cinematic dreams that almost no one shared (e.g. Cimino's Heaven's Gate).^[121]

The Golden Raspberry Awards (better known as The Razzies) emerged during the twilight of this era dishonoring productions such as Freidkin's Cruising and Cimino's Heaven's Gate alongside two megamusicals responsible for setting up the awards Xanadu and Can't Stop the Music (the latter would eventually be crowned the first recipient of Golden Raspberry Award for Worst Picture).^[122]^[123]

Legacy

The films of New Hollywood influenced future mainstream^[106] and independent filmmakers such as Tarantino, Edgar Wright, Paul Thomas Anderson and Noah Baumbach.^[124]^[112]^[105] Todd Phillips's 2019 DC Comics adaptation Joker, alongside the film's period setting, was inspired by the Martin Scorsese classics Taxi Driver and The King of Comedy^[125] while Alexander Payne's 2023 film The Holdovers took inspiration from Ashby's works.^[126] Tarantino's 2019 Academy Award-winning Once Upon a Time in Hollywood lamented the end of the Golden Age while signalling the beginning of this era.^[127] The Godfather Part III; Texasville; and The Two Jakes—each released in 1990—count as "sequels" to three New Hollywood classics, respectively: The Godfather Part II; The Last Picture Show; and Chinatown. (The sequels were directed respectively by Francis Ford Coppola; Peter Bogdanovich; and Jack Nicholson, who played the lead in Polanski's 1974 neo-noir and reprises his role here.)^[128]^[129]

They also influenced both the Poliziotteschi genre films in Italy^[130]^[131] and a decade later the Cinéma du look movement in France.^[132] The narrative for the 1983 British shot-on-video film Suffer Little Children was influenced in part by Brian De Palma's Carrie and John Carpenter's Halloween.^[133]

American Eccentric Cinema has been noted as influenced by this era.^[134] Both traditions have similar themes and narratives of existentialism and the need for human interaction.^[134] New Hollywood focuses on the darker elements of humanity and society within the context of the American Dream in the mid-1960s to the early 1980s,^[134] with themes that were reflective of sociocultural issues and were centered around the potential meaninglessness of pursuing the American Dream as generation upon generation was motivated to possess it.^[134] In comparison, American Eccentric Cinema does not have a distinct context, its films show characters who are very individual and their concerns are very distinctive to their own personalities.^[134]

The New American Cinema has also been ripe for parody as in Peter Jackson's 1989 Muppet satire Meet the Feebles (spoofing the Russian Roulette scene from The Deer Hunter);^[135] Ernie Fosselius's spoofs Hardware Wars (1978)^[136] and Porklips Now (1980);^[137] Jim Reardon's cult 1986 animated student film Bring Me the Head of Charlie Brown, spoofing Taxi Driver, The Wild Bunch, and Bring Me the Head of Alfredo Garcia;^[138] and Canadian video artist Todd Graham's 1987 cult fan film Apocalypse Pooh, a bizarrely comedic mash-up of Disney's Winnie the Pooh and Coppola's Apocalypse Now.^[139]^[140]^[141]

Figures of the movement

Actors

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Directors

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Others

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Notable studios associated with New Hollywood

Films of the movement

Script error: No such module "Hatnote". This is a chronological list of films that are generally considered to be "New Hollywood" productions:

1950s–1960s

1957–1966

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12 Angry Men (1957)^[379] ≈ ≠
The Strange One (1957)^[380]
Sweet Smell of Success (1957)^[381] ≈
The Left Handed Gun (1958)^[382]^[383]
Murder by Contract (1958)^[384]
Shadows (1958)Template:Refn ≈
Touch of Evil (1958)^[385] ≈
Anatomy of a Murder (1959)^[386] ≈
Come Back, Africa (1959)^[387]
Pull My Daisy (1959)^[387] ≈
The Savage Eye (1959)^[387]
Skyscraper (1959)^[388]
The Apartment (1960)^[385] ≈ ≠
Let No Man Write My Epitaph (1960)^[389]
Private Property (1960)^[390]
Primary (1960)^[388] ≈
Wild River (1960)^[391] ≈
Blast of Silence (1961)^[392]
The Children's Hour (1961)^[393]
The Connection (1961)^[394]
The Hustler (1961)^[395] ≈
The Misfits (1961)^[396]
Night Tide (1961)^[261]^[260]
One-Eyed Jacks (1961)^[397] ≈
Something Wild (1961)^[398]
Splendor in the Grass (1961)^[391]
David and Lisa (1962)^[399]^[400]
Days of Wine and Roses (1962)^[203] ≈
Experiment in Terror (1962)^[401]
Lolita (1962)^[149]
Lonely Are the Brave (1962)^[402]
The Manchurian Candidate (1962)Template:Refn ≈
The Miracle Worker (1962)^[403]^[404] ≈
Pressure Point (1962)^[173]
Requiem for a Heavyweight (1962)^[405]
Two for the Seesaw (1962)^[385]
What Ever Happened to Baby Jane? (1962)^[406]^[173] ≈
The World's Greatest Sinner (1962)^[173]
America America (1963)^[407]^[179] ≈
The Cardinal (1963)^[179]
A Child Is Waiting (1963)^[388]
The Cool World (1963)Template:Refn ≈
The Great Escape (1963)^[408]
Hallelujah the Hills (1963)^[387]
Hud (1963)Template:Refn ≈
Ladybug, Ladybug (1963)^[207]
Lilies of the Field (1963)^[179] ≈
Love with the Proper Stranger (1963)^[409]
Shock Corridor (1963)Template:Refn ≈
The Queen of Sheba Meets the Atom Man (1963)^[387]
The Brig (1964)^[387]
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (1964)Template:Refn ≈ ≠
Fail Safe (1964)^[410]
The Killers (1964)^[411]^[412]
Lilith (1964)Template:Refn
Nothing but a Man (1964)^[275]^[387] ≈
One Potato, Two Potato (1964)^[413]
The Pawnbroker (1964)Template:Refn ≈
Brainstorm (1965)^[173]
Faster, Pussycat! Kill! Kill! (1965)^[414]
The Hill (1965)^[410]
Inside Daisy Clover (1965)^[415]
The Loved One (1965)^[416]
Mickey One (1965)Template:Refn
None but the Brave (1965)^[417]
Once a Thief (1965)^[418]^[419]
Rat Fink (1965)^[420]^[421]
The Slender Thread (1965)^[422]^[423]
The Sound of Music (1965)^[424] ≈ ≠
A Thousand Clowns (1965)^[425]^[385]
Who Killed Teddy Bear? (1965)^[426]
Young Dillinger (1965)^[427]
An American Dream (1966)^[428]
The Chase (1966)Template:Refn
Dutchman (1966)^[429]^[430]
The Fortune Cookie (1966)^[431]
Grand Prix (1966)^[432]
The Group (1966)^[229]^[410]
Hold Me While I'm Naked (1966)^[387]
Lord Love a Duck (1966)^[416]
A Man Called Adam (1966)^[433]
Our Man Flint (1966)^[434]
The Professionals (1966)^[417]
Ride in the Whirlwind (1966)^[333]^[35]^[24]
The Sand Pebbles (1966)^[417]
Seconds (1966)Template:Refn ≈
The Shooting (1966)Template:Refn
This Property Is Condemned (1966)^[435]
Who's Afraid of Virginia Woolf? (1966)Template:Refn ≈ ≠
The Wild Angels (1966)^[436]
You're a Big Boy Now (1966)Template:Refn

1967–1969

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Barefoot in the Park (1967)^[437]
Bonnie and Clyde (1967)Template:Refn ≈ ≠
The Born Losers (1967)^[438]
Cool Hand Luke (1967)Template:Refn ≈
Countdown (1967)^[165]
David Holzman's Diary (1967)Template:Refn ≈
The Dirty Dozen (1967)Template:Refn
Dont Look Back (1967)Template:Sfn^[439] ≈
Games (1967)^[440]^[441]
The Graduate (1967)Template:Refn ≈ ≠
Guess Who's Coming to Dinner? (1967)Template:Refn ≠
Hells Angels on Wheels (1967)^[442]
Hombre (1967)^[417]^[383]
In Cold Blood (1967)Template:Refn ≈
In the Heat of the Night (1967)Template:Refn ≈ ≠
The Incident (1967)Template:Refn
Point Blank (1967)Template:Refn ≈
Portrait of Jason (1967)Template:Refn ≈
The President's Analyst (1967)^[417]
The Producers (1967)Template:Refn ≈
Reflections in a Golden Eye (1967)^[443]
Spring Night, Summer Night (1967)^[444]^[445]
Sweet Love, Bitter (1967)^[429]
Titicut Follies (1967)^[446]^[439] ≈
The Trip (1967)^[447]^[24]
Two for the Road (1967)^[448]^[449]
Up the Down Staircase (1967)^[450]
Valley of the Dolls (1967)^[451]
Wait Until Dark (1967)^[452]
Who's That Knocking at My Door? (1967)Template:Refn
2001: A Space Odyssey (1968)Template:Refn ≈ ≠
The Boston Strangler (1968)^[453]^[432]
The Brotherhood (1968)^[454]^[455]
Bullitt (1968)Template:Refn ≈
Bye Bye Braverman (1968)^[456]
Coogan's Bluff (1968)Template:Sfn
The Detective (1968)^[457]
The Edge (1968)^[238]
Faces (1968)Template:Refn ≈
Finian's Rainbow (1968)^[458]
Funny Girl (1968)Template:Refn ≈
Greetings (1968)Template:Refn
Head (1968)Template:Refn
Hell in the Pacific (1968)^[417]
High School (1968)^[288] ≈
I Love You, Alice B. Toklas (1968)^[459]
The Legend of Lylah Clare (1968)^[460]
Madigan (1968)^[253]
Monterey Pop (1968)^[439] ≈
Night of the Living Dead (1968)Template:Refn ≈
No Way to Treat a Lady (1968)^[461]
The Night They Raided Minsky's (1968)^[462]
The Party (1968)^[463]
Petulia (1968)Template:Refn
Planet of the Apes (1968)Template:Refn ≈
Pretty Poison (1968)^[214]
Psych-Out (1968)^[464]^[465]
Rachel, Rachel (1968)^[466]
Rosemary's Baby (1968)Template:Refn ≈
The Sergeant (1968)^[443]
Skidoo (1968)^[467]
The Split (1968)^[468]^[469]
The Swimmer (1968)^[470]^[400]
Targets (1968)Template:Refn
The Thomas Crown Affair (1968)Template:Refn ≈
UpTight! (1968)^[471]^[173]
Wild in the Streets (1968)^[472]
Will Penny (1968)^[417]
Alice's Restaurant (1969)Template:Refn
Angel, Angel, Down We Go (1969)^[473]
The Arrangement (1969)^[474]
Bob & Carol & Ted & Alice (1969)Template:Refn
Butch Cassidy and the Sundance Kid (1969)Template:Refn ≈ ≠
Castle Keep (1969)^[417]
Changes (1969)^[475]
Coming Apart (1969)^[429]^[430]
Downhill Racer (1969)^[124]^[271]
Easy Rider (1969)Template:Refn ≈ ≠
Goodbye, Columbus (1969)^[476]
The Gypsy Moths (1969)^[477]
The Happy Ending (1969)^[478]
Hell's Angels '69 (1969)^[262]
Jenny (1969)^[479]
John and Mary (1969)^[480]^[238]
Last Summer (1969)^[171]
The Learning Tree (1969)^[262] ≈
Lions Love (1969)^[481]
Marlowe (1969)^[238]
Marooned (1969)^[477]
Me, Natalie (1969)^[482]
Medium Cool (1969)Template:Refn ≈
Midnight Cowboy (1969)Template:Refn ≈
Model Shop (1969)^[205]^[444]
On Her Majesty's Secret Service (1969)^[262]
Out of It (1969)^[483]
Pit Stop (1969)^[262]
Popi (1969)^[484]
Putney Swope (1969)Template:Refn ≈
The Rain People (1969)Template:Refn
Salesman (1969)^[439] ≈
The Sterile Cuckoo (1969)^[35]^[149]
Sweet Charity (1969)^[485]
Take the Money and Run (1969)Template:Refn
Tell Them Willie Boy Is Here (1969)Template:Refn
That Cold Day in the Park (1969)^[174]^[486]
They Shoot Horses, Don't They? (1969)Template:Refn
A Time for Dying (1969)^[238]
Topaz (1969)^[487]
True Grit (1969)^[262]
The Wedding Party (1969)^[262]
What Ever Happened to Aunt Alice? (1969)^[488]
Where It's At (1969)^[489]
The Wild Bunch (1969)Template:Refn ≈ ≠

1970s

1970–1971

Script error: No such module "Check for unknown parameters".

Adam at 6 A.M. (1970)^[3]
Airport (1970)Template:Refn
Alex in Wonderland (1970)Template:Refn
The Baby Maker (1970)^[192]
The Ballad of Cable Hogue (1970)Template:Refn
Beneath the Planet of the Apes (1970)^[490]
Beyond the Valley of the Dolls (1970)^[491]
Bloody Mama (1970)^[492]^[493]
The Boys in the Band (1970)^[476]^[124]
Brewster McCloud (1970)Template:Refn
Catch-22 (1970)Template:Refn
Cotton Comes to Harlem (1970)Template:Refn
Cover Me Babe (1970)^[494]
Diary of a Mad Housewife (1970)Template:Refn
Didn't You Hear? (1970)^[495]
End of the Road (1970)^[207]^[205]
Five Easy Pieces (1970)Template:Refn ≈
Flap (1970)^[496]
Gas-s-s-s (1970)^[497]
Getting Straight (1970)Template:Refn^[498]
Gimme Shelter (1970)^[263]^[499]
The Great White Hope (1970)^[500]
Halls of Anger (1970)^[192]^[500]
Hi, Mom! (1970)^[501]^[205]
The Honeymoon Killers (1970)^[502]
Husbands (1970)^[268]^[69]
I Am Somebody (1970)^[244] ≈
Ice (1970)^[177]
I Love My...Wife (1970)^[268]^[503]
I Never Sang for My Father (1970)Template:Refn
I Walk the Line (1970)^[504]
Joe (1970)Template:Sfn^[35]
Kelly's Heroes (1970)Template:Refn
The Landlord (1970)Template:Refn
Last of the Mobile Hot Shots (1970)^[238]
The Liberation of L.B. Jones (1970)^[505]^[238]
Little Big Man (1970)Template:Refn ≈
Little Fauss and Big Halsy (1970)^[3]
Love Story (1970)Template:Refn
Loving (1970)Template:Refn
The Magic Garden of Stanley Sweetheart (1970)^[192]
Maidstone (1970)^[430]^[429]
A Man Called Horse (1970)^[506]
M*A*S*H (1970)Template:Refn ≈ ≠
Move (1970)^[503]
Myra Breckinridge (1970)^[507]
On a Clear Day You Can See Forever (1970)^[508]
The Owl and the Pussycat (1970)^[192]^[149]
Patton (1970)Template:Refn ≈ ≠
The People Next Door (1970)Template:Refn
Puzzle of a Downfall Child (1970)Template:Refn
Quackser Fortune Has a Cousin in the Bronx (1970)^[57]
The Revolutionary (1970)Template:Refn
R.P.M. (1970)^[3]^[35]
The Sidelong Glances of a Pigeon Kicker (1970)^[509]
Soldier Blue (1970)^[510]^[511]
Something for Everyone (1970)^[512]
Start the Revolution Without Me (1970)^[513]
Stop! (1970)^[238]
The Strawberry Statement (1970)Template:Refn
Street Scenes 1970 (1970)^[238]
The Student Nurses (1970)^[244]
Tell Me That You Love Me, Junie Moon (1970)^[514]
...Tick...Tick...Tick... (1970)^[500]
The Traveling Executioner (1970)^[515]^[516]
Tropic of Cancer (1970)^[238]
Two Mules for Sister Sara (1970)^[517]
Wanda (1970)Template:Refn ≈
Watermelon Man (1970)^[518]
Where's Poppa? (1970)^[69]^[192]
Woodstock (1970)Template:Refn ≈
WUSA (1970)^[519]
Zabriskie Point (1970)Template:Refn
$ (1971)^[520]
The American Dreamer (1971)^[521]
The Anderson Tapes (1971)Template:Refn
The Andromeda Strain (1971)^[522]
Bananas (1971)^[523]^[149]
Been Down So Long It Looks Like Up to Me (1971)^[3]
The Beguiled (1971)^[158]
Billy Jack (1971)^[265]
Born to Win (1971)Template:Refn
Carnal Knowledge (1971)Template:Refn
Chandler (1971)^[238]
The Christian Licorice Store (1971)^[524]
Cisco Pike (1971)Template:Refn
A Clockwork Orange (1971)Template:Refn ≈ ≠
Desperate Characters (1971)^[525]
Dirty Harry (1971)Template:Refn ≈
"Doc" (1971)^[526]^[417]
Drive, He Said (1971)Template:Refn
Duel (1971)Template:Refn
Dusty and Sweets McGee (1971)^[177]
Escape from the Planet of the Apes (1971)^[490]
Fiddler on the Roof (1971)Template:Sfn
The French Connection (1971)Template:Refn ≈ ≠
Glen and Randa (1971)^[205]^[24]
Going Home (1971)^[527]
Growing Up Female (1971)^[244] ≈
Happy Birthday, Wanda June (1971)^[528]
Harold and Maude (1971)Template:Refn ≈
The Hired Hand (1971)^[501]^[3]
The Horsemen (1971)^[529]
The Hospital (1971)Template:Refn ≈
The Hunting Party (1971)^[530]
Jennifer on My Mind (1971)^[531]
Johnny Got His Gun (1971)^[124]^[532]
Klute (1971)Template:Refn
The Last Movie (1971)Template:Refn
The Last Picture Show (1971)Template:Refn ≈ ≠
The Last Run (1971)^[220]
Let's Scare Jessica to Death (1971)^[533]^[238]
Little Murders (1971)^[476]
Making It (1971)^[494]
McCabe & Mrs. Miller (1971)Template:Refn ≈
Minnie and Moskowitz (1971)^[268]
A New Leaf (1971)Template:Refn ≈
The Panic in Needle Park (1971)Template:Refn
Play Misty for Me (1971)Template:Sfn^[534]
Pretty Maids All in a Row (1971)^[535]^[536]
Punishment Park (1971)^[285]^[537]
The Pursuit of Happiness (1971)^[538]^[238]
A Safe Place (1971)Template:Refn
Shaft (1971)Template:Refn ≈
Some of My Best Friends Are... (1971)^[539]
Sometimes a Great Notion (1971)^[540]^[541]
The Sporting Club (1971)^[542]
Straw Dogs (1971)Template:Refn
Such Good Friends (1971)Template:Refn
Summer of '42 (1971)^[543]
Sweet Sweetback's Baadasssss Song (1971)Template:Refn ≈
Taking Off (1971)Template:Refn
The Telephone Book (1971)^[544]^[545]
They Might Be Giants (1971)^[69]
THX 1138 (1971)Template:Refn
The Todd Killings (1971)^[226]
The Touch (1971)^[503]
T.R. Baskin (1971)^[546]^[238]
Two-Lane Blacktop (1971)Template:Refn ≈
Vanishing Point (1971)Template:Refn
Walkabout (1971)^[547]^[548]
Welcome Home, Soldier Boys (1971)^[549]^[550]
What's the Matter with Helen? (1971)^[551]
Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)^[552]
Wild Rovers (1971)^[553]
Willy Wonka & the Chocolate Factory (1971)^[554] ≈

