Corippus

File:Corippi Africani grammatici De laudibus Iustini Augusti.jpg

De laudibus Iustini Augusti, published in Antwerp in 1581

Flavius Cresconius Corippus (floruit 565) was a Roman African epic poet who flourished under East Roman emperors Justinian I and Justin II. His major works are the epic poem Iohannis, a panegyric called "Panegyric of Anastasius", and a poem in praise of the Emperor Justin II, In laudem Iustini minoris. Corippus was probably the last important Latin author of Late Antiquity.

Biography

Flavius Cresconius Corippus' name is known on a basis of just one document.Template:Sfn He was a native of Africa, and in one of the medieval manuscripts is called africanus grammaticus.Template:Sfn He has sometimes been identified, but on insufficient grounds, with Cresconius Africanus, a Catholic bishop (7th century), author of a Concordia Canonum, or collection of the laws of the church.Template:Sfn Nothing is known of Corippus beyond what is contained in his own poems. He appears to have held the office of tribune or notary (scriniarius) under Anastasius, imperial treasurer and chamberlain of Justinian I, at the end of whose reign he left Africa for Constantinople, apparently in consequence of having lost his property during the Vandalic War and the subsequent Moorish revolts.Template:Sfn

He was the author of two poems, of considerable importance for the history of the times. One of these, Iohannis ("Tale of John") or De Bellis Libycis ("On the Libyan war"), the earlier of the two, was not discovered till the beginning of the 19th century. The full text survived in one copy, called Trivultianus 686; it was made by Arezzo poet Giovanni De Bonis in late 14th century, and was rediscovered in 1814Template:SfnTemplate:Sfn "in the library of the Trivulzio family just outside Milan". The second copy was found in 16th century in the Corvinus library in Buda by Giovanni Cuspiniano; this copy was the only one that mentioned the poet's full name. The manuscript is now lost. Even the full text is fragmentary and contains a number of "lacunae", the most significant of them is the ending of the poem.Template:Sfn It was dedicated to the nobles of Carthage and relates the overthrow of the Moors by John Troglita, magister militum of Africa in a series of battles that lasted until 548. Iohannis is in eight books (the last is unfinished) and contains about 5000 hexameters, or 4700 lines. The narrative commences with the despatch of John to the theatre of war by Justinian, and ends with the decisive victory near Carthage (548).Template:SfnTemplate:Sfn

Although Johannes Cuspinianus in his De Caesaribus et Imperatoribus professed to have seen a manuscript of it in the library at Buda (destroyed by Suleiman I in 1527), it was not till 1814 that it was discovered at Milan by Cardinal Mazzucchelli, librarian of the Biblioteca Ambrosiana, from the codex Trivultianus (in the Biblioteca Trivulziana, the library of the marchesi Trivulzi), the only manuscript of the Johannis extant.Template:Sfn The Johannis "is not only a valuable historic source but a work of marked poetic merit." It provides a description of the land and people of Late Roman Africa, which conscientiously records the impressions of an intelligent native observer; many of his statements as to manners and customs are confirmed both by independent ancient authorities (such as Procopius) and by our knowledge of the modern Berbers.Template:Sfn

The other poem, In Laudem Iustini Augusti minoris ("In praise of the younger Justin"), in four books, contains the death of Justinian, the coronation of his successor Justin II (November 13, 565), and the early events of his reign. The work was published at Antwerp in 1581 by Michael Ruyz Azagra, secretary to Emperor Rudolf II, from a ninth- or tenth-century manuscript.Template:Sfn

Virgil, Lucan, and Claudian were the poet's chief models. In laudem Iustini minoris, which was written when he was advanced in years, although marred by a "Byzantine" servility and gross flattery of a by no means worthy object, throws much light upon Late Roman court ceremony, as in the account of the accession of Justin and the reception of the embassy of the Avars.Template:Sfn On the whole the language and metre of Corippus, considering the age in which he lived and the fact that he was not a native Italian, is remarkably pure. That he was a Christian is rendered probable by negative indications, such as the absence of all the usual mythological accessories of an epic poem, positive allusions to texts of Scripture, and a highly orthodox passage (In laudem Iustini minoris iv. 294 ff).Template:Sfn

