Extreme cinema
Extreme cinema (or hardcore horror and extreme horror[1][2]) is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture. The rising popularity of Asian films in the 21st century has contributed to the growth of extreme cinema, although extreme cinema is still considered to be a horror-film-based genre. Being a relatively recent genre, extreme cinema is controversial and widely excluded by the mainstream media.[3] Extreme cinema films target a specific and small audience group.[4]
History
Precursors and Early Influences
Human fascination with taboo content—violence, sex, and the transgressive—stretches back millennia. Ancient Greek theatre regularly depicted gruesome myths (deities dismembering mortals, sacrificial rites) and moral extremes, while Roman gladiatorial games broadcast real‑world violence as mass spectacle. This enduring interest laid the groundwork for modern entertainment’s exploration of extreme themes, but the true nature of extreme content in entertainment began in the early 20th century.
Paris’s Théâtre du Grand‑Guignol (1897–1962) formalized the “shock horror” aesthetic, specializing in plays rife with blood, dismemberment, and psychological terror. Its visceral on‑stage gore directly inspired filmmakers to pursue similarly explicit imagery on screen, bridging ancient taboos and modern cinematic transgression. The movie Un Chien Andalou (1929) was one of the first kinds of films that was labelled as extreme cinema.[5]
Video nasties era
In Britain, the unregulated home‑video boom of horror titles—later dubbed “video nasties” by the National Viewers' and Listeners' Association[6]—prompted prosecutions under the Obscene Publications Act and led directly to the Video Recordings Act 1984. Over forty films were seized or banned, illustrating how graphic on‑screen violence had become a flashpoint for censorship debates. In Italy, Ruggero Deodato's Cannibal Holocaust (1980), blended documentary conventions with animal cruelty and dismemberment. Its found‑footage realism led to legal investigations[7] and helped inaugurate the modern “found‑footage horror” subgenre, including movies such as The Blair Witch Project (1999).[8][9]
Mondo-style shockumentaries like Banned from Television (1998) and Traces of Death (1993), which compile graphic real-life deaths without educational framing, have been criticized for breaching standards of taste and some have been banned in several countries including the UK.[10][11] A 1997 incident involving a Pennsylvania woman who lodged formal complaints after renting Traces of Death drew public attention to its release.[12]
Asian Extreme era
In the late 1990's and early 2000's, Western critics coined “Asian Extreme” for a wave of Japanese and other East Asian films that combined supernatural horror with graphic violence and sexual transgression. Key early entries include Ring (1998), Audition (1999), Battle Royale (2000), Ichi the Killer (2001) and Oldboy (2003). Directors such as Takashi Miike and Park Chan‑wook pushed splatter and torture visually to new levels. Although not all films in this category reach the extremity of later entries, their violent and transgressive content helped coin the label "extreme cinema" in Anglophone criticism. This era also marked a shift where extreme content was not just for shock, but became a form of cinematic stylization.
New French Extremity and Balkan Shock Cinema
In a 2004 Artforum essay, James Quandt labeled a cluster of early‑2000s French films "New French Extremity", noting their blend of arthouse style and unrelenting body horror. Films such as Irréversible (2002), À l’intérieur (2007), and Martyrs (2008) typify this period’s formal experimentation and nihilistic violence. Irréversible became the most notable of these due to its graphic 10-minute long rape scene and graphic violence in a scene where a man beats another character to death with a fire extinguisher.[13]
In post‑Yugoslav Serbia, A Serbian Film (2010) exploited taboos of sexual violence towards children and necrophilia as bleak allegories of political and cultural exploitation.[14] This film tested contemporary obscenity laws and reaffirmed extreme cinema’s status as marginal and was banned in six different[15] countries.
American avant-garde experimental films
With the shift from physical "video nasties" to online VOD, micro‑budget directors continue to provoke bans for uncontextualized violence. The Bunny Game (2011), for instance, was banned in the UK for its depiction of a prostitute being abducted and subjected to prolonged sexual and physical violence, with the company citing that the content would risk potential harm towards the public, and would violate the Video Recordings Act 1984.[16] A similar film in this category of extreme cinema is E. Elias Merhige's 1989 cult classic Begotten.[17]
Extreme horror franchises
A few movies that were considered extreme cinema became franchises, such as Saw, which became popular due to the movie featuring various traps that would cause torture and mutilation to its victims when they tried to escape them, with the first Saw movie making over $100 million worldwide on a budget of $1 million,[18] being a strong box-office success, leading to more than 10 Saw movies and the franchise being one of the highest grossing horror franchises.
