Ahir Bhairav

Template:Short description Template:Infobox raga Ahir Bhairav is a Hindustani classical raga. It is a mixture of Bhairav and the ancient, rare raga Ahiri or Abhiri, or perhaps a mixture of Bhairav and Bageshree.

Theory

Arohana and avarohana

Arohana: Template:SvaraH

Avarohana: Template:SvaraH

Key:

S, G, M, P, D: shuddha (natural);

r, n : komal (flat);

Pa and Sa are sometimes avoided in ascending Arohan. The descent can be direct, but is often expressed as S' N d P m, G m ^Gr ~ S with a slight oscillation on komal re to express the character of Bhairav.

Vadi and samavadi

Vadi: Template:SvaraH

Samavadi: Template:SvaraH

Pakad or Chalan

S, r G M, G M r, ṇ Ḍ, ṇ r S

| komal Ni, shuddha Dha, komal Ni, komal Re, Sa | is the most characteristic run, where the Ni and Dha belong to the lower octave and the Re and Sa are from the middle octave. Some andolan/oscillation is typically at the flattened second (komal re).

Organization and relationships

It may include impressions of Kafi. The image of Ahir Bhairav is easily maintained with the characteristic passage ṇ Ḍ ṇ/r~ S with the characteristic Bhairav andolan (oscillation) on komal re. Sometimes shuddha ni is used in the lower octave to emphasize the Bhairav character.

The Carnatic music equivalent to this raga is Chakravakam.

Related ragas:

• Bhairav
• Nat Bhairav

Thaat: Bhairav

Behaviour

Ahir Bhairav is a typical uttarang raga, which means emphasis is on the upper tetrachord.

Performance

It is usually sung as the first Prahr of the morning, around 6:00 am – 9:00 am.

Recordings and compositions

Ravi Shankar, Three Classical Ragas. His Master's Voice LP, 1957. and Angel Records CD, 2000.

Hariprasad Chaurasia, Raga Ahir Bhairav and Marriage Song from Uttar Pradesh. Nimbus Records CD, 1987.

Nikhil Banerjee, Raga Ahir Bhairav. Multitone Records, UK Limited, 1995. LP. (Available on iTunes.)

Wasif-ud-din Dagar, Chalo sakhi braj raje. Alap and Composition in Dhamar. Music Today. A97015. Cassette.

Traditional compositions in Raag Ahir Bhairav are:

• Man Rangeele (Teental 32BPM Vilambit)
• Shankara Mhaarare (180BPM Drut); popularised by Nagaraja Rao Havaldar
• Mohe Chedo Na Giridhaari (170 BPM Drut); popularised by Parveen Sultana

Film songs

• "Man Anand Anand Chayo" (film: Vijeta)
• "Meri Veena Tum Bin Roye"
• "Ullathil Nalla Ullam" from "Karnan"
• "Puuchho Naa Kaise Maine Rain Bitaaii" Shiv Dayal Batish and Manna Dey. Composer S.D. Burman
• "Waqt Karataa Jo Wafaa Aap Hamaare Hote"
• "Ram Teri Ganga Maili Ho Gayee (Title Track)" (film: Ram Teri Ganga Maili)
• "Ab Tere Bin Jee Le.nge Ham" (film: Aashiqui)
• "Solah Baras Kii Baalii Umr Ko Salaam"
• "Albelaa Sajan Aayo Re" (film: Hum Dil De Chuke Sanam, Bajirao Mastani)
• "Aur Ho" (film: Rockstar)

In Tamil

Song	Movie	Composer	Singer
Ullathil Nalla Ullam	Karnan	Viswanathan–Ramamoorthy	Sirkazhi Govindarajan
Vanithamani	Vikram	Ilaiyaraaja	S. P. Balasubrahmanyam, S. Janaki, Kamal Haasan
Vaanile Thenila	Kaakki Sattai	Ilaiyaraaja	S. P. Balasubrahmanyam, S. Janaki
Chalakku Chalakku	Chembaruthi	Ilaiyaraaja	Mano, S. Janaki
Nee Pathi Naan Pathi	Keladi Kanmani	Ilaiyaraaja	K. J. Yesudas, Uma Ramanan
Poonkatrae	Friends	Ilaiyaraaja	Hariharan
Vidu Kathaiya	Muthu	A. R. Rahman	Hariharan
Eechambazham	Pavithra	A. R. Rahman	Shahul Hameed, K.S. Chitra
Vaa Vaa En Veenaiyae	Sattam	Gangai Amaran	S. P. Balasubrahmanyam, Vani Jairam
Megangal Ennai Thottu	Amarkalam	Bharadwaj	S. P. Balasubrahmanyam

Carnatic music

Chakravakam, the 16th Melakarta raga of Carnatic music, which is a sampurna scale (all seven notes in ascending and descending scale), closely resembles Ahir Bhairav. However, in the modern times Ahir Bhairav raga has been used in a few Carnatic music compositions and many South Indian film songs as well.

Sources

(most) entries due to:

External links

• SRA on Samay and Ragas
• SRA on Ragas and Thaats
• Film Songs in Ahir Bhairav
• More details about raag AhirBhairav