Domenico Morelli

File:Domenico Morelli Portrait.jpg

Self-portrait (date unknown)

Domenico Morelli (4 August 1823Template:Spaced ndash13 August 1901) was an Italian painter, who mainly produced historical and religious works. Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Accademia di Belle Arti in Naples, but also because of his rebelliousness against institutions: traits that flourished into the passionate, often patriotic, Romantic and later Symbolist subjects of his canvases. Morelli was the teacher of Vincenzo Petrocelli, Ulisse Caputo, and Anselmo Gianfanti.

Biography

He was born to a poor family in Naples. His mother had hoped he would become a priest. His precocious talent was noted, and he was enrolled at the Royal Academy of Fine Arts in Naples in 1836–1846, where he befriended Francesco Altamura. His early works contain imagery drawn from the Medieval stories and Romantic poets such as Byron. In 1845, he painted a prize-winning . In 1845–46, with the painting of , and help from a generous patron, the lawyer Ruggiero, he won a fellowship to study in Rome. In 1847–48, he painted and , the prize-winning , and . In 1847 at Rome, he painted a .

Morelli had just returned to Naples, when the insurrections of 1848 erupted in Naples. He joined the protesters in the barricades on via Toledo, and was wounded, nearly killed, and briefly imprisoned. In a retrospective published after his death, Isabella Anderton would label Domenico as one of the warrior artists of Italy, a group which also included Filippo Palizzi, Telemaco Signorini, Stefano Ussi, and Francesco Saverio Altamura.

Released, Morelli returned to Rome. He painted (1851) and . In 1855 at the Florentine Exposition, he displayed his famous The Iconoclasts.

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The Iconoclasts

He participated in the Universal Exposition in Paris in 1855. Later, in Florence, he was an active participant in the Macchiaioli discussions on Realism. Morelli claimed that it was these discussions that made his own work less academic and helped him to develop a freer style and to experiment with color. In this period, he is grouped into the school of Realism.

In 1857, he won a contest to design the decoration of the Template:Ill of Gaeta, a project never completed. On a trip to Milan he painted , Pompeian Bath, and a . By 1857, he had returned to Naples, painting a . For the ceiling of the Royal chapel of Naples, he painted an Assumption of the Virgin.

He was a member of an independent society, led by his friend Filippo Palizzi, to promote the liberal arts, called the in 1862. He was appointed consultant for new acquisitions of the Capodimonte art museum in Naples and, thus, had significant impact on the subsequent direction of the collections. In 1868, Morelli became a professor of painting at his old Academy, which now became the Royal Institute of Fine Arts in Naples. From that period onward, his interest turned to religious and mystical themes, drawn from mostly Christian, but also Jewish and Muslim traditions. Perhaps best known from this period is the Assumption on the ceiling of the Royal Palace in Naples. Morelli was also one of the collaborators for the illustrations of the Amsterdam Bible in 1895. From 1899 until his death, he was president of the Royal Academy of Fine Arts in Naples.

Morelli late in life won many awards and distinctions. he was named honorary professor of the principal academies of Italy and Europe, commendatore of the Order of SS. Maurizio e Lazzaro and of the Order of the Crown of Italy, and . In June, 1886, he was knighted a senator by the King. He died on 13 August 1901 in Naples.

Among his many pupils were Giuseppe Costa, Francesco Paolo Michetti, Vittorio Matteo Corcos, Giuseppe Boschetto, Camillo Miola, Edoardo Tofano, Antonio Mancini, Vincenzo Montefusco and Enrico Salfi. Morelli designed the frescoes painted for the tomb of Giacomo Leopardi, located in the church of San Vitale at Fuorigrotta, but they were completed posthumously by his son-in-law, Paolo Vetri.

Gallery

• Neophyte, 1851
  Neophyte, 1851
• Christian Martyrs, 1851
  Christian Martyrs, 1851
• Girl in Red, 1855
  Girl in Red, 1855
• Angels carry Martyrs, 1855
  Angels carry Martyrs, 1855
• Guinevere kisses Lancelot
  Guinevere kisses Lancelot
• Sultan's wife returns from the Bath
  Sultan's wife returns
  from the Bath
• Sicilian Vespers
  Sicilian Vespers
• Pompeian Bath, 1861
  Pompeian Bath, 1861
• Maria De Medici visits Ruben's studio, 1861
  Maria De Medici visits
  Ruben's studio, 1861
• Tasso reads his poem to Eleonora d'Este, 1865
  Tasso reads his poem
  to Eleonora d'Este, 1865
• Gemini, 1870s
  Gemini, 1870s
• Sermon of Mohammed, 1890s
  Sermon of Mohammed, 1890s
• Temptation of St Anthony
  Temptation of St Anthony
• Christ watches over the Apostles, 1891
  Christ watches over the Apostles, 1891
• Noah gives Thanks for Deliverance, 1901
  Noah gives Thanks for Deliverance, 1901

External links

• Template:Sister-inline