6th Annual Grammy Awards
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The 6th Annual Grammy Awards were held on May 12, 1964, at Chicago, Los Angeles and New York. They recognized accomplishments by musicians for the year 1963.[1][2] Henry Mancini won 4 awards.
Award winners
The following awards were the winners and nominees of the 6th annual awards ceremony:[3]
- Record of the Year
- Henry Mancini for "Days of Wine and Roses"
- Jack Jones for "Wives And Lovers"
- Tony Bennett for "I Wanna Be Around"
- Barbra Streisand for "Happy Days Are Here Again"
- Sœur Sourire for "Dominique"
- Album of the Year (other than classical)
- Barbra Streisand for The Barbra Streisand Album
- Sœur Sourire for The Singing Nun Album
- Andy Williams for Days Of Wine And Roses
- Al Hirt for Honey In The Horn
- The Swingle Singers for Bach's Greatest Hits
- Song of the Year
- Henry Mancini & Johnny Mercer (songwriters) for "Days of Wine and Roses" performed by Henry Mancini
- Burt Bacharach & Hal David (songwriters) for "Wives And Lovers" performed by Jack Jones
- Sacha Distal & Jack Reardon (songwriters) for "The Good Life" performed by Tony Bennett
- Johnny Mercer & Sadie Vimmerstedt (songwriters) for "I Wanna Be Around" performed by Tony Bennett
- Sammy Cahn & Jimmy Van Heusen (songwriters) for "Call Me Irresponsible" performed by Frank Sinatra
- Best New Artist
- Ward Swingle (The Swingle Singers)
- Vikki Carr
- J's With Jamie
- John Gary
- Trini Lopez
Children's
- Best Recording for Children
- Leonard Bernstein (conductor) for Bernstein Conducts for Young People performed by the New York Philharmonic
- Jack Gilford for Winnie The Pooh
- Peter, Paul and Mary for "Puff (The Magic Dragon)"
- Tom Glazner for On Top Of Spaghetti
- Various Artists for Let's Go To The Zoo
- Pete Seeger for Children's Concert
- Rica Owen Moore for Addition And Subtraction
Classical
- Best Classical Performance - Orchestra
- Erich Leinsdorf (conductor) & the Boston Symphony Orchestra for Bartók: Concerto for Orchestra
- Best Classical Performance - Vocal Soloist (with or without orchestra)
- Skitch Henderson (conductor), Leontyne Price & the RCA Orchestra for Great Scenes From Gershwin's Porgy and Bess
- Best Opera Recording
- Erich Leinsdorf (conductor), Rosalind Elias, Leontyne Price, Richard Tucker & the RCA Italiana Opera Orchestra for Puccini: Madama Butterfly
- Best Classical Performance - Choral (other than opera)
- Benjamin Britten (conductor), Edward Chapman, David Willcocks (choir directors), the Bach Choir, Highgate School Choir & the London Symphony Orchestra & Choir for Britten: War Requiem
- Best Classical Performance - Instrumental Soloist or Soloists (with orchestra)
- Erich Leinsdorf (conductor), Arthur Rubinstein & the Boston Symphony Orchestra for Tchaikovsky: Piano Concerto No. 1 in B Flat Minor
- Best Classical Performance - Instrumental Soloist or Duo (without orchestra)
- Vladimir Horowitz for The Sound of Horowitz
- Best Classical Music Performance - Chamber Music
- Julian Bream for Evening of Elizabethan Music performed by the Julian Bream Consort
- Best Classical Composition by a Contemporary Composer
- Benjamin Britten (composer & conductor) & the London Symphony Orchestra for Britten: War Requiem
- Best Classical Album
- Benjamin Britten (conductor) & the London Symphony Orchestra for Britten: War Requiem
- Most Promising New Classical Recording Artist
Comedy
- Best Comedy Performance
- Allan Sherman for "Hello Mudduh, Hello Faddah"
- The Smothers Brothers for Think Ethnic
- Cassius Clay for I Am The Greatest
- Carl Reiner & Mel Brooks for Carl Reiner And Mel Brooks At The Cannes Film Festival
- Bill Cosby for Bill Cosby Is A Very Funny Fellow, Right!
