Cosmopolitan Theatre

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Cosmopolitan Theatre is an American anthology series which aired on the DuMont Television Network from October 2, 1951, to December 25, 1951.[1]

Synopsis

The series consisted of live presentations of stories written for Cosmopolitan magazine, and was one of many TV series airing "tele-plays" at the time.[2]

Episode status

The program was broadcast live. If any episodes exist, they would be in the form of kinescope recordings.[3]

Episodes

Episode # Episode title Original airdate Guest star(s)
1-1 "The Secret Front" October 2, 1951 Marsha Hunt, Kurt Katch, and Lee Tracy[4]
1-2 "Be Just and Fear Not" October 9, 1951 Joseph Schildkraut and June Walker[5]
1-3 "Incident in the Blizzard" October 16, 1951 Betty Field and E. G. Marshall
1-4 "Reward, One Million" October 23, 1951 Dennis Hoey and Beatrice Straight
1-5 "Mr. Pratt and the Triple Horror Bill " October 30, 1951 Constance Dowling and Tom Ewell
1-6 "Last Concerto" November 6, 1951 Lon Chaney Jr., Susan Douglas, and Ruth McDevitt
1-7 "I'll Be Right Home, Ma" November 13, 1951 Charles Nolte
1-8 "The Tourist" November 20, 1951 Peggy Allenby, John Boruff, and John Hoyt
1-9 "Time to Kill" November 27, 1951 John Forsythe, Phyllis Love, and Torin Thatcher
1-10 "The Beautiful Time" December 4, 1951 Joseph Buloff and Lili Darvas
1-11 "Mr. Whittle and the Morning Star" December 11, 1951 Peggy Conklin and Bramwell Fletcher
1-12 "The Sighing Sounds" December 18, 1951 Bethel Leslie and Gordon Mills
1-13 "One Red Rose for Christmas" December 25, 1951 Jo Van Fleet

Production

Louis G. Cowan packaged Cosmopolitan Theatre; Sherman Marks was the producer and director.[6] Writers of episodes included Richard Macauley[4] and David Shaw.[5]

The show replaced Cavalcade of Bands[6] from 9 to 10 p.m. Eastern Time on Tuesdays.[2] It originated from WABD and was carried live to 14 stations with 10 more showing it via kinescope.[6]

Critical response

In December 1951, critic John Crosby called Cosmopolitan Theatre "the Dumont network's most elaborate entry into the dramatic field".[7] He noted that restricting the show's content to stories from the magazine "places a rather severe limit not only on the range of material but also on the type of material open to this program."[7] He noted that the two forms of media differed greatly in the ways they affected audiences and ended the review with the comment, "TV has conditioned us to accept a much harder degree of reality than most slick fiction has ever attempted."[7]

See also

References

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Bibliography

External links