1972–1973

Script error: No such module "Check for unknown parameters".

Across 110th Street (1972)^[555]
Bad Company (1972)^[556]^[241]
Bone (1972)^[3]^[557]
Boxcar Bertha (1972)Template:Refn
Butterflies Are Free (1972)^[558]
Cabaret (1972)Template:Refn ≈ ≠
The Candidate (1972)Template:Refn
The Carey Treatment (1972)^[238]
Child's Play (1972)^[426]
Conquest of the Planet of the Apes (1972)^[490]^[559]
Cry for Me, Billy (1972)^[560]
The Culpepper Cattle Co. (1972)^[31]
Deadhead Miles (1972)^[561]
Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972)^[483]^[205]
Deep Throat (1972)^[96]
Deliverance (1972)Template:Refn ≈
The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972)^[562]^[238]
Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (1972)^[563]
Fat City (1972)Template:Refn
Fritz the Cat (1972)Template:Refn
Frogs (1972)^[564]
Fuzz (1972)^[565]
Get to Know Your Rabbit (1972)^[566]
The Getaway (1972)Template:Refn
The Godfather (1972)Template:Refn ≈ ≠
The Great Northfield, Minnesota Raid (1972)^[567]
The Heartbreak Kid (1972)Template:Refn
Hickey & Boggs (1972)Template:Refn
The Hot Rock (1972)^[69]
Images (1972)Template:Refn
Jeremiah Johnson (1972)Template:Refn
Junior Bonner (1972)^[556]
Kansas City Bomber (1972)^[568]^[569]
The King of Marvin Gardens (1972)Template:Refn
Lady Sings the Blues (1972)^[181]^[232]
Last of the Red Hot Lovers (1972)^[426]
The Last House on the Left (1972)^[570]
The Life and Times of Judge Roy Bean (1972)Template:Refn
Limbo (1972)^[274]
The Limit (1972)^[238]
The Loners (1972)^[238]
The Mechanic (1972)^[571]
The New Centurions (1972)^[238]
One Is a Lonely Number (1972)^[572]
The Other (1972)^[573]
Painters Painting (1972)^[238]
Pete 'n' Tillie (1972)^[574]
Pink Flamingos (1972)^[283]^[575] ≈
Play It Again, Sam (1972)^[576]^[265]
Play It as It Lays (1972)^[207]
Pocket Money (1972)^[158]
Portnoy's Complaint (1972)^[577]
The Poseidon Adventure (1972)Template:Sfn^[60]
The Possession of Joel Delaney (1972)^[578]
Prime Cut (1972)Template:Refn
Silent Running (1972)^[579]^[580]
Sisters (1972)Template:Refn
Slaughterhouse-Five (1972)Template:Sfn^[556]
Sounder (1972)^[228]^[253] ≈
Super Fly (1972)^[69]^[60] ≈
Thumb Tripping (1972)^[581]
To Find a Man (1972)^[582]
To Kill a Clown (1972)^[583]
Tomorrow (1972)^[556]
Ulzana's Raid (1972)^[584]
Unholy Rollers (1972)^[238]
Up the Sandbox (1972)^[96]
The Visitors (1972)^[238]
What's Up, Doc? (1972)Template:Refn
You'll Like My Mother (1972)^[585]
American Graffiti (1973)Template:Refn ≈ ≠
The Baby (1973)^[586]
Badge 373 (1973)^[238]
Badlands (1973)Template:Refn ≈
Bang the Drum Slowly (1973)^[426]^[587]
Battle for the Planet of the Apes (1973)^[490]^[588]
Blume in Love (1973)Template:Refn
Breezy (1973)^[447]^[589]
Charley Varrick (1973)Template:Refn
Cinderella Liberty (1973)^[590]
Coffy (1973)^[584]
Cops and Robbers (1973)^[417]
The Day of the Dolphin (1973)^[591]
Dillinger (1973)Template:Refn
The Don Is Dead (1973)^[592]^[593]
Electra Glide in Blue (1973)Template:Refn
Emperor of the North Pole (1973)Template:Refn
Enter the Dragon (1973)^[554] ≈
The Exorcist (1973)Template:Refn ≈
The Friends of Eddie Coyle (1973)Template:Refn
Heavy Traffic (1973)^[594]^[149]
High Plains Drifter (1973)Template:Refn
The Iceman Cometh (1973)^[595]
Jesus Christ Superstar (1973)^[596]
Kid Blue (1973)^[597]
The Killing Kind (1973)
The Last American Hero (1973)^[158]
The Last Detail (1973)Template:Refn
The Last of Sheila (1973)^[598]
The Laughing Policeman (1973)^[599]^[417]
Lolly-Madonna XXX (1973)^[238]
The Long Goodbye (1973)Template:Refn ≈
Love and Pain and the Whole Damn Thing (1973)^[600]
The MacKintosh Man (1973)^[204]
Magnum Force (1973)Template:Refn
Mean Streets (1973)Template:Refn ≈
The Outfit (1973)Template:Refn
The Paper Chase (1973)^[601]^[602]
Paper Moon (1973)Template:Refn
Papillon (1973)^[603]
Pat Garrett and Billy the Kid (1973)Template:Refn
Payday (1973)Template:Refn
Road Movie (1973)^[604]
Save the Tiger (1973)Template:Refn
Scarecrow (1973)^[263]^[149]
Serpico (1973)Template:Refn
The Seven-Ups (1973)Template:Refn
Sleeper (1973)Template:Sfn^[499]
Slither (1973)^[605]
Soylent Green (1973)^[606]^[417]
The Spook Who Sat by the Door (1973)^[607] ≈
Sssssss (1973)^[608]
Steelyard Blues (1973)^[609]
The Sting (1973)Template:Refn ≈
Terminal Island (1973)^[244]
Walking Tall (1973)^[60]^[417]
Wattstax (1973)^[238] ≈
The Way We Were (1973)Template:Refn
Westworld (1973)^[249]^[238]
White Lightning (1973)^[417]

1974–1975

Script error: No such module "Check for unknown parameters".

99 and 44/100% Dead (1974)^[610]
Alice Doesn't Live Here Anymore (1974)Template:Refn
Attica (1974)^[96]
Blazing Saddles (1974)Template:Refn ≈
Buster and Billie (1974)^[611]
Busting (1974)Template:Refn
Bring Me the Head of Alfredo Garcia (1974)Template:Refn
Caged Heat (1974)^[35]
California Split (1974)Template:Refn
Chinatown (1974)Template:Refn ≈ ≠
Claudine (1974)Template:Refn
Cockfighter (1974)^[612]^[613]
The Conversation (1974)Template:Refn ≈
Crazy Joe (1974)^[238]
Daisy Miller (1974)^[241]^[230]
Dark Star (1974)Template:Refn
Death Wish (1974)Template:Refn
The Dion Brothers (1974)^[587]
Dirty Mary, Crazy Larry (1974)^[614]^[615]
Earthquake (1974)Template:Refn
Female Trouble (1974)^[616]
For Pete's Sake (1974)^[238]
Foxy Brown (1974)^[63]^[584]
Freebie and the Bean (1974)Template:Refn
The Gambler (1974)^[241]^[617]
Ganja & Hess (1974)^[616] ≈
Ginger in the Morning (1974)^[238]
The Godfather Part II (1974)Template:Refn ≈ ≠
The Great Gatsby (1974)Template:Refn
Harry and Tonto (1974)^[618]^[31]
Hearts and Minds (1974)Template:Refn ≈
Law and Disorder (1974)^[443]
Lenny (1974)Template:Refn
The Longest Yard (1974)^[60]^[238]
The Lords of Flatbush (1974)^[619]
Lovin' Molly (1974)^[620]^[238]
Luther (1974)^[516]
Macon County Line (1974)^[621]
Man on a Swing (1974)^[622]
McQ (1974)^[623]
Messiah of Evil (1974)^[624]^[332]
The Midnight Man (1974)^[625]
The Nickel Ride (1974)^[626]^[238]
The Parallax View (1974)Template:Refn
Phantom of the Paradise (1974)Template:Refn
Phase IV (1974)^[627]^[31]
Shanks (1974)^[426]
The Spikes Gang (1974)^[238]
The Sugarland Express (1974)Template:Refn
The Super Cops (1974)^[417]
The Taking of Pelham One Two Three (1974)^[69]^[417]
The Texas Chain Saw Massacre (1974)Template:Refn ≈
Thieves Like Us (1974)Template:Refn
Three the Hard Way (1974)^[96]
Thunderbolt and Lightfoot (1974)Template:Refn
The Towering Inferno (1974)Template:Refn
Uptown Saturday Night (1974)^[169] ≈
The White Dawn (1974)^[628]
Who? (1974)^[503]
A Woman Under the Influence (1974)Template:Refn ≈
The Yakuza (1974)^[22]^[417]
Young Frankenstein (1974)Template:Refn ≈
Zardoz (1974)^[616]
92 in the Shade (1975)^[629]
Aloha, Bobby and Rose (1975)^[63]^[584]
At Long Last Love (1975)^[630]^[631]
Barry Lyndon (1975)Template:Refn
Bite the Bullet (1975)^[238]
Cooley High (1975)Template:Refn ≈
Coonskin (1975)^[149]
The Day of the Locust (1975)Template:Refn
Dog Day Afternoon (1975)Template:Refn ≈
The Drowning Pool (1975)^[632]
The Eiger Sanction (1975)Template:Sfn
Farewell, My Lovely (1975)^[633]^[613]
French Connection II (1975)^[634]^[238]
Funny Lady (1975)^[149]
The Great Waldo Pepper (1975)^[635]
Hard Times (1975)Template:Refn
Hearts of the West (1975)^[636]
Hester Street (1975)Template:Refn ≈
The "Human" Factor (1975)^[238]
Hustle (1975)^[238]
Jaws (1975)Template:Refn ≈ ≠
The Killer Elite (1975)^[637]^[417]
Let's Do It Again (1975)^[238]
Loose Ends (1975)^[177]
Love and Death (1975)^[149]^[96]
Lucky Lady (1975)^[638]
Milestones (1975)^[639]
Nashville (1975)Template:Refn ≈ ≠
Night Moves (1975)Template:Refn
One Flew Over the Cuckoo's Nest (1975)Template:Refn ≈ ≠
The Prisoner of Second Avenue (1975)^[640]
Race with the Devil (1975)^[238]
Rafferty and the Gold Dust Twins (1975)^[556]
Rancho Deluxe (1975)^[641]^[642]
Report to the Commissioner (1975)^[417]^[238]
The Rocky Horror Picture Show (1975)^[643] ≈
Rollerball (1975)^[417]
Shampoo (1975)Template:Refn
Smile (1975)Template:Sfn^[618]
The Stepford Wives (1975)^[417]
The Sunshine Boys (1975)^[169]
Three Days of the Condor (1975)Template:Refn
The Wind and the Lion (1975)Template:Sfn^[644]

1976–1977

Script error: No such module "Check for unknown parameters".

All the President's Men (1976)Template:Refn ≈ ≠
Assault on Precinct 13 (1976)Template:Refn
The Bad News Bears (1976)^[645]^[253]
The Big Bus (1976)^[646]
The Bingo Long Traveling All-Stars & Motor Kings (1976)^[96]
Bound for Glory (1976)Template:Refn
Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976)Template:Refn
Car Wash (1976)^[647]^[648]
Carrie (1976)Template:Refn^[649] ≈
Family Plot (1976)^[650]^[577]
Fighting Mad (1976)^[238]
The First Nudie Musical (1976)^[651]
The Front (1976)^[652]
Futureworld (1976)^[249]
God Told Me To (1976)^[128]
Harlan County, USA (1976)^[189]^[244] ≈
Harry and Walter Go to New York (1976)^[238]
Heartworn Highways (1976)^[238]
The Killer Inside Me (1976)^[516]^[238]
The Killing of a Chinese Bookie (1976)Template:Refn
The Last Hard Men (1976)^[96]
The Last Tycoon (1976)Template:Refn
Leadbelly (1976)^[241]^[653]
Lifeguard (1976)^[238]
Logan's Run (1976)^[417]^[645]
Marathon Man (1976)Template:Refn
Mikey and Nicky (1976)Template:Refn
The Missouri Breaks (1976)Template:Refn
Mother, Jugs and Speed (1976)^[169]
Network (1976)Template:Refn ≈ ≠
Next Stop, Greenwich Village (1976)Template:Refn
Nickelodeon (1976)^[654]^[230]^[22]
Not a Pretty Picture (1976)^[189]
Obsession (1976)Template:Refn
The Omen (1976)Template:Refn
The Outlaw Josey Wales (1976)Template:Sfn^[645] ≈
The Ritz (1976)^[655]
Rocky (1976)Template:Refn ≈ ≠
The Shootist (1976)^[645]
Silver Streak (1976)^[60]
A Star Is Born (1976)^[169]
Stay Hungry (1976)^[656]^[587]
Sweet Revenge (1976)^[657]^[238]
Taxi Driver (1976)Template:Refn ≈ ≠
Trackdown (1976)^[238]
Tracks (1976)^[658]^[481]
Underground (1976)^[639]
Voyage of the Damned (1976)^[659]
Welcome to L.A. (1976)^[268]^[31]
3 Women (1977)Template:Refn
Alambrista! (1977)^[289] ≈
Annie Hall (1977)Template:Refn ≈ ≠
Audrey Rose (1977)^[660]
Between the Lines (1977)^[188]^[653]
Black Sunday (1977)^[661]^[238]
Bobby Deerfield (1977)^[662]^[238]
Close Encounters of the Third Kind (1977)Template:Refn ≈ ≠
The Domino Principle (1977)^[238]
Equus (1977)^[663]
Eraserhead (1977)Template:Refn ≈
Exorcist II: The Heretic (1977)^[664]
Fun with Dick and Jane (1977)^[321]
The Gauntlet (1977)Template:Sfn
The Goodbye Girl (1977)^[665]^[169]
Grand Theft Auto (1977)^[238]
Handle with Care (1977)Template:Refn
A Hell of a Note (1977)^[238]
Heroes (1977)^[666]
High Anxiety (1977)Template:Sfn^[663]
The Hills Have Eyes (1977)^[667]^[668]
I Never Promised You a Rose Garden (1977)^[669]
Islands in the Stream (1977)^[321]
Joyride (1977)^[426]
Julia (1977)^[169]
The Kentucky Fried Movie (1977)^[670]
Last Chants for a Slow Dance (1977)^[671]^[238]
The Late Show (1977)Template:Refn
Looking for Mr. Goodbar (1977)^[672]^[653]
Martin (1977)^[673]^[674]
New York, New York (1977)Template:Refn
Opening Night (1977)^[268]^[675]
The Other Side of Midnight (1977)^[676]
The Private Files of J. Edgar Hoover (1977)^[177]
Rolling Thunder (1977)Template:Refn
Saturday Night Fever (1977)Template:Refn ≈
Semi-Tough (1977)^[238]
The Sentinel (1977)^[537]^[274]
September 30, 1955 (1977)^[677]
Short Eyes (1977)^[678]
Slap Shot (1977)Template:Refn
Smokey and the Bandit (1977)^[270]
Sorcerer (1977)Template:Refn
Star Wars (1977)Template:Refn ≈ ≠
The Turning Point (1977)^[679]^[169]
Twilight's Last Gleaming (1977)^[417]
Which Way Is Up? (1977)^[274]
Wizards (1977)^[149]

1978–1979

Script error: No such module "Check for unknown parameters".