Composing and arranging
- Best Instrumental Theme
- Riz Ortolani (composer) for "More - Theme From Mondo Cane"
- Bob Goldstein & David Shire for Washington Square performed by The Village Stompers
- Maurice Jarre (composer & musical director) for Lawrence Of Arabia
- Steve Allen & Ray Brown (composers) for Gravy Waltz
- Jean "Toots" Theilmans (composer & performer) for "Bluesette"
- Best Original Score from a Motion Picture or Television Show
- John Addison (composer) for Tom Jones
- Nino Oliviero & Roy Ortolani (composers) for Mondo Cane conducted by Riz Ortolani
- Maurice Jarre (composer & conductor) for Lawrence Of Arabia
- Alex North (composer & conductor) for Cleopatra
- Best Instrumental Arrangement
- Quincy Jones (arranger) for "I Can't Stop Loving You" performed by Count Basie
- Joe Sherman (arranger) for Washington Square performed by The Village Stompers
- Marty Gold & Peter Nero (arrangers) for "Mountain Greenery" performed by Peter Nero
- Claus Ogerman (arranger) for "More" performed by Kai Winding
- Robert N. Enevoldsen (arranger) for "Gravy Waltz" performed by Steve Allen
- Best Background Arrangement
- Henry Mancini (arranger) for "Days of Wine and Roses"
- Pete King (arranger) for "Wives And Lovers" performed by Jack Jones
- Gerald Wilson (arranger) for "Tell Me The Truth" performed by Nancy Wilson
- Nelson Riddle (arranger) for "Call Me Irresponsible" performed by Frank Sinatra
- Benny Carter (arranger) for "Busted" performed by Ray Charles
- Marion Evans (arranger) for "Blame It On The Bossa Nova" performed by Eydie Gorme
Country
- Best Country & Western Recording
- Bobby Bare for "Detroit City"
- Porter Wagoner for The Porter Wagoner Show
- Lefty Frizzell for "Saginaw, Michigan"
- Johnny Cash for "Ring Of Fire"
- Hank Snow for "Ninety Miles An Hour (Down A Dead End Street)"
- Buck Owens for "Love's Gonna Live Here"
- Flatt and Scruggs for Flatt And Scruggs At Carnegie Hall
Folk
- Best Folk Recording
- Peter, Paul and Mary for "Blowin' in the Wind"
- Pete Seeger for "We Shall Overcome"
- The Rooftop Singers for Walk Right In
- Miriam Makeba for The World Of Miriam Makeba
- Odetta for Odetta Sings Folk Songs
- Judy Collins for Judy Collins #3
- The New Christy Minstrels for "Green, Green"
Gospel
- Best Gospel or Other Religious Recording (Musical)
- Soeur Sourire for "Dominique"
- The Roger Wagner Chorale & Tennessee Ernie Ford for The Story Of Christmas
- George Beverly Shea for The Earth Is The Lord's (And The Fullness Thereof)
- Kings Of Harmony for "Steppin' Right In"
- Bessie Griffin and The Gospel Pearls for Recorded Live!
- Charles Magnuson & Fred Bock for Piano In Concert
- The Limeliters for Make A Joyful Noise
Jazz
- Best Instrumental Jazz Performance - Soloist or Small Group
- Bill Evans for Conversations with Myself
- Miles Davis for Seven Steps To Heaven
- Peter Nero for Peter Nero In Person
- Al Hirt for Our Man In New Orleans
- Dave Brubeck Quartet for Dave Brubeck At Carnegie Hall
- Thelonious Monk for Criss-Cross
- Ray Brown, Andre Previn, Herb Ellis & Shelly Manne for 4 To Go!
