Durumagi

Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories Template:Infobox Korean name/categories (Korean: ; lit. closed all aroundTemplate:Category handler) is a variety of , or overcoat, in , the traditional Korean attire. It is a form of outerwear that is usually worn as the topmost layer of clothing over a (jacket) and (pants).Template:Rp It also goes by the names (; Template:Category handler), (; Template:Category handler), or (; Template:Category handler),

History

The origin of traces back to at least the Three Kingdoms of Korea, where it originated from a long coat worn by the northern Chinese to fend off cold weather in ancient times. This form of (Chinese robes) was mid-calf in length and had binding which were similar to those used in the . These robes look similar to the (Template:Lang-zh), which date as far back as the Shang dynasty.

Two examples of the can be found in (Template:Lang-zh) BC 206–24 and (Template:Lang-zh) BC 770–476. Tomb murals from Goguryeo were primarily painted in two regions, Ji'an (Template:Lang-zh) and Pyeongyang, which are the second and third capitals of the Goguryeo from the middle of the 4th to the middle of the 7th centuries respectively.Template:Rp The paintings dating from this period in the region of Jian show the typical characteristics of the people of Goguryeo in terms of morals and customs. In the regions of Pyeongyang, the cultural influence of the Han dynasty is reflected in figures dressed in attire, as the Han dynasty had governed this geographical region for approximately 400 years.Template:Rp

According to Samuel Lee, the origins of the can be traced back to the Goguryeo period:

"[Goguryeo] Murals also show that both men and women wore chima. The type worn by both for formal occasions was sang and that worn only by women was goon, which had long and wide dimensions. The origin of durumagi, the long outer coat worn over a jeogori, goes back to the Goguryeo period. The durumagi emanates form the long coat worn by northern Chinese to fend off cold weather in ancient times. The long coat [worn by northern Chinese] reached mid-calf and had bindings similar to those used for jeogori. Later, this [long coat] was adopted by the Goguryeo upper class in various forms for ceremonies and rituals, and the modified form worn by the general populace came to be known as durumagi.

However, what is now known as the is part of the indigenous attire of the Korean people:

Based on the Goguryeo mural paintings found near Pyeongyang, such as the early 5th century murals from (Template:Lang-zh), the ancient worn by the owner of tomb was red (or purple) in colour:Template:Rp

[The tomb of the owner of Gamsinchong Tomb] is sitting on a flat bench under a red curtain, in a purple durumagi (a traditional Korean men’s overcoat) with both hands held inside the wide sleeves on his chest. He wears a dark silk hat that shows his high societal position.

The murals show a mixture of elements from before and after the fifth century; the wide-sleeves also reflect the characteristics of tomb murals that are found near the Pyeongyang area.Template:Rp The ancient was also worn with a waist belt and had wide sleeves.

Goryeo

During the Goryeo period, Mongolian influences caused the to change in appearance. Not only was the waist belt changed into a , the traditional 's short length and wide sleeves were lengthened and narrowed to the style of the Mongolian coat, , of which the name is said to be derived.

Joseon period

During the Joseon dynasty, the was less worn as an overcoat but more of a housecoat for the noble class, whereas it was worn outdoors by the commoners. In 1884, King Gojong promulgated the unification of clothing for all social classes through reform laws. However, this law was met with much resistance and it was only until ten years later, after the Gabo Reform of 1894, that the became common as formal attire.

Construction and design

The is an overcoat, which is closed all around, lacking side and back vents.Template:Rp It has a straight collar with front overlapping front panels closing to the right, side gores, chest ties, neckband and narrow sleeves; its length is about under the calves and above the ankles.Template:Rp

Different fabrics and materials are used in making : calico, wool, cotton, and various silks for winter; ramie, fine ramie and silk gauze for summer; various silks and calico for spring and autumn. White, grey and navy blue are commonly used.

Types of durumagi

File:Korean clothing-Hanbok-Joseon period-02.jpg

Blue worn by female model, white worn by male model

There are various types which include the (; lit. single-layer durumagiTemplate:Category handler), (; lit. double-layer durumagiTemplate:Category handler), (; lit. cotton durumagiTemplate:Category handler), (; lit. magpie durumagiTemplate:Category handler), and (; lit. five-colour durumagiTemplate:Category handler) for children.

Modern use

File:APEC2005 Hanbok.jpg

2005 APEC World leaders in colourful

The is still considered an important part of traditional attire for formal occasions, but a variety of colours and designs are being used. Colourful were given as gifts to the world leaders of the 2005 APEC Summit in Busan.

See also

• Dopo
• Gonryongpo
• Hanbok
• Jeonbok
• Kkachi durumagi
• Po
• Sagyusam

External links

• Owner of tomb wearing a purple (or red) from the National Museum of Korea
• Korea National Heritage online from the Cultural Heritage Administration
• Template:In lang Hanbok Story