A Chinese Ghost Story

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A Chinese Ghost Story (Script error: No such module "Lang-zh".) is a 1987 Hong Kong horror film starring Leslie Cheung, Joey Wong and Wu Ma, directed by Ching Siu-tung and produced by Tsui Hark. The plot is loosely based on a short story about Nie Xiaoqian from Qing dynasty writer Pu Songling's Strange Stories from a Chinese Studio and is also inspired by the 1960 Shaw Brothers Studio film The Enchanting Shadow. The film was popular in Hong Kong and several Asian countries, including South Korea and Japan. Although the film could not gain access to movie theaters in mainland China when it was first released, it became a cult film among young people in the mainland. At that time the film generated a phenomenal cult following among audiences, especially the generation born in the 1980s. In 2011, the Hong Kong producers screened a restored version officially in mainland China.[1]

Most notablyScript error: No such module "Unsubst". it boosted the stardom of Joey Wong, won Leslie Cheung popularity in Japan,Script error: No such module "Unsubst". and sparked a trend of folklore ghost films in the Hong Kong film industry.Script error: No such module "Unsubst". The film was ranked number 50 of the Best 100 Chinese Motion Pictures presented at the 24th Hong Kong Film Awards, the Special Jury Special Award of the 16th French Science Fiction Film Festival and the Best Film Award of the Portuguese Science Fiction Film Festival.

The film was followed by two sequels: A Chinese Ghost Story II (1990) and A Chinese Ghost Story III (1991). In 2011, a new adaptation of Pu's short story was released, directed by Wilson Yip and starring Louis Koo and Crystal Liu.[2]

Plot

Ning Choi-san, a timid debt collector, goes to a rural town to collect taxes but fails and runs out of money. He has no choice but to take shelter in a deserted temple in the forest on the outskirts of the town. That night, he meets a beautiful and alluring young maiden, Nip Siu-sin, and falls in love with her. In the morning, however, after he recalls that night's events, he becomes increasingly fearful and superstitious because Yin Chik-ha, a Taoist priest, told him that the people he saw in the temple are ghosts. That night, he returns to the temple and confirms his theory that Nip is actually a ghost.

Nip tells Ning her story of how she became eternally bound to the servitude of a sinister Tree Demoness. She explains that as long as her remains are buried at the foot of the tree, her spirit will be forever enslaved by the Tree Demoness. Ning attempts to free her from her suffering, so he seeks help from Yin Chik-ha. Yin fights with the Tree Demoness and attempts to free Nip's soul but fails. As punishment for betraying her master, Nip's soul is banished to the Underworld.

Ning is unwilling to give up on Nip and he insists that Yin help him. Yin reluctantly opens a temporary portal into the Underworld and brings Ning along to search for Nip. As the Underworld is full of spirits, they have a hard time finding her. Ning and Nip are eventually able to see each other briefly near dawn when they manage to leave the Underworld. When sunlight shines on the urn containing Nip's cremated remains, Ning uses a curtain to shield the urn to prevent Nip's soul from being destroyed by exposure to sunlight. Before leaving for good, she tells him that the only way to save her soul is to rebury her remains at a more auspicious burial site. Ning follows her instructions and, acting on Yin's advice, he buries her remains near the crest of a hill. He burns a joss stick for her and prays for her soul while Yin watches solemnly behind him.

Ning and Yin are then seen riding off seeking a new adventure, with rainbow visible in the sky above them.

Cast

Production

Producer Tsui Hark was interested in creating A Chinese Ghost Story as early as 1978, where he suggested it as a television production at TVB.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". The producer turned it down, feeling it would not be suitable for television.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". A Chinese Ghost Story uses elements of several stories from Pu Songling's 17th century collection Strange Tales from a Chinese Studio.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Tsui Hark stated that they changed a lot of the stories for their adaptation as they found out the stories were against their initial interpretation.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". On developing the film, Tsui Hark noted that director Ching Siu-tung wanted to work with him.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Ching Siu-tung had previously worked as a director and an action choreographer on various Film Workshop productions such as Peking Opera Blues and A Better Tomorrow II.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Tsui suggested developing A Chinese Ghost Story, describing it as a love story which Ching was not as interested in developing as either a romance film or a non-horror based ghost story.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Tsui noted that his higher up approached him to develop the film into being about a female cop, not being aware that it was based on a book or that it was a period film.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". While working on the film, Tsui and Ching did not really know what it would end up being like, as Ching was still apprehensive on creating a romance film and desired to add horror film elements.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Rumours persist around the production suggesting that Tsui Hark effectively directed the film.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". British critic Tony Rayns stated that effectively, most Film Workshop productions were "redirected or hijacked by Tsui Hark"Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".