Another extreme horror film that became a franchise was Terrifier,[19] a film about Art the Clown, who became a slasher villain known for his extremely brutal and tortuous kills, which caused the franchise to be well known for its graphic violence, where the director decided not to allow any of the Terrifier films to be rated by the MPA to avoid the NC-17 rating.[20] Terrifier 3 would make over $90 million worldwide[21] on a budget of $2 million.
Notable films
Notable directors
- Catherine Breillat[56][54]
- Carlos Reygadas[56]
- Coralie Fargeat[132][133]
- Gaspar Noé[134][135][39][136][25][9]
- Peter Jackson[40]
- John Waters[137][138][139]
- Julia Ducournau[140]
- Wes Craven[80][45][141][25][9]
- Uwe Boll[40]
- Bruno Dumont[142]
- Lars von Trier[134][54]
- Takashi Miike[24][143][144]
- Pier Paolo Pasolini[47][145][25]
- Michael Haneke[54]
- Eli Roth[146][45]
- Sion Sono[147]
- Herschell Gordon Lewis[40]
- Jim Van Bebber[80]
- Lloyd Kaufman[80][119]
- Harmony Korine[64]
- Khavn De La Cruz[35][148]
Controversy and legacy
Extreme cinema is highly criticized and debated by film critics and the general public. There have been debates over the hypersexualization that makes these films a threat to the 'mainstream' community standards.[149]
There has also been criticism over the increasing use of violence in modern-day films. Ever since the emergence of slasher-gore films in the 1970s, the rising popularity of extreme cinema has contributed to the casual violence in popular media.[150] Some criticize the easy exposure and unintended targeting of adolescents by extreme cinema films.[151]
Both Oscar winner The Exorcist and midnight movie favorite Pink Flamingos are inducted into the National Film Registry.[152] Requiem for a Dream and Oldboy were named on the BBC's 100 Greatest Films of the 21st Century.[153] The behind-the-scenes look at Cannibal Holocaust was the subject of a Season 2 episode of the documentary series Cursed Films.[154][155]
At the 97th Academy Awards, The Substance was nominated for five awards, including Best Picture, Best Director for Coralie Fargeat and Best Actress for Demi Moore (the former becoming the ninth woman nominated for directing).[156][157][158]
See also
- Art horror
- Arthouse action film
- Dogme 95
- Exploitation film
- Giallo
- Grindhouse
- Mondo film
- New French Extremity
- Snuff film
- Social thriller
- Splat Pack
- Splatter film
- Vulgar auteurism
References
Sources
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- Fyfe, Kristen. "More Violence, More Sex, More Troubled Kids." Media Research Center. MRC Culture, 11 Jan. 2007. Web. 9 Feb. 2016
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- Dirks, Tim. "100 Most Controversial Films of All Time." 100 Most Controversial Films of All Time. Filmsite, n.d. Web. 9 Feb. 2016.
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External links
- Extreme Cinema:Top 25 Most Disturbing Films of All Time on Horror News
- Butcher Block articles about extreme cinema on Bloody Disgusting
- Introduction: American Extreme on Senses of Cinema
- ↑ a b c d e f g "A Malignant, Seething Hatework": An Introduction to US 21st Century Hardcore Horror · Senses of Cinema
- ↑ Script error: No such module "citation/CS1".
- ↑ Script error: No such module "citation/CS1".
- ↑ gtr.rcuk.ac.uk
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- ↑ Script error: No such module "citation/CS1".
- ↑ Script error: No such module "citation/CS1".
- ↑ a b c d e f g 10 Horror Movies So Extreme They Actually Made People Sick – ScreenCrush
- ↑ Script error: No such module "citation/CS1".
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- ↑ Script error: No such module "citation/CS1".
