Triple metre
Template:Short description Script error: No such module "redirect hatnote". Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with Template:Music, Template:Music and Template:Music being the most common examples. In these signatures, beats form groups of three, establishing a triple meter feel in the music or song. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of Template:Music usually indicates compound duple metre, and similarly Template:Music usually indicates compound quadruple metre.
Shown below are a simple and a compound triple drum pattern.
<score sound="1" override_midi="Simple triple drum pattern.mid">
\new Staff <<
\new voice \relative c' {
\clef percussion
\numericTimeSignature
\time 3/4
\set Score.tempoHideNote = ##t \tempo 4 = 100
\stemDown \repeat volta 2 { g4 d' d }
}
\new voice \relative c {
\override NoteHead.style = #'cross
\stemUp \repeat volta 2 { a8[ a] a[ a] a[ a] }
}
>></score>
<score sound="1" override_midi="Compound triple drum pattern.mid"> \new Staff <<
\new voice \relative c' {
\clef percussion
\numericTimeSignature
\time 9/8
\set Score.tempoHideNote = ##t \tempo 4. = 80
\stemDown \repeat volta 2 { g4. d' d }
}
\new voice \relative c {
\override NoteHead.style = #'cross
\stemUp \repeat volta 2 { a8 a a a a a a a a }
}
>></score>
Stylistic differences
Script error: No such module "Labelled list hatnote". In popular music, the metre is most often quadruple,[1] but this does not mean that triple metre does not appear.
In jazz, this and other more adventurous metres have become more common since Dave Brubeck's album Time Out.[2][3][4] One noteworthy example of a jazz classic that employs triple metre is John Coltrane's version of "My Favorite Things".[5]
Triple time is common in formal dance styles, for example the sarabande, the minuet, the mazurka, the waltz and others.
Triple metre is rare in national anthems – the national anthems of Austria, the United Kingdom, Switzerland, Greece, and the United States being notable exceptions.
Afro
Template:Main article Afro, a Cuban folkloric genre, is typically performed in triple metre using the batá drum.[6]
3-Step
Template:Main article The term " three-step" to refer to music was initially coined in the mid-2010s by gqom record producers (Sbucardo and Citizen Boy) to describe as well as another name for the South African genre, gqom due to its beat structure associated with triple metre. As the genre gained mainstream popularity and evolved, incorporating a wide range of music production techniques and more styles, other gqom record producers (Emo Kid, DJ Lag, Ben Myster and Menzi) introduced, pioneered and developed a distinct variation of gqom music between the late 2010s and early 2020s known as "3-step" (also referred to as 3 step, three-step, and other variants). The gqom subgenre is characterized by its gqom elements combined with triple metre and broken beat features. Producers frequently blend 3-step with other production styles and musical genres.[7][8][9][10][11][12][13][14]
Yoruba music
Template:Main article In Yoruba music, triple metre amongst other rhythms, creates a distinctive, flowing quality through a recurring cycle of three beats per measure. The rhythmic structure is commonly found in traditional Yoruba drum music and plays a significant role in shaping dance movements and ceremonial performances. Additionally, triple metre is evident in oríkì chants, where it enriches lyrical expression. Triple metre, in Yoruba music plays a crucial role in cultural and ceremonial contexts.[15][16][17][18][19][20]
See also
Sources
Template:Musical meter Template:Rhythm and meter Script error: No such module "Navbox".
- ↑ Schroedl, Scott (2001). Play Drums Today!, p. 42. Hal Leonard. Template:ISBN.
- ↑ May, Chris. "Dave Brubeck Quartet: Time Out" Template:Webarchive All About Jazz December 15, 2011 Retrieved March 14, 2017
- ↑ Lamb, Evelyn "Uncommon Time: What Makes Dave Brubeck's Unorthodox Jazz Stylings So Appealing?" Template:Webarchive Scientific American December 11, 2012 Retrieved March 14, 2017
- ↑ Smith, Hedrick; Hackel, Cliff "Brubeck's Trademark Style: Odd Time Signatures, Polyrhythms and Polytonality" Template:Webarchive PBS:Rediscovering Dave Brubeck Released 16 December 2001 Retrieved March 14, 2017
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