Tsui had envisioned Siu-sin as a mix in between an angel and a devil and wanted Japanese singer-actress Akina Nakamori to star in the film.[3] Due to the language barrier and Nakamori unable to understand the story, she did not accept the invite.[3] May Lo was Tsui's second choice but her growing popularity at that time and could not fit the filming into her schedule.[3] Joey Wong then approached Tsui’s wife, film producer Nansun Shi, for an audition and managed to score an audition with Tsui.[3] During the audition, Wong became a perfect fit for Tsui's vision and was cast as Siu-sin.[3] Wong was a professional basketball player and model before starting her film career.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Prior to working on the film, she appeared in films such as the Taiwanese production It'll Be Very Cold at the Lakeside This Year.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". She would show up in a few Shaw Brothers produced Hong Kong films and Tsui Hark's film Working Class.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".

Actors in the film include Leslie Cheung who was also a cantopop singer.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Cheung had previously worked with Tsui Hark productions such as A Better Tomorrow and A Better Tomorrow II.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Cheung also sung the films theme song.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Wu Ma had previously appeared in several Hong Kong horror film productions such as Spooky Encounters, The Dead and the Deadly and Mr. Vampire.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". The film used the services of Cinefex Workshop, Hong Kong's first proper special effects studio who had previously worked on Tsui's film Zu Warriors from the Magic Mountain.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". The film script called for a giant slithering tongue and zombies, which were developed by Cinefex technician Man Xian Liang, who taught himself stop motion animation in order to make the effects happen.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". James Wong contributed to the score of the film.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". Wong was primarily known for writing songs for pop stars and television programs and completed his first score for Tsui's Shanghai Blues.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".

Release

A Chinese Ghost Story opened on July 18, 1987.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". The film received theatrical release throughout Asia and Europe.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". The film also received international recognition when it won the special Jury Prize at the Avoriaz festival in France and the Best Film Award at the Opporto Festival in Portugal in 1987.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".

Box office

A Chinese Ghost Story performed well at the Hong Kong box office, earning Template:HK$18,831,638 (Template:US$) and becoming 1987's fifteenth highest-grossing film in Hong Kong.Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".[4] In Taiwan, it was the 11th highest-grossing film of 1987, selling 187,654 tickets and earning Template:NTD[5] (US$443,515).[6] In South Korea, the film sold 31,639 tickets in Seoul upon release in December 1987,[7] equivalent to an estimated Template:KRW110,736,500[8] (Template:US$).[9]

In the United Kingdom, the film sold 1,045 tickets in 1996,[10] equivalent to an estimated £Template:Replace[11] (Template:US$).[12] In China, the film grossed US$328,204 in 2008[13] and Template:CNY (Template:US$) in 2011,[14] for a total of Template:US$ grossed in China. This adds up to an estimated total of Template:US$ grossed worldwide (equivalent to an estimated Template:US$ adjusted for inflation).

Re-releases and restorations

In memory of the late Leslie Cheung, director Ching Siu-tung and producer Ng See-yuen re-released the film in cinemas across mainland China on 30 April 2011.[15] China Radio International reported that the film was remastered with color timing that took about half a year.[16] In addition, premieres took place in both Beijing and Shanghai. Ching Siu-tung, Ng See-yuen and Lau Siu-ming were present. However, Wu Ma and Joey Wong, who were invited, did not attend the premiere. Ching Siu-tung had difficulty tracking down Joey Wong and had to contact her through her family in Taiwan. He received a telephone call at the last minute from Wong's father, stating that the actress was in poor health and not in good condition to attend the premiere. Wong's father also quoted her daughter saying that acting in the film were her best memories.[15]

In 2025, Cinema City Enterprises produced a 4K restoration of A Chinese Ghost Story, releasing it theatrically in China on 21 March 2025 in standard and 4DX formats.[17] The re-release earned 10 million RMB in its first week.[18] Shout! Factory released digital and Blu-ray versions of the restoration in August and October 2025, respectively, having acquired worldwide rights to production company Golden Princess' catalogue in January.[19][20][21]

Reception and legacy

From contemporary reviews, Walter Goodman (The New York Times) noted poor subtitling on the print he viewed, opining that "If there are any Eastern profundities emanating from the temple, this Westerner did not recognize them." and that "The kick you get from all this will depend on how exciting you find explosive exhibitions of extraterrestrial exercises."[22] Kim Newman (Monthly Film Bulletin) described the film as "an excellent example of the distinctive type of ghost/horror film that has been coming out of Hong Kong for many years" and that the film "affords an insight into a movie mythos at least as highly developed and ritualized as the Universal horror cycle of the 30s or the Hammer films of the 50s and 60s".[23] The film was reviewed by a critic credited as "Mel" in Variety who praised the film, stating that "Cinema City is to be congratulated for searching original Chinese material. The art direction, costumes, cinematography and soundtrack music are all exceptional."Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". The review went on to state that the "storyline portray the beauty and fragility of life on earth" which led to "an entertaining love story with a tantalizing horror background, mixed with fantasy escapism that won't insult adult viewers."Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".