- ↑ Begotten: The Most Disturbing Avant-Garde Film Ever Made – Paste Magazine
- ↑ Script error: No such module "citation/CS1".
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- ↑ Terrifier 3 - Box Office Mojo
- ↑ a b Script error: No such module "citation/CS1".
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- ↑ a b c d The 30 Most Extreme Movies of the 21st Century So Far « Taste of Cinema
- ↑ a b c d e f g h i j k l m 10 essential films from the 'Extreme Cinema' genre|Far Out Magazine
- ↑ a b c d Mainstream Extreme: How 2022 Made "Disturbing" Popular – Fangoria
- ↑ Script error: No such module "citation/CS1".
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- ↑ Extreme Cinema – Rape Squad – Flickering Myth
- ↑ a b Script error: No such module "citation/CS1".
- ↑ 10 Extreme Horror Movies That Try To Break Their Audience - WhatCulture.com
- ↑ a b c Extreme Cinema: The 40 Most Disturbing Horror Movies Ever Made – PHASR
- ↑ (Butcher Block) Chaos Reigns in Visceral Pain in 'Antichrist' – Bloody Disgusting
- ↑ a b c d Script error: No such module "citation/CS1".
- ↑ a b c d e f g h i j Script error: No such module "citation/CS1".
- ↑ Bandit Queen (1995)|Roger Ebert
- ↑ 'Begotten': Images Never Meant to Be Seen – Split Tooth Media
- ↑ Black Friday is grim yet great|Rediff.com
- ↑ Extreme Cinema - The Bunny Game (2010) – Flickering Myth
- ↑ a b c d e f g h i j k Script error: No such module "citation/CS1".
- ↑ Script error: No such module "citation/CS1".
- ↑ a b c Script error: No such module "citation/CS1".
- ↑ Extreme Cinema – Cannibal Holocaust (1980) – Flickering Myth
- ↑ Ruggero Deodato, Director Of The Controversial Horror Film Cannibal Holocaust, Dies At 83|/Film
- ↑ The Cook, the Thief, His Wife & Her Lover (1989)|Roger Ebert
- ↑ Script error: No such module "citation/CS1".
- ↑ Extreme Cinema – David Cronenberg's Crash (1996) – Flickering Myth
- ↑ (Butcher Block) Ken Russel's Controversial 'The Devils' Is a Holy Trinity of Sex, Violence and Religion – Bloody Disgusting
- ↑ a b c d The New Extremism in Cinema: From France to Europe - Google Books
- ↑ Extreme Cinema – The Exorcist (1973) – Flickering Myth
- ↑ a b c Genre Trouble and Extreme Cinema: Film Theory at the Fringes of Contemporary Art Cinema - Google Books
- ↑ Script error: No such module "citation/CS1".
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- ↑ a b The 30 Most Extreme Movies of the 21st Century So Far « Taste of Cinema
- ↑ Gandu – Variety
- ↑ Script error: No such module "citation/CS1".
- ↑ a b c d Trash Humpers: How a Stupid Comedy Premise Became a Truly Disturbing Movie - MovieWeb
- ↑ Script error: No such module "citation/CS1".
- ↑ Script error: No such module "citation/CS1".
- ↑ Extreme Cinema – Henry: Portrait of a Serial Killer – Flickering Myth
- ↑ (Butcher Block) The Uncomfortable Realism of 'Henry: Portrait of a Serial Killer' – Bloody Disgusting
- ↑ Extreme Cinema – The House That Jack Built (2018) – Flickering Myth
- ↑ a b The birth of "extreme cinema": "The Revenant" is an endurance test of suffering for Leonardo DiCaprio -- and moviegoers. But for what?|Salon.com
- ↑ a b Script error: No such module "citation/CS1".
- ↑ How Ichi the Killer brought ultra-violence to the mainstream – BBC Culture
- ↑ Extreme Cinema – The Idiots (1998) – Flickering Myth
- ↑ Infinity Pool Review – An Imperfect Experiment in Extreme Cinema – The Curb
- ↑ ‘Infinity Pool’ Review: Extreme Sci-Fi Tale Squanders a Promising Premise – TheWrap
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- ↑ Kama Sutra: A Tale of Love (1997)|Roger Ebert
- ↑ Extreme cinema: the transgressive rhetoric of today's art film culture 2015021892 ... – EBIN.PUB
- ↑ a b c d e f g h i j k l m n o p Script error: No such module "citation/CS1".
