Douglas Slocombe

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Template:Short description Template:EngvarB Template:Use dmy dates Script error: No such module "infobox".Script error: No such module "Check for unknown parameters".Template:Main otherScript error: No such module "Check for clobbered parameters".Template:Wikidata image Ralph Douglas Vladimir Slocombe[1] OBE, BSC, ASC, GBCT (10 February 1913 – 22 February 2016) was a British cinematographer, particularly known for his work at Ealing Studios in the 1940s and 1950s, as well as the first three Indiana Jones films. He won BAFTA Awards in 1964, 1975, and 1979, and was nominated for the Academy Award for Best Cinematography on three occasions.[2]

Early life

Slocombe was born in Putney,[1] London, the son of Marie (née Karlinsky) and journalist George Slocombe (1894–1963). His mother was Russian.[3] His father was the Paris correspondent for the Daily Herald, and so Slocombe spent part of his upbringing in France, returning to the United Kingdom around 1933.[4][5][6] He graduated with a degree in Mathematics from the Sorbonne.[7]

Slocombe initially intended to become a photojournalist, and as a young photographer, he witnessed the early events leading up to the outbreak of World War II.[8][9] Visiting Danzig in 1939, he photographed the growing anti-Jewish sentiment. In consequence, he was commissioned by American film-maker Herbert Kline to film events for a documentary called Lights Out, covering a Goebbels rally and the burning of a synagogue, for which he was briefly arrested.[10][11] Slocombe was in Warsaw with a movie camera on 1 September 1939 when Germany invaded. Accompanied by Kline, he escaped, but his train was machine-gunned by a German aeroplane. In 2014, he said of the experience that:

I had no understanding of the concept of blitzkrieg. I had been expecting trouble but I thought it would be in trenches, like WW1. The Germans were coming over the border at a great pace ... We were trundling through the countryside at night. We kept stopping for no apparent reason, but we came to a screeching halt because a German plane was bombing us. After its first pass we climbed out the window and crawled under the carriage. The plane came back and started machine-gunning. A young girl died in front of us.[11]

After escaping from the train, Slocombe and Kline bought a horse and cart from a Polish farm, finally returning to London via Latvia and Stockholm.[11]

Work

File:Ealing Studios London England.jpg
Ealing Studios in west London, where Slocombe started his feature film career

After returning to England, Slocombe became a cinematographer for the British Ministry of Information, shooting footage of Atlantic convoys with the Fleet Air Arm. He also developed a relationship with Ealing Studios, where filmmaker Alberto Cavalcanti, who helped him obtain his position, worked.[8] Some of his photography was used as second unit material for fiction films.[8]

Slocombe moved into photographing for feature films at Ealing Studios during the later 1940s, after being hired on the strength of his documentary work.[12] Slocombe later described his early work on Champagne Charlie (1944) as amateurish, in one case resulting in a sequence having to be reshot.[9] However, in his career, Slocombe worked on 84 feature films over a period of 47 years.[13]

Slocombe would later speak approvingly of Ealing's culture of script development.[14] However, he also noted that its restrictive studio system headed by Michael Balcon, in which outside work was not normally permitted, made it impractical for him to attempt to begin a career as a director, something which he had considered.[15]

His early films as a cinematographer included such classic Ealing comedies, notably Kind Hearts and Coronets (1949), The Man in the White Suit (1951), The Lavender Hill Mob (1951), and The Titfield Thunderbolt (1953). He was particularly praised for his flexible, high-contrast cinematography for the horror film Dead of Night (1945), and for his bright, colourful West Country summer landscapes on The Titfield Thunderbolt.[8]

Apart from filming, Slocombe worked also on developing plans for shots, visiting prisoner-of-war camps in Germany as part of pre-production for The Captive Heart (1946).[16] For Saraband for Dead Lovers (1948), shot in Technicolor, the production team settled on a muted, gloomy style unusual for the time, which Slocombe in 2015 considered as among his best work of the period.[17] The style of the film, about a doomed extramarital affair in 17th-century Germany, was variously praised as unconventional and criticised for being excessively symbolic, while also leaving exterior and interior shots poorly matched.[18]

A special effect shot he created was a scene in Kind Hearts and Coronets, in which Alec Guinness, playing eight different characters, appeared as six of them simultaneously in the same frame.[9] By masking the lens and locking the camera down in one place, the film was re-exposed several times with Guinness in different places on the set over several days. Slocombe recalled sleeping in the studio to make sure nobody touched the camera.[5] Slocombe personally regarded Basil Dearden as the "most competent" of the directors he worked with at Ealing.[19]

He found widescreen equipment sometimes restrictive, finding the Technirama camera system used on Davy (1958) "a block of flats" and difficult to compose shots with.[20]

After Ealing

Financial problems forced Ealing Studios to wind down from 1955 onwards, and close later in the decade. In 2015, Slocombe said of the period that "we had to get on with our careers – there was little time for sentiment."[17]

For The Italian Job (1969), Slocombe was hired by producer Michael Deeley because "he tended to do very moody work, and he was very efficient". Slocombe later remembered shooting inside Kilmainham Gaol, a genuine closed prison, and finding the experience unpleasant: "the real thing, there is something quite terrifying about it. One knows hundreds and hundreds of people have suffered here...although this was a comedy, all this was still in the back of one's mind".[21]

Ihe 1971 was the film's cinematographer of Murphy's war set in Venezuela during World War II focuses on a stubborn survivor of a sunken merchant ship who is consumed in his quest for revenge and retribution against the Nazi German submarine that sank his ship and slaughtered the survivors.