From retrospective reviews, The Guardian described the film as "one of the breakthrough films of modern Hong Kong cinema" and that it was "dubious knockabout comedy [...] spiced with frantic set piece stunts (mid-air fights, thousand-foot tongues); not for those who value comprehensibility over panache."[24] Empire gave the film four stars out of five, noting "gorgeous imagery" and that it was not "quite as completely demented as Mr Vampire, but it is truly strange."[25] Donald C Willis wrote in his book Horror and Science Fiction Film IV that A Chinese Ghost Story was "an entertaining fantasy extravaganza" and that "the movie is very inventive, occasionally even poetic, but not quite moving".Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters". John Charles gave the film an eight out of ten rating, noting that some horror elements in the film were in debt to the film The Evil Dead, but noted that the "cinematography and art direction are superb, the action is invigorating, and the love story surprisingly touching, making this one of the most captivating and enjoyable fantasies of the post-New Wave period."Script error: No such module "Footnotes".Script error: No such module "Check for unknown parameters".

In mainland China, before the film was officially released in 2011, it was already widely circulated through unofficial channels- including smuggled videocassettes, pirated VCDs and DVDs, and later, video-sharing websites- and celebrated as a cult classic. The Chinese generation born in the 1980s, aka. the "post-80s" (Script error: No such module "lang".), are among the most devout fans of this film, which they see as an embodiment of idealism, rebellion, nostalgia, and social criticism. Some scholars consider its comic nature, or "half-seriousness," to be the main reason for this cult following.[26]

The modern reception of the film in Hong Kong and Taiwan is positive.[27][28] At the 24th Hong Kong Film Awards various Asian film critics, film makers and actors voted for the top Chinese films from Hong Kong, Taiwan and China.[28] A Chinese Ghost Story was listed at 50th place on the list.[28] In 2011, the Taipei Golden Horse Film Festival had 122 industry professionals take part in the survey.[27] The voters included film scholars, festival programmers, film directors, actors and producers to vote for the 100 Greatest Chinese-Language Films.[27] A Chinese Ghost Story tied with Jia Zhangke's Xiao Wu (1997) and Zhang Yimou's The Story of Qiu Ju (1992) for 35th place on the list.[27]

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Awards and nominations

Awards and nominations
Ceremony Category Recipient Outcome
7th Hong Kong Film Awards Best Film A Chinese Ghost Story Nominated
Best Director Ching Siu-tung Nominated
Best Actress Joey Wong Nominated
Best Supporting Actor Wu Ma Nominated
Best Cinematography Poon Hang-sang, Tom Lau, Sander Lee,
Horace Wong 		Nominated
Best Film Editing Cinema City Production Co. Ltd. Editing Unit Nominated
Best Art Direction Kenneth Yee Won
Best Action Choreography Ching Siu-tung, Philip Kwok, Lau Chi-ho,
Alan Chui Chung-San, Bobby Wu 		Nominated
Best Original Film Score Romeo Diaz, James Wong Won
Best Original Film Song Song: Dawn, Please Do Not Come (黎明不要來)

Composer/Lyricist: James Wong
Singer: Sally Yeh

Won
Song: A Chinese Ghost Story (倩女幽魂)

Composer/Lyricist: James Wong
Singer: Leslie Cheung

Nominated
Song: Path (道)

Composer/Lyricist:/Singer: James Wong

Nominated
24th Golden Horse Awards Best Feature Film A Chinese Ghost Story Won
Best Supporting Actor Wu Ma Won
Best Adapted Screenplay Yuen Kai-chi Won
Best Film Editing Cinema City Production Co. Ltd. Editing Unit Won
Best Art Direction Kenneth Yee Nominated
Best Makeup & Costume Design Shirley Chan Won
Best Original Film Song Song: Path (道)

Composer/Lyricist: James Wong Singer: Leslie Cheung

Nominated
16th Avoriaz Fantastic Film Festival Special Jury Award Tsui Hark Won
8th Fantafestival Best Director Ching Siu-tung Won
8th Fantasporto Film Festival Best Film Award A Chinese Ghost Story Won
24th Hong Kong Film Awards Best 100 Chinese Motion Pictures (#50) A Chinese Ghost Story Won
1987 Sitges Film Festival Best Special Effects[29] Cinefex Workshop Co., Ltd. Won

See also

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References

Footnotes

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  28. ↑ a b c Script error: No such module "citation/CS1".
  29. ↑ Script error: No such module "citation/CS1".

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Sources

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External links

Template:Ching Siu-tung Script error: No such module "Navbox". Template:A Chinese Ghost Story

Template:Strange Tales from a Chinese Studio

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