- Best Instrumental Jazz Performance - Large Group
- Woody Herman for Encore: Woody Herman, 1963
- Miles Davis for Seven Steps To Heaven
- Quincy Jones for Quincy Jones Plays The Hip Hits
- Al Hirt for Our Man In New Orleans
- Gerry Mulligan Concert Jazz Band for Gerry Mulligan '63
- Oliver Nelson Orchestra for Full Nelson
- Best Original Jazz Composition
- Steve Allen & Ray Brown (composers) for "Gravy Waltz" performed by Steve Allen
- Paul Desmond (composer & performer) for Take Ten
- Antonio Carlos Jobim & Newton Mendonça (composers) for "Meditation" performed by Antonio Carlos Jobim
- Dick Grove, Pete Jolly & Tommy Wolf (composers) for "Little Bird" performed by Pete Jolly
- Kenyon Hopkins (composer & conductor) for East Side - West Side
- Charlie Mingus (composer & performer) for "Black Saint And The Sinner Lady"
Musical show
- Best Score From an Original Cast Show Album
- Jerry Bock, Sheldon Harnick (composers) & the original cast (Barbara Cook, Jack Cassidy, Barbara Baxley, Daniel Massey, Nathaniel Frey, Ralph Williams & Jo Wilder) for She Loves Me
- Anne Croswell & Lee Pockriss (composers) for Tovarich performed by original Broadway cast including Vivien Leigh, Jean Pierre Aumont & George S. Irving
- Howard Dietz & Arthur Schwartz (composers) for Jennie performed by original Broadway cast including George D. Wallace and Robin Bailey
- Meredith Willson (composer) for Here's Love performed by original Broadway cast including Valerie Lee, Janis Paige & Laurence Naismith
- Tom Jones & Harvey Schmidt (composers) for 110 In The Shade performed by original Broadway cast including Robert Horton and Inga Swenson
Packaging and notes
- Best Album Cover - Classical
- Robert M. Jones (art director) for Puccini: Madama Butterfly conducted by Erich Leinsdorf
- Robert "Bob" Cato (art director) for Strauss: Don Quixote conducted by Eugene Ormandy
- Dorle Soria (art director) for Puccini: Tosca conducted by Herbert von Karajan
- Vladimir Bobri (art director) for Granada (Albeniz: "Granada" Granados: "Spanish Dance In E" Ponce, Tansman, Aguado: "Eight Lesson For The Guitar" Sor: "Four Studies") performed by Andrés Segovia
- Dorle Soria (art director) for Evening Of Elizabethan Music performed by Julian Bream Consort
- Robert M. Jones (art director) for Beethoven: Symphony No. 6 In F Major, Op. 68 (Pastorale) conducted by Fritz Reiner
- John Berg (art director) for Beethoven: Symphony No. 5 In C Minor, Op. 67 conducted by Leonard Bernstein
- Best Album Cover - Other Than Classical
- John Berg for The Barbra Streisand Album performed by Barbra Streisand
- John Murello (art director) for Night Train performed by Oscar Peterson
- Robert M. Jones (art director) for Honey In The Horn performed by Al Hirt
- Jim Silke (art director) for Hollywood - My Way performed by Nancy Wilson
- Ed Thrasher (art director) for Carl Reiner And Mel Brooks At The Cannes Film Festival performed by Carl Reiner & Mel Brooks
- Jim Ladwig (art director) for Bach's Greatest Hits performed by Swingle Singers
- Robert M. Jones (art director) for Aloha From Norman Luboff performed by Norman Luboff Choir
- Best Album Notes
- Stanley Dance & Leonard Feather (notes writers) for The Ellington Era performed by Duke Ellington
- Edward Albee & Harold Clurman (notes writers) for Who's Afraid Of Virginia Woolf? performed by original cast including Uta Hagen, Arthur Hill, Melinda Dillon & George Grizzard
- Harold Arlen (notes writer) for The Barbra Streisand Album performed by Barbra Streisand
- B.A. Botkin, James L. Horan, Harold Preece & Sylvester L. Vigilante (notes writers) for The Badmen performed by Pete Seeger and others
- Bob Bollard (notes writer) for The Amazing Amanda Ambrose performed by Amanda Ambrose
- Sidney Bock (notes writer) for Evening Of Elizabethan Music performed by Julian Bream
Pop
- Best Vocal Performance, Female
- Barbra Streisand for The Barbra Streisand Album
- Miriam Makeba for The World Of Miriam Makeba
- Peggy Lee for I'm A Woman
- Sœur Sourire for "Dominique"
- Eydie Gorme for Blame It On The Bossa Nova
- Best Vocal Performance, Male
- Jack Jones for "Wives and Lovers"
- Andy Williams for Days Of Wine And Roses
- Tony Bennett for "I Wanna Be Around"
- John Gary for Catch A Rising Star
- Ray Charles for "Busted"
- Best Performance by a Vocal Group
- Peter, Paul and Mary for "Blowin' in the Wind"
- Anita Kerr Singers for Waitin' For The Evening Train
- The Hi-Lo's for The Hi-Lo's Happen To The Bossa Nova
- Jackie and Roy for Like Sing - Jackie And Roy Kral
- J's With Jamie for Hey, Look Us Over!