American Boy: A Profile of Steven Prince (1978)^[238]
American Hot Wax (1978)Template:Refn
The Big Fix (1978)Template:Refn
Big Wednesday (1978)Template:Refn
Bloodbrothers (1978)^[238]
Blue Collar (1978)Template:Refn
The Brink's Job (1978)^[680]^[681]
The Buddy Holly Story (1978)^[682]^[683]
California Suite (1978)^[169]
Capricorn One (1978)^[684]
Coma (1978)^[249]
Comes a Horseman (1978)^[685]^[686]
Coming Home (1978)Template:Refn
Convoy (1978)^[22]^[687]
Corvette Summer (1978)^[688]
Dawn of the Dead (1978)^[128]
Days of Heaven (1978)Template:Refn ≈
The Deer Hunter (1978)Template:Refn ≈ ≠
The Driver (1978)Template:Refn
Every Which Way but Loose (1978)^[689]
Eyes of Laura Mars (1978)Template:Refn
Fingers (1978)Template:Refn
F.I.S.T. (1978)^[690]
Foul Play (1978)^[169]
The Fury (1978)^[691]
Girlfriends (1978)Template:Refn ≈
Go Tell the Spartans (1978)^[31]
Goin' South (1978)^[426]
Grease (1978)Template:Refn ≈
Halloween (1978)Template:Refn ≈
Heaven Can Wait (1978)Template:Refn
Ice Castles (1978)^[238]
Interiors (1978)Template:Sfn^[69]
Invasion of the Body Snatchers (1978)Template:Refn
Killer of Sheep (1978)Template:Refn ≈
King of the Gypsies (1978)^[692]
The Last Waltz (1978)Template:Refn ≈
The Lord of the Rings (1978)^[149]
Magic (1978)^[693]
Midnight Express (1978)^[675]
Movie Movie (1978)^[238]
National Lampoon's Animal House (1978)Template:Refn ≈
Northern Lights (1978)^[694]
On the Yard (1978)^[695]
Paradise Alley (1978)^[696]^[697]
Remember My Name (1978)^[238]
Same Time, Next Year (1978)^[144]
The Scenic Route (1978)^[238]
Sgt. Pepper's Lonely Hearts Club Band (1978)^[197]^[683]
Stony Island (1978)^[238]
Straight Time (1978)Template:Refn
Superman (1978)Template:Refn ≈
Uncle Joe Shannon (1978)^[238]
An Unmarried Woman (1978)Template:Refn
A Wedding (1978)^[698]^[357]
The Whole Shootin' Match (1978)^[238]
Who'll Stop the Rain (1978)Template:Refn
The Wiz (1978)Template:Refn
10 (1979)^[253]
1941 (1979)Template:Refn
Alien (1979)Template:Refn ≈
All That Jazz (1979)Template:Refn ≈
An Almost Perfect Affair (1979)^[699]^[238]
Americathon (1979)^[238]
...And Justice for All. (1979)Template:Refn
Apocalypse Now (1979)Template:Refn^[700] ≈ ≠
Being There (1979)Template:Refn ≈
The Black Stallion (1979)^[701] ≈
Breaking Away (1979)^[225]^[253]
Bush Mama (1979)^[177] ≈
Chilly Scenes of Winter (1979)Template:Refn
The China Syndrome (1979)Template:Refn
The Driller Killer (1979)^[254]
The Electric Horseman (1979)^[702]
Escape from Alcatraz (1979)Template:Refn
Going in Style (1979)^[703]
Good Luck, Miss Wyckoff (1979)^[704]^[705]
The Great Santini (1979)^[706]
Hair (1979)^[22]^[253]^[596]
Hardcore (1979)Template:Refn
The In-Laws (1979)^[707]^[708]
Killing Time (1979)^[244]
Kramer vs. Kramer (1979)Template:Refn
The Lady in Red (1979)^[709]
Last Embrace (1979)^[426]
Manhattan (1979)Template:Refn ≈
More American Graffiti (1979)^[710]
Natural Enemies (1979)^[711]
Norma Rae (1979)Template:Refn ≈
North Dallas Forty (1979)^[712]
Old Boyfriends (1979)^[713]^[714]
The Onion Field (1979)Template:Refn
Over the Edge (1979)^[177]^[715]
A Perfect Couple (1979)^[716]
Promises in the Dark (1979)^[717]
Quintet (1979)^[718]
Real Life (1979)^[241]^[719]
Rocky II (1979)^[357]
The Rose (1979)^[720]^[683]
Saint Jack (1979)^[721]^[238]
The Seduction of Joe Tynan (1979)^[722]
Star Trek: The Motion Picture (1979)^[723]
Starting Over (1979)^[724]^[169]
The Wanderers (1979)^[725]
The Warriors (1979)Template:Refn
When a Stranger Calls (1979)^[726]
When You Comin' Back, Red Ryder? (1979)^[727]
Winter Kills (1979)Template:Refn
Wise Blood (1979)^[618]^[613]

1980s–1990s

1980–1982

Script error: No such module "Check for unknown parameters".

9 to 5 (1980)^[169]^[22]
Airplane! (1980)Template:Refn ≈
American Gigolo (1980)Template:Refn
Any Which Way You Can (1980)^[169]
Atlantic City (1980)^[202] ≈
The Blue Lagoon (1980)^[271]
The Blues Brothers (1980)^[271]^[105] ≈
Bronco Billy (1980)Template:Sfn^[110]
Brubaker (1980)^[22]^[169]
Can't Stop the Music (1980)^[197]
Coal Miner's Daughter (1980)Template:Refn ≈
Cruising (1980)Template:Refn
Dressed to Kill (1980)Template:Refn
The Elephant Man (1980)^[271]
The Empire Strikes Back (1980)Template:Refn ≈
Fame (1980)^[643]^[728] ≈
The Fog (1980)^[729]
Gloria (1980)Template:Refn
HealtH (1980)Template:Refn
Heaven's Gate (1980)Template:Refn
Honeysuckle Rose (1980)^[238]
Inside Moves (1980)^[730]^[731]
It's My Turn (1980)^[732]
Just Tell Me What You Want (1980)^[238]
The Long Riders (1980)Template:Refn
Melvin (and Howard) (1980)Template:Refn
Night of the Juggler (1980)^[733]^[238]
The Ninth Configuration (1980)^[734]^[516]
One-Trick Pony (1980)^[735]
Ordinary People (1980)Template:Refn
Out of the Blue (1980)^[736]^[245]
Popeye (1980)Template:Refn^[716]
Private Benjamin (1980)^[22]
Raging Bull (1980)Template:Refn ≈ ≠
Return of the Secaucus 7 (1980)^[31]^[22] ≈
Second-Hand Hearts (1980)^[737]
The Shining (1980)Template:Refn ≈
Stardust Memories (1980)Template:Refn
Stir Crazy (1980)^[271]
The Stunt Man (1980)^[738]^[739]
Superman II (1980)^[740]
Urban Cowboy (1980)^[22]^[235]
Willie & Phil (1980)^[24]^[149]
Windows (1980)^[741]^[238]
Xanadu (1980)^[197]^[683]
All Night Long (1981)^[271]^[169]
...All the Marbles (1981)^[110]
An American Werewolf in London (1981)^[180]
Arthur (1981)^[742]
Blow Out (1981)Template:Refn
Body Heat (1981)^[196]
The Cannonball Run (1981)^[271]
Cutter's Way (1981)Template:Refn^[743]
Escape from New York (1981)Template:Refn
The Evil Dead (1981)^[180]
Fort Apache, the Bronx (1981)^[744]
Four Friends (1981)^[404]^[22]
The Funhouse (1981)^[697]
The Howling (1981)^[745]^[180]
Knightriders (1981)^[110]
Modern Romance (1981)^[110]
Mommie Dearest (1981)^[180]
Ms. 45 (1981)^[180]
On Golden Pond (1981)^[22]
Outland (1981)^[180]
Pennies from Heaven (1981)Template:Refn
The Postman Always Rings Twice (1981)^[35]^[196]
Prince of the City (1981)^[746]^[417]
Raggedy Man (1981)^[747]
Ragtime (1981)^[349]
Raiders of the Lost Ark (1981)Template:Refn ≈ ≠
Reds (1981)Template:Refn
S.O.B. (1981)^[748]
Southern Comfort (1981)Template:Refn
They All Laughed (1981)^[618]
Thief (1981)Template:Refn
Whose Life Is It Anyway? (1981)^[749]
Wolfen (1981)^[750]
48 Hrs. (1982)^[751]
Annie (1982)^[271]
The Best Little Whorehouse in Texas (1982)^[197]
Blade Runner (1982)Template:Refn ≈ ≠
The Border (1982)^[752]
Cannery Row (1982)^[235]
Cat People (1982)^[268]^[196]
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)^[577]
Conan the Barbarian (1982)^[22]
Diner (1982)^[12]
E.T. the Extra-Terrestrial (1982)Template:Refn ≈ ≠
Fast Times at Ridgemont High (1982)^[110] ≈
First Blood (1982)^[146]^[43]
The King of Comedy (1982)Template:Refn
Lookin' to Get Out (1982)^[675]
Losing Ground (1982)^[189] ≈
A Midsummer Night's Sex Comedy (1982)^[753]
Missing (1982)^[22]
My Favorite Year (1982)^[754]
An Officer and a Gentlemen (1982)^[169]^[235]^[22]
One from the Heart (1982)Template:Refn
Personal Best (1982)^[755]^[756]
Poltergeist (1982)Template:Refn
Rocky III (1982)^[357]
Shoot the Moon (1982)^[357]
Split Image (1982)^[145]
Star Trek II: The Wrath of Khan (1982)^[243] ≈
Summer Lovers (1982)^[757]
The Thing (1982)Template:Refn
Tootsie (1982)^[12]^[751] ≈ ≠
TRON (1982)^[243]
The Verdict (1982)^[342]
Victor/Victoria (1982)^[758]
White Dog (1982)^[759]
The World According to Garp (1982)^[167]

1983–1987

Script error: No such module "Check for unknown parameters".

Baby It's You (1983)^[760]
The Big Chill (1983)Template:Refn
Blue Thunder (1983)^[761]^[238]
Breathless (1983)^[397]
Flashdance (1983)^[12]^[683]
Misunderstood (1983)^[150]
Mr. Mom (1983)^[186]
National Lampoon's Vacation (1983)^[186]
The Outsiders (1983)^[22]^[240]
Return of the Jedi (1983)^[762]^[243] ≈
The Right Stuff (1983)^[22] ≈
Rumble Fish (1983)Template:Refn
Silkwood (1983)^[22]
Star 80 (1983)^[268]
Suburbia (1983)^[245]
Tender Mercies (1983)^[110]
Terms of Endearment (1983)^[235]^[22]
Twilight Zone: The Movie (1983)Template:Refn
Yentl (1983)^[169]
Amadeus (1984)^[751] ≈ ≠
Beverley Hills Cop (1984)^[12] ≈
Blood Simple (1984)^[246]^[763]
Body Double (1984)^[246]
The Brother from Another Planet (1984)^[764]
Choose Me (1984)^[765]
The Cotton Club (1984)^[22]
Footloose (1984)^[683]
Gremlins (1984)^[554]^[242]
Heartbreakers (1984)^[766]
Indiana Jones and the Temple of Doom (1984)^[243]^[239]
Mike's Murder (1984)Template:Refn
Moscow on the Hudson (1984)^[22]
A Nightmare on Elm Street (1984)^[767]^[729] ≈
Paris, Texas (1984)^[346]^[245]
Places in the Heart (1984)^[22]
Purple Rain (1984)^[683] ≈
Repo Man (1984)^[613]^[245]
Sixteen Candles (1984)^[186]
Splash (1984)^[12]
Starman (1984)^[110]
Star Trek III: The Search for Spock (1984)^[243]
Streets of Fire (1984)^[768]
Streetwise (1984)^[245]
The Terminator (1984)^[242] ≈
This Is Spinal Tap (1984)^[12] ≈
Top Secret! (1984)^[670]
After Hours (1985)^[250]^[769]
Back to the Future (1985)^[751]^[363] ≈
The Breakfast Club (1985)^[186] ≈
Clue (1985)^[770]
Day of the Dead (1985)^[110]
Desperately Seeking Susan (1985)^[751]^[242] ≈
The Goonies (1985)^[554] ≈
The Legend of Billie Jean (1985)^[771]
Mask (1985)^[772]
Mishima: A Life in Four Chapters (1985)^[751]
National Lampoon's European Vacation (1985)^[186]
Out of Africa (1985)^[12]
Rocky IV (1985)^[773]
Smooth Talk (1985)^[245]
To Live and Die in L.A. (1985)^[308]^[357]^[22]
Trouble in Mind (1985)^[774]
Weird Science (1985)^[186]
Witness (1985)^[751]
Year of the Dragon (1985)^[22]
8 Million Ways to Die (1986)^[308]
52 Pick-Up (1986)^[308]
Aliens (1986)^[12]
The Big Easy (1986)^[242]
Blue Velvet (1986)^[242]
Children of a Lesser God (1986)^[242]
The Color of Money (1986)^[22]
Ferris Bueller's Day Off (1986)^[186] ≈
The Fly (1986)^[250]^[243]
Hannah and Her Sisters (1986)^[751]
Legal Eagles (1986)^[235]
Little Shop of Horrors (1986)^[751]
Manhunter (1986)^[242]
Parting Glances (1986)^[245]
Platoon (1986)Template:Refn ≈ ≠
Pretty in Pink (1986)^[186]
River's Edge (1986)^[242]^[245]
Salvador (1986)^[12]
She's Gotta Have It (1986)^[12] ≈
Stand by Me (1986)^[12]
Star Trek IV: The Voyage Home (1986)^[243]
Top Gun (1986)^[12]^[240] ≈
Beverley Hills Cop II (1987)^[12]
Black Widow (1987)^[235]
Dirty Dancing (1987)^[683]^[239] ≈
Fatal Attraction (1987)^[775]
Full Metal Jacket (1987)^[443]
The Hidden (1987)^[245]
Lethal Weapon (1987)^[776]^[751]
The Lost Boys (1987)^[554]
Moonstruck (1987)^[12]
Near Dark (1987)^[777]
No Way Out (1987)^[110]
Planes, Trains and Automobiles (1987)^[186]
The Princess Bride (1987)^[12] ≈
Raising Arizona (1987)^[245]
Robocop (1987)^[110]
Some Kind of Wonderful (1987)^[110]^[186]
Someone to Watch Over Me (1987)^[110]
Tin Men (1987)^[12]
The Untouchables (1987)^[12]
Wall Street (1987)^[12]

1988–1990

Script error: No such module "Check for unknown parameters".