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- ↑ Extreme Cinema – Maniac (1980) – Flickering Myth
- ↑ (Butcher Block) Tom Savini's Gore Effects of 'Maniac' – Bloody Disgusting
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- ↑ Interview with Johannes Grenzfurthner on quepeliverehoy.es; 22 November 2021
- ↑ "Masking Threshold: A True Macro Exploration of Existential, Ringing Madness" (iHorror); 26 September 2021
- ↑ "Masking Threshold: Obsession Takes Hold In This Brutal Horror Film"; review in: Film Inquiry, 26 October 2021
- ↑ A Nation Without Women (2003) – Moria
- ↑ Megan Is Missing (Movie Review)|Bloody Good Horror
- ↑ Some movies blur the line between shock and trauma. Here's why that's problematic. - The Diamondback
- ↑ Top Gross-Out Moments in John Waters Films – Antigravity Magazine
- ↑ Multiple Maniacs – DVD Talk
- ↑ Script error: No such module "citation/CS1".
- ↑ Exploring the Popularity of Squid Game — When Extreme Goes Mainstream
- ↑ Extreme Cinema – Natural Born Killers – Flickering Myth
- ↑ Extreme Cinema – Nekromantik – Flickering Myth
- ↑ Extreme Cinema|Rutgers University Press
- ↑ Anurag Kashyap’s Paanch Movie Review: Flash of Brilliance – madaboutmoviez.in
- ↑ (Butcher Block) Going to 'Pieces' Over J. Piquer Simon's Gory Slasher – Bloody Disgusting
- ↑ Extreme Cinema – Pieces (1982) – Flickering Myth
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- ↑ 10 Midnight Movies That Made History – MovieWeb
- ↑ What to watch at LFF: New extreme cinema|London Film Festival 2020|BFI
- ↑ Keerthy Suresh, Selvaraghavan are terrific in this bloody, yet focused revenge drama
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- ↑ 'The Sadness' Review – Gory Virus Movie Goes for the Jugular With Transgressive, Extreme Horror|Bloody Disgusting
- ↑ Extreme Cinema – Salò, or the 120 Days of Sodom – Flickering Myth
- ↑ a b c d e f g h i Script error: No such module "citation/CS1".
- ↑ The extreme body horror film prompting mass cinema walkouts around the world|The Independent
- ↑ 'The Substance' Review: Cathartically Fun, Extreme Feminist Body Horror – Variety
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- ↑ (Butcher Block) Cyberpunk and Body Horror Collide in 'Tetsuo: The Iron Man' – Bloody Disgusting
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- ↑ Goodbye, McFly: Crispin Glover's 'It' Trilogy and the Cinema of Reaction – Senses of Cinema
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- ↑ a b Script error: No such module "citation/CS1".
- ↑ Extreme Cinema – Gaspar Noé’s Irreversible – Flickering Myth
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- ↑ Extreme Cinema: The Most Shocking Movies Of All Time – Flickering Myth
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- ↑ When Takashi Miike Heard He Could Do 'Anything' For Masters Of Horror, He Put That To The Test|/Film
- ↑ One of the World's Most Extreme Horror Movie Directors Made a 19-Minute Film for Apple|Gizmodo
- ↑ Sex and Violence: Journey into Extreme Cinema – Offscreen
- ↑ (Butcher Block) Eli Roth’s Flesh-Eating Viral Frenzy ‘Cabin Fever’ – Bloody Disgusting
- ↑ The 30 Most Extreme Movies of the 21st Century So Far « Taste of Cinema
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- ↑ Brief Descriptions and Expanded Essays of National Film Registry Titles|Library of Congress
- ↑ The 21st Century's 100 greatest films – BBC Culture
- ↑ Script error: No such module "citation/CS1".
- ↑ Cursed Films' Episodes, Ranked - MovieWeb
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