Dybbuk

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In Jewish mythology, a Script error: No such module "Lang". (Template:IPAc-en; Template:Langx, from the Hebrew verb <templatestyles src="Script/styles_hebrew.css" />דָּבַקScript error: No such module "Lang"., meaning 'adhere' or 'cling') is a malicious possessing spirit believed to be the dislocated soul of a dead person.[1] It supposedly leaves the host body once it has accomplished its goal, sometimes after being exorcised.[2][3][4]

Etymology

Script error: No such module "Lang". comes from the Hebrew word <templatestyles src="Script/styles_hebrew.css" />דִּיבּוּקScript error: No such module "Lang"., meaning 'a case of attachment', which is a nominal form derived from the verb <templatestyles src="Script/styles_hebrew.css" />דָּבַקScript error: No such module "Lang". 'to adhere' or 'cling'.[5]

History

The term first appears in a number of 16th-century writings.[2][6] However, it was ignored by mainstream scholarship until S. An-sky's 1920 play The Dybbuk popularised the concept in literary circles.[6] Earlier accounts of possession, such as that given by Josephus, were of demonic possession rather than that of ghosts.[7] These accounts advocated orthodoxy among the populace as a preventative measure.[2] Script error: No such module "Lang".'s 1937 film The Dybbuk, based on the Yiddish play by S. An-sky, is considered one of the classics of Yiddish filmmaking.[8]

Rabbi Yoel Teitelbaum, the Satmar rebbe (1887–1979), is reported to have supposedly advised an individual said to be possessed to consult a psychiatrist.[7]

Traditionally, dybbuks tended to be male spirits. According to Hayyim ben Joseph Vital, women could not become dybbuks because their souls did not participate in gilgul.[9] Sometimes these spirits were said to possess women on the eve of their weddings, typically in a sexual fashion by entering the women through their vaginas, which is seen in An-sky's play.[10] However, men and boys could be possessed as well.[9]

In psychological literature, the Script error: No such module "Lang". has been described as a hysterical syndrome.[11]

Expulsion

In traditional Jewish communities, the concept of the dybbuk served as a socially acceptable way of expressing unacceptable urges, including sexual ones.[12] Within Jewish mysticism and folklore, particularly in Kabbalistic traditions, protective practices were also used to ward off these malevolent spirits. One such practice involves affixing a mezuzah—a piece of parchment inscribed with specific Torah verses—to the doorposts of a home. While the mezuzah primarily serves as a reminder of faith and adherence to God's commandments, it is also viewed as a protective amulet against harmful spirits, including dybbuks. The Zohar, a foundational Kabbalistic text, suggests that a properly affixed mezuzah can prevent such entities from entering a home.[13] Additionally, Jewish folklore includes accounts where neglected or improperly maintained mezuzot were believed to make homes susceptible to dybbuk possession.[14] These perspectives emphasize the mezuzah's dual role in Jewish life: as both a symbol of faith and a spiritual safeguard.

Dybbuk in popular culture

  • The novel Satan in Goray by Isaac Bashevis Singer, which portrays the appearance of a dybbuk in the fictional Jewish town of Goray, serves as an early literary version of the well-known motif in Jewish mythology.
  • The film A Serious Man (2009), directed by Joel and Ethan Coen, starts with a preamble about a dybbuk who visits a poor family living in a stetl. The dybbuk in the film may or may not be a rabbi who is either alive or dead. After being stabbed by the wife of the man who encountered the rabbi and invited him for a meal, the dybbuk walks out of their house and disappears into the snowy night. Whether he was or was not a dybbuk remains unanswered.
  • The film The Possession (2012), directed by Ole Bornedal, is a supernatural horror film centered around the concept of a dybbuk. The story follows a young girl who becomes increasingly possessed by an evil spirit after discovering an antique dybbuk box at a yard sale.
  • The Polish film Demon is typically interpreted as a story about dybbuk possession.
  • The young adult novel The City Beautiful (2021) by Aden Polydoros features a gay teenager possessed by a dybbuk in 19th century Chicago.
  • The novella To Clutch a Razor (2025) by Veronica Roth features a chapter in which a young woman found wandering in the woods is possessed by a dybbuk.

See also

References

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  5. See A. Sáenz-Badillos & J. Elwolde, A History of the Hebrew Language, 1996, p. 187 on the qiṭṭūl pattern.
  6. a b Spirit Possession in Judaism: Cases and Contexts from the Middle Ages to the Present, by Matt Goldish, p. 41, Wayne State University Press, 2003
  7. a b Tree of Souls:The Mythology of Judaism, by Howard Schwartz, pp. 229–230, Oxford University Press, 2004
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Further reading

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External links


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