Beetlejuice (1988)^[243]
Betrayed (1988)^[235]
Crossing Delancey (1988)^[778]^[245]
Die Hard (1988)^[776] ≈
Heathers (1988)^[222]
Lady in White (1988)^[110]
The Last Temptation of Christ (1988)^[613]^[22]
Midnight Run (1988)^[779]
Miracle Mile (1988)^[780]
The Naked Gun: From the Files of Police Squad! (1988)^[670]
Rain Man (1988)^[12]
Running on Empty (1988)^[245]
She's Having a Baby (1988)^[186]
The Thin Blue Line (1988)^[751] ≈
Working Girl (1988)^[22]
The Abyss (1989)^[243]
Batman (1989)^[12]^[279]^[239]
Born on the Fourth of July (1989)^[12]^[776]
Casualties of War (1989)^[12]
Do the Right Thing (1989)Template:Refn ≈ ≠
Driving Miss Daisy (1989)^[239]
Gleaming the Cube (1989)^[222]
Honey, I Shrunk the Kids (1989)^[243]
Indiana Jones and the Last Crusade (1989)^[243]
Look Who's Talking (1989)^[242]
National Lampoon's Christmas Vacation (1989)^[186]
Parenthood (1989)^[12]^[751]
Sex, Lies, and Videotape (1989)Template:Refn ≈
Steel Magnolias (1989)^[12]
The Unbelievable Truth (1989)^[212]
Uncle Buck (1989)^[186]
When Harry Met Sally... (1989)^[12] ≈
American Dream (1990)^[212]
Avalon (1990)^[12]
Awakenings (1990)^[212]
Darkman (1990)^[212]
Days of Thunder (1990)^[12]
Downtown (1990)^[12]
Edward Scissorhands (1990)^[751]^[239]^[212]
GoodFellas (1990)^[781] ≈ ≠
The Grifters (1990)^[212]
Havana (1990)^[12]
Home Alone (1990)^[186] ≈
House Party (1990)^[212] ≈
The Hunt for Red October (1990)^[751]
Internal Affairs (1990)^[242]
Jacob's Ladder (1990)^[212]
Joe Versus the Volcano (1990)^[12]
King of New York (1990)^[212]
Metropolitan (1990)^[212]
Miami Blues (1990)^[212]
Miller's Crossing (1990)^[212]
Mo' Better Blues (1990)^[12]^[212]
My Blue Heaven (1990)^[212]
Paris Is Burining (1990)^[212] ≈
Pump Up the Volume (1990)^[222]^[212]
Rosencrantz & Guildenstern Are Dead (1990)^[212]
Slacker (1990)^[782]^[239]^[212] ≈
To Sleep with Anger (1990)^[212] ≈
Wild at Heart (1990)^[242]^[212]

1991–1993

Script error: No such module "Check for unknown parameters".

Barton Fink (1991)^[212]
Boyz n the Hood (1991)^[783]^[212] ≈
City of Hope (1991)^[212]
The Commitments (1991)^[212]
Curly Sue (1991)^[186]
Daughters of the Dust (1991)^[212] ≈
The Doors (1991)^[12]
The Fisher King (1991)^[212]
Fried Green Tomatoes (1991)^[239]
Homicide (1991)^[212]
JFK (1991)^[776]^[212]
Johnny Suede (1991)^[212]
Jungle Fever (1991)^[212]
Mississippi Masala^[212]
My Own Private Idaho (1991)^[782] ≈
New Jack City (1991)^[212]
Night on Earth (1991)^[212]
Queen of Diamonds (1991)^[212] ≈
A Rage in Harlem (1991)^[242]
The Rapture (1991)^[212]
The Silence of the Lambs (1991)Template:Refn ≈ ≠
Sleeping with the Enemy (1991)^[242]
Terminator 2: Judgement Day (1991)^[243]^[751] ≈
Thelma & Louise (1991)^[751] ≈
Until the End of the World (1991)^[212]
Army of Darkness (1992)^[212]
Bad Lieutenant (1992)^[212]
Bob Roberts (1992)^[212]
The Bodyguard (1992)^[751]
Buffy the Vampire Slayer (1992)^[212]
Cool World (1992)^[212]
Deep Cover (1992)^[212]
Gas Food Lodging (1992)^[212]
Glengarry Glen Ross (1992)^[212]
Home Alone 2: Lost in New York (1992)^[186]
Husbands and Wives (1992)^[784]
In the Soup (1992)^[212]
Juice (1992)^[212]
The Last of the Mohicans (1992)^[785]
Laws of Gravity (1992)^[239]^[212]
Light Sleeper (1992)^[212]
The Living End (1992)^[239]^[212]
Malcolm X (1992)^[786]^[212] ≈
My Cousin Vinny (1992)^[239]
One False Move (1992)^[212]
Passion Fish (1992)^[212]
The Player (1992)^[22]^[212]
Reservoir Dogs (1992)^[212]
A River Runs Through It (1992)^[212]
Singles (1992)^[212]
Swoon (1992)^[212]
This is My Life (1992)^[212]
White Men Can't Jump (1992)^[212]
Benny & Joon (1993)^[212]
Boxing Helena (1993)^[212]
CB4 (1993)^[212]
Dazed and Confused (1993)^[239]^[212]
Demolition Man (1993)^[212]
El Mariachi (1993)^[212] ≈
Fear of a Black Hat (1993)^[212]
The Fugitive (1993)^[751]
Groundhog Day (1993)^[751] ≈
Household Saints (1993)^[212]
The Joy Luck Club (1993)^[212] ≈
Jurassic Park (1993)^[243] ≈
Kalifornia (1993)^[212]
Menace II Society (1993)^[212]
Mi Vida Loca (1993)^[212]
Poetic Justice (1993)^[212]
Red Rock West (1993)^[212]
Ruby in Paradise (1993)^[212]
Searching for Bobby Fischer (1993)^[212]
Short Cuts (1993)^[22]^[212]
Sleepless in Seattle (1993)^[751]
Suture (1993)^[212]
True Romance (1993)^[222]
The Wedding Banquet (1993)^[212] ≈
What's Eating Gilbert Grape (1993)^[212]

1994–1996

Script error: No such module "Check for unknown parameters".

Alma's Rainbow (1994)^[212]
Clerks (1994)^[782]^[787]^[212] ≈
Crooklyn (1994)^[212]
The Crow (1994)^[212]
Eat Drink Man Woman (1994)^[212]
Forrest Gump (1994)^[239] ≈ ≠
Fresh (1994)^[212]
The Glass Shield (1994)^[212]
Go Fish (1994)^[239]^[212]
Hoop Dreams (1994)^[212] ≈
The Hudsucker Proxy (1994)^[212]
I Like It Like That (1994)^[212]
Interview with the Vampire (1994)^[212]
The Last Seduction (1994)^[212]
Little Odessa (1994)^[212]
Mrs. Parker and the Vicious Circle (1994)^[212]
Natural Born Killers (1994)^[212]
Pulp Fiction (1994)^[787]^[212] ≈ ≠
Quiz Show (1994)^[212]
Reality Bites (1994)^[212]
River of Grass (1994)^[212]
Serial Mom (1994)^[788]
Spanking the Monkey (1994)^[212]
Speed (1994)^[751]
Swimming with Sharks (1994)^[212]
Vanya on 42nd Street (1994)^[212]
What Happened Was... (1994)^[212]
Ed Wood (1994)^[212]
12 Monkeys (1995)^[212]
Bad Boys (1995)^[240]
Before Sunrise (1995)^[212]
The Basketball Diaries (1995)^[212]
Boys on the Side (1995)^[212]
The Brothers McMullen (1995)^[212]
Clockers (1995)^[212]
Clueless (1995)^[212]
Crumb (1995)^[212]
Dead Man Walking (1995)^[751]^[212]
Dead Presidents (1995)^[212]
Desperado (1995)^[212]
Devil in a Blue Dress (1995)^[212]
The Doom Generation (1995)^[782]
Empire Records (1995)^[212]
Get Shorty (1995)^[212]
Hackers (1995)^[212]
Heat (1995)^[751]
Higher Learning (1995)^[212]
Kicking and Screaming (1995)^[212]
Kids (1995)^[782]
Leaving Las Vegas (1995)^[212]
Living in Oblivion (1995)^[212]
Mallrats (1995)^[212]
Mi Familia (1995)^[212] ≈
Panther (1995)^[212]
Party Girl (1995)^[212]
The Quick and the Dead (1995)^[212]
Safe (1995)^[212]
Sense and Sensibility (1995)^[212]
Se7en (1995)^[789]^[212]
Strange Days (1995)^[790]
Tank Girl (1995)^[212]
The Thief and the Cobbler (1995)^[212]
The Usual Suspects (1995)^[212]
To Die For (1995)^[212]
To Wong Foo, Thanks For Everything! Julie Newmar (1995)^[212]
Toy Story (1995)^[243] ≈ ≠
Waiting to Exhale (1995)^[212]
Basquiat (1996)^[212]
Beavis and Butthead Do America (1996)^[212]
Big Night (1996)^[212]
Bottle Rocket (1996)^[212]
Bound (1996)^[212]
Box of Moonlight (1996)^[212]
The Birdcage (1996)^[212]
Citizen Ruth (1996)^[212]
The Daytrippers (1996)^[212]
The English Patient (1996)^[212]
Fargo (1996)^[212] ≈ ≠
Flirting with Disaster (1996)^[212]
Four Rooms (1996)^[212]
From Dusk Till Dawn (1996)^[777]
Get on the Bus (1996)^[212]
Hard Eight (1996)^[212]
I Shot Andy Warhol (1996)^[212]
Kingpin (1996)^[212]
Mission: Impossible (1996)^[751]
Muppet Treasure Island (1996)^[751]
The People vs. Larry Flynt (1996)^[212]
Primal Fear (1996)^[212]
Schizopolis (1996)^[212]
Scream (1996)^[212]
Sling Blade (1996)^[212]
Swingers (1996)^[212]
Trees Lounge (1996)^[212]
Welcome to the Dollhouse (1996)^[212]
Waiting for Guffman (1996)^[212]
Walking and Talking (1996)^[212]
The Watermelon Woman (1996)^[212] ≈

1997–1999

Script error: No such module "Check for unknown parameters".

4 Little Girls (1997)^[212] ≈
The Apostle (1997)^[212]
Boogie Nights (1997)^[212]
Chasing Amy (1997)^[212]
Cop Land (1997)^[212]
Eve's Bayou (1997)^[212] ≈
Fast, Cheap and Out of Control (1997)^[212]
The Game (1997)^[212]
Good Will Hunting (1997)^[212]
Grosse Pointe Blank (1997)^[212]
Gummo (1997)^[212]
The Ice Storm (1997)^[212]
In the Company of Men (1997)^[212]
Jackie Brown (1997)^[212]
Liar Liar (1997)^[751]
Love Jones (1997)^[212]
Private Parts (1997)^[212]
Romy and Michelle's High School Reunion (1997)^[212]
Selena (1997)^[212] ≈
Soul Food (1997)^[212]
Titanic (1997)^[243] ≈ ≠
Ulee's Gold (1997)^[212]
Wag the Dog (1997)^[212]
Wild Man Blues (1997)^[212]
American History X (1998)^[212]
Armageddon (1998)^[240]
The Big Lebowski (1998)^[212] ≈
Buffalo '66 (1998)^[212]
Dark City (1998)^[243]^[212]
Drylongso (1998)^[212]
Fear and Loathing in Las Vegas (1998)^[212]
Gods and Monsters (1998)^[212]
Half Baked (1998)^[212]
Happiness (1998)^[212]
High Art (1998)^[212]
The Last Days (1998)^[212]
The Last Days of Disco (1998)^[212]
Orgazmo (1998)^[212]
Out of Sight (1998)^[212]
Pi (1998)^[212]
Pleasantville (1998)^[243]^[212]
Rushmore (1998)^[212] ≈
Shakespeare in Love (1998)^[212]
A Simple Plan (1998)^[212]
Smoke Signals (1998)^[212] ≈
The Spanish Prisoner (1998)^[212]
The Thin Red Line (1998)^[212]
Velvet Goldmine (1998)^[212]
200 Cigarettes (1999)^[212]
American Beauty (1999)^[212]
American Movie (1999)^[212]
Being John Malkovich (1999)^[212]
The Best Man (1999)^[212]
The Blair Witch Project (1999)^[212]
The Boondock Saints (1999)^[212]
Boys Don't Cry (1999)^[212] ≈
But I'm a Cheerleader (1999)^[212]
Buena Vista Social Club (1999)^[212] ≈
The Cider House Rules (film) (1999)^[212]
Cradle Will Rock (1999)^[212]
Election (1999)^[212]
Fight Club (1999)^[243]^[212]
Ghost Dog: The Way of the Samurai (1999)^[212]
Girl, Interrupted (1999)^[212]
Go (1999)^[212]
Happy, Texas (1999)^[212]
Judy Berlin (1999)^[212]
Julien Donkey-Boy (1999)^[212]
The Limey (1999)^[212]
Magnolia (1999)^[212]
The Matrix (1999)^[243] ≈
Office Space (1999)^[212]
Ride with the Devil (1999)^[212]
The Sixth Sense (1999)^[212] ≠
SLC Punk (1999)^[212]
Summer of Sam (1999)^[212]
Sweet and Lowdown (1999)^[212]
The Straight Story (1999)^[212]
The Talented Mr. Ripley (1999)^[212]
Three Kings (1999)^[212]
Three Seasons (1999)^[212]
Titus (1999)^[212]
Trick (1999)^[212]
The Virgin Suicides (1999)^[212]

2000–2001

Script error: No such module "Check for unknown parameters".

American Psycho (2000)^[212]
Bamboozled (2000)^[212] ≈
Best in Show (2000)^[212] °
Boiler Room (2000)^[212]
Cecil B. Demented (2000)^[212]
Chuck & Buck (2000)^[212]
Crouching Tiger, Hidden Dragon (2000)^[212] ± °
Erin Brockovich (2000)^[212]
Girlfight (2000)^[212]
Hamlet (2000)^[212]
High Fidelity (2000)^[212]
Love & Basketball (2000)^[212] ≈
Memento (2000)^[212] ≈
Nurse Betty (2000)^[212]
O Brother, Where Art Thou? (2000)^[212] °
Our Song (2000)^[212]
Pollock (2000)^[212]
Requiem for a Dream (2000)^[212] ±
Songcatcher (2000)^[212]
Sugar & Spice (2000)^[212]
Timecode (2000)^[212]
Traffic (2000)^[212]
Wonder Boys (2000)^[212]
The Yards (2000)^[212]
You Can Count on Me (2000)^[212]
The Anniversary Party (2001)^[212]
Baby Boy (2001)^[212]
The Believer (2001)^[212]
Bridget Jones's Diary (2001)^[212]
Bully (2001)^[212]
CQ (2001)^[212]
Dogtown and Z-Boys (2001)^[212]
Donnie Darko (2001)^[212]
Evolution (2001)^[212]
Ghost World (2001)^[212]
Gosford Park (2001)^[212]
The Grey Zone (2001)^[212]
Hedwig and the Angry Inch^[212]
In the Bedroom (2001)^[212]
L.I.E. (2001)^[212]
Lovely & Amazing (2001)^[212]
The Man Who Wasn't There (2001)^[212]
Monster's Ball (2001)^[212]
Mulholland Drive (2001)^[212] ± °
O (2001)^[212]
The Others (2001)^[212]
Riding in Cars with Boys (2001)^[212]
The Royal Tenenbaums (2001)^[212] ±
The Shipping News (2001)^[212]
Storytelling (2001)^[212]
Tape (2001)^[212]
The Tao of Steve (2001)^[212]
Waking Life (2001)^[212]

Notes

Template:Notes

≈ Indicates a National Film Registry inductee.
≠ Indicates an AFI's 100 Years...100 Movies entry.
± Indicates a BBC's 100 Greatest Films of the 21st Century selection
° Indicates a NYT's 100 Best Movies of the 21st Century selection