He won the British Society of Cinematographers Award five times, and was awarded its Lifetime Achievement Award in 1996.[22] He also won a special BAFTA award in 1993.[2] Roger Ebert particularly praised his work on Jesus Christ Superstar (1973), writing that it "achieve[s] a color range that glows with life and somehow doesn’t make the desert look barren."[23] Not all reviews of his later colour work were favourable: while his cinematography on Never Say Never Again (1983) has been described by one author as "subtle, subdued...[it] creates a mellow mood", it has also been assessed as "muddled and brown".[24][25] Notable among his later films is Rollerball (1975).[26]

Indiana Jones films

In the 1980s, he worked with Steven Spielberg on the first three Indiana Jones films, after Spielberg enjoyed working with him as an auxiliary cinematographer on Close Encounters of the Third Kind (1977).[26] These were among his last major projects, as he was 75 at the time of filming the last, Indiana Jones and the Last Crusade, and also began to suffer from eyesight problems in the 1980s.[26][27] He was quoted in 1989 as saying of it "there's an excitement in doing action films. I probably enjoy them on a sort of Boy Scout level."[28] Janusz Kamiński, cinematographer on Indiana Jones and the Kingdom of the Crystal Skull, said that he deliberately shot the film to emulate Slocombe's visuals, in order to create an appearance of continuity with the previous pictures.[29]

Personal life

Slocombe experienced problems with his vision from the 1980s onwards, including a detached retina in one eye and complications from unsuccessful laser eye surgery in the other, and was nearly blind at the end of his life.[5] In his later years, he lived in West London with his daughter, his only child.[11]

He was appointed Officer of the Order of the British Empire (OBE) in the 2008 New Year Honours, and attended a BAFTA dinner in his honour in 2009.[12] He turned 100 in February 2013.[13][30] Despite his blindness, Slocombe remained able to give interviews into his last years, and was interviewed by David A. Ellis in a book entitled Conversations with Cinematographers, in 2011 by French television in French, by the BBC on the invasion of Poland in 2014, and on the history of British films in 2015.[17][26][11] He was quoted in the latter interview as saying "it's a weird feeling to have outlived virtually everyone you ever worked with."[17]

Death

Slocombe died on the morning of 22 February 2016 (12 days after his 103rd birthday), in a London hospital from complications following a fall.[26][31]

Filmography

Documentary film

Year Title Director Notes
1940 Lights Out in Europe Herbert Kline Uncredited
1943 Greek Testament Charles Hasse
San Demetrio London Charles Frend Uncredited

Feature film

Year Title Director Notes
1941 Ships with Wings Sergei Nolbandov Uncredited
1944 For Those in Peril Charles Crichton
1945 Painted Boats
1946 The Captive Heart Basil Dearden
1947 Hue and Cry Charles Crichton
The Loves of Joanna Godden Charles Frend
It Always Rains on Sunday Robert Hamer
1948 Saraband for Dead Lovers Basil Dearden
Another Shore Charles Crichton
1949 Kind Hearts and Coronets Robert Hamer
A Run for Your Money Charles Frend
1950 Dance Hall Charles Crichton
Cage of Gold Basil Dearden
1951 The Lavender Hill Mob Charles Crichton
The Man in the White Suit Alexander Mackendrick
1952 His Excellency Robert Hamer
Mandy Alexander Mackendrick
1953 The Titfield Thunderbolt Charles Crichton
1954 The Love Lottery
Lease of Life Charles Frend
1955 Ludwig II Helmut Käutner
Touch and Go Michael Truman
1956 Sailor Beware! Gordon Parry
1957 The Man in the Sky Charles Crichton
The Smallest Show on Earth Basil Dearden
Barnacle Bill Charles Frend
Davy Michael Relph
1958 Tread Softly Stranger Gordon Parry
1960 Circus of Horrors Sidney Hayers
The Boy Who Stole a Million Charles Crichton
1961 The Mark Guy Green
Taste of Fear Seth Holt
The Young Ones Sidney J. Furie
1962 The L-Shaped Room Bryan Forbes
Freud the Secret Passion John Huston
1963 The Servant Joseph Losey
1964 The Third Secret Charles Crichton
Guns at Batasi John Guillermin
1965 A High Wind in Jamaica Alexander Mackendrick
Promise Her Anything Arthur Hiller
1966 The Blue Max John Guillermin
1967 Fathom Leslie H. Martinson
Robbery Peter Yates
The Fearless Vampire Killers Roman Polanski
1968 Boom! Joseph Losey
The Lion in Winter Anthony Harvey
1969 The Italian Job Peter Collinson
1970 The Buttercup Chain Robert Ellis Miller
1971 Murphy's War Peter Yates
The Music Lovers Ken Russell
1972 Travels with My Aunt George Cukor
1973 Jesus Christ Superstar Norman Jewison
The Return Sture Rydman Short film
1974 The Great Gatsby Jack Clayton
The Marseille Contract Robert Parrish
1975 The Maids Christopher Miles
Rollerball Norman Jewison
That Lucky Touch Christopher Miles
Hedda Trevor Nunn
1976 The Sailor Who Fell from Grace with the Sea Lewis John Carlino
The Bawdy Adventures of Tom Jones Cliff Owen
1977 Nasty Habits Michael Lindsay-Hogg
Julia Fred Zinnemann
1978 Caravans James Fargo
1979 The Lady Vanishes Anthony Page
Lost and Found Melvin Frank
1980 Nijinsky Herbert Ross
1981 Raiders of the Lost Ark Steven Spielberg
1983 The Pirates of Penzance Wilford Leach
Never Say Never Again Irvin Kershner
1984 Indiana Jones and the Temple of Doom Steven Spielberg
1985 Water Dick Clement
1986 Lady Jane Trevor Nunn With Derek V. Browne
1989 Indiana Jones and the Last Crusade Steven Spielberg