His "Panegyric" was written for Anastasius, a "Quaestor of the Sacred Palace and Master of Offices in the imperial capital".Template:Sfn

Editions

• Averil Cameron: Flavius Cresconius Corippus: In laudem Iustini Augusti minoris (in praise of Justin II). London 1976 (Translation and commentary).
• George W. Shea: The Iohannis or de Bellis Libycis of Flavius Cresconius Corippus (Studies in Classics 7). Lewiston/NY 1998 (Translation).
• J. Diggle and F.R.D. Goodyear (eds.): Iohannidos Libri VIII. Cambridge. 1970 (Latin Text).
• Bonn Corpus Scriptorum Historiae Byzantinae, volume 28/34, 1836: P. Mazzucchelli: Iohannis (orig. 1820); Pierre-François Foggini, In laudem Iustini minoris (orig. 1777)

Sources

• This article incorporates text from a publication now in the public domain: 
• W. Ehlers, "Epische Kunst in Coripps Johannis," Philologus, 124 (1980), 109–135.
• John Martindale, The Prosopography of the Later Roman Empire, IIIa. (Cambridge, 1992), p. 354f.
• Heinz Hofmann, "Corippus, Flavius Cresconius," in Der Neue Pauly, Vol. 3 (1997), pp. 165f.
• J.U. Andres, Das Göttliche in der "Johannis" des Corippus. Antike Götterwelt und christliche Gottesvorstellung im Widerstreit? (Trier, 1997).
• V. Zarini, Rhétorique, poetiqué, spiritualité: La technique épique de Corippe dans la Johannide (Turnhout, 2003).
• Ch.O. Tommasi, "Exegesis by Distorting Pagan Myths in Corippus’ Epic Poetry," in Poetry and Exegesis in Premodern Latin Christianity: The Encounter between Classical and Christian Strategies of Interpretation. Eds. Willemien Otten and Karla Pollmann (Leiden and Boston: Brill, 2007) (Supplements to Vigiliae Christianae, 87).
• Gärtner, Thomas, Untersuchungen zur Gestaltung und zum historischen Stoff der "Johannis" Coripps (Berlin: de Gruyter, 2008) (Untersuchungen zur antiken Literatur und Geschichte, 90).
• C. Schindler, Per carmina laudes. Untersuchungen zur spätantiken Verspanegyrik von Claudian bis Coripp (Berlin/New York, 2009).
• Peter Riedlberger (ed.), Philologischer, historischer und liturgischer Kommentar zum 8. Buch der Johannis des Goripp nebst kritischer Edition und Übersetzung (Groningen: Egbert Forsten, 2010).
• Charlet, Jean-Louis. 1994. Corippe. In Encyclopédie berbère. Vol. 14. Edited by Gabriel Camps, 2104–2110. Leuven, Belgium: Peeters.
• Goldlust, Benjamin, ed. 2015. Corippe, un poète latin entre deux mondes. Lyon, France: CEROR.
• Krestan, Ludmilla and Klaus Winkler. 1957. Corippus. In Reallexikon für Antike und Christentum. Vol. 3, Edited by Franz Joseph Dölger, 424–429. Stuttgart: Hiersemann.
• Tandoi, Vincenzo. 1984. Corippo. In Enciclopedia virgiliana. Vol. 1. Edited by Francesco della Corte, 890–892. Rome: Istituto dell’Enciclopedia Italiana.
• Zarini, Vincent. 2015. La recherche sur Corippe: Bilan et perspectives. In Corippe, un poète latin entre deux mondes. Edited by Benjamin Goldlust, 15–30. Lyon, France: CEROR.