References

↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "Citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ ^a ^b ^c The Top 10 Underrated Movies ... and 10 Classics We'd Like to Forget – LAmag
↑ Seconds (John Frankenheimer, 1967) and Point Blank (John Boorman, 1968) – Offscreen
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b How One Movie Killed The 1980s – Patrick (H) Willems on YouTube
↑ ^a ^b The Death of the All-Powerful Director - The Ringer
↑ Brokaw looks at the new Hollywood|Tampa Bay Times/St. Pete Times
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj ^ak ^al ^am ^an ^ao ^ap ^aq ^ar ^as The New Hollywood – Tom Brokaw on Internet Archive
↑ The New Hollywood and the independent Hollywood (Chapter 5) – American Independent Cinema|Cambridge University Press
↑ Hollywood Highbrow: From Entertainment to Art – Google Books (pg.66)
↑ Hollywood Independents: The Postwar Talent Takeover - Google Books
↑ Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher--Television – Google Books (249)
↑ David E James, Allegories of Cinema, American Film in the Sixties, Princeton University Press, New York, 1989, pp. 14–26
↑ Script error: No such module "Citation/CS1".
↑ The New Hollywood and the Independent Hollywood|American Independent Cinema: An Introduction – Oxford Academic
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Template:Harvp
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ American Films of the 70s: Conflicting Visions - Google Books (pg. "Introduction: "Nobody Knows Anything")
↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "citation/CS1".
↑ ^a ^b ^c Watch: How New Hollywood Created the American Indie – No Film School
↑ Template:Harvp
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ David A Cook, "Auteur Cinema and the film generation in 70s Hollywood", in The New American Cinema by Jon Lewis (ed), Duke University Press, New York, 1998, pp. 1–4
↑ ^a ^b Script error: No such module "citation/CS1".
Schatz|1993|pp=14–16_30-0|↑ Template:Harvp
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k Script error: No such module "citation/CS1".
↑ Night Tide - Variety
↑ Review: Curtis Harrington's Night Tide on Kino Lorber Blu-ray - Slant Magazine
↑ Roger Corman: "Hectic, Maddening, but Fun"|Current|The Criterion Collection
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Stephanie Rothman, Pioneering Female Director in 1970s Hollywood, Revisited - Air Mail
↑ ^a ^b ^c ^d ^e ^f Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ From the Arthouse to the Grindhouse – Google Books (pg.192)
↑ Script error: No such module "citation/CS1".
↑ New Hollywood: Movies, Directors, and Influences of the Era|Backstage
↑ ^a ^b The Style of Sleaze: The American Exploitation Film, 1959–1977 (2018) – Offscreen
↑ 'Red Dawn' Ushered in the PG-13 Era in 1984 – The Hollywood Reporter
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Template:Harvp
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Template:Harvp
↑ Pauline Kael, "Bonnie and Clyde" in, Pauline Kael, For Keeps (Plume, New York, 1994) pp. 141–57. Originally published in The New Yorker, October 21, 1967
↑ Template:Harvp
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c ^d ^e ^f ^g ^h Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c New Hollywood|reDiscover
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ 10 Best English Movies Influenced By The French New Wave – Screen Rant
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Template:Harvp
↑ Essential Cinema: On Our Way to Where: Women of '70s Cinema|Austin Film Society
↑ ^a ^b ^c ^d ^e ^f ^g Hollywood and the Baby Boom: A Social History - Google Books (pgs.130-132)
↑ Nixonland: Horror in the Vietnam Era – TRYLON
↑ ^a ^b Nightmare Movies: Horror on Screen Since the 1960s – Google Books (pgs.379-381)
↑ ^a ^b ^c The Shadow Cinema of the American '70s|Quad Cinema
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Eccentric Cinema: Overlooked Oddities and Ecstasies, 1963–82|BAMPFA
↑ Template:Harvp
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↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
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↑ How the Movies Captured Times Square's Grimy Golden Age|Current|The Criterion Collection
↑ Wild on New York's Streets – Shepherd Express
↑ ^a ^b Script error: No such module "citation/CS1".
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↑ Template:Harvp
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↑ Simultaneous Tensions: The Duo-Vision of Wicked, Wicked – Art & Trash
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Stanley Kubrick, at the Crossroads of a Work – La cinémathèque française
↑ ^a ^b Kubrick's Space Odyssey – Museum of the Moving Image
↑ Scott Bartlett: The Meaning of the Universe – Spectacle Theater
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture – Google Books (ch. "Introduction The Business of Auteur Theory")
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Template:Harvp
↑ ^a ^b Template:Harvp
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↑ Script error: No such module "citation/CS1".
↑ Pauline Kael, "Trash, Art, and the Movies" in Going Steady, Film Writings 1968–69, Marion Boyers, New York, 1994, pp. 125–7
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Template:Harvp
↑ Template:Harvp
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↑ Mainstream Maverick: John Hughes and New Hollywood Cinema – Google Books (pg.8)
↑ Template:Harvp
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c "Once upon a pair of wheels"... Edgar Wright on Baby Driver and the classic car movies|BFI
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics - Google Books (pg.194)
↑ Remembering ‘Jaws,’ the 1970s movie that helped kill the 1970s movie – Boston.com
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v The Real Eighties: American Cinema 1980-89 – Filmmuseum – Program SD
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Boogie Nights in 35mm – TRYLON
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Star Bodies and the Erotics of Suffering – Google Books (pg.273)
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Death of the Set of the Twilight Zone Movie – Los Angeles Times on YouTube
↑ Script error: No such module "citation/CS1".
↑ Rewinding The '80s: Cinema Under the Influence of Music Videos, Action Stars, and a Cold War – Google Books
↑ Time to Rewind the '80s? – Shepherd Express
↑ Trash and Treasure at the Razzies|Current|The Criterion Collection
↑ ‘Xanadu’ Was So Bad It Launched the Razzies in 1980 – The Hollywood Reporter
↑ ^a ^b ^c ^d ^e Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Why The Joker Movie Is A Period Piece Set in Late 1970s and Early 1980s – Screen Rant
↑ 'The Holdovers' Gave Us Everything We Love About 1970s Movies|Collider
↑ Quentin Tarantino has written his resignation letter with Once Upon a Time in Hollywood – ABC News
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ The Godfather III is a Secret Masterpiece If You Watch the Right Version (& It Has a New Streaming Home) – CBR
↑ Script error: No such module "citation/CS1".
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↑ The Right Place: Martyrs and Monsters in Suffer Little Children – Art & Trash
↑ ^a ^b ^c ^d ^e Script error: No such module "citation/CS1".
↑ Peter Jackson's Savage 'Meet the Feebles' Invented the Offensive Puppet Shocker - Bloody Disgusting
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↑ Bring Me the Head of Charlie Brown (audio commentary) (Art & Trash miniature 21) - Art & Trash on Vimeo
↑ The Accidental Father of Mashup Culture: Jim Knipfel on Todd Graham and Apocalypse Pooh - Believer Magazine
↑ Apocalypse Pooh & 7 Other All-Time Great Fan-Made Movie Mashups - Screen Rant
↑ Todd Graham's Apocalypse Pooh in CBC Toronto 1991 Entertainment News Segment - Todd Graham on YouTube
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
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↑ ^a ^b Carrie (Brian De Palma, 1976) – Offscreen
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↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v New Wave, New Hollywood: Reassessment, Recovery, and Legacy - Google Books (pgs.59-60)
↑ ^a ^b Script error: No such module "Citation/CS1".
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↑ Joe Don Baker Dead: 'Walking Tall' Star Was 89 – The Hollywood Reporter
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↑ ^a ^b ^c Dual Plots, Demon Possession, De Palma: Ruby as Interesting Failure – Offscreen
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↑ ^a ^b Dino De Laurentiis: the godfather of movie gamblers|The Guardian
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↑ ^a ^b A Companion to Robert Altman – Google Books (pg.350)
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↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA
↑ ^a ^b ^c Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1969-1990 – Google Books (pgs.272-287)
↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h Is 1981 the Most Underrated Movie Year Ever? – Film Cred
↑ ^a ^b ^c ^d ^e ^f ^g ^h Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
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↑ ^a ^b ^c Black Power, Blaxploitation, & The Sounds of the Seventies ‹ CrimeReads
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s Script error: No such module "citation/CS1".
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↑ Rob Sheffield: Buck Henry Was a New Hollywood Renegade – Rolling Stone
↑ New and Commentary – Buck Henry: An Appreciation – MidCenturyCinema
↑ ^a ^b ^c ^d ^e ^f Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
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↑ ^a ^b ^c ^d "Nicholas Who?" – Offscreen
↑ 'Road Trip to Nowhere: Hollywood Encounters the Counterculture' Review – Slant Magazine
↑ ^a ^b ^c ^d ^e Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g Broadway in the Box: Television's Lasting Love Affair with the Musical – Google Books (pg.128) ("A series of hits and misses attempted to embrace the synergistic impulses of the New Hollywood, with quasi-musicals or movies structured around their soundtracks and popular music stars hitting the screen: Grease, the Bee Gee's Sgt. Pepper's Lonely Hearts Club Band (1978), the Village People's Can't Stop the Music (1980), Olivia Newton-John's Xanadu (1980) and Dolly Parton's The Best Little Whorehouse in Texas (1982).")
↑ The Film Comment Podcast: Women in New Hollywood
↑ He's Our Huckleberry: Two Starring Val Kilmer – TRYLON
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↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k Demy in the New Hollywood: Model Shop. – Free Online Library
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↑ Cool Hand Luke (Stuart Rosenberg, 1967) – Offscreen
↑ Five Easy Pieces (Bob Rafelson, 1970) – Offscreen
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj ^ak ^al ^am ^an ^ao ^ap ^aq ^ar ^as ^at ^au ^av ^aw ^ax ^ay ^az ^ba ^bb ^bc ^bd ^be ^bf ^bg ^bh ^bi ^bj ^bk ^bl ^bm ^bn ^bo ^bp ^bq ^br ^bs ^bt ^bu ^bv ^bw ^bx ^by ^bz ^ca ^cb ^cc ^cd ^ce ^cf ^cg ^ch ^ci ^cj ^ck ^cl ^cm ^cn ^co ^cp ^cq ^cr ^cs ^ct ^cu ^cv ^cw ^cx ^cy ^cz ^da ^db ^dc ^dd ^de ^df ^dg ^dh ^di ^dj ^dk ^dl ^dm ^dn ^do ^dp ^dq ^dr ^ds ^dt ^du ^dv ^dw ^dx ^dy ^dz ^ea ^eb ^ec ^ed ^ee ^ef ^eg ^eh ^ei ^ej ^ek ^el ^em ^en ^eo ^ep ^eq ^er ^es ^et ^eu ^ev ^ew ^ex ^ey ^ez ^fa ^fb ^fc ^fd ^fe ^ff ^fg ^fh ^fi ^fj ^fk ^fl ^fm ^fn ^fo ^fp ^fq ^fr ^fs ^ft ^fu ^fv ^fw ^fx ^fy ^fz ^ga ^gb ^gc ^gd ^ge ^gf ^gg ^gh ^gi ^gj ^gk ^gl ^gm ^gn ^go ^gp ^gq ^gr ^gs ^gt ^gu ^gv ^gw ^gx ^gy ^gz ^ha ^hb ^hc ^hd ^he ^hf ^hg ^hh ^hi ^hj ^hk ^hl ^hm ^hn ^ho ^hp ^hq ^hr ^hs ^ht ^hu ^hv ^hw ^hx ^hy ^hz ^ia ^ib ^ic ^id ^ie ^if ^ig ^ih ⁱⁱ ^ij ^ik ^il ^im ⁱⁿ ^io ^ip ^iq ^ir ^is ^it ^iu ^iv ^iw ^ix ^iy ^iz ^ja ^jb ^jc ^jd ^je ^jf ^jg ^jh ^ji ^jj ^jk ^jl ^jm ^jn ^jo ^jp ^jq ^jr ^js ^jt ^ju ^jv ^jw ^jx ^jy ^jz ^ka ^kb ^kc ^kd ^ke ^kf ^kg ^kh ^ki ^kj ^kk ^kl ^km ^kn ^ko Script error: No such module "citation/CS1".
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↑ Dirty Little Billy|BAMPFA
↑ ^a ^b Silver Screen Streak List #16: 03. Midnight Express (1978) – Media Life Crisis
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↑ It's 2025 ANd I Just Watched 1978's Superman For The First Time – These Are My Honest Thoughts|/Film
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↑ ^a ^b Hollywood's Golden Ages: The 1970s|The Ankler
↑ ^a ^b Script error: No such module "citation/CS1".
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↑ Harvard Film Archive Revisits Robert Altman's 'Popeye'|WBUR News
↑ ^a ^b ^c ^d The Making of POPEYE (1980) – Cinema Scholars
↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Coal Miner's Daughter (1980) – Flickchart
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj ^ak ^al ^am ^an ^ao ^ap ^aq ^ar ^as ^at ^au ^av ^aw ^ax ^ay ^az ^ba ^bb ^bc ^bd ^be ^bf ^bg ^bh ^bi ^bj ^bk ^bl ^bm ^bn ^bo ^bp ^bq ^br ^bs ^bt ^bu ^bv ^bw ^bx ^by ^bz ^ca ^cb ^cc ^cd ^ce Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x Hollywood on Location: An Industry History – Google Books (ch."The New Hollywood 1980-1999)
↑ ^a ^b ^c ^d ^e ^f Editing and Special/Visual Effects – Google Books (ch. "The New Hollywood, 1981–1999: Editing")
↑ ^a ^b ^c ^d ^e ^f Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u Editing and Special/Visual Effects – Google Books (ch."The New Hollywood, 1981–1999: Special/Visual Effects")
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o Script error: No such module "Citation/CS1".
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Unsung Auteurs: Martha Coolidge – Filmink
↑ ^a ^b ^c ^d Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ The Movie Orgy (1968-197?) – Midnight Only
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g The New Hollywood: What the Movies Did with the New Freedoms of the Seventies – Google Books (pgs.217-222)
↑ ^a ^b Script error: No such module "citation/CS1".
↑ ^a ^b Return of the Return of the Repressed: Notes on the American Horror Film (1991-2006) – Offscreen
↑ ^a ^b Flash Flaherty: Tales from a Film Seminar – Google Books (ch.""BORDING THE FICTION")
↑ Notebook Soundtrack Mix #11: L.A. Rebellion – The Unity, Resistanc, & Love Mixtape on Notebook|MUBI
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Unsung Auteurs: Robert Greenwald – Filmink
↑ ^a ^b Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Unsung Auteurs: Peter Hyams – Filmink
↑ ^a ^b ^c ^d ^e Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Wanda (Barbara Loden, 1970) – Offscreen
↑ Dialing Wonderland: Nelson Lyon's The Telephone Book – Art & Trash
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ The Poseidon Adventure (Ronald Neame, 1972) – Offscreen
↑ ^a ^b Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l Script error: No such module "Citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ The Next Best of Robert Redford – Cinema Sentries
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Unsung Auteurs: Stephanie Rothman – Filmink
↑ Desperately Seeking Cinema: director Susan Seidelman on her memoir and old New York · Journal · A Letterboxd Magazine · Letterboxd
↑ ^a ^b Black films matter – how African American cinema fought back against Hollywood|Movies|The Guardian
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Why Ishtar Flopped and Changed the Game for Female Directors|Indiewire
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Hollywood's Werewolf Year|The Saturday Evening Post
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Soundtrack Mix #14: Dirty and Divine – An Ode to John Waters on Notebook|MUBI
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Mockumentary in the Hands of Peter Watkins – Offscreen
↑ The Sentinel (1977): Hell on the 5th Floor – Offscreen
↑ ^a ^b New HollyWood Rewind – High School – Alternative Nation
↑ ^a ^b Alambrista! (1977) – Flickchart
↑ Unsung Auteurs: Robert M. Young – Filmink
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ A revisited film-noir in color with Chinatown – Velvet Eyes
↑ DVD Savant Review: More American Graffiti
↑ Seconds (1966) – Art of the Title
↑ Notebook Soundtrack Mix #12: Trippin' on Eggshells — The Hippie Exploitation Mix on MUBI
↑ Elmer Bernstein: 10 essential soundtracks|BFI
↑ Don Bluth's "Xanadu"|Cartoon Research
↑ Xanadu at 40: a mesmerisingly messy musical failure|Musicals|The Guardian
↑ California Suite – Claude Bolling|AllMusic
↑ Soylent Green (1973) – Art of the Title
↑ Ben Burtt on How Modern Hollywood Has Lost a Sensitivity for Sound, Lightsabers, and the Wilhelm Scream – The Film Stage
↑ eFilmCritic – Bill Butler, Cinematographer – Profile Interview Series Vol.7
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Ranking John Carpenter's 10 Best Film Scores|/Film
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e Script error: No such module "Citation/CS1".
↑ ^a ^b Best movie scores of all time|Classical Music
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b Happy 35th: Randy Newman, RAGTIME|RHINO
↑ Caleb Deschanel To Receive AFI's 25th Franklin J. Schaffner Medal – Deadline
↑ THE BLACK NEW WAVE OF THE 1990'S WAS BUILT TO LAST|SHOTDECK BLOG
↑ Notebook Soundtrack Mix #10: The Black Belly of Giallo on Notebook|MUBI
↑ Subways, Stains and Santa: on shelves and screens this month · Journal · A Letterboxd Magazine · Letterboxd
↑ ^a ^b Script error: No such module "citation/CS1".
↑ David Fincher – Art of the Title
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ‘Used Cars’ At 40: How The Cynical Black Comedy Became A Preview Of The Reagan Era – The Playlist
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ Anthony Goldschmidt – Art of the Title
↑ Fame – Michael Gore|MOVIE MUSIC UK
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Cinema, Restored at BAM|Current|The Criterion Collection
↑ Composing for Cassavetes|Current|The Criterion Collection
↑ Notebook Soundtrack Mix #4: "Fragments of the Mirror: The Music of Bernard Herrmann" on Notebook|MUBI
↑ James Wong Howe: A Gutsy Cinematographer Finally Gets His Due – The New York Times
↑ Script error: No such module "citation/CS1".
↑ Who Is Adrien Joyce? Two Films Penned By Carole Eastman – TRYLON
↑ Unsung Auteurs: Jeff Kanew – Filmink
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ Paper Moon: Partners in Crime|Current|The Criterion Collection
↑ Bill Kroyer – Art of the Title
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Windmills of Your Mind composer Michel Legrand dies aged 86 – BBC.com
↑ Notebook Soundtrack Mix #5: A Tribute to Michel Legrand on Notebook|MUBI
↑ ^a ^b Hollywood in Limbo: 1969–1972|Twilight of the American Musical Film|Unframed
↑ Martin Scorsese in 10 Scenes – Google Books (pg.47)
↑ Barry Malkin Dead: 'The Godfather Part II' Editor Was 80 – Variety
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Johnny Mandel Dead: Composer Who Wrote 'MASH' Theme Song Was 94 – Variety
↑ Eagle Pennell, the Last Cowboy|Current|The Criterion Collection
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Unsung Heroes and Silent Pioneers: An Interview with Sound Designer Walter Murch – 16:9 Journal
↑ The Story Behind The Stunts: Remembering Hollywood's Hal Needham|KCUR
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b Alien|How it fused New Hollywood and the 1980s blockbuster era|Film Stories
↑ Dan Perri – Art of the Title
↑ Script error: No such module "citation/CS1".
↑ The Lord of the Rings (1978) – Midnight Only
↑ Albert Ruddy obituary|Movies|The Guardian
↑ ^a ^b ^c ^d ^e ^f Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Revisiting an Oscar Night Controversy – in 1975 – UC Press Blog
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Two Stark Realities Written by Rod Serling – TRYLON
↑ ^a ^b New Harmonies of America – Budapest Classics Film Marathon – NFI
↑ Script error: No such module "citation/CS1".
↑ Drew Struzan Dead: 'Star Wars', 'Indiana Jones' Poster Artist Was 78 – Variety
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Soundtrack Mix #31: The Symphonies of Storytelling – Steven Spielberg on Notebook|MUBI
↑ The Saga of the Star Wars Soundtrack Album Overture: On Forty Years of Reconception, Deconstruction, Suppression and Restoration – 16:9 Journal
↑ A STAR IS BORN (1976) – The Belcourt Theatre
↑ A Star Is Born – Museum of the Moving Image
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Heavy Traffic (1973) – Midnight Only
↑ The Cannon Canon: The Top 20 Cannon Films|Consequence of Sound
↑ Script error: No such module "citation/CS1".
↑ Whom God Wishes to Destroy... Francis Coppola and the New Hollywood – Google Books (pg.35)
↑ ^a ^b Maverick Movies: New Line Cinema and the Transformation of American Film – Google Books (pgs.35-42)
↑ The Top 50 'New World Pictures' Movies – Flickchart
↑ 12 Angry Men: Inside the Jury Room and the Psychology of Persuasion – Google Books (ch."Part 1: A Landmark in the Courtroom – Historical Context and Cultural Significance")
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ THE LEFT HANDED GUN|Austin Film Society
↑ ^a ^b Paul Newman's West presented by Ethan Hawke Series|Austin Film Society
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h The American new wave, 1958–1967: Walker Art Center on Internet Archive
↑ ^a ^b ^c Influence of New Wave Around The World – Film Theory
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Film Forum · THE CONNECTION
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Collection on Screen: New Hollywood – Austrian Film Museum
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Blu-ray Review: The Great Escape – The Retro Set
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e ^f ^g ^h Cinématographe – No Bad Movie
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Comic Book Film Style: Cinema at 24 Panels Per Second - Google Books (pg.99)
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".|quote=(Titicut Follies is in the DNA of exemplars of New Hollywood and superhero film maudit alike, while a screening of Zoo in Yamagata circa 1993 is credited for almost single-handedly sparking a new wave of Chinese documentary filmmakers.)
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ FROM THE ARCHIVES: The Legend of Lylah Clare – Cineaste Magazine ("Enter the new freedom of New Hollywood. There’s a lesbian on the premises. Rossella Forte (Rossella Falk), who was Lylah’s lover—along with many other men and women—is a pathetic attempt to open a discussion about the sexual complexities of Hollywood. If Rossella’s orientation is treated more directly than was previously permitted, the film is suffused by the homophobia of Old Hollywood. Rossella is not much more than a creepy threat to Elsa, for whom she becomes as hot as she was for Lylah, especially after Zarken bleaches the young actress’s hair Lylah’s shade of platinum, styles it as Lylah wore it, and dresses her in Lylah’s old gowns.")
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ George Cukor: Hollywood Master – Google Books (pg.36)
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "Citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ "Five Easy Pieces" and "Getting Straight" are Examples of American New Wave Cinema Filmed in Oregon – Williamette Week
↑ ^a ^b Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ ^a ^b The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Queer & Now & Then: 1970 – Film Comment Magazine
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ Daily|Goings On|New York and Beyond - Keyframe
↑ The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ The American Dreamer (1971) – Flickchart
↑ Script error: No such module "citation/CS1".
↑ The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ 'Doc' – Sag Harbor Cinema
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ T.R. Baskin review by 🇵🇱 Steve G 🐝 · Letterboxd
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e 100 Years of Warner Bros: New Hollywood (1970s-1980s) 4K Blu-Ray (Digipack) (United Kingdom) – Blu-ray.com
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ THE MECHANIC'S Ambiguously Gay Duo – The Retro Set
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Silent Running – Madeline Pritchard
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Template:Cite tweet
↑ The Paper Chase (1973) – Flickchart
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c ^d ^e The Cinema of Sean Penn: In and Out of Place – Google Books (pg.92)
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Mark Wahlberg’s Tense Remake of a New Hollywood Classic Just Found a New Streaming Home|Collider
↑ ^a ^b ^c ^d Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
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↑ Radiance Blu Ray Release : Messiah of Evil (1973) – B&S About Movies
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
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↑ June 1977: When New Hollywood Got Weird – The Film Stage
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b Script error: No such module "citation/CS1".
↑ The Wind and the Lion (1975) – Flickchart
↑ ^a ^b ^c ^d Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
↑ ^a ^b The 20 Best Directors to Emerge From the New Hollywood Movement – MovieWeb
↑ Exorcist II: The Heretic (1977) – Flickchart
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ ^a ^b ^c Silver Screen Streak List #16: Flickchart's "New Hollywood" – Media Life Crisis
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
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↑ ^a ^b ^c ^d ^e ^f ^g ^h Genre and Contemporary Hollywood – Google Books (ch."The New Hollywood Musical: From Saturday Night Fever to Footloose)
↑ Capricorn One (1978) – Flickchart
↑ Script error: No such module "citation/CS1".
↑ The Oxford Handbook of American Film History - Google Books (pg.488-491)
↑ Convoy (1978) – Flickchart
↑ Revisited: Corvette Summer, A Hidden Gem of New Hollywood – Talkhouse
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
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↑ Art Rebels: Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese – Google Books (pg.90)
↑ Script error: No such module "citation/CS1".
↑ Paradise Alley (1978) – Flickchart
↑ ^a ^b Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ 25 Masterpieces of World Cinema Made during The New Hollywood Era – Page 2 – Taste of Cinema
↑ Script error: No such module "citation/CS1".
↑ 'The Electric Horseman' review by 🇵🇱 Steve G 🐝 · Letterboxd
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
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↑ 'The In-Laws' review by James R. De Roxtra · Letterboxd
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1"."
↑ Script error: No such module "citation/CS1".
↑ ^a ^b The Sound of Musicals – Google Books (ch. "Robert Altman and the New Hollywood Musical")
↑ Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
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↑ ^a ^b Script error: No such module "citation/CS1".
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↑ The Big Lebowski: 5 films that influenced the Coen brothers' 20-year-old cult classic|BFI
↑ Script error: No such module "citation/CS1".
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↑ Wolfen (1981)|Swampflix
↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z Script error: No such module "citation/CS1".
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↑ Personal Best BFI Essay FINAL.pdf
↑ Script error: No such module "citation/CS1".
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↑ Script error: No such module "citation/CS1".
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↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
↑ Blood SImple – Offscreen
↑ Script error: No such module "citation/CS1".
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↑ ^a ^b ^c ^d The New American Cinema – Google Books
↑ ^a ^b Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
↑ Script error: No such module "citation/CS1".
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↑ ^a ^b ^c ^d ^e Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
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↑ ^a ^b Script error: No such module "Citation/CS1".
↑ Script error: No such module "citation/CS1".
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Script error: No such module "Check for unknown parameters".

