Asbestos-ceramic

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Template:Short description Asbestos-ceramic is a type of pottery manufactured with asbestos and clay in Finland, Karelia and more widely in Fennoscandia from around 5000 BC. Some remnants of this style of pottery lasted until as late as 200 AD. These ceramics are able to retain heat longer than other pottery.

Occasionally other kinds of pottery that do not contain any asbestos, but do have good insulating properties, are (mistakenly) called "asbestos-ceramic". However, some such pottery, called hair-thermal pottery, is found with similar shape and decoration, dating from the same period as some of the genuine asbestos-containing ceramics, and is discussed below.

Origin and distribution

Script error: No such module "Labelled list hatnote". Around 3600 BC, when typical comb ware ceramics were replaced by late comb ware ceramics, the practice of mixing asbestos into pottery clay emerged in eastern Finland and the Karelian regions near Lake Ladoga, and also along the Neva River.[1]

The most probable origin of this style of ware is the shores of Lake Saimaa in Finland. Finds from inland Finland are the oldest, and the Lake Saimaa area is the only location in the regionTemplate:Which? with plentiful, nearby, easily accessible natural deposits of asbestos. In Finland, finds of asbestos-containing ceramics are known from c.Template:TrimScript error: No such module "Check for unknown parameters". to c.Template:TrimScript error: No such module "Check for unknown parameters".. In northern Scandinavia, asbestos ware appears apparently from c.Template:TrimScript error: No such module "Check for unknown parameters". to c.Template:TrimScript error: No such module "Check for unknown parameters".BC.Script error: No such module "Unsubst".Template:Efn

Some scholarsScript error: No such module "Unsubst". argue that these pottery traditions were influenced from the Upper Volga and the Oka regions.[1]

Asbestos-ceramic of Lovozero ware type is also found in Fennoscandia, on Bolshoy Oleny Island in the Murmansk region of Russia.[2][3] Furthermore, a later type of asbestos-laden ware was also found here, known in the Russian archaeological literature as waffe ware. In Norwegian and Finnish literature, the usual term for similar impressions on pottery is 'textile' or 'imitated textile'.[2][4]

Categories of asbestos ceramics

Asbestos ceramics are usually classified as a sub-type of comb ceramic ware.Script error: No such module "Unsubst".

From the times of the earliest comb ware (c.Template:TrimScript error: No such module "Check for unknown parameters".) in Finland, asbestos was mixed with clay as an adhesive. At some point, people started to make use of the characteristics of asbestos: Its long fibres allowed large vessels with thin walls, which made them lighter, without compromising durability. Some of the vessels had walls 6 mm thick with a diameter of around 50 cm (Pöljä-style).

The Finnish researchers divide asbestos ceramics into the following styles:Script error: No such module "Unsubst".

Early asbestos ware

  • Pit-comb ware with asbestos
  • Kaunissaari ware
  • Sperrings ware

Main-period styles

  • Pöljä ware
  • Kierikki ware

Late asbestos ware

  • Jysmä ware

Kaunissaari ware (c.Template:Trim – c. 3800 cal BCScript error: No such module "Check for unknown parameters".) was an early asbestos-tempered ware. Its distribution is centred on the eastern lake area of Finland. Sperrings ware was another type of early asbestos-tempered ware from about the same time.[5]

The style seems to disappear around 200 AD in Finland but continues in Scandinavia. The disappearance is thought to be related to the transition to a semi-nomadic reindeer husbandry lifestyle.Script error: No such module "Unsubst".

Asbestos-containing variants

There are two variants of asbestos-containing pottery. The name depends on the proportion of asbestos: Ceramics with an asbestos amount of 50–60% are called asbestos pottery; vessels containing 90% asbestos and 10% clay are asbestos ware.

Asbestos pottery

Asbestos pottery (50–60% asbestos, 50–40% clay) is usually found along with evidence suggesting metal work, i.e. crucibles, moulds, slag, fused clay, artefacts of bronze and copper, and stone sledge hammers. Asbestos ceramic may also have been used as a heat-storage medium.Template:EfnScript error: No such module "Unsubst".

Some of the Fennoscandian vessel patterns are identical to the Neolithic and Bronze Age Jōmon culture in Japan (Script error: No such module "Lang". meaning 'rope pattern'). However, the most common patterns are the comb and pit decorations typical of North-Eastern Europe at the time (Finland).Script error: No such module "Unsubst".

Asbestos ware

Asbestos ware (90% asbestos, 10% clay) is unusually heat-tolerant: It can survive temperatures up to 900–1000 °C.

It is believedScript error: No such module "Unsubst". that asbestos ware was also used in iron production such as spearheads, arrowheads and artefacts. Found vessels were drilled with many holes. The fact that the reduction of iron ore (FeO3) with abundant carbon generates large amounts of carbon monoxide (CO) may suggest that the drilled holes were used to improve the availability of air (oxygen) to maintain an adequately intense flame for the high temperatures required for the iron smelting. Iron ore is abundant in lakes e.g. in Finland.Script error: No such module "Unsubst".

Clay with hair addedScript error: No such module "anchor".

Lastly, the term hair-temperature pottery refers to ceramics made of fine, sorted clay, augmented with about 30% finely cut hair and chamotte. It generally contains no asbestos (some samples have insignificant traces). These ceramics were made with similar shape, size, and surface treatment (including decoration) as the asbestos pottery.Script error: No such module "Unsubst".

Hair, when used as ceramic additive, burns away at the time of firing, leaving characteristic thin pores in the resulting pottery. The hair-thermal ceramics' intended use is unknown, but tests of its heat-retaining (insulating) capacity suggests it was intended for some kind of use requiring insulation. However, unlike asbestos, mixing hair into clay does not improve the durability or heat resistance of the resulting ceramic.Script error: No such module "Unsubst".

Notes

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References

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Sources

Template:Pottery