Ethan Iverson

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Ethan Iverson (born February 11, 1973) is a pianist, composer, and critic best known for his work in the avant-garde jazz trio The Bad Plus with bassist Reid Anderson and drummer Dave King.

Biography

Iverson was born in Menomonie, Wisconsin.[1] Before forming The Bad Plus, he was musical director of the Mark Morris Dance Group and a student of Fred Hersch and Sophia Rosoff. He has worked with artists such as Billy Hart, Kurt Rosenwinkel, Tim Berne, Mark Turner, Ben Street, Lee Konitz, Albert "Tootie" Heath, Paul Motian, Larry Grenadier, Charlie Haden and Ron Carter.[2] He currently studies with John Bloomfield and is on the faculty of the New England Conservatory.[3]

In 2017, the Bad Plus announced that Iverson was leaving the group, to be replaced by Orrin Evans.[4] Also in 2017, the Mark Morris Dance Group premiered Pepperland, for which Iverson composed the score (derived from parts of the Beatles' Sgt. Pepper's Lonely Hearts Club Band) and led the band during performances.[5] From there he became the music director of Mark Morris Dance for five years[6][7] .

In 2018, Iverson premiered his Concerto to Scale with the American Composers Orchestra;[8] released the album Temporary Kings with saxophonist Mark Turner on the ECM label; and toured Europe with the Billy Hart Quartet.[9]

In 2019, Iverson and trumpeter Tom Harrell released the album Common Practice, recorded at the Village Vanguard, on ECM. Iverson also served as an artistic director of the 2019 Jazz te Gast festival in the Netherlands, at which his orchestral piece Solve for X premiered.[5]

In 2021, Iverson's album Bud Powell in the 21st Century, featuring Ingrid Jensen, Dayna Stephens, Ben Street, Lewis Nash, and the Umbria Jazz Orchestra, was released on Sunnyside Records.[10]

2022 saw the release of Iverson's first record for Blue Note, "Every Note is True", with Larry Grenadier and Jack DeJohnette. The album contains mostly Iverson originals for trio, plus DeJohnette's "Blue" and Iverson's song "The More It Changes" for 44-person socially distanced choir.

2024 was a productive year with the release of Technically Acceptable[11] and another foray into classic music with Playfair Sonatas[12].

Iverson with Hart and Williams at Birdland in 2025.
Iverson at Birdland in 2025 with Billy Hart on drums and Buster Williams on bass.

Iverson is an active live performer who is often found playing in his home town of New York, as a lead, side man, or organizer. He especially enjoys appearing with the legends he listened to and inspired him, such as Buster Williams, Billy Hart, Ron Carter, and others.

Other work

Iverson also writes about music and music-related topics and has been published by The New Yorker,[13] NPR,[14] and The Nation,[15] as well as his substack Transitional Technology.[16]

An aficionado of crime writing, Iverson is an expert in the works of Donald E. Westlake, and was friends with the writer.[17] After Westlake's death, Iverson wrote an extensive essay reviewing almost all of Westlake's more than 100 books.[18] He assisted editor Levi Stahl in assembling Westlake's posthumous collection The Getaway Car.[19]

Discography

As leader

Year recorded Title Label Notes
1993 School Work Mons Some tracks trio, with Johannes Weidenmueller (bass), Falk Willis (drums); some tracks quartet, with Dewey Redman (tenor sax) added[20]
1998 Construction Zone (Originals) Fresh Sound New Talent Trio, with Reid Anderson (bass), Jorge Rossy (drums)[21]
1998 Deconstruction Zone (Standards) Fresh Sound New Talent Trio, with Reid Anderson (bass), Jorge Rossy (drums)[21]
1999 The Minor Passions Fresh Sound New Talent Trio, with Reid Anderson (bass), Billy Hart (drums)[21]
2000 Live at Smalls Fresh Sound New Talent Quartet, with Bill McHenry (tenor sax), Reid Anderson (bass), Jeff Williams (drums); in concert[21][22]
2012 Costumes Are Mandatory HighNote Most tracks quartet, with Lee Konitz (alto sax), Larry Grenadier (bass), Jorge Rossy (drums); some tracks trio, duo, solo[23]
2016 The Purity of the Turf Criss Cross Most tracks trio, with Ron Carter (bass), Nasheet Waits (drums); one track solo piano[24][25]
2017 Temporary Kings ECM Duo, with Mark Turner (tenor sax)[26][27]
2017 Common Practice ECM Quartet, with Tom Harrell (trumpet), Ben Street (bass), Eric McPherson (drums)
2018 Bud Powell in the 21st Century Sunnyside With the Umbria Jazz Orchestra plus quintet with Dayna Stephens (tenor sax), Ingrid Jensen (trumpet), Ben Street (bass), Lewis Nash (drums)[28]
2021 Every Note Is True Blue Note Trio, with Larry Grenadier (bass), Jack DeJohnette (drums)
2024 Technically Acceptable Blue Note Trios with Thomas Morgan/Kush Abadey and Simón Willson/Vinnie Sperrazza
2024 Playfair Sonatas Urlicht AudioVisual Six sonatas composed by Iverson for six different instruments and piano

With The Bad Plus

As sideman

With Albert Heath

  • Live at Small's (SmallsLive, 2010)
  • Tootie's Tempo (Sunnyside, 2013)
  • Philadelphia Beat (Sunnyside, 2015)

With Billy Hart

With Buffalo Collision (incl. Tim Berne, Hank Roberts, David King)

  • Duck (2008)

With Chris Cheek, Ben Street, and Jorge Rossy

  • Live at the Jamboree: Guilty (Fresh Sound, 2002)
  • Live at the Jamboree: Lazy Afternoon (Fresh Sound, 2002)

With Avantango (Thomas Chapin and Pablo Aslan)

  • Y en el 2000 Tambien... (EPSA Music, Argentina)

With Patrick Zimmerli

  • Twelve Sacred Dances (1998)
  • Clockworks (2018)

Personal life

Iverson lives in Brooklyn, New York, with his wife, the writer Sarah Deming.[5]

References

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External links

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