Bibliography

Script error: No such module "citation/CS1".
Biskind, Peter (1990). The Godfather Companion: Everything You Ever Wanted to Know About All Three Godfather Films (HarperPerennial)
Script error: No such module "citation/CS1".
Script error: No such module "citation/CS1".
Cook, David A. "Auteur Cinema and the film generation in 70s Hollywood", in The New American Cinema. Ed. by Jon Lewis. NY: Duke University Press, 1998, pp. 1–37
Script error: No such module "citation/CS1".
Harris, Mark. Scenes from a Revolution: The Birth of the New Hollywood. Canongate Books, 2009.
James, David E. Allegories of Cinema: American Film in the Sixties. NY: Princeton University Press, 1989, pp. 1–42
Kael, Pauline. "Bonnie and Clyde", in For Keeps. Ed. by Pauline Kael. NY: Plume, 1994, pp. 141–57.
Kael, Pauline. "Trash, Art, and the Movies", in Going Steady: Film Writings 1968–69. NY: Marion Boyers, 1994, pp. 87–129
Kanfer, Stefan, "The Shock of Freedom in Films", Time Magazine, December 8, 1967, Accessed April 25, 2009, [1]
Script error: No such module "citation/CS1".
Script error: No such module "citation/CS1".
Script error: No such module "citation/CS1".
Script error: No such module "citation/CS1".
Road Trip to Nowhere: Hollywood Encounters the Counterculture, Jon Lewis, 2022
Script error: No such module "citation/CS1".
Script error: No such module "citation/CS1".
Script error: No such module "citation/CS1".
New Wave, New Hollywood: Reassessment, Recovery and Legacy, Nathan Abram and Gregory Frame, 2021

External links

"The First Five Years of the 70s" episode of Siskel and Ebert
The American Revolution – DGA Template:Webarchive
"The Film School Generation" episode of American Cinema at Annenberg Learner

Script error: No such module "Navbox". Template:New Wave in cinema Script error: No such module "Navbox". Template:Film genres

[Britannica-1] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[2] Script error: No such module "citation/CS1".

[limitsofauteurism-3] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "Citation/CS1".

[ST-4] Script error: No such module "citation/CS1".

[10classicswedliketoforget-5] The Top 10 Underrated Movies ... and 10 Classics We'd Like to Forget – LAmag

[offscreen.com-6] Seconds (John Frankenheimer, 1967) and Point Blank (John Boorman, 1968) – Offscreen

[wildesteverthriller?-7] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[onemoviekilledthe80s-8] How One Movie Killed The 1980s – Patrick (H) Willems on YouTube

[allpowerfuldirector-9] The Death of the All-Powerful Director - The Ringer

[10] Brokaw looks at the new Hollywood|Tampa Bay Times/St. Pete Times

[11] Script error: No such module "citation/CS1".

[brokawNH-12] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj ^ak ^al ^am ^an ^ao ^ap ^aq ^ar ^as The New Hollywood – Tom Brokaw on Internet Archive

[13] The New Hollywood and the independent Hollywood (Chapter 5) – American Independent Cinema|Cambridge University Press

[14] Hollywood Highbrow: From Entertainment to Art – Google Books (pg.66)

[15] Hollywood Independents: The Postwar Talent Takeover - Google Books

[16] Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher--Television – Google Books (249)

[17] David E James, Allegories of Cinema, American Film in the Sixties, Princeton University Press, New York, 1989, pp. 14–26

[hodgins19570610-18] Script error: No such module "Citation/CS1".

[19] The New Hollywood and the Independent Hollywood|American Independent Cinema: An Introduction – Oxford Academic

[filmschoolwtf.com-20] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[21] Template:Harvp

[nach1968-22] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[23] American Films of the 70s: Conflicting Visions - Google Books (pg. "Introduction: "Nobody Knows Anything")

[rosenbaum-24] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "citation/CS1".

[hownewhollywoodcreatedamericanindie-25] Watch: How New Hollywood Created the American Indie – No Film School

[26] Template:Harvp

[rafelsonap-27] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[28] David A Cook, "Auteur Cinema and the film generation in 70s Hollywood", in The New American Cinema by Jon Lewis (ed), Duke University Press, New York, 1998, pp. 1–4

[Time-29] Script error: No such module "citation/CS1".

[harvp|Schatz|1993|pp=14–16-30] Schatz|1993|pp=14–16_30-0|↑ Template:Harvp

[newhollywoodretrospective-31] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k Script error: No such module "citation/CS1".

[32] Night Tide - Variety

[33] Review: Curtis Harrington's Night Tide on Kino Lorber Blu-ray - Slant Magazine

[34] Roger Corman: "Hectic, Maddening, but Fun"|Current|The Criterion Collection

[filmsite.org-35] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[36] Stephanie Rothman, Pioneering Female Director in 1970s Hollywood, Revisited - Air Mail

[bikersoutlawsandmobsters-37] ↑ ^a ^b ^c ^d ^e ^f Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[38] From the Arthouse to the Grindhouse – Google Books (pg.192)

[GUARDIAN2-39] Script error: No such module "citation/CS1".

[newhollywoodbackstage-40] New Hollywood: Movies, Directors, and Influences of the Era|Backstage

[styleofsleaze-41] The Style of Sleaze: The American Exploitation Film, 1959–1977 (2018) – Offscreen

[42] 'Red Dawn' Ushered in the PG-13 Era in 1984 – The Hollywood Reporter

[thedetective1968-43] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[44] Template:Harvp

[45] Script error: No such module "citation/CS1".

[46] Script error: No such module "citation/CS1".

[47] Script error: No such module "citation/CS1".

[newwave-48] Script error: No such module "citation/CS1".

[49] Template:Harvp

[50] Pauline Kael, "Bonnie and Clyde" in, Pauline Kael, For Keeps (Plume, New York, 1994) pp. 141–57. Originally published in The New Yorker, October 21, 1967

[51] Template:Harvp

[mubi.com-52] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[15bestmoviesongs-53] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[rediscover-54] New Hollywood|reDiscover

[digitalhistory-55] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[56] 10 Best English Movies Influenced By The French New Wave – Screen Rant

[quackser-57] Script error: No such module "citation/CS1".

[58] Template:Harvp

[59] Essential Cinema: On Our Way to Where: Women of '70s Cinema|Austin Film Society

[hollywoodandbabyboom-60] ↑ ^a ^b ^c ^d ^e ^f ^g Hollywood and the Baby Boom: A Social History - Google Books (pgs.130-132)

[61] Nixonland: Horror in the Vietnam Era – TRYLON

[americannightmare-62] Nightmare Movies: Horror on Screen Since the 1960s – Google Books (pgs.379-381)

[shadowcinemaofamerican70s-63] The Shadow Cinema of the American '70s|Quad Cinema

[sept2025-64] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[LSD-65] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[66] Eccentric Cinema: Overlooked Oddities and Ecstasies, 1963–82|BAMPFA

[67] Template:Harvp

[68] Script error: No such module "citation/CS1".

[fordtocity-69] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[amny70s-70] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[71] How the Movies Captured Times Square's Grimy Golden Age|Current|The Criterion Collection

[72] Wild on New York's Streets – Shepherd Express

[Filmmuseum_-_Program_SD-73] Script error: No such module "citation/CS1".

[dochistories-74] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[75] Script error: No such module "citation/CS1".

[76] Script error: No such module "citation/CS1".

[77] Script error: No such module "citation/CS1".

[78] Template:Harvp

[79] Script error: No such module "citation/CS1".

[80] Simultaneous Tensions: The Duo-Vision of Wicked, Wicked – Art & Trash

[81] Script error: No such module "citation/CS1".

[82] Script error: No such module "citation/CS1".

[atacrossroads-83] Stanley Kubrick, at the Crossroads of a Work – La cinémathèque française

[kubricksspaceodyessey-84] Kubrick's Space Odyssey – Museum of the Moving Image

[85] Scott Bartlett: The Meaning of the Universe – Spectacle Theater

[86] Script error: No such module "citation/CS1".

[postfordist-87] Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture – Google Books (ch. "Introduction The Business of Auteur Theory")

[88] Script error: No such module "citation/CS1".

[89] Script error: No such module "citation/CS1".

[90] Template:Harvp

[Monaco_182_188-91] Template:Harvp

[92] Template:Harvp

[93] Template:Harvp

[94] Script error: No such module "citation/CS1".