- Best Performance by a Chorus
- Ward Swingle for Bach's Greatest Hits performed by the Swingle Singers
- Robert Shaw Chorale for The Many Moods Of Christmas
- Leonard Bernstein & Richard Conde for The Joy Of Christmas
- The New Christy Minstrels for "Green, Green"
- Henry Mancini and His Orchestra with Chorus for Charade
- Best Performance by an Orchestra - for Dancing
- Count Basie for This Time by Basie! Hits of the 50s and 60s
- Page Cavanaugh for The Page 7... An Explosion In Pop Music
- Les Brown for Richard Rodgers Bandbook
- Quincy Jones for Quincy Jones Plays The Hip Hits
- Joe Harnell for Fly Me To The Moon And The Bossa Nova Pops
- Woody Herman for Encore: Woody Herman 1963
- Best Performance by an Orchestra or Instrumentalist with Orchestra, Not for Jazz or Dancing
- Al Hirt for "Java"
- Percy Faith for Themes For Young Lovers
- Kai Winding for "More"
- Peter Nero for Hail The Conquering Nero
- Henry Mancini for Our Man In Hollywood
- Andre Previn for Andre Previn In Hollywood
- Best Rock and Roll Recording
- April Stevens & Nino Tempo for "Deep Purple"
- Chet Atkins for Teen Scene
- Ruby and the Romantics for "Our Day Will Come"
- Lesley Gore for "It's My Party"
- Little Peggy March for "I Will Follow Him"
- Sam Cooke for "Another Saturday Night"
Production and engineering
- Best Engineered Recording - Other Than Classical
- James Malloy (engineer) for Charade performed by Henry Mancini
- Frank Laico (engineer) for The Second Barbra Streisand Album performed by Barbra Streisand
- Anthony Salvatore (engineer) for The Many Moods Of Christmas performed by Robert Shaw Chorale
- Frank Laico (engineer) for The Barbra Streisand Album performed by Barbra Streisand
- Ronald A. Steele (engineer) for Supercussion performed by Dick Schory
- Ronald A. Steele (engineer) for Politely Percussive performed by Dick Schory
- Al Schmitt (engineer) for Our Man In Hollywood performed by Henry Mancini
- Harold Chapman (engineer) for Exotic Sounds Of Bail performed by Mantle Hood
- Luis P. "Val" Valentin (engineer) for Ella And Basie! performed by Ella Fitzgerald & Count Basie
- Best Engineered Recording - Classical
- Lewis W. Layton (engineer), Erich Leinsdorf (conductor) & the RCA Italiana Opera Orchestra for Puccini: Madama Butterfly
- Gordon Parry (engineer) for Wagner: Siegfried conducted by Georg Solti
- Lewis W. Layton for Mahler: Symphony No. 1 In D (The Titan Album) conducted by Erich Leinsdorf
- Lewis W. Layton for Great Scenes From Gershwin's Porgy And Bess conducted by Skitch Henderson
- Kenneth Wilkinson (engineer) for Britten: War Requiem conducted by Benjamin Britten
- Fred Plaut (engineer) for Bernstein Conducts Tchaikovsky (Capriccio Italien; 1812 Overture; Marche Slave) conducted by Leonard Bernstein
- Best Engineered Recording - Special or Novel Effects
- Robert Fine (engineer) for Civil War Vol. II performed by Frederick Fennell
- John Kraus (engineer) for Zounds! What Sounds performed by Dean Elliott
- Phil Macy & Al Weintraub (engineers) for Pepino's Friend Pasquale performed by Lou Monte
- Hugh Davies & John Kraus (engineers) for Heartstrings performed by Dean Elliott
- Bill MacMeekin & Scotty Shackner (engineers) for Four In The Floor performed by The Shut Downs
- William Hamilton (engineer) for Fast, Fast, Fast Relief From TV Commercials performed by Bill McFadden & Bryna Rayburn
- John Kraus (engineer) for Cheyenne Frontier Days performed by Hank Thompson
R&B
- Best Rhythm & Blues Recording
- Ray Charles for "Busted"
- Lenny Welch for "Since I Fell For You"
- Little Johnny Taylor for "Part Time Love"
- Major Lance for "Hey, Little Girl"
- Barbara Lewis for "Hello Stranger"
- Sam Cooke for "Frankie And Johnny"
- Martha and the Vandellas for "(Love Is Like A) Heat Wave"
Spoken
- Best Documentary, Spoken Word or Drama Recording (other than comedy)
- Edward Albee (playwright) for Who's Afraid of Virginia Woolf? performed by Melinda Dillon, George Grizzard, Uta Hagen & Arthur Hill
- Martin Luther King Jr. and various artists for We Shall Overcome (The March On Washington... August 28, 1963)
- Pete Seeger and others for The Badmen
- Betty Field, Jane Fonda, Ben Gazzara, Pat Hingle, Geoff Horne, William Prince, Geraldine Page, Richard Thomas & Franchot Tone for Strange Interlude
- John F. Kennedy for John F. Kennedy - The Presidential Years (With David Tieg As Narrator)
References
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