Cutting the Stone
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Cutting the Stone, also called The Extraction of the Stone of Madness or The Cure of Folly, is an oil-on-panel painting completed c.1494 or later by the Dutch painter Hieronymus Bosch.[1] It is now in the Museo del Prado in Madrid.
The painting depicts a surgeon, wearing a funnel hat, removing the stone of madness from a patient's head by trepanation.[2] An assistant, a monk bearing a tankard, stands nearby. Playing on the double-meaning of the word Script error: No such module "Lang". (stone or bulb), the stone appears as a flower bulb, while another flower rests on the table. A woman with a book balanced on her head looks on.
The inscription in gold-coloured Gothic script reads:
Lubbert Das was a comical (foolish) character in Dutch literature.
Interpretations
It is possible that the flower hints that the doctor is a charlatan as does the funnel hat. The woman balancing a book on her head is thought by Skemer to be a satire of the Flemish custom of wearing amulets made out of books and scripture, a pictogram for the word phylactery.[3] Otherwise, she is thought to depict folly.
Michel Foucault, in his 1961 book History of Madness, says "Bosch's famous doctor is far more insane than the patient he is attempting to cure, and his false knowledge does nothing more than reveal the worst excesses of a madness immediately apparent to all but himself."
See also
References
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Further reading
- (book on head) Binding Words Textual Amulets in the Middle Ages. Skemer, Don C. PA: Penn State University Press, 2006. p. 24, 136n. Template:ISBN.
- "A Stone Never Cut for: A New Interpretation of The Cure of Folly by Jheronimus Bosch" in Urologia Internationalis
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