[95] Pauline Kael, "Trash, Art, and the Movies" in Going Steady, Film Writings 1968–69, Marion Boyers, New York, 1994, pp. 125–7

[whenmoviesmattered-96] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[97] Script error: No such module "Citation/CS1".

[98] Script error: No such module "citation/CS1".

[99] Template:Harvp

[100] Template:Harvp

[101] Template:Harvp

[102] Mainstream Maverick: John Hughes and New Hollywood Cinema – Google Books (pg.8)

[103] Template:Harvp

[npr.org-104] Script error: No such module "citation/CS1".

[onceuponapairofwheels-105] "Once upon a pair of wheels"... Edgar Wright on Baby Driver and the classic car movies|BFI

[starwarskillamericancinema-106] Script error: No such module "citation/CS1".

[107] Script error: No such module "citation/CS1".

[108] Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics - Google Books (pg.194)

[109] Remembering ‘Jaws,’ the 1970s movie that helped kill the 1970s movie – Boston.com

[real80s-110] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v The Real Eighties: American Cinema 1980-89 – Filmmuseum – Program SD

[daringfilmsof80s-111] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[oldnewhollywood-112] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[113] Boogie Nights in 35mm – TRYLON

[LATimes-114] Script error: No such module "citation/CS1".

[nytimes.com-115] Script error: No such module "citation/CS1".

[116] Star Bodies and the Erotics of Suffering – Google Books (pg.273)

[greatmonthfortwilightzonefans-117] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[118] Death of the Set of the Twilight Zone Movie – Los Angeles Times on YouTube

[gulfnews.com-119] Script error: No such module "citation/CS1".

[120] Rewinding The '80s: Cinema Under the Influence of Music Videos, Action Stars, and a Cold War – Google Books

[121] Time to Rewind the '80s? – Shepherd Express

[122] Trash and Treasure at the Razzies|Current|The Criterion Collection

[123] ‘Xanadu’ Was So Bad It Launched the Razzies in 1980 – The Hollywood Reporter

[67to80-124] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[125] Why The Joker Movie Is A Period Piece Set in Late 1970s and Early 1980s – Screen Rant

[126] 'The Holdovers' Gave Us Everything We Love About 1970s Movies|Collider

[127] Quentin Tarantino has written his resignation letter with Once Upon a Time in Hollywood – ABC News

[filmmuseum.at-128] Script error: No such module "citation/CS1".

[129] The Godfather III is a Secret Masterpiece If You Watch the Right Version (& It Has a New Streaming Home) – CBR

[130] Script error: No such module "citation/CS1".

[wcNH3-131] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[132] Script error: No such module "citation/CS1".

[133] The Right Place: Martyrs and Monsters in Suffer Little Children – Art & Trash

[AE-134] Script error: No such module "citation/CS1".

[135] Peter Jackson's Savage 'Meet the Feebles' Invented the Offensive Puppet Shocker - Bloody Disgusting

[136] Script error: No such module "citation/CS1".

[137] Script error: No such module "citation/CS1".

[138] Bring Me the Head of Charlie Brown (audio commentary) (Art & Trash miniature 21) - Art & Trash on Vimeo

[139] The Accidental Father of Mashup Culture: Jim Knipfel on Todd Graham and Apocalypse Pooh - Believer Magazine

[140] Apocalypse Pooh & 7 Other All-Time Great Fan-Made Movie Mashups - Screen Rant

[141] Todd Graham's Apocalypse Pooh in CBC Toronto 1991 Entertainment News Segment - Todd Graham on YouTube

[hadtherightstuff-142] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[pulled_off_the_impossible-143] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[sametimenextyear-144] Script error: No such module "Citation/CS1".

[splitimage-145] Script error: No such module "citation/CS1".

[newhollywoodthrillers-146] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[iwilldumppigsbloodoncarrie-147] Carrie (Brian De Palma, 1976) – Offscreen

[msn.com-148] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y Script error: No such module "citation/CS1".

[jewishnewwave-149] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v New Wave, New Hollywood: Reassessment, Recovery, and Legacy - Google Books (pgs.59-60)

[susananspach-150] Script error: No such module "Citation/CS1".

[inlimbo-151] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[152] Joe Don Baker Dead: 'Walking Tall' Star Was 89 – The Hollywood Reporter

[flickchart4-153] Script error: No such module "citation/CS1".

[namexperience-154] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[newhollywoodhorror-155] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[flickchart.com-156] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[AMERICAN_NEW_WAVE_CINEMA_Part_Three_1971-157] Script error: No such module "citation/CS1".

[UM-158] Script error: No such module "citation/CS1".

[159] Script error: No such module "citation/CS1".

[160] Script error: No such module "citation/CS1".

[flickchart5-161] Script error: No such module "citation/CS1".

[andtheblacklist-162] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[ruby-163] Dual Plots, Demon Possession, De Palma: Ruby as Interesting Failure – Offscreen

[E54E4D88_The_Conversation_1974-164] Script error: No such module "citation/CS1".

[altmanthenewhollywoodyears-165] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[broadwayworld.com-166] Script error: No such module "citation/CS1".

[according2garp-167] Script error: No such module "citation/CS1".

[theguardian.com-168] Script error: No such module "citation/CS1".

[betrayal-169] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[godfather_of_movie_gamblers-170] Dino De Laurentiis: the godfather of movie gamblers|The Guardian

[lastsummer-171] Script error: No such module "citation/CS1".

[FOOTNOTEThompsonBordwell2003515-172] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[sixtiescrackup-173] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[altmancompanion-174] A Companion to Robert Altman – Google Books (pg.350)

[momapsychout-175] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[whatculture.com-176] Script error: No such module "citation/CS1".

[outsiders-177] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA

[revolutionin35mm-178] Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1969-1990 – Google Books (pgs.272-287)

[1963nh-179] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "citation/CS1".

[1981underrated?-180] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Is 1981 the Most Underrated Movie Year Ever? – Film Cred

[lostmenfoundwomen-181] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[Personal_Criticism|The_New_Yorker-182] The_New_Yorker_182-0|^a The_New_Yorker_182-1|^b Script error: No such module "Citation/CS1".

[flickchart6-183] Script error: No such module "citation/CS1".

[184] Script error: No such module "citation/CS1".

[blackpower-185] Black Power, Blaxploitation, & The Sounds of the Seventies ‹ CrimeReads

[johnhughesNH-186] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s Script error: No such module "citation/CS1".

[70sromcomsranked-187] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[betweenlines-188] Script error: No such module "citation/CS1".

[newhollywoodwomen-189] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[buckhenrynewhollywoodrenegade-190] Rob Sheffield: Buck Henry Was a New Hollywood Renegade – Rolling Stone

[buck_Henry_appreciation-191] New and Commentary – Buck Henry: An Appreciation – MidCenturyCinema

[tarantinodeadline-192] ↑ ^a ^b ^c ^d ^e ^f Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[ordinarypeople-193] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[nicolaswho-194] "Nicholas Who?" – Offscreen

[195] 'Road Trip to Nowhere: Hollywood Encounters the Counterculture' Review – Slant Magazine

[bodyheat-196] Script error: No such module "citation/CS1".

[broadwayinthebox-197] ↑ ^a ^b ^c ^d ^e ^f ^g Broadway in the Box: Television's Lasting Love Affair with the Musical – Google Books (pg.128) ("A series of hits and misses attempted to embrace the synergistic impulses of the New Hollywood, with quasi-musicals or movies structured around their soundtracks and popular music stars hitting the screen: Grease, the Bee Gee's Sgt. Pepper's Lonely Hearts Club Band (1978), the Village People's Can't Stop the Music (1980), Olivia Newton-John's Xanadu (1980) and Dolly Parton's The Best Little Whorehouse in Texas (1982).")

[womeninnewhollywood-198] The Film Comment Podcast: Women in New Hollywood

[199] He's Our Huckleberry: Two Starring Val Kilmer – TRYLON

[yearofmelbrooks-200] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[thenation.com-201] Script error: No such module "Citation/CS1".

[atlanticcity-202] Script error: No such module "citation/CS1".

[daysofwineandroses-203] Script error: No such module "citation/CS1".

[whoknewitcouldbeworse?-204] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[demyinNH-205] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k Demy in the New Hollywood: Model Shop. – Free Online Library

[brilliant_escapist_fantasy-206] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[ReturnToNH-207] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[theincident1-208] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[theincident2-209] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[210] Cool Hand Luke (Stuart Rosenberg, 1967) – Offscreen

[211] Five Easy Pieces (Bob Rafelson, 1970) – Offscreen

[90sNWH-212] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj ^ak ^al ^am ^an ^ao ^ap ^aq ^ar ^as ^at ^au ^av ^aw ^ax ^ay ^az ^ba ^bb ^bc ^bd ^be ^bf ^bg ^bh ^bi ^bj ^bk ^bl ^bm ^bn ^bo ^bp ^bq ^br ^bs ^bt ^bu ^bv ^bw ^bx ^by ^bz ^ca ^cb ^cc ^cd ^ce ^cf ^cg ^ch ^ci ^cj ^ck ^cl ^cm ^cn ^co ^cp ^cq ^cr ^cs ^ct ^cu ^cv ^cw ^cx ^cy ^cz ^da ^db ^dc ^dd ^de ^df ^dg ^dh ^di ^dj ^dk ^dl ^dm ^dn ^do ^dp ^dq ^dr ^ds ^dt ^du ^dv ^dw ^dx ^dy ^dz ^ea ^eb ^ec ^ed ^ee ^ef ^eg ^eh ^ei ^ej ^ek ^el ^em ^en ^eo ^ep ^eq ^er ^es ^et ^eu ^ev ^ew ^ex ^ey ^ez ^fa ^fb ^fc ^fd ^fe ^ff ^fg ^fh ^fi ^fj ^fk ^fl ^fm ^fn ^fo ^fp ^fq ^fr ^fs ^ft ^fu ^fv ^fw ^fx ^fy ^fz ^ga ^gb ^gc ^gd ^ge ^gf ^gg ^gh ^gi ^gj ^gk ^gl ^gm ^gn ^go ^gp ^gq ^gr ^gs ^gt ^gu ^gv ^gw ^gx ^gy ^gz ^ha ^hb ^hc ^hd ^he ^hf ^hg ^hh ^hi ^hj ^hk ^hl ^hm ^hn ^ho ^hp ^hq ^hr ^hs ^ht ^hu ^hv ^hw ^hx ^hy ^hz ^ia ^ib ^ic ^id ^ie ^if ^ig ^ih ⁱⁱ ^ij ^ik ^il ^im ⁱⁿ ^io ^ip ^iq ^ir ^is ^it ^iu ^iv ^iw ^ix ^iy ^iz ^ja ^jb ^jc ^jd ^je ^jf ^jg ^jh ^ji ^jj ^jk ^jl ^jm ^jn ^jo ^jp ^jq ^jr ^js ^jt ^ju ^jv ^jw ^jx ^jy ^jz ^ka ^kb ^kc ^kd ^ke ^kf ^kg ^kh ^ki ^kj ^kk ^kl ^km ^kn ^ko Script error: No such module "citation/CS1".

[hcl.harvard.edu-213] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[tuesdayperkins-214] Script error: No such module "citation/CS1".

[215] Dirty Little Billy|BAMPFA

[midnight_express-216] Silver Screen Streak List #16: 03. Midnight Express (1978) – Media Life Crisis

[flickchart9-217] Script error: No such module "citation/CS1".

[honestthoughtsaboutmanofsteel78-218] It's 2025 ANd I Just Watched 1978's Superman For The First Time – These Are My Honest Thoughts|/Film

[flickchart10-219] Script error: No such module "citation/CS1".

[alansharpobit-220] Script error: No such module "citation/CS1".

[flickchart12-221] Script error: No such module "citation/CS1".

[christianslater-222] Script error: No such module "citation/CS1".

[Nostalgic-223] Script error: No such module "citation/CS1".

[flickchart13-224] Script error: No such module "citation/CS1".

[erathatbirthedmodernfilmmaking-225] Hollywood's Golden Ages: The 1970s|The Ankler

[toddkillings-226] Script error: No such module "citation/CS1".

[flickchart14-227] Script error: No such module "citation/CS1".

[historicalfilm-228] ↑ ^a ^b ^c ^d ^e ^f Script error: No such module "citation/CS1".

[thegroupfilm-229] Script error: No such module "Citation/CS1".

[bad_cinema-230] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[whatculture-231] Script error: No such module "citation/CS1".

[celebratedera-232] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[mccabeforkids-233] Harvard Film Archive Revisits Robert Altman's 'Popeye'|WBUR News

[makingofpopeye-234] The Making of POPEYE (1980) – Cinema Scholars

[debrawingermubi-235] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Script error: No such module "citation/CS1".

[HE-236] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[cmdflickchart-237] Coal Miner's Daughter (1980) – Flickchart

[disillusionment-238] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj ^ak ^al ^am ^an ^ao ^ap ^aq ^ar ^as ^at ^au ^av ^aw ^ax ^ay ^az ^ba ^bb ^bc ^bd ^be ^bf ^bg ^bh ^bi ^bj ^bk ^bl ^bm ^bn ^bo ^bp ^bq ^br ^bs ^bt ^bu ^bv ^bw ^bx ^by ^bz ^ca ^cb ^cc ^cd ^ce Script error: No such module "citation/CS1".

[onlocation-239] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x Hollywood on Location: An Industry History – Google Books (ch."The New Hollywood 1980-1999)

[editing81to99-240] ↑ ^a ^b ^c ^d ^e ^f Editing and Special/Visual Effects – Google Books (ch. "The New Hollywood, 1981–1999: Editing")

[paramountinthe70s-241] ↑ ^a ^b ^c ^d ^e ^f Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[cameron&hollis-242] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r Script error: No such module "citation/CS1".

[81to99-243] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u Editing and Special/Visual Effects – Google Books (ch."The New Hollywood, 1981–1999: Special/Visual Effects")

[adifferentpicture-244] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[80soutcasts-245] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o Script error: No such module "Citation/CS1".

[newhollywoodneonoirs-246] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[othersideofeightiesamerica-247] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[248] Unsung Auteurs: Martha Coolidge – Filmink

[academia-249] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[americanrevolution-250] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[251] The Movie Orgy (1968-197?) – Midnight Only

[oldschoolhitmaker-252] Script error: No such module "citation/CS1".

[TVfallacy-253] ↑ ^a ^b ^c ^d ^e ^f ^g The New Hollywood: What the Movies Did with the New Freedoms of the Seventies – Google Books (pgs.217-222)

[drillerkiller-254] Script error: No such module "citation/CS1".

[returnedofthereturned-255] Return of the Return of the Repressed: Notes on the American Horror Film (1991-2006) – Offscreen

[ANW58to67-256] Flash Flaherty: Tales from a Film Seminar – Google Books (ch.""BORDING THE FICTION")

[unity_resistance_and_love-257] Notebook Soundtrack Mix #11: L.A. Rebellion – The Unity, Resistanc, & Love Mixtape on Notebook|MUBI

[letitrun-258] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[259] Unsung Auteurs: Robert Greenwald – Filmink

[midnightscreamings-260] Script error: No such module "citation/CS1".

[nighttide-261] Script error: No such module "citation/CS1".

[furious-262] ↑ ^a ^b ^c ^d ^e ^f ^g Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[NH-263] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[264] Unsung Auteurs: Peter Hyams – Filmink

[enl.auth.gr-265] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[266] Wanda (Barbara Loden, 1970) – Offscreen

[267] Dialing Wonderland: Nelson Lyon's The Telephone Book – Art & Trash

[otherhollywoodrenaissance-268] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[269] The Poseidon Adventure (Ronald Neame, 1972) – Offscreen

[smokeybandit-270] Script error: No such module "citation/CS1".

[deadoralive-271] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l Script error: No such module "Citation/CS1".

[diedat89-272] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[nextbestofredford-273] The Next Best of Robert Redford – Cinema Sentries

[universal70spt2-274] Script error: No such module "citation/CS1".

[nothingbutaman-275] Script error: No such module "citation/CS1".

[276] Unsung Auteurs: Stephanie Rothman – Filmink

[277] Desperately Seeking Cinema: director Susan Seidelman on her memoir and old New York · Journal · A Letterboxd Magazine · Letterboxd

[bfm-278] Black films matter – how African American cinema fought back against Hollywood|Movies|The Guardian

[threecasestudies-279] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[280] Why Ishtar Flopped and Changed the Game for Female Directors|Indiewire

[jstor.org-281] Script error: No such module "citation/CS1".

[werewolfyear-282] Hollywood's Werewolf Year|The Saturday Evening Post

[pinkflamingos-283] Script error: No such module "citation/CS1".

[284] Soundtrack Mix #14: Dirty and Divine – An Ode to John Waters on Notebook|MUBI

[punishmentpark-285] Script error: No such module "citation/CS1".

