Aksak
Template:Use shortened footnotes In Ottoman musical theory, aksak (Template:Langx) is a rhythmic system in which pieces or sequences, executed in a fast tempo, are based on the uninterrupted reiteration of a matrix, which results from the juxtaposition of rhythmic cells based on the alternation of binary and ternary quantities, as in Template:Serif, Template:Serif, Template:Serif, etc. The name literally means "limping", "stumbling", or "slumping", and has been borrowed by Western ethnomusicologists to refer generally to irregular, or additive meters.Template:SfnTemplate:SfnTemplate:Sfn
In Turkish folk music, these metres occur mainly in vocal and instrumental dance music, though they are found also in some folksongs. Strictly speaking, in Turkish music theory the term refers only to the grouping of nine pulses into a pattern of Template:Serif.Template:Sfn Some examples are shown below.Template:Additional citations needed
| Units | Subdivision | Name(s) |
|---|---|---|
| 5 | Template:Serif | Türk Aksağı [Bulg: Paidushko] |
| Template:Serif | ||
| 7 | Template:Serif | Devr-i Turan Script error: No such module "Unsubst". [Bulg. Račenica] |
| Template:Serif | ||
| Template:Serif | Devr-i Hindi Template:Sfn [Bulg. Lesnoto, Četvorno] | |
| 9 | Template:Serif | Aksak [Bulg. Daychovo] |
| Template:Serif | ||
| Template:Serif | ||
| Template:Serif | [Bulg: Grancharsko] | |
| 11 | Template:Serif | |
| Template:Serif | [Bulg. Gankino] | |
| 13 | Template:Serif | [Bulg. Elenino horo] |
| Template:Serif | [Bulg. Krivo Sadovsko horo] | |
| Template:Serif | Şarkı Devr-i Revâni | |
| 15 | Template:Serif | [Bulg. Bučimiš] |
| 18 | Template:Serif | [Bulg. Jove Malaj Mome] |
| 22 | Template:Serif | [Bulg. Sandansko Horo] |
| 25 | Template:Serif | [Bulg. Sedi Donka] |
In jazz
The aksak rhythm Template:Time signature is prominently featured in the jazz standard "Blue Rondo à la Turk" by Dave Brubeck.Template:Sfn
In rock
The Belgian experimental rock group Aksak Maboul take their name from this rhythm.
See also
References
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Works cited
- <templatestyles src="Citation/styles.css"/>Bektaş, Tolga. 2005. "Relationships between Prosodic and Musical Meters in the Beste Form of Classical Turkish Music". Asian Music 36, no. 1 (Winter–Spring): 1-26.
- <templatestyles src="Citation/styles.css"/>Brăiloiu, Constantin. 1951. "Le rythme Aksak" Revue de Musicologie 33, nos. 99 and 100 (December): 71–108.
- <templatestyles src="Citation/styles.css"/>Fracile, Nice. 2003. "The 'Aksak' Rhythm, a Distinctive Feature of the Balkan Folklore". Studia Musicologica Academiae Scientiarum Hungaricae 44, nos. 1 and 2:197–210.
- <templatestyles src="Citation/styles.css"/>Reinhard, Kurt, Martin Stokes, and Ursula Reinhard. 2001. "Turkey". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
- <templatestyles src="Citation/styles.css"/>User. 2015. “The Music of Dave Brubeck”. Jazz Academy website (accessed 16 September 2016).
Further reading
- <templatestyles src="Citation/styles.css"/>Arom, Simha. 2004. "L'aksak: Principes et typologie". Cahiers de Musiques Traditionnelles 17 (Formes musicales): 11–48.
- <templatestyles src="Citation/styles.css"/>Cler, Jérôme. 1994. "Pour une théorie de l'aksak". Revue de Musicologie 80, no. 2:181–210.
- <templatestyles src="Citation/styles.css"/>Tanrikorur, Cinugen. 1990. "Concordance of Prosodic and Musical Meters in Turkish Classical Music". Turkish Music Quarterly 3, no. 1: 1–7.