Television

Year Title Director Notes
1957 Play of the Week Peter Brook Episode "Heaven and Earth"
1975 Love Among the Ruins George Cukor TV movie

Awards and nominations

Academy Awards

Year Category Title Result Ref.
1972 Best Cinematography Travels with My Aunt Template:Nom [32]
1977 Julia Template:Nom [33]
1981 Raiders of the Lost Ark Template:Nom [34]

BAFTA Awards

Year Category Title Result Ref.
1964 Best Cinematography The Servant Template:Won [2]
1965 Guns at Batasi Template:Nom
1967 The Blue Max Template:Nom
1969 The Lion in Winter Template:Nom
1974 Travels with My Aunt Template:Nom
Jesus Christ Superstar Template:Nom
1975 The Great Gatsby Template:Won
1976 Rollerball Template:Nom
1979 Julia Template:Won
1982 Raiders of the Lost Ark Template:Nom
1985 Indiana Jones and the Temple of Doom Template:Nom

American Society of Cinematographers

Year Category Result
2002 International Award Template:Won

British Society of Cinematographers

Year Category Title Result
1963 Best Cinematography The Servant Template:Won
1968 The Lion in Winter Template:Won
1973 Jesus Christ Superstar Template:Won
1974 The Great Gatsby Template:Won
1977 Julia Template:Won
1984 Indiana Jones and the Temple of Doom Template:Nom
1995 Lifetime Achievement Award Template:Won

Los Angeles Film Critics Association

Year Category Title Result
1977 Best Cinematography Julia Template:Won

See also

References

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External links

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  1. ↑ a b Duncan Petrie, "Slocombe, (Ralph) Douglas Vladimir (1913–2016)", Oxford Dictionary of National Biography, Oxford University Press, Jan 2020 available online. Retrieved 8 July 2020.
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  8. ↑ a b c d Script error: No such module "citation/CS1".
  9. ↑ a b c Script error: No such module "citation/CS1".
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  11. ↑ a b c d e Script error: No such module "citation/CS1".
  12. ↑ a b Script error: No such module "citation/CS1".
  13. ↑ a b Script error: No such module "citation/CS1".
  14. ↑ Script error: No such module "citation/CS1".
  15. ↑ Script error: No such module "citation/CS1".
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  17. ↑ a b c d Script error: No such module "citation/CS1".
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  19. ↑ Script error: No such module "citation/CS1".
  20. ↑ Script error: No such module "citation/CS1".
  21. ↑ Script error: No such module "citation/CS1".
  22. ↑ BSC: Lifetime Achievement Award Linked 29 July 2013.
  23. ↑ Script error: No such module "citation/CS1".
  24. ↑ Script error: No such module "citation/CS1".
  25. ↑ Script error: No such module "citation/CS1".
  26. ↑ a b c d e Script error: No such module "citation/CS1".
  27. ↑ Script error: No such module "citation/CS1".
  28. ↑ Script error: No such module "citation/CS1".
  29. ↑ Script error: No such module "citation/CS1".
  30. ↑ Wilmington Star News, February 6, 2013: Famed cinematographer Douglas Slocombe turns 100 Linked 29 July 2013.
  31. ↑ Script error: No such module "citation/CS1".
  32. ↑ Script error: No such module "citation/CS1".
  33. ↑ Script error: No such module "citation/CS1".
  34. ↑ Script error: No such module "citation/CS1".
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