[286] Mockumentary in the Hands of Peter Watkins – Offscreen

[287] The Sentinel (1977): Hell on the 5th Floor – Offscreen

[NHrewindHS-288] New HollyWood Rewind – High School – Alternative Nation

[alambrista-289] Alambrista! (1977) – Flickchart

[290] Unsung Auteurs: Robert M. Young – Filmink

[zinnemann-291] Script error: No such module "citation/CS1".

[npr-292] Script error: No such module "citation/CS1".

[tasteofcinema.com-293] Script error: No such module "citation/CS1".

[revisitedfilmnoir-294] A revisited film-noir in color with Chinatown – Velvet Eyes

[295] DVD Savant Review: More American Graffiti

[296] Seconds (1966) – Art of the Title

[trippinoneggshells-297] Notebook Soundtrack Mix #12: Trippin' on Eggshells — The Hippie Exploitation Mix on MUBI

[298] Elmer Bernstein: 10 essential soundtracks|BFI

[299] Don Bluth's "Xanadu"|Cartoon Research

[300] Xanadu at 40: a mesmerisingly messy musical failure|Musicals|The Guardian

[301] California Suite – Claude Bolling|AllMusic

[302] Soylent Green (1973) – Art of the Title

[303] Ben Burtt on How Modern Hollywood Has Lost a Sensitivity for Sound, Lightsabers, and the Wilhelm Scream – The Film Stage

[304] FilmCritic – Bill Butler, Cinematographer – Profile Interview Series Vol.7

[305] Script error: No such module "citation/CS1".

[carpentersbestscores-306] Ranking John Carpenter's 10 Best Film Scores|/Film

[nofilmschool-307] Script error: No such module "citation/CS1".

[toliveanddieinla-308] Script error: No such module "Citation/CS1".

[bestmoviescores-309] Best movie scores of all time|Classical Music

[timelessimagery-310] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[happy35th-311] Happy 35th: Randy Newman, RAGTIME|RHINO

[312] Caleb Deschanel To Receive AFI's 25th Franklin J. Schaffner Medal – Deadline

[313] THE BLACK NEW WAVE OF THE 1990'S WAS BUILT TO LAST|SHOTDECK BLOG

[giallo-314] Notebook Soundtrack Mix #10: The Black Belly of Giallo on Notebook|MUBI

[315] Subways, Stains and Santa: on shelves and screens this month · Journal · A Letterboxd Magazine · Letterboxd

[theplaylist-316] Script error: No such module "citation/CS1".

[317] David Fincher – Art of the Title

[latimes-318] Script error: No such module "citation/CS1".

[tcm-319] Script error: No such module "citation/CS1".

[previewofregeanera-320] ‘Used Cars’ At 40: How The Cynical Black Comedy Became A Preview Of The Reagan Era – The Playlist

[thelastgoodtime-321] Script error: No such module "citation/CS1".

[322] Anthony Goldschmidt – Art of the Title

[323] Fame – Michael Gore|MOVIE MUSIC UK

[2025wiscff-324] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[cinemarestoredatbam-325] Cinema, Restored at BAM|Current|The Criterion Collection

[326] Composing for Cassavetes|Current|The Criterion Collection

[327] Notebook Soundtrack Mix #4: "Fragments of the Mirror: The Music of Bernard Herrmann" on Notebook|MUBI

[328] James Wong Howe: A Gutsy Cinematographer Finally Gets His Due – The New York Times

[329] Script error: No such module "citation/CS1".

[330] Who Is Adrien Joyce? Two Films Penned By Carole Eastman – TRYLON

[331] Unsung Auteurs: Jeff Kanew – Filmink

[messiahofevil-332] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[newwavefilm-333] Script error: No such module "citation/CS1".

[334] Paper Moon: Partners in Crime|Current|The Criterion Collection

[335] Bill Kroyer – Art of the Title

[trouble_in_tinseltown-336] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[337] Windmills of Your Mind composer Michel Legrand dies aged 86 – BBC.com

[338] Notebook Soundtrack Mix #5: A Tribute to Michel Legrand on Notebook|MUBI

[Twilight_of_American_musical-339] Hollywood in Limbo: 1969–1972|Twilight of the American Musical Film|Unframed

[340] Martin Scorsese in 10 Scenes – Google Books (pg.47)

[341] Barry Malkin Dead: 'The Godfather Part II' Editor Was 80 – Variety

[theverdict-342] Script error: No such module "citation/CS1".

[343] Johnny Mandel Dead: Composer Who Wrote 'MASH' Theme Song Was 94 – Variety

[Pennell-344] Eagle Pennell, the Last Cowboy|Current|The Criterion Collection

[americandreaming-345] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[paristexas-346] Script error: No such module "citation/CS1".

[347] Unsung Heroes and Silent Pioneers: An Interview with Sound Designer Walter Murch – 16:9 Journal

[348] The Story Behind The Stunts: Remembering Hollywood's Hal Needham|KCUR

[ragtimefilm-349] Script error: No such module "citation/CS1".

[amazon2-350] Script error: No such module "citation/CS1".

[unseenangels-351] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[fused-352] Alien|How it fused New Hollywood and the 1980s blockbuster era|Film Stories

[353] Dan Perri – Art of the Title

[oscars-354] Script error: No such module "citation/CS1".

[355] The Lord of the Rings (1978) – Midnight Only

[356] Albert Ruddy obituary|Movies|The Guardian

[newhollywoodrevisited-357] ↑ ^a ^b ^c ^d ^e ^f Script error: No such module "citation/CS1".

[358] Script error: No such module "citation/CS1".

[359] Revisiting an Oscar Night Controversy – in 1975 – UC Press Blog

[360] Script error: No such module "citation/CS1".

[361] Script error: No such module "citation/CS1".

[362] Two Stark Realities Written by Rod Serling – TRYLON

[newharmonies-363] New Harmonies of America – Budapest Classics Film Marathon – NFI

[tasteofcinema2-364] Script error: No such module "citation/CS1".

[365] Drew Struzan Dead: 'Star Wars', 'Indiana Jones' Poster Artist Was 78 – Variety

[newwavefilm.com-366] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[367] Soundtrack Mix #31: The Symphonies of Storytelling – Steven Spielberg on Notebook|MUBI

[368] The Saga of the Star Wars Soundtrack Album Overture: On Forty Years of Reconception, Deconstruction, Suppression and Restoration – 16:9 Journal

[369] A STAR IS BORN (1976) – The Belcourt Theatre

[370] A Star Is Born – Museum of the Moving Image

[afi-371] Script error: No such module "citation/CS1".

[372] Script error: No such module "Citation/CS1".

[373] Heavy Traffic (1973) – Midnight Only

[374] The Cannon Canon: The Top 20 Cannon Films|Consequence of Sound

[375] Script error: No such module "citation/CS1".

[376] Whom God Wishes to Destroy... Francis Coppola and the New Hollywood – Google Books (pg.35)

[newlineintro-377] Maverick Movies: New Line Cinema and the Transformation of American Film – Google Books (pgs.35-42)

[378] The Top 50 'New World Pictures' Movies – Flickchart

[379] 12 Angry Men: Inside the Jury Room and the Psychology of Persuasion – Google Books (ch."Part 1: A Landmark in the Courtroom – Historical Context and Cultural Significance")

[thestrangeone-380] Script error: No such module "citation/CS1".

[sweetsuccess-381] Script error: No such module "citation/CS1".

[382] THE LEFT HANDED GUN|Austin Film Society

[paulnewmanswest-383] Paul Newman's West presented by Ethan Hawke Series|Austin Film Society

[murderbycontract-384] Script error: No such module "citation/CS1".

[newhollywoodoldsoul-385] Script error: No such module "citation/CS1".

[anatomymurder-386] Script error: No such module "citation/CS1".

[58to67-387] ↑ ^a ^b ^c ^d ^e ^f ^g ^h The American new wave, 1958–1967: Walker Art Center on Internet Archive

[filmtheory-388] Influence of New Wave Around The World – Film Theory

[writemyepitaph-389] Script error: No such module "citation/CS1".

[privateproperty-390] Script error: No such module "citation/CS1".

[manonatightrope-391] Script error: No such module "citation/CS1".

[blastofsilence2-392] Script error: No such module "citation/CS1".

[thebigleer-393] Script error: No such module "Citation/CS1".

[394] Film Forum · THE CONNECTION

[thehustler-395] Script error: No such module "citation/CS1".

[396] Script error: No such module "citation/CS1".

[collectiononscreen-397] Collection on Screen: New Hollywood – Austrian Film Museum

[somethingwild1961-398] Script error: No such module "citation/CS1".

[davidandlisa-399] Script error: No such module "citation/CS1".

[frankperryfilms-400] Script error: No such module "citation/CS1".

[experimentinterror-401] Script error: No such module "citation/CS1".

[timecodecowboys-402] Script error: No such module "citation/CS1".

[miracleworker-403] Script error: No such module "citation/CS1".

[arthurpenn-404] Script error: No such module "citation/CS1".

[requiemheavy-405] Script error: No such module "citation/CS1".

[babyjane-406] Script error: No such module "Citation/CS1".

[americakazan-407] Script error: No such module "citation/CS1".

[408] Blu-ray Review: The Great Escape – The Retro Set

[properstranger-409] Script error: No such module "citation/CS1".

[sidneylumet-410] Script error: No such module "citation/CS1".

[thekillers2-411] Script error: No such module "citation/CS1".

[thekillers1-412] Script error: No such module "citation/CS1".

[1potato2-413] Script error: No such module "citation/CS1".

[fasterpussycat-414] Script error: No such module "citation/CS1".

[austinfilmorg-415] Script error: No such module "citation/CS1".

[seriouslystrange-416] Script error: No such module "citation/CS1".

[retrenchment-417] ↑ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[onceathief1-418] Script error: No such module "citation/CS1".

[onceathief2-419] Script error: No such module "citation/CS1".

[ratfink1-420] Script error: No such module "citation/CS1".

[ratfink2-421] Script error: No such module "citation/CS1".

[pollack'sfirst-422] Script error: No such module "citation/CS1".

[slenderthread-423] Script error: No such module "citation/CS1".

[moviemusicalstars-424] Script error: No such module "citation/CS1".

[1000clowns-425] Script error: No such module "citation/CS1".

[Cinématographe-426] ↑ ^a ^b ^c ^d ^e ^f ^g ^h Cinématographe – No Bad Movie

[youngdillinger-427] Script error: No such module "citation/CS1".

[anamericandream-428] Script error: No such module "citation/CS1".

[newyawknewwave-429] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[filmforum-430] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[fortunecookie-431] Script error: No such module "citation/CS1".

[comicbookstyle-432] Comic Book Film Style: Cinema at 24 Panels Per Second - Google Books (pg.99)

[amancalledadam-433] Script error: No such module "citation/CS1".

[ourmanflint-434] Script error: No such module "citation/CS1".

[condemnedproperty-435] Script error: No such module "citation/CS1".

[436] Script error: No such module "citation/CS1".

[barefootpark-437] Script error: No such module "citation/CS1".

[bornlosers-438] Script error: No such module "citation/CS1".

[directcinema-439] Script error: No such module "citation/CS1".

[gamesfilm1-440] Script error: No such module "citation/CS1".

[gamesfilm2-441] Script error: No such module "citation/CS1".

[hellsangelsonwheels-442] Script error: No such module "citation/CS1".

[armageddontime-443] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[containedmultitudes-444] Script error: No such module "citation/CS1".

[springsummernights-445] Script error: No such module "citation/CS1".

[titicutfollies-446] Script error: No such module "citation/CS1".|quote=(Titicut Follies is in the DNA of exemplars of New Hollywood and superhero film maudit alike, while a screening of Zoo in Yamagata circa 1993 is credited for almost single-handedly sparking a new wave of Chinese documentary filmmakers.)

[SF-447] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[twofortheroad1-448] Script error: No such module "citation/CS1".

[2fortheroad2-449] Script error: No such module "citation/CS1".

[updownstaircase-450] Script error: No such module "citation/CS1".

[valleydolls-451] Script error: No such module "citation/CS1".

[10movies1967-452] Script error: No such module "citation/CS1".

[bostonstrangler-453] Script error: No such module "citation/CS1".

[thebrotherhood1-454] Script error: No such module "citation/CS1".

[thebrotherhood2-455] Script error: No such module "citation/CS1".

[movingimage-456] Script error: No such module "citation/CS1".

[nytdetective-457] Script error: No such module "citation/CS1".

[finiansrainbow-458] Script error: No such module "citation/CS1".

[mazurskyprofile-459] Script error: No such module "citation/CS1".

[460] FROM THE ARCHIVES: The Legend of Lylah Clare – Cineaste Magazine ("Enter the new freedom of New Hollywood. There’s a lesbian on the premises. Rossella Forte (Rossella Falk), who was Lylah’s lover—along with many other men and women—is a pathetic attempt to open a discussion about the sexual complexities of Hollywood. If Rossella’s orientation is treated more directly than was previously permitted, the film is suffused by the homophobia of Old Hollywood. Rossella is not much more than a creepy threat to Elsa, for whom she becomes as hot as she was for Lylah, especially after Zarken bleaches the young actress’s hair Lylah’s shade of platinum, styles it as Lylah wore it, and dresses her in Lylah’s old gowns.")

[nowaytotreat-461] Script error: No such module "citation/CS1".

[raidedminskys-462] Script error: No such module "citation/CS1".

[thepartyfilm-463] Script error: No such module "citation/CS1".

[midcenturycinema-464] Script error: No such module "citation/CS1".

[psychout-465] Script error: No such module "citation/CS1".

[rachelfilm-466] Script error: No such module "citation/CS1".

[hollywoodmastercukor-467] George Cukor: Hollywood Master – Google Books (pg.36)

[10underratedGH-468] Script error: No such module "citation/CS1".

[rememberingGH-469] Script error: No such module "citation/CS1".

[swimmer-470] Script error: No such module "citation/CS1".

[uptight-471] Script error: No such module "citation/CS1".

[wildinthestreets-472] Script error: No such module "citation/CS1".

[cultofthedamned-473] Script error: No such module "Citation/CS1".

[thearrangement-474] Script error: No such module "citation/CS1".

[changesfilm-475] Script error: No such module "citation/CS1".

[TM-476] Script error: No such module "citation/CS1".

[hackmanNHyears-477] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[thehappyending-478] Script error: No such module "citation/CS1".

[jennyfilm-479] Script error: No such module "citation/CS1".

[johnandmary-480] Script error: No such module "citation/CS1".

[permanentsatisfactions-481] Script error: No such module "Citation/CS1".

[best&worst-482] Script error: No such module "Citation/CS1".

[paulwilliams-483] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[popifilm-484] Script error: No such module "citation/CS1".

[extraordinaryfosse-485] Script error: No such module "citation/CS1".

[486] Script error: No such module "citation/CS1".

[topazfilm-487] Script error: No such module "citation/CS1".

[auntalice-488] Script error: No such module "citation/CS1".

[whereitsat-489] Script error: No such module "citation/CS1".

[planetapesseries-490] Script error: No such module "citation/CS1".

[beyondvalley-491] Script error: No such module "citation/CS1".

[70splay30s-492] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[sept2022-493] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[makingit-494] Script error: No such module "citation/CS1".

[didntyouhear-495] Script error: No such module "citation/CS1".

[flapfilm-496] Script error: No such module "citation/CS1".

[gasssscorman-497] Script error: No such module "citation/CS1".

[filmedinoregon-498] "Five Easy Pieces" and "Getting Straight" are Examples of American New Wave Cinema Filmed in Oregon – Williamette Week

[american70s-499] Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".

[newblackhollywood-500] Script error: No such module "citation/CS1".

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New Hollywood

Contents

History

Background

Bonnie and Clyde and The Graduate

Characteristics

Interpretations on defining the movement

Criticism

Legacy

Figures of the movement

Actors

Directors

Others

Notable studios associated with New Hollywood

Films of the movement

1950s–1960s

1957–1966

1967–1969

1970s

1970–1971

1972–1973

1974–1975

1976–1977

1978–1979

1980s–1990s

1980–1982

1983–1987

1988–1990

1991–1993

1994–1996

1997–1999

2000–2001

Notes

See also

References

Bibliography

External links

Navigation menu

New Hollywood

History

Background

Bonnie and Clyde and The Graduate

Characteristics

Interpretations on defining the movement

Criticism

Legacy

Figures of the movement

Actors

Directors

Others

Notable studios associated with New Hollywood

Films of the movement

1950s–1960s

1957–1966

1967–1969

1970s

1970–1971

1972–1973

1974–1975

1976–1977

1978–1979

1980s–1990s

1980–1982

1983–1987

1988–1990

1991–1993

1994–1996

1997–1999

2000–2001

Notes

See also

References

Bibliography

External links

